front cover of Dakotah
Dakotah
The Return of the Future
By Charles Bowden; foreword by Terry Tempest Williams
University of Texas Press, 2019

“On a bend, I will see it, a piece of ground off to the side. I will know the feel of this place: the leaves stir slowly on the trees, dry air smells like dust, birds dart and the trails are made by beasts living free.”

When award-winning author Charles Bowden died in 2014, he left behind a trove of unpublished manuscripts. Dakotah marks the landmark publication of the first of these texts, and the fourth installment in his acclaimed “Unnatural History of America.” Bowden uses America’s Great Plains as a lens—sometimes sullied, sometimes shattered, but always sharp—for observing pivotal moments in the lives of anguished figures, including himself.

In scenes that are by turns wrenching and poetic, Bowden describes the Sioux’s forced migrations and rebellions alongside his own ancestors’ migrations from Europe to Midwestern acres beset by unforgiving winters. He meditates on the lives of his resourceful mother and his philosophical father, who rambled between farm communities and city life. Interspersed with these images are clear-eyed, textbook-defying anecdotes about Lewis and Clark, Daniel Boone, and, with equal verve, twentieth-century entertainers “Pee Wee” Russell, Peggy Lee, and other musicians. The result is a kaleidoscopic journey that penetrates the senses and redefines the notion of heartland. Dakotah is a powerful ode to loss from one of our most fiercely independent writers.

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front cover of Dancing Ghosts
Dancing Ghosts
Native American And Christian Syncretism In Mary Austin'S Work
Mark T. Hoyer
University of Nevada Press, 1998

A significant and innovative contribution to Austin studies. How did an Illinois Methodist homesteader in the West come to create one of the most significant cosmological syntheses in American literature? In this study, Hoyer draws on his own knowledge of biblical religion and Native American cultures to explore Austin's creation of the "mythology of the American continent" she so valued. Austin lived in and wrote about "the land of little rain," semiarid and arid parts of California and Nevada that were home to the Northern Paiute, Shoshone, Interior Chumash, and Yokut peoples. Hoyer makes new and provocative connections between Austin and spiritual figures like Wovoka, the prophet of the Ghost Dance religion, and writers like Zitkala-sa and Mourning Dove, and he provides a particularly fine reading of Cogowea.

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The Daring Trader
Jacob Smith in the Michigan Territory, 1802-1825
Kim Crawford
Michigan State University Press, 2012

A fur trader in the Michigan Territory and confidant of both the U.S. government and local Indian tribes, Jacob Smith could have stepped out of a James Fenimore Cooper novel. Controversial, mysterious, and bold during his lifetime, in death Smith has not, until now, received the attention he deserves as a pivotal figure in Michigan’s American period and the War of 1812. This is the exciting and unlikely story of a man at the frontier’s edge, whose missions during both war and peace laid the groundwork for Michigan to accommodate settlers and farmers moving west. The book investigates Smith’s many pursuits, including his role as an advisor to the Indians, from whom the federal government would gradually gain millions of acres of land, due in large part to Smith’s work as an agent of influence. Crawford paints a colorful portrait of a complicated man during a dynamic period of change in Michigan’s history.

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A Dark Pathway
Precontact Native American Mud Glyphs From 1st Unnamed Cave, Tennessee
Jan F. Simek
University of Tennessee Press, 2022

In A Dark Pathway: Precontact Native American Mud Glyphs from 1st Unnamed Cave, Tennessee, Jan Simek and his colleagues present two decades of research at a precontact dark zone cave art site in East Tennessee. Discovered in 1994, 1st Unnamed Cave ushered in an extensive and systematic effort to research precontact cave art sites in the Eastern Woodlands, where the tradition of cave art production was widespread among ancient peoples. Indeed, when a preliminary report about 1st Unnamed Cave was first published in 1997, there were only seven known cave art sites across the Southeast; today, that number exceeds ninety.

From the tale of the cave’s discovery in chapter 1 to descriptions of its art in later chapters, A Dark Pathway boasts nearly one hundred maps, high-resolution photographs, and illustrations that bring the story of one of North America’s premier cave art sites to life. Importantly, Simek and his colleagues also orient 1st Unnamed Cave within the broader context of cave art sites across the Southeast, elevating them as a whole to the notable prominence they deserve. Yet his analysis does more than present and situate the discovery of 1st Unnamed Cave within the greater realm of regional cave art site studies; it also calls for the protection and preservation of these fragile sites and for the acknowledgment of the still-vibrant indigenous cultures that produced them.

With a foreword by Russell Townsend, tribal historic preservation officer for the Eastern Band of Cherokee Indians, A Dark Pathway is a long-awaited volume more than twenty years in the making. Even as he delivers a comprehensive archaeological analysis, Simek’s clear presentation makes for accessible and thrilling reading not only for students of archaeology, anthropology, and Native American studies, but for interested readers as well.

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Dark Thirty
Santee Frazier
University of Arizona Press, 2009
Writing sometimes in dialect, sometimes in gunshot bursts, sometimes in sinuous lines that snake across the page, Santee Frazier crafts poems that are edgy and restless. The poems in Dark Thirty, Frazier’s debut collection, address subjects that are not often thought of as “poetic,” like poverty, alcoholism, cruelty, and homelessness. Frazier’s poems emerge from the darkest corners of experience: “I search the cabinet and icebox—drink the pickle juice / from the jar. Bologna, / hard at the edges, / browning on the kitchen / table since yesterday. / I search the cabinet and icebox—the curdling / milk almost smells drinkable.”

Dark Thirty takes us on a loosely autobiographical trip through Cherokee country, the backwoods towns and the big cities, giving us clear-eyed portraits of Native people surviving contemporary America. In Frazier’s world, there is no romanticizing of Native American life. Here cops knock on the door of a low-rent apartment after a neighbor has been stabbed. Here a poem’s narrator recalls firing a .38 pistol—“barrel glowing like oil in a gutter-puddle”—for the first time. Here a young man catches a Greyhound bus to Flagstaff after his ex-girlfriend tells him he has fathered a child. Yet even in the midst of violence and despair there is time for the beauty of the world to shine through: “The Cutlass rattling out / the last fumes of gas, engine stops, / the night dimly lit by the moon / hung over the treetops; / owls calling each other from / hilltop to valley bend.”

Like viewing photographs that repel us even as they draw us in, we are pulled into these poems. We’re compelled to turn the page and read the next poem. And the next. And each poem rewards us with a world freshly seen and remade for us of sound and image and voice.
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Deadliest Enemies
Law and Race Relations on and off Rosebud Reservation
Thomas Biolsi
University of Minnesota Press, 2007

Many people living far away from Indian reservations express sympathy for the poverty and misery experienced by Native Americans, yet, Thomas Biolsi argues, the problems faced by Native Americans are the results of white privilege.

In Deadliest Enemies, Biolsi connects the origins of racial tension between Indians and non-Indians on the Rosebud Reservation in South Dakota to federal laws, showing how the courts have created opposing political interests along race lines. Biolsi demonstrates that the court’s definitions of legal rights—both constitutional and treaty rights—make solutions to racial tensions intractable.

This powerful work sheds much-needed light on racial conflicts in South Dakota and in the rest of the United States, and holds white people accountable for the benefits of their racial privilege that come at the expense of Native Americans.

Thomas Biolsi is professor of Native American studies at the University of California at Berkeley.

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Deadly Landscapes
Case Studies in Prehistoric Southwestern Warfare
Glen E. Rice
University of Utah Press, 2012

Deadly Landscapes presents a series of cases that advance the rigorous examination of war in the archaeological record. The studies encompass examples from the Hohokam, Sinagua, Mogollon, and Anasazi regions, plus a pan-regional study of iconography covering the Colorado Plateau and the Rio Grande Valley. All of the cases focus on the narrow time frame from AD 1200 to the early-1400s, during which evidence for warfare is most pervasive.

Contributors to this volume present varying definitions of warfare and use differing types of data to test for the presence of warfare. These detailed case studies give clear demonstration of a pattern of significant warfare in the late prehistoric period that will alter our understanding of ancient Southwestern cultures.

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front cover of The Deadly Politics of Giving
The Deadly Politics of Giving
Exchange and Violence at Ajacan, Roanoke, and Jamestown
Seth Mallios
University of Alabama Press, 2006
A clash of cultures on the North American continent.
 
With a focus on indigenous cultural systems and agency theory, this volume analyzes Contact Period relations between North American Middle Atlantic Algonquian Indians and the Spanish Jesuits at Ajacan (1570–72) and English settlers at Roanoke Island (1584–90) and Jamestown Island (1607–12). It is an anthropological and ethnohistorical study of how European violations of Algonquian gift-exchange systems led to intercultural strife during the late 1500s and early 1600s, destroying Ajacan and Roanoke, and nearly destroying Jamestown.
 
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Decolonizing Indigenous Histories
Exploring Prehistoric/Colonial Transitions in Archaeology
Edited by Maxine Oland, Siobhan M. Hart, and Liam Frink
University of Arizona Press, 2012
Decolonizing Indigenous Histories makes a vital contribution to the decolonization of archaeology by recasting colonialism within long-term indigenous histories. Showcasing case studies from Africa, Australia, Mesoamerica, and North and South America, this edited volume highlights the work of archaeologists who study indigenous peoples and histories at multiple scales.

The contributors explore how the inclusion of indigenous histories, and collaboration with contemporary communities and scholars across the subfields of anthropology, can reframe archaeologies of colonialism. The cross-cultural case studies employ a broad range of methodological strategies—archaeology, ethnohistory, archival research, oral histories, and descendant perspectives—to better appreciate processes of colonialism. The authors argue that these more complicated histories of colonialism contribute not only to understandings of past contexts but also to contemporary social justice projects.

In each chapter, authors move beyond an academic artifice of “prehistoric” and “colonial” and instead focus on longer sequences of indigenous histories to better understand colonial contexts. Throughout, each author explores and clarifies the complexities of indigenous daily practices that shape, and are shaped by, long-term indigenous and local histories by employing an array of theoretical tools, including theories of practice, agency, materiality, and temporality.

Included are larger integrative chapters by Kent Lightfoot and Patricia Rubertone, foremost North American colonialism scholars who argue that an expanded global perspective is essential to understanding processes of indigenous-colonial interactions and transitions.
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Decolonizing “Prehistory”
Deep Time and Indigenous Knowledges in North America
Edited by Gesa Mackenthun and Christen Mucher
University of Arizona Press, 2021
Decolonizing “Prehistory” combines a critical investigation of the documentation of the American deep past with perspectives from Indigenous traditional knowledges and attention to ongoing systems of intellectual colonialism. Bringing together experts from American studies, archaeology, anthropology, legal studies, history, and literary studies, this interdisciplinary volume offers essential information about the complexity and ambivalence of colonial encounters with Indigenous peoples in North America, and their impact on American scientific discourse. The chapters in this book reveal how anthropology, archaeology, and cultural heritage have shaped the collective ideological construction of Indigenous cultures, while actively empowering the voices that disrupt conventional tropes and narratives of “prehistory.”

Constructions of America’s ancient past—or the invention of American “prehistory”—occur in national and international political frameworks, which are characterized by struggles over racial and ethnic identities, access to resources and environmental stewardship, the commodification of culture for touristic purposes, and the exploitation of Indigenous knowledges and histories by industries ranging from education to film and fashion. The past’s ongoing appeal reveals the relevance of these narratives to current-day concerns about individual and collective identities and pursuits of sovereignty and self-determination, as well as to questions of the origin—and destiny—of humanity. Decolonizing “Prehistory” critically examines and challenges the paradoxical role that modern scholarship plays in adding legitimacy to, but also delegitimizing, contemporary colonialist practices.

Contributors: Rick Budhwa, Keith Thor Carlson, Kirsten Matoy Carlson, Jessica Christie, Philip J. Deloria, Melissa Gniadek, Annette Kolodny, Gesa Mackenthun, Christen Mucher, Naxaxalhts’i (aka Sonny McHalsie), Jeff Oliver, Mathieu Picas, Daniel Lord Smail, Coll Thrush

 
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Detroit's Hidden Channels
The Power of French-Indigenous Families in the Eighteenth Century
Karen L. Marrero
Michigan State University Press, 2020
French-Indigenous families were a central force in shaping Detroit’s history. Detroit’s Hidden Channels: The Power of French-Indigenous Families in the Eighteenth Century examines the role of these kinship networks in Detroit’s development as a site of singular political and economic importance in the continental interior. Situated where Anishinaabe, Wendat, Myaamia, and later French communities were established and where the system of waterways linking the Atlantic Ocean to the Gulf of Mexico narrowed, Detroit’s location was its primary attribute. While the French state viewed Detroit as a decaying site of illegal activities, the influence of the French-Indigenous networks grew as members diverted imperial resources to bolster an alternative configuration of power relations that crossed Indigenous and Euro-American nations. Women furthered commerce by navigating a multitude of gender norms of their nations, allowing them to defy the state that sought to control them by holding them to European ideals of womanhood. By the mid-eighteenth century, French-Indigenous families had become so powerful, incoming British traders and imperial officials courted their favor. These families would maintain that power as the British imperial presence splintered on the eve of the American Revolution.
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front cover of The Development of Southeastern Archaeology
The Development of Southeastern Archaeology
Edited by Jay K. Johnson
University of Alabama Press, 1993

Ten scholars whose specialties range from ethnohistory to remote sensing and lithic analysis to bioarchaeology chronicle changes in the way prehistory in the Southeast has been studied since the 19th century. Each brings to the task the particular perspective of his or her own subdiscipline in this multifaceted overview of the history of archaeology in a region that has had an important but variable role in the overall development of North American archaeology.

Some of the specialties discussed in this book were traditionally relegated to appendixes or ignored completely in site reports more than 20 years old. Today, most are integral parts of such reports, but this integration has been hard won. Other specialties have been and will continue to be of central concern to archaeologists. Each chapter details the way changes in method can be related to changes in theory by reviewing major landmarks in the literature. As a consequence, the reader can compare the development of each subdiscipline.

As the first book of this kind to deal specifically with the region, it be will valuable to archaeologists everywhere. The general reader will find the book of interest because the development of southeastern archaeology reflects trends in the development of social science as a whole.

Contributors include:

Jay K. Johnson, David S. Brose, Jon L. Gibson, Maria O. Smith, Patricia K. Galloway, Elizabeth J. Reitz, Kristen J. Gremillion, Ronald L. Bishop, Veletta Canouts, and W. Fredrick Limp

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Devil in Deerskins
My Life with Grey Owl
Anahareo
University of Manitoba Press, 2014

front cover of Diaries of John Gregory Bourke Volume 1
Diaries of John Gregory Bourke Volume 1
November 20, 1872--July 28, 1876
Charles M. Robinson III
University of North Texas Press, 2003

front cover of Diaries of John Gregory Bourke Volume 2
Diaries of John Gregory Bourke Volume 2
July 29, 1876--April 7, 1878
Charles M. Robinson III
University of North Texas Press, 2003

front cover of Diaries of John Gregory Bourke Volume 3
Diaries of John Gregory Bourke Volume 3
June 1, 1878--June 22, 1880
Charles M. Robinson III
University of North Texas Press, 2003

front cover of Diaries of John Gregory Bourke Volume 4
Diaries of John Gregory Bourke Volume 4
July 3, 1880--May 22, 1881
Charles M. Robinson III
University of North Texas Press, 2003

front cover of The Diaries of John Gregory Bourke, Volume 5
The Diaries of John Gregory Bourke, Volume 5
May 23, 1881--August 26, 1881
Charles M. Robinson III
University of North Texas Press, 2003

front cover of Digging and Discovery, 2nd edition
Digging and Discovery, 2nd edition
Wisconsin Archaeology
Diane Holliday
Wisconsin Historical Society Press, 2006
Introduces young readers to Wisconsin's prehistoric and historic past, including the glacial times of the Paleo-Indians, Woodland era cultures, and French, British, and American settlers.
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Discovering North American Rock Art
Edited by Lawrence L. Loendorf, Christopher Chippindale, and David S. Whitley
University of Arizona Press, 2005
From the high plains of Canada to caves in the southeastern United States, images etched into and painted on stone by ancient Native Americans have aroused in observers the desire to understand their origins and meanings. Rock paintings and engravings can be found in nearly every state and province, and each region has its own distinctive story of discovery and evolving investigation of the rock art record. Rock art in the twenty-first century enjoys a large and growing popularity fueled by scholarly research and public interest alike.

This book explores the history of rock art research in North America and is the only volume in the past twenty-five years to provide coverage of the subject on a continental scale. Written by contributors active in rock art research, it examines sites that provide a cross-section of regions and topics and complements existing books on rock art by offering new information, insights, and approaches to research.

The first part of the volume explores different regional approaches to the study of rock art, including a set of varied responses to a single site as well as an overview of broader regional research investigations. It tells how Writing-on-Stone in southern Alberta, Canada, reflects changing thought about rock art from the 1870s to today; it describes the role of avocational archaeologists in the Mississippi Valley, where rock art styles differ on each side of the river; it explores discoveries in southwestern mountains and southeastern caves; and it integrates the investigation of cupules along Georgia’s Yellow River into a full study of a site and its context. The book also compares the differences between rock art research in the United States and France: from the outset, rock art was of only marginal interest to most U.S. archaeologists, while French prehistorians considered cave art an integral part of archaeological research. The book’s second part is concerned with working with the images today and includes coverage of gender interests, government sponsorship, the role of amateurs in research, and chronometric studies.

Much has changed in our understanding of rock art since Cotton Mather first wrote in 1714 of a strange inscription on a Massachusetts boulder, and the cutting-edge contributions in this volume tell us much about both the ancient place of these enduring images and their modern meanings. Discovering North American Rock Art distills today’s most authoritative knowledge of the field and is an essential volume for both specialists and hobbyists.
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front cover of The Discovery of New Mexico by the Franciscan Monk Friar Marcos de Niza in 1539
The Discovery of New Mexico by the Franciscan Monk Friar Marcos de Niza in 1539
Adolph F. Bandelier; Translated and Edited by Madeleine Turrell Rodack
University of Arizona Press, 1980
The story of Fray Marcos and the Seven Cities of Cíbola was a favorite of Adolph Bandelier (1840–1914). Bandelier’s combination of methodological sophistication and control of the archival data makes the Marcos de Niza paper important, not only as a landmark in Southwestern ethnohistory, but as a work of scholarship in its own rights, with insights on Cabeza de Vaca, Marcos, and early Southwestern exploration that are still valid today.
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Disrupting Savagism
Intersecting Chicana/o, Mexican Immigrant, and Native American Struggles for Self-Representation
Arturo J. Aldama
Duke University Press, 2001
Colonial discourse in the United States has tended to criminalize, pathologize, and depict as savage not only Native Americans but Mexican immigrants, indigenous peoples in Mexico, and Chicanas/os as well. While postcolonial studies of the past few decades have focused on how these ethnicities have been constructed by others, Disrupting Savagism reveals how each group, in turn, has actively attempted to create for itself a social and textual space in which certain negative prevailing discourses are neutralized and rendered ineffective.
Arturo J. Aldama begins by presenting a genealogy of the term “savage,” looking in particular at the work of American ethnologist Lewis Henry Morgan and a sixteenth-century debate between Juan Ginés de Sepúlveda and Bartolomé de las Casas. Aldama then turns to more contemporary narratives, examining ethnography, fiction, autobiography, and film to illuminate the historical ideologies and ethnic perspectives that contributed to identity formation over the centuries. These works include anthropologist Manuel Gamio’s The Mexican Immigrant: His Life Story, Leslie Marmon Silko’s Ceremony, Gloria Anzaldúa’s Borderlands/La Frontera, and Miguel Arteta’s film Star Maps. By using these varied genres to investigate the complex politics of racialized, subaltern, feminist, and diasporic identities, Aldama reveals the unique epistemic logic of hybrid and mestiza/o cultural productions.
The transcultural perspective of Disrupting Savagism will interest scholars of feminist postcolonial processes in the United States, as well as students of Latin American, Native American, and literary studies.
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Divided Peoples
Policy, Activism, and Indigenous Identities on the U.S.-Mexico Border
Christina Leza
University of Arizona Press, 2019
The border region of the Sonoran Desert, which spans southern Arizona in the United States and northern Sonora, Mexico, has attracted national and international attention. But what is less discussed in national discourses is the impact of current border policies on the Native peoples of the region. There are twenty-six tribal nations recognized by the U.S. federal government in the southern border region and approximately eight groups of Indigenous peoples in the United States with historical ties to Mexico—the Yaqui, the O’odham, the Cocopah, the Kumeyaay, the Pai, the Apaches, the Tiwa (Tigua), and the Kickapoo.

Divided Peoples addresses the impact border policies have on traditional lands and the peoples who live there—whether environmental degradation, border patrol harassment, or the disruption of traditional ceremonies. Anthropologist Christina Leza shows how such policies affect the traditional cultural survival of Indigenous peoples along the border. The author examines local interpretations and uses of international rights tools by Native activists, counterdiscourse on the U.S.-Mexico border, and challenges faced by Indigenous border activists when communicating their issues to a broader public.

Through ethnographic research with grassroots Indigenous activists in the region, the author reveals several layers of division—the division of Indigenous peoples by the physical U.S.-Mexico border, the divisions that exist between Indigenous perspectives and mainstream U.S. perspectives regarding the border, and the traditionalist/nontraditionalist split among Indigenous nations within the United States. Divided Peoples asks us to consider the possibilities for challenging settler colonialism both in sociopolitical movements and in scholarship about Indigenous peoples and lands.
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Document of Expectations
Devon Abbott Mihesuah
Michigan State University Press, 2011

When Hopi/White Mountain Apache anthropologist Tony M. Smokerise is found murdered in his office at Central Highlands University, the task of solving the crime falls to jaded Choctaw detective Monique Blue Hawk and her partner Charles T. Clarke. A seemingly tolerant and amicable office of higher education, the university, Monique soon learns, harbors parties determined to destroy the careers of Tony and his best friend, the volatile Oglala anthropologist Roxanne Badger. In the course of her investigation, Monique discovers that the scholars who control Tony’s department are also overseeing the excavation of a centuries-old tribal burial site that was uncovered during the construction of a freeway. Tony’s role in the project, she realizes, might be the key to identifying his murderer. This virtuosic mystery novel explores, in engrossing detail, the complex motives for a killing within the sometimes furtive and hermetic setting of academia.

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Doing Fieldwork
Warnings and Advice
Rosalie Wax
University of Chicago Press, 1971
Recounting her own field experiences in Japanese-American relocation centers during World War II and later in American Indian communities, Rosalie H. Wax offers advice to help the beginning field worker anticipate and confront the exigencies and accidents of fieldwork with good nature, fortitude, and common sense. Doing Fieldwork is a useful book in many respects: as a guide to participant observation and ethnographic fieldwork; as an analysis of the theoretical presuppositions and history of fieldwork; as a discussion of contemporary issues in social science research; and simply as an entertaining and dramatic story.
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Doubters and Dreamers
Janice Gould
University of Arizona Press, 2011
Doubters and Dreamers opens with a question from a young girl faced with the spectacle of Indian effigies lynched and burned “in jest” before UC Berkeley’s annual Big Game against Stanford: “What’s a debacle, Mom?” This innocent but telling question marks the girl’s entrée into the complicated knowledge of her heritage as a mixed-blood Native American of Koyangk’auwi (Concow) Maidu descent. The girl is a young Janice Gould, and the poems and narrations that follow constitute a remarkable work of sustained and courageous self-revelation, retracing the precarious emotional terrain of an adolescence shaped by a mother’s tough love and a growing consciousness of an ancestral and familial past.

In the first half of the book, “Tribal History,” Gould ingeniously repurposes the sonnet form to preserve the stories of her mother and aunt, who grew up when “muleback was the customary mode / of transport” and the “spirit world was present”—stories of “old ways” and places claimed in memory but lost in time. Elsewhere, she remembers her mother’s “ferocious, upright anger” and her unexpected tenderness (“Like a miracle, I was still her child”), culminating in the profound expression of loss that is the poem “Our Mother’s Death.”

In the second half of the book, “It Was Raining,” Gould tells of the years of lonely self-making and “unfulfilled dreams” as she comes to terms with what she has been told are her “crazy longings” as a lesbian: “It’s been hammered into me / that I’ll be spurned / by a ‘real woman,’ / the only kind I like.” The writing here commemorates old loves and relationships in language that mingles hope and despair, doubt and devotion, veering at times into dreamlike moments of consciousness. One poem and vignette at a time, Doubters and Dreamers explores what it means to be a mixed-blood Native American who grew up urban, lesbian, and middle class in the West.
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Drawing with Great Needles
Ancient Tattoo Traditions of North America
Edited by Aaron Deter-Wolf and Carol Diaz-Granados
University of Texas Press, 2013

For thousands of years, Native Americans throughout the Eastern Woodlands and Great Plains used the physical act and visual language of tattooing to construct and reinforce the identity of individuals and their place within society and the cosmos. The act of tattooing served as a rite of passage and supplication, while the composition and use of ancestral tattoo bundles was intimately related to group identity. The resulting symbols and imagery inscribed on the body held important social, civil, military, and ritual connotations within Native American society. Yet despite the cultural importance that tattooing held for prehistoric and early historic Native Americans, modern scholars have only recently begun to consider the implications of ancient Native American tattooing and assign tattooed symbols the same significance as imagery inscribed on pottery, shell, copper, and stone.

Drawing with Great Needles is the first book-length scholarly examination into the antiquity, meaning, and significance of Native American tattooing in the Eastern Woodlands and Great Plains. The contributors use a variety of approaches, including ethnohistorical and ethnographic accounts, ancient art, evidence of tattooing in the archaeological record, historic portraiture, tattoo tools and toolkits, gender roles, and the meanings that specific tattoos held for Dhegiha Sioux and other Native speakers, to examine Native American tattoo traditions. Their findings add an important new dimension to our understanding of ancient and early historic Native American society in the Eastern Woodlands and Great Plains.

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front cover of Dynamics of Southwest Prehistory
Dynamics of Southwest Prehistory
Edited by Linda S. Cordell and George J. Gumerman
University of Alabama Press, 2006
Emerging from a School of American Research, this work reviews the general status of archaeological knowledge in 9 key regions of the Southwest to examine broader questions of cultural development, which affected the Southwest as a whole, and to consider an overall conceptual model of the prehistoric Southwest after the advent of sedentism.
 
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