2022 Ramirez Family Award for Most Significant Scholarly Book, Texas Institute of Letters

An in-depth history of the Civil War in the Texas Hill Country that examines patterns of violence on the Texas frontier to illuminate white Americans’ cultural and political priorities in the nineteenth century.

In the nineteenth century, Texas’s advancing western frontier was the site of one of America’s longest conflicts between white settlers and native peoples. The Texas Hill Country functioned as a kind of borderland within the larger borderland of Texas itself, a vast and fluid area where, during the Civil War, the slaveholding South and the nominally free-labor West collided. As in many borderlands, Nicholas Roland argues, the Hill Country was marked by violence, as one set of peoples, states, and systems eventually displaced others.

In this painstakingly researched book, Roland analyzes patterns of violence in the Texas Hill Country to examine the cultural and political priorities of white settlers and their interaction with the century-defining process of national integration and state-building in the Civil War era. He traces the role of violence in the region from the eve of the Civil War, through secession and the Indian wars, and into Reconstruction. Revealing a bitter history of warfare, criminality, divided communities, political violence, vengeance killings, and economic struggle, Roland positions the Texas Hill Country as emblematic of the Southwest of its time.

American Indians remain familiar as icons, yet poorly understood as historical agents. In this ambitious book that ranges across Utah, Nevada, New Mexico, Colorado, and eastern California (a region known as the Great Basin), Ned Blackhawk places Native peoples squarely at the center of a dynamic and complex story as he chronicles two centuries of Indian and imperial history that profoundly shaped the American West.

On the distant margins of empire, Great Basin Indians increasingly found themselves engulfed in the chaotic storms of European expansion and responded in ways that refashioned themselves and those around them. Focusing on Ute, Paiute, and Shoshone Indians, Blackhawk illuminates this history through a lens of violence, excavating the myriad impacts of colonial expansion. Brutal networks of trade and slavery forged the Spanish borderlands, and the use of violence became for many Indians a necessary survival strategy, particularly after Mexican Independence when many became raiders and slave traffickers. Throughout such violent processes, these Native communities struggled to adapt to their changing environments, sometimes scoring remarkable political ends while suffering immense reprisals.

Violence over the Land is a passionate reminder of the high costs that the making of American history occasioned for many indigenous peoples, written from the vantage point of an Indian scholar whose own family history is intimately bound up in its enduring legacies.

The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples.

Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.