BiblioVault - Books about Indigenous Studies

Early Tahiti As the Explorers Saw It, 1767–1797

Edwin N. Ferdon

University of Arizona Press, 1981

For thirty years before the coming of the European missionaries, European explorers were able to observe Tahitian society as it had existed for centuries. Now Edwin Ferdon, Polynesian archaeologist and veteran of Thor Heyerdah's expedition to Easter Island, has interwoven their records to show us in fascinating detail what that society was like.

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Embattled Bodies, Embattled Places

War in Pre-Columbian Mesoamerica and the Andes

Andrew K. Scherer

Harvard University Press

With spears and arrows, atl-atls and slings, the people of the New World fought to defend themselves against European invasion and conquest. Over a century of scholarship on warfare has substantially enhanced our understanding of the scope and scale of violent conflict in Pre-Columbian America. Yet we still struggle to understand the nuances of indigenous warfare and its importance for native politics and society. This volume sheds new light on the nature of war in Mesoamerica and the Andes. Relying on methodological and theoretical developments in anthropological archaeology, bioarchaeology, and ethnohistory, contributors highlight the particularities of warfare in indigenous societies and examine the commonalities of warfare in cross-cultural perspective. Their essays focus on place and the body, as they explore the importance of captive-taking, sacrifice, performance, and political history in the conduct of war. Observers have debated whether the indigenous peoples of the Americas were distinctly noble or frightfully savage in their way of war. This volume shows that such polarized positions are unfounded. By focusing on the nuances of indigenous violent conflict, the contributors demonstrate that war in the Americas was much like war elsewhere in the ancient and modern world: strategic, political, bloody, socially productive, yet terribly destructive.

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Emergency

Reading the Popol Vuh in a Time of Crisis

Edgar Garcia

University of Chicago Press, 2022

Nine short essays exploring the K’iche’ Maya story of creation, the Popol Vuh.

Written during the lockdown in Chicago in the depths of the COVID-19 pandemic, these essays consider the Popol Vuh as a work that was also written during a time of feverish social, political, and epidemiological crisis as Spanish missionaries and colonial military deepened their conquest of indigenous peoples and cultures in Mesoamerica. What separates the Popol Vuh from many other creation texts is the disposition of the gods engaged in creation. Whereas the book of Genesis is declarative in telling the story of the world’s creation, the Popol Vuh is interrogative and analytical: the gods, for example, question whether people actually need to be created, given the many perfect animals they have already placed on earth.

Emergency uses the historical emergency of the Popol Vuh to frame the ongoing emergencies of colonialism that have surfaced all too clearly in the global health crisis of COVID-19. In doing so, these essays reveal how the authors of the Popol Vuh—while implicated in deep social crisis—nonetheless insisted on transforming emergency into scenes of social, political, and intellectual emergence, translating crisis into creativity and world creation.

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The Encyclopedia of Native Music

More Than a Century of Recordings from Wax Cylinder to the Internet

Brian Wright-McLeod

University of Arizona Press, 2005

Want the word on Buffy Sainte-Marie? Looking for the best powwow recordings? Wondering what else Jim Pepper cut besides “Witchi Tai To”? This book will answer those questions and more as it opens up the world of Native American music.

In addition to the widely heard sounds of Carlos Nakai’s flute, Native music embraces a wide range of forms: country and folk, jazz and swing, reggae and rap. Brian Wright-McLeod, producer/host of Canada’s longest-running Native radio program, has gathered the musicians and their music into this comprehensive reference, an authoritative source for biographies and discographies of hundreds of Native artists.

The Encyclopedia of Native Music recognizes the multifaceted contributions made by Native recording artists by tracing the history of their commercially released music. It provides an overview of the surprising abundance of recorded Native music while underlining its historical value.

With almost 1,800 entries spanning more than 100 years, this book leads readers from early performers of traditional songs like William Horncloud to artists of the new millennium such as Zotigh. Along the way, it includes entries for jazz and blues artists never widely acknowledged for their Native roots—Oscar Pettiford, Mildred Bailey, and Keely Smith—and traces the recording histories of contemporary performers like Rita Coolidge and Jimmy Carl Black, “the Indian of the group” in the original Mothers of Invention. It also includes film soundtracks and compilation albums that have been instrumental in bringing many artists to popular attention. In addition to music, it lists spoken-word recordings, including audio books, comedy, interviews, poetry, and more.

With this unprecedented breadth of coverage and extensively cross-referenced, The Encyclopedia of Native Music is an essential guide for enthusiasts and collectors. More than that, it is a gateway to the authentic music of North America—music of the people who have known this land from time immemorial and continue to celebrate it in sound.

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The Ends of Research

Indigenous and Settler Science after the War in the Woods

Tom Özden-Schilling

Duke University Press, 2023

In The Ends of Research Tom Özden-Schilling explores the afterlives of several research initiatives that emerged in the wake of the “War in the Woods,” a period of anti-logging blockades in Canada in the late twentieth century. Drawing on ethnographic fieldwork among neighboring communities of White environmental scientists and First Nations mapmakers in northwest British Columbia, Özden-Schilling examines these researchers’ lasting investments and the ways they struggle to continue their work long after the loss of government funding. He charts their use of planning documents, Indigenous territory maps, land use plots, reports, and other documents that help them not only to survive institutional restructuring but to hold on to the practices that they hope will enable future researchers to continue their work. He also shows how their lives and aspirations shape and are shaped by decades-long battles over resource extraction and Indigenous land claims. By focusing on researchers’ experiences and personal attachments, Özden-Schilling illustrates the complex relationships between researchers and rural histories of conservation, environmental conflict, resource extraction, and the long-term legacies of scientific research.

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Eternal Sovereigns

Indigenous Artists, Activists, and Travelers Reframing Rome

Gloria Jane Bell

Duke University Press, 2024

In 1925, Pius XI staged the Vatican Missionary Exposition in Rome’s Vatican City. Offering a narrative of the Catholic Church’s beneficence to a global congregation, the Exposition displayed thousands of cultural belongings stolen from Indigenous communities across Turtle Island, which were seen by one million pilgrims. Gloria Bell’s Eternal Sovereigns offers critical revision to that story. Bell reveals the tenacity, mobility and reception of Indigenous artists, travelers, and activists in 1920s Rome. Animating these conjunctures, the book foregrounds competing claims to sovereignty from Indigenous and papal perspectives. Bell deftly juxtaposes the Roman “Indian Museum” of nineteenth-century sculptor Ferdinand Pettrich with the oeuvre of Indigenous artist Edmonia Lewis. Bell analyzes Indigenous cultural belongings made by artists from diverse nations including Cree, Lakota, Anishinaabe, Nipissing, Kanien’kehá:ka, Wolastoqiyik, and Kwakwaka’wakw. Drawing on years of archival research and field interviews, Bell provides insight into the Catholic Church’s colonial collecting and its ongoing ethnological display practices. Written in a voice that questions the academy’s staid conventions, the book reclaims Indigenous belongings and other stolen treasures that remain imprisoned in the strongholds of the Vatican Museums.

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Ethnobotany of the Coos, Lower Umpqua, and Siuslaw Indians

Patricia Whereat-Phillips

Oregon State University Press, 2016

Myrtlewood is most often thought of as beautiful wood for woodworking, but to Native people on the southern Oregon coast it was an important source of food. The roasted nuts taste like bitter chocolate, coffee, and burnt popcorn. The roots of Skunk Cabbage provided another traditional food source, while also serving as a medicine for colds. In tribal mythology, the leaves of Skunk Cabbage were thought to be tents where the Little People sheltered.

Very little has been published until now on the ethnobotany of western Oregon indigenous peoples. Ethnobotany of the Coos, Lower Umpqua, and Siuslaw Indians documents the use of plants by these closely-related coastal tribes, covering a geographical area that extends roughly from Cape Perpetua on the central coast, south to the Coquille River, and from the Coast Range west to the Pacific shore. With a focus on native plants and their traditional uses, it also includes mention of farming crops, as well as the highly invasive Himalayan blackberry, which some Oregon coast Indians called the "white man's berry."

The cultures of the Coos Bay, Lower Umpqua and Siuslaw are distinct from the Athabaskan speaking people to the south, and the Alsea to the north. Today, many tribal members are reviving ancient arts of basket weaving and woodworking, and many now participate in annual intertribal canoe events. Ethnobotany of the Coos, Lower Umpqua, and Siuslaw Indians contributes to this cultural renaissance by filling an important gap in the historical record. It is an invaluable resource for anyone who wishes to learn about the indigenous cultures of the central and southern Oregon coast, as well as those who are interested in Pacific Northwest plants and their cultural uses.

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