During the vast stretches of early geologic time, the islands of the Caribbean archipelago separated from continental land masses, rose and sank many times, merged with and broke from other land masses, and then by the mid-Cenozoic period settled into the current pattern known today. By the time Native Americans arrived, the islands had developed complex, stable ecosystems. The actions these first colonists took on the landscape—timber clearing, cultivation, animal hunting and domestication, fishing and exploitation of reef species—affected fragile land and sea biotic communities in both beneficial and harmful ways.

On Land and Sea examines the condition of biosystems on Caribbean islands at the time of colonization, human interactions with those systems through time, and the current state of biological resources in the West Indies. Drawing on a massive data set collected from long-term archaeological research, the study reconstructs past lifeways on these small tropical islands. The work presents a wide range of information, including types of fuel and construction timber used by inhabitants, cooking techniques for various shellfish, availability and use of medicinal and ritual plants, the effects on native plants and animals of cultivation and domestication, and diet and nutrition of native populations.

The islands of the Caribbean basin continue to be actively excavated and studied in the quest to understand the earliest human inhabitants of the New World. This comprehensive work will ground current and future studies and will be valuable to archaeologists, anthropologists, botanists, ecologists, Caribbeanists, Latin American historians, and anyone studying similar island environments.

 

Native identity is usually associated with a particular place. But what if that place is the ocean? Once Were Pacific explores this question as it considers how Māori and other Pacific peoples frame their connection to the ocean, to New Zealand, and to each other through various creative works. Māori scholar Alice Te Punga Somerville shows how and when Māori and other Pacific peoples articulate their ancestral history as migratory seafarers, drawing their identity not only from land but also from water.

Although Māori are ethnically Polynesian, and Aotearoa New Zealand is clearly a part of the Pacific region, in New Zealand the terms “Māori” and “Pacific” are colloquially applied to two distinct communities: Māori are Indigenous, and “Pacific” refers to migrant communities from elsewhere in the region. Asking how this distinction might blur historical and contemporary connections, Te Punga Somerville interrogates the relationship between indigeneity, migration, and diaspora, focusing on texts: poetry, fiction, theater, film, and music, viewed alongside historical instances of performance, journalism, and scholarship.

In this sustained treatment of the Māori diaspora, Te Punga Somerville provides the first critical analysis of relationships between Indigenous and migrant communities in New Zealand.