In exploring the origins and character of the American liberal tradition, Myra Jehlen begins with the proposition that the decisive factor that shaped the European settlers’ idea of “America” or the “American” was material rather than conceptual—it was the physical fact of the land. European settlers came to a continent on which they had no history, bringing the ideology of liberal individualism, which they projected onto the land itself. They believed the continent proclaimed that individuals were born in nature and freely made their own society. An insurgent ideology in Europe, this idea worked in America paradoxically to empower the individual and to restrict social change.
Jehlen sketches the evolution of the concept of incarnation through comparisons of American and European eighteenth-century naturalist writings, particularly Emerson’s Nature. She then explores the way incarnation functions ideologically—to both enable and curtail action—in the writing of fiction. Her examination of Hawthorne and Melville shows how the myth of the New World both licensed and limited American writers who set out to create their own worlds in fiction. She examines conflicts between the exigencies of narrative form and the imperatives of ideology in the writings of Franklin, Jefferson, Emerson, and others. Jehlen concludes with a speculation on the implication of this original construction of “America” for the United States today, when such imperial concepts have been called into question.
Digital Dilemmas views Cuba from the Soviet Union's demise to the present, to assess how conflicts over media access play out in their both liberating and repressive potential. Drawing on extensive scholarship and interviews, Cristina Venegas questions myths of how Internet use necessarily fosters global democracy and reveals the impact of new technologies on the country's governance and culture. She includes film in the context of broader media history, as well as artistic practices such as digital art and networks of diasporic communities connected by the Web. This book is a model for understanding the geopolitic location of power relations in the age of digital information sharing.
The notion of the individual was initially translated into Korean near the end of the nineteenth century and took root during the early years of Japanese colonial influence. Yoon Sun Yang argues that the first literary iterations of the Korean individual were prototypically female figures appearing in the early colonial domestic novel—a genre developed by reform-minded male writers—as schoolgirls, housewives, female ghosts, femmes fatales, and female same-sex partners. Such female figures have long been viewed as lacking in modernity because, unlike numerous male characters in Korean literature after the late 1910s, they did not assert their own modernity, or that of the nation, by exploring their interiority. Yang, however, shows that no reading of Korean modernity can ignore these figures, because the early colonial domestic novel cast them as individuals in terms of their usefulness or relevance to the nation, whether model citizens or iconoclasts.
By including these earlier narratives within modern Korean literary history and positing that they too were engaged in the translation of individuality into Korean, Yang’s study not only disrupts the canonical account of a non-gendered, linear progress toward modern Korean selfhood but also expands our understanding of the role played by translation in Korea’s construction of modern gender roles.
This provocative volume, one of the most important interpretive works on the philosophical thought of the Renaissance, has long been regarded as a classic in its field. Ernst Cassirer here examines the changes brewing in the early stages of the Renaissance, tracing the interdependence of philosophy, language, art, and science; the newfound recognition of individual consciousness; and the great thinkers of the period—from da Vinci and Galileo to Pico della Mirandola and Giordano Bruno. The Individual and the Cosmos in Renaissance Philosophy discusses the importance of fifteenth-century philosopher Nicholas Cusanus, the concepts of freedom and necessity, and the subject-object problem in Renaissance thought.
“This fluent translation of a scholarly and penetrating original leaves little impression of an attempt to show that a ‘spirit of the age’ or ‘spiritual essence of the time’ unifies and expresses itself in all aspects of society or culture.”—Philosophy
Here, in a grand narrative spanning 1,800 years of European history, a distinguished political philosopher firmly rejects Western liberalism’s usual account of itself: its emergence in opposition to religion in the early modern era. Larry Siedentop argues instead that liberal thought is, in its underlying assumptions, the offspring of the Church.
“It is a magnificent work of intellectual, psychological, and spiritual history. It is hard to decide which is more remarkable: the breadth of learning displayed on almost every page, the infectious enthusiasm that suffuses the whole book, the riveting originality of the central argument, or the emotional power and force with which it is deployed.”
—David Marquand, New Republic
“Larry Siedentop has written a philosophical history in the spirit of Voltaire, Condorcet, Hegel, and Guizot…At a time when we on the left need to be stirred from our dogmatic slumbers, Inventing the Individual is a reminder of some core values that are pretty widely shared.”
—James Miller, The Nation
“In this learned, subtle, enjoyable and digestible work [Siedentop] has offered back to us a proper version of ourselves. He has explained us to ourselves…[A] magisterial, timeless yet timely work.”
—Douglas Murray, The Spectator
“Like the best books, Inventing the Individual both teaches you something new and makes you want to argue with it.”
—Kenan Malik, The Independent
John Dewey's classical pragmatism, Daniel M. Savage asserts, can be used to provide a self-development-based justification of liberal democracy that shows the current debate between liberal individualism and republican communitarianism to be based largely on a set of pseudoproblems.
From Dewey's classical pragmatism, Savage derives a conception of individual autonomy that, while meeting all of the criteria for a conception of autonomy, does not, as the dominant Kantian variant does, require transcendence from any particular language community. The Deweyan conception of autonomy that Savage derived from classical pragmatism, in fact, requires that the individual be situated within a context of cultural beliefs. Savage argues that this particular conception of autonomy is necessary if one wants to conceive of life, as communitarians do, as a quest for the good life within a social context.
Thus, Savage constructs a conception of autonomy that consists of a set of intellectual virtues, each of which can be understood, like Aristotle's moral virtues, as a mean between two extremes (or vices). The virtue of critical reflection is the mean between the vices of dogmatism on the one hand and philosophical skepticism on the other. The virtue of creative individuality is the mean between the opposing vices of conformity and eccentricity. Finally, the virtue of sociability is the mean between the extremes of docility and rebelliousness.
The three virtues together provide a natural method of adapting to change. The method is natural because it is in accord with a continuous cycle of activity—tension/movement/harmony—that is generic to all living things, Dewey's method of adapting to change requires, in both the individual and in the community, the synthesis of integrating and differentiating forces.
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