front cover of Machiavelli on Liberty and Conflict
Machiavelli on Liberty and Conflict
Edited by David Johnston, Nadia Urbinati, and Camila Vergara
University of Chicago Press, 2017
More than five hundred years after Machiavelli wrote The Prince, his landmark treatise on the pragmatic application of power remains a pivot point for debates on political thought. While scholars continue to investigate interpretations of The Prince in different contexts throughout history, from the Renaissance to the Risorgimento and Italian unification, other fruitful lines of research explore how Machiavelli’s ideas about power and leadership can further our understanding of contemporary political circumstances.
           
With Machiavelli on Liberty and Conflict, David Johnston, Nadia Urbinati, and Camila Vergara have brought together the most recent research on The Prince, with contributions from many of the leading scholars of Machiavelli, including Quentin Skinner, Harvey Mansfield, Erica Benner, John McCormick, and Giovanni Giorgini. Organized into four sections, the book focuses first on Machiavelli’s place in the history of political thought: Is he the last of the ancients or the creator of a new, distinctly modern conception of politics? And what might the answer to this question reveal about the impact of these disparate traditions on the founding of modern political philosophy? The second section contrasts current understandings of Machiavelli’s view of virtues in The Prince. The relationship between political leaders, popular power, and liberty is another perennial problem in studies of Machiavelli, and the third section develops several claims about that relationship. Finally, the fourth section explores the legacy of Machiavelli within the republican tradition of political thought and his relevance to enduring political issues.
 
[more]

front cover of Maimonides' 
Maimonides' "Guide of the Perplexed" in Translation
A History from the Thirteenth Century to the Twentieth
Edited by Josef Stern, James T. Robinson, and Yonatan Shemesh
University of Chicago Press, 2019
Moses Maimonides’s Guide of the Perplexed is the greatest philosophical text in the history of Jewish thought and a major work of the Middle Ages. For almost all of its history, however, the Guide has been read and commented upon in translation—in Hebrew, Latin, Spanish, French, English, and other modern languages—rather than in its original Judeo-Arabic. This volume is the first to tell the story of the translations and translators of Maimonides’ Guide and its impact in translation on philosophy from the Middle Ages to the present day. 
           
A collection of essays by scholars from a range of disciplines, the book unfolds in two parts. The first traces the history of the translations of the Guide, from medieval to modern renditions. The second surveys its influence in translation on Latin scholastic, early modern, and contemporary Anglo-American philosophy, as well as its impact in translation on current scholarship. Interdisciplinary in approach, this book will be essential reading for philosophers, historians, and religious studies scholars alike.
 
[more]

front cover of Make Us Wave Back
Make Us Wave Back
Essays on Poetry and Influence
Michael Collier
University of Michigan Press, 2007

“Michael Collier’s book is refreshing in its refusal to push for one particular aesthetic. He regards his own preference for realism over abstraction as more a matter of temperament than of considered judgment, and respects poets more skeptical than he is about the ability of poetry to connect with the world. The result is an engaging record of his influences and enthusiasms, which are wide enough to include both Whitman and Larkin, both Jorge Borges and William Maxwell.”

—Carl Dennis, Pulitzer Prize–winning author of Unknown Friends and Practical Gods

“Michael Collier combines pietas and wildness in these essays on poetry as inheritance, and poetry as struggle. One feels the young man in his ‘rampage of literature,’ and the older writer reflecting on an art that is at once personal and impersonal, deeply matured in the imagination. This is a wise and well-lived book.”

—Rosanna Warren, author of Departure and Stained Glass

“The essays and remembrances in Make Us Wave Back radiate Michael Collier’s characteristic insight and sagacity on every page. Clear-minded, ardent, brightly illuminating the art of poetry, this is as lucid as writing about writing gets.”

—Campbell McGrath, author of Pax Atomica and Florida Poems

National Book Critics Circle Award finalist Michael Collier explores the influences that have made him one of the most distinguished poets of his generation. Make Us Wave Back includes essays on an expansive list of subjects, among them the literary correspondence of William Maxwell; the meaning of the author’s own role as poet laureate of the state of Maryland; the journals of Louise Bogan and how they reveal Bogan’s struggle with her own personal fears as well as the reconstruction of herself as a writer; and many more.

Michael Collier is Professor of English and Codirector of the creative writing program at the University of Maryland. He is also director of the Bread Loaf Writers’ Conference. He is the author of several books of poems, including The Clasp and Other Poems, The Folded Heart, and The Ledge.

[more]

front cover of Making a World after Empire
Making a World after Empire
The Bandung Moment and Its Political Afterlives
Christopher J. Lee
Ohio University Press, 2010

In April 1955, twenty-nine countries from Africa, Asia, and the Middle East came together for a diplomatic conference in Bandung, Indonesia, intending to define the direction of the postcolonial world. Representing approximately two-thirds of the world’s population, the Bandung conference occurred during a key moment of transition in the mid-twentieth century—amid the global wave of decolonization that took place after the Second World War and the nascent establishment of a new cold war world order in its wake. Participants such as Jawaharlal Nehru of India, Gamal Abdel Nasser of Egypt, Zhou Enlai of China, and Ahmed Sukarno of Indonesia seized this occasion to attempt the creation of a political alternative to the dual threats of Western neocolonialism and the cold war interventionism of the United States and the Soviet Union.

The essays in this volume explore the diverse repercussions of this event, tracing the diplomatic, intellectual, and sociocultural histories that have emanated from it. Making a World after Empire consequently addresses the complex intersection of postcolonial history and cold war history and speaks to contemporary discussions of Afro-Asianism, empire, and decolonization, thus reestablishing the conference’s importance in twentieth-century global history.

Contributors: Michael Adas, Laura Bier, James R. Brennan, G. Thomas Burgess, Antoinette Burton, Dipesh Chakrabarty, Julian Go, Christopher J. Lee, Jamie Monson, Jeremy Prestholdt, Denis M. Tull

[more]

front cover of Making Israel
Making Israel
Benny Morris, Editor
University of Michigan Press, 2007
Benny Morris is the founding father of the New Historians, a group of Israeli scholars who have challenged long-established perceptions about the origins of the Israeli-Palestinian conflict. Their research rigorously documented crimes and atrocities committed by the Israeli armed forces, including rape, torture, and ethnic cleansing. With Making Israel, Morris brings together the first collection of translated articles on the New History by leading Zionist and revisionist Israeli historians, providing Americans with a firsthand view of this important debate and enabling a better understanding of how the New Historians have influenced Israelis' awareness of their own past.
"The study of Israeli history, society, politics, and economics over the past two decades has been marked by a fierce and sometimes highly personal debate between 'traditionalists'---scholars who generally interpreted Israeli history and society within the Zionist ethos---and 'revisionists'---scholars who challenged conventional Zionist narratives of Israeli history and society. Making Israel brings together traditionalists and revisionists who openly and directly lay out their key insights about Israel's origins. It also introduces multidisciplinary perspectives on Israel by historians and sociologists, each bringing into the debate its own jargon, its own epistemology and methodology, and its own array of substantive issues. This is essential reading for anybody who wants to understand the different interpretations of Israeli society and perhaps the central debate among students of modern Israel."
---Zeev Maoz, Professor of Political Science at the University of California, Davis, and Distinguished Fellow at the Interdisciplinary Center, Herzliya
"Israel's 'new historians' have done a great service to their country, and to all who care about the Arab-Israeli conflict. By challenging myths, reexamining evidence, and asking truly important questions about the past they help to confront the present with honesty and realism. This book provides a sampling of the best of what these courageous voices have to offer."
---William B. Quandt, University of Virginia
Benny Morris is Professor of Middle East history at Ben-Gurion University in Beersheba, Israel, and is the author of Righteous Victims: A History of the Zionist-Arab Conflict, 1881-1999.
[more]

front cover of MAKING STORIES, MAKING SELVES
MAKING STORIES, MAKING SELVES
FEMINIST REFLECTIONS ON THE HOLOCAUST
R. RUTH LINDEN
The Ohio State University Press, 1995
Ruth Linden's bold, experimental book explores the interconnected processes of remembering, storytelling, and self-fashioning. Juxtaposing autobiography and ethnography, Linden begins this study by situating herself in the context of her assimilated Jewish family, where the Holocaust was shrouded in silences.

Urged forward by these silences, Linden, a feminist and sociologist, began to interview Jewish Holocaust survivors in 1983. As Linden interprets survivors' accounts of the death camps and the resistance, she reveals complex ways in which selves are constructed through storytelling. The stories that unfold are continuously fashioned and refashioned—never stripped of context or frozen in time. What emerges is an unexpectedly elegant montage in which interviewee, interviewer, and author are intertwined.

Linden's meetings with survivors and her encounters with their stories transformed her as a feminist, a Jew, and a social scientist. Her analysis reveals the intimate connections between an ethnographer's lived experience and her interpretations of others'. Linden's reflections on the process of ethnography belie the rhetoric of positivism in the social sciences. They will inspire other scholars to break free of research and writing practices in their own disciplines that efface the ineluctable bond between knower and known. All readers will be challenged to reexamine the Holocaust in an intensely personal light and to reconsider the meanings of survival in our own time.

Cutting across the boundaries of ethnography and autobiography to create a new kind of text, Making Stories, Making Selves offers a significant contribution to interpretive social science and the literature of the Holocaust. Linden's original and courageous work is vital reading for Holocaust scholars, students of modern Jewish life, sociologists, feminist theorists, and all readers seeking to understand their own relationship to the Holocaust.
[more]

front cover of Making The Best Years of Our Lives
Making The Best Years of Our Lives
The Hollywood Classic That Inspired a Nation
By Alison Macor
University of Texas Press, 2022

2023 Wall Award Finalist, Theatre Library Association

How a Hollywood gem transformed the national discourse on post-traumatic stress disorder.


Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act.

Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In this authoritative history, Macor chronicles the making and meaning of a film that changed America.

[more]

front cover of Making the Forever War
Making the Forever War
Marilyn B. Young on the Culture and Politics of American Militarism
Mark Philip Bradley
University of Massachusetts Press, 2021
The late historian Marilyn B. Young, a preeminent voice on the history of U.S. military conflict, spent her career reassessing the nature of American global power, its influence on domestic culture and politics, and the consequences felt by those on the receiving end of U.S. military force. At the center of her inquiries was a seeming paradox: How can the United States stay continually at war, yet Americans pay so little attention to this militarism?

Making the Forever War brings Young's articles and essays on American war together for the first time, including never before published works. Moving from the first years of the Cold War to Korea, Vietnam, and more recent "forever" wars in Iraq and Afghanistan, Young reveals the ways in which war became ever-present, yet more covert and abstract, particularly as aerial bombings and faceless drone strikes have attained greater strategic value. For Young, U.S. empire persisted because of, not despite, the inattention of most Americans. The collection concludes with an afterword by prominent military historian Andrew Bacevich.
[more]

front cover of Malcolm X's Michigan Worldview
Malcolm X's Michigan Worldview
An Exemplar for Contemporary Black Studies
Rita Kiki Edozie
Michigan State University Press, 2015
The provocative debate about Malcolm X’s legacy that emerged after the publication of Manning Marable’s 2011 biography raised critical questions about the revolutionary Black Nationalist’s importance to American and world affairs: What was Malcolm’s association with the Nation of Islam? How should we interpret Malcolm’s discourses? Was Malcolm antifeminist? What is Malcolm’s legacy in contemporary public affairs? How do Malcolm’s early childhood experiences in Michigan shape and inform his worldview? Was Malcolm trending toward socialism during his final year? Malcolm X’s Michigan Worldview responds to these questions by presenting Malcolm’s subject as an iconography used to deepen understanding of African descendent peoples’ experiences through advanced research and disciplinary study. A Black studies reader that uses the biography of Malcolm X both to interrogate key aspects of the Black world experience and to contribute to the intellectual expansion of the discipline, the book presents Malcolm as a Black subject who represents, symbolizes, and associates meaning with the Black/Africana studies discipline. Through a range of multidisciplinary prisms and themes including discourse, race, culture, religion, gender, politics, and community, this rich volume elicits insights about the Malcolm iconography that contribute to the continuous formulation, deepening, and strengthening of the Black studies discipline.
[more]

logo for Harvard University Press
Mannerism
The Crisis of the Renaissance and the Origin of Modern Art
Arnold Hauser
Harvard University Press, 1986
Arnold Hauser sees Mannerism—the expressionistic, anti-natural, anti-classical style prevalent in the sixteenth century—as a revolution in the history of art; a revolution with major repercussions for modern art. The noted Viennese culture critic here, as in The Social History of Art and The Philosophy of Art History, looks at developments in art in the context of social, economic, and intellectual history. His analysis of specific works of art is illustrated with 322 reproductions.
[more]

front cover of Mario Barradas and Son Jarocho
Mario Barradas and Son Jarocho
The Journey of a Mexican Regional Music
Yolanda Broyles-González, Rafael Figueroa Hernández, and Francisco González
University of Texas Press, 2022

Son Jarocho was born as the regional sound of Veracruz but over time became a Mexican national genre, even transnational, genre—a touchstone of Chicano identity in the United States. Mario Barradas and Son Jarocho traces a musical journey from the Gulf Coast to interior Mexico and across the border, describing the transformations of Son Jarocho along the way.

This comprehensive cultural study pairs ethnographic and musicological insights with an oral history of the late Mario Barradas, one of Son Jarocho’s preeminent modern musicians. Chicano musician Francisco González offers an insider’s account of Barradas’s influence and Son Jarocho’s musical qualities, while Rafael Figueroa Hernández delves into Barradas’s recordings and films. Yolanda Broyles-González examines the interplay between Son Jarocho’s indigenous roots and contemporary role in Mexican and US society. The result is a nuanced portrait of a vital and evolving musical tradition.

[more]

front cover of Martin Luther King Jr., Heroism, and African American Literature
Martin Luther King Jr., Heroism, and African American Literature
Trudier Harris
University of Alabama Press, 2023
Examines how representations of Martin Luther King Jr.’s character and persona in works of African American literature have evolved and reflect the changing values and mores of African American culture

African American writers have incorporated Martin Luther King Jr. into their work since he rose to prominence in the mid-1950s. Martin Luther King Jr., Heroism, and African American Literature is a study by award-winning author Trudier Harris of King’s character and persona as captured and reflected in works of African American literature continue to evolve.
 
One of the most revered figures in American history, King stands above most as a hero. His heroism, argues Harris, is informed by African American folk cultural perceptions of heroes. Brer Rabbit, John the Slave, Stackolee, and Railroad Bill—folk heroes all—provide a folk lens through which to view King in contemporary literature. Ambiguities and issues of morality that surround trickster figures also surround King. Nonconformist traits that define Stackolee and Railroad Bill also inform King’s life and literary portraits. Defiance of the law, uses of indirection, moral lapses, and bad habits are as much a part of the folk-transmitted biography of King as they are a part of writers’ depictions of him in literary texts.
 
Harris first demonstrates that during the Black Arts Movement of the 1960s, when writers such as Nikki Giovanni, Sonia Sanchez, and LeRoi Jones (Amiri Baraka) were rising stars in African American poetry, King’s philosophy of nonviolence was out of step with prevailing notions of militancy (Black Power), and their literature reflected that division.
 
In the quieter times of the 1970s and 1980s and into the twenty-first century, however, treatments of King and his philosophy in African American literature changed. Writers who initially rejected him and nonviolence became ardent admirers and boosters, particularly in the years following his assassination. By the 1980s, many writers skeptical about King had reevaluated him and began to address him as a fallen hero. To the most recent generation of writers, such as Katori Hall, King is fair game for literary creation, no matter what those portrayals may reveal, to a point where King has become simply another source of reference for creativity.
 
Collectively these writers, among many others, illustrate that Martin Luther King Jr. provides one of the strongest influences upon the creative worlds of multiple generations of African American writers of varying political and social persuasions.
[more]

front cover of Marx and the French Revolution
Marx and the French Revolution
François Furet
University of Chicago Press, 1988
Throughout his life Karl Marx commented on the French Revolution, but never was able to realize his project of a systematic work on this immense event. This book assembles for the first time all that Marx wrote on this subject. François Furet provides an extended discussion of Marx's thinking on the revolution, and Lucien Calvié situates each of the selections, drawn from existing translations as well as previously untranslated material, in its larger historical context.

With his early critique of Hegel, Marx started moving toward his fundamental thesis: that the state is a product of civil society and that the French Revolution was the triumph of bourgeois society. Furet's interpretation follows the evolution of this idea and examines the dilemmas it created for Marx as he considered all the faces the new state assumed over the course of the Revolution: the Jacobin Terror following the constitutional monarchy, Bonaparte's dictatorship following the parliamentary republic.

The problem of reconciling his theory with the reality of the Revolution's various manifestations is one of the major difficulties Marx contended with throughout his work. The hesitation, the remorse, and the contradictions of the resulting analyses offer a glimpse of a great thinker struggling with the constraints of his own system. Marx never did elaborate a theory of an autonomous state, but he never stopped wrestling with the challenge to his doctrine posed by late eighteenth-century France, whose changing conditions and successive regimes prompted some of his most intriguing and, until now, unexplored thought.
[more]

front cover of Masada Myth
Masada Myth
Collective Memory and Mythmaking in Israel
Nachman Ben-Yehuda
University of Wisconsin Press, 1996
    In 73 A.D., legend has it, 960 Jewish rebels under siege in the ancient desert fortress of Masada committed suicide rather than surrender to a Roman legion. Recorded in only one historical source, the story of Masada was obscure for centuries. In The Masada Myth, Israeli sociologist Nachman Ben-Yehuda tracks the process by which Masada became an ideological symbol for the State of Israel, the dramatic subject of movies and miniseries, a shrine venerated by generations of Zionists and Israeli soldiers, and the most profitable tourist attraction in modern Israel.
    Ben-Yehuda describes how, after nearly 1800 years, the long, complex, and unsubstantiated narrative of Josephus Flavius was edited and augmented in the twentieth century to form a simple and powerful myth of heroism. He looks at the ways this new mythical narrative of Masada was created, promoted, and maintained by pre-state Jewish underground organizations, the Israeli army, archaeological teams, mass media, youth movements, textbooks, the tourist industry, and the arts. He discusses the various organizations and movements that created “the Masada experience” (usually a ritual trek through the Judean desert followed by a climb to the fortress and a dramatic reading of the Masada story), and how it changed over decades from a Zionist pilgrimage to a tourist destination.
    Placing the story in a larger historical, sociological, and psychological context, Ben-Yehuda draws upon theories of collective memory and mythmaking to analyze Masada’s crucial role in the nation-building process of modern Israel and the formation of a new Jewish identity. An expert on deviance and social control, Ben-Yehuda looks in particular at how and why a military failure and an enigmatic, troubling case of mass suicide (in conflict with Judaism’s teachings) were reconstructed and fabricated as a heroic tale.
[more]

front cover of The Matrixial Borderspace
The Matrixial Borderspace
Bracha Ettinger
University of Minnesota Press, 2006
Artist, psychoanalyst, and feminist theorist Bracha Ettinger presents an original theoretical exploration of shared affect and emergent expression, across the thresholds of identity and memory. Ettinger works through Lacan’s late works, the anti-Oedipal perspectives of Deleuze and Guattari, as well as object-relations theory to critique the phallocentrism of mainstream Lacanian theory and to rethink the masculine-feminine opposition. She replaces the phallic structure with a dimension of emergence, where objects, images, and meanings are glimpsed in their incipiency, before they are differentiated. This is the matrixial realm, a shareable, psychic dimension that underlies the individual unconscious and experience. 

Concerned with collective trauma and memory, Ettinger’s own experience as an Israeli living with the memory of the Holocaust is a deep source of inspiration for her paintings, several of which are reproduced in the book. The paintings, like the essays, replay the relation between the visible and invisible, the sayable and ineffable; the gaze, the subject, and the other. 

Bracha Ettinger is a painter and a senior clinical psychologist. She is professor of psychoanalysis and aesthetics at the University of Leeds, England, and Bezalel Academy, Jerusalem. 

Judith Butler is professor of rhetoric and comparative literature at the University of California, Berkeley. Griselda Pollock is professor of fine arts at the University of Leeds. Brian Massumi is professor of communication at the University of Montreal.
[more]

front cover of Mazarin’s Quest
Mazarin’s Quest
The Congress of Westphalia and the Coming of the Fronde
Paul Sonnino
Harvard University Press, 2008

In a provocative study, Paul Sonnino examines the diplomatic negotiations that took place in Westphalia from 1643 to 1648, which brought an end to the agonizing civil and religious conflict of the Thirty Years’ War.

Sonnino steps back from myriad historical readings of Westphalia to take the diplomats’ intentions and interactions strictly on their own terms. He places the reader alongside the pivotal figure of French minister Jules Cardinal Mazarin as he maneuvers for gain. The narrative thus offers a firsthand experience of the negotiations as they played out, as well as a penetrating look into the character, personality, and ideas of the crafty cardinal. Although Mazarin acquired the province of Alsace—making him a hero to French nationalists—he had a much more successful peace within his grasp, but lost it when he insisted on annexing the Spanish Low Countries. Sonnino also offers a new interpretation of the origins of the Fronde, linking the French domestic revolt to foreign policy, in Mazarin’s failure to secure peace with Spain.

Based on unprecedented archival documentation, Mazarin’s Quest provides an original and illuminating look at one of the most complicated diplomatic gatherings of all time.

[more]

front cover of Medal Winners
Medal Winners
How the Vietnam War Launched Nobel Careers
By Raymond S. Greenberg
University of Texas Press, 2020

As the ground war in Vietnam escalated in the late 1960s, the US government leveraged the so-called doctor draft to secure adequate numbers of medical personnel in the armed forces. Among newly minted physicians’ few alternatives to military service was the Clinical Associate Training Program at the National Institutes of Health. Though only a small percentage of applicants were accepted, the elite program launched an unprecedented number of remarkable scientific careers that would revolutionize medicine at the end of the twentieth century.

Medal Winners recounts this overlooked chapter and unforeseen byproduct of the Vietnam War through the lives of four former NIH clinical associates who would go on to become Nobel laureates. Raymond S. Greenberg traces their stories from their pre-NIH years and apprenticeships through their subsequent Nobel Prize–winning work, which transformed treatment of heart disease, cancer, and other diseases. Greenberg shows how the Vietnam draft unintentionally ushered in a golden era of research by bringing talented young physicians under the tutelage of leading scientists and offers a lesson in what it may take to replicate such a towering center of scientific innovation as the NIH in the 1960s and 1970s.

[more]

front cover of Mediating the Uprising
Mediating the Uprising
Narratives of Gender and Marriage in Syrian Television Drama
Rebecca Joubin
Rutgers University Press, 2020
Mediating the Uprising: Narratives of Gender and Marriage in Syrian Television Drama shows how gender and marriage metaphors inform post-uprising Syrian drama for various forms of cultural and political critique. These narratives have become complicated since the uprising due to the Syrian regime’s effort to control the revolutionary discourse. As Syria’s uprising spawned more terrorist groups, some drama creators became nostalgic for pre-war days.
 
While for some screenwriters a return to pre-2011 life would be welcome after so much bloodshed, others advocated profound cultural and social transformation, instead. They employed marriage and gender metaphors in the stories they wrote to engage in political critique, even at the risk of creating marketing difficulties for the shows or they created escapist stories such as transnational adaptations and Old Damascus tales. Serving as heritage preservation, Mediating the Uprising underscores that television drama creators in Syria have many ways of engaging in protest, with gender and marriage at the heart of the polemic. 
 
[more]

front cover of The Medieval Worlds of Neil Gaiman
The Medieval Worlds of Neil Gaiman
From Beowulf to Sleeping Beauty
Shiloh Carroll
University of Iowa Press, 2023
Neil Gaiman is one of the most widely known writers of the twentieth and twenty-first centuries, having produced fiction and nonfiction, fantasy and horror, television, comics, and prose. He often attributes this eclecticism to his “compost heap” approach to writing, gathering inspiration from life, religion, literature, and mythology.

Readers love to sink into Gaiman’s medieval worlds—but what makes them “medieval”? Shiloh Carroll offers an introduction to the idea of medievalism, how the literature and culture of the Middle Ages have been reinterpreted and repurposed over the centuries, and how the layers of interpretation have impacted Gaiman’s own use of medieval material. She examines influences from Norse mythology and Beowulf to medieval romances and fairy tales in order to expand readers’ understanding and appreciation of Gaiman’s work, as well as the rest of the medievalist films, TV shows, and books that are so popular today.
 
[more]

front cover of Mexico's Once and Future Revolution
Mexico's Once and Future Revolution
Social Upheaval and the Challenge of Rule since the Late Nineteenth Century
Gilbert M. Joseph and Jürgen Buchenau
Duke University Press, 2013
In this concise historical analysis of the Mexican Revolution, Gilbert M. Joseph and Jürgen Buchenau explore the revolution's causes, dynamics, consequences, and legacies. They do so from varied perspectives, including those of campesinos and workers; politicians, artists, intellectuals, and students; women and men; the well-heeled, the dispossessed, and the multitude in the middle. In the process, they engage major questions about the revolution. How did the revolutionary process and its aftermath modernize the nation's economy and political system and transform the lives of ordinary Mexicans? Rather than conceiving the revolution as either the culminating popular struggle of Mexico's history or the triumph of a new (not so revolutionary) state over the people, Joseph and Buchenau examine the textured process through which state and society shaped each other. The result is a lively history of Mexico's "long twentieth century," from Porfirio Díaz's modernizing dictatorship to the neoliberalism of the present day.
[more]

front cover of Michael Polanyi and His Generation
Michael Polanyi and His Generation
Origins of the Social Construction of Science
Mary Jo Nye
University of Chicago Press, 2011
In Michael Polanyi and His Generation, Mary Jo Nye investigates the role that Michael Polanyi and several of his contemporaries played in the emergence of the social turn in the philosophy of science. This turn involved seeing science as a socially based enterprise that does not rely on empiricism and reason alone but on social communities, behavioral norms, and personal commitments. Nye argues that the roots of the social turn are to be found in the scientific culture and political events of Europe in the 1930s, when scientific intellectuals struggled to defend the universal status of scientific knowledge and to justify public support for science in an era of economic catastrophe, Stalinism and Fascism, and increased demands for applications of science to industry and social welfare.
 
At the center of this struggle was Polanyi, who Nye contends was one of the first advocates of this new conception of science. Nye reconstructs Polanyi’s scientific and political milieus in Budapest, Berlin, and Manchester from the 1910s to the 1950s and explains how he and other natural scientists and social scientists of his generation—including J. D. Bernal, Ludwik Fleck, Karl Mannheim, and Robert K. Merton—and the next, such as Thomas Kuhn, forged a politically charged philosophy of science, one that newly emphasized the social construction of science.
[more]

front cover of Milton Among Spaniards
Milton Among Spaniards
Angelica Duran
University of Delaware Press, 2011
Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
[more]

front cover of Mimesis across Empires
Mimesis across Empires
Artworks and Networks in India, 1765-1860
Natasha Eaton
Duke University Press, 2013
In Mimesis Across Empires, Natasha Eaton examines the interactions, attachments, and crossings between the visual cultures of the Mughal and British Empires during the formative period of British imperial rule in India. Eaton explores how the aesthetics of Mughal "vernacular" art and British "realist" art mutually informed one another to create a hybrid visual economy. By tracing the exchange of objects and ideas—between Mughal artists and British collectors, British artists and Indian subjects, and Indian elites and British artists—she shows how Mughal artists influenced British conceptions of their art, their empire, and themselves, even as European art gave Indian painters a new visual vocabulary with which to critique colonial politics and aesthetics. By placing her analysis of visual culture in relation to other cultural encounters—ethnographic, legislative, diplomatic—Eaton uncovers deeper intimacies and hostilities between the colonizer and the colonized, linking artistic mimesis to the larger colonial project in India.
[more]

front cover of Minority Parties in U.S. Legislatures
Minority Parties in U.S. Legislatures
Conditions of Influence
Jennifer Hayes Clark
University of Michigan Press, 2015
This study of the influence minority parties wield is both a major work of political science scholarship and a timely examination of an issue with real consequences for the functioning of democratic legislatures and the creation of legislation.

Challenging conventional assumptions that the majority party dominates the legislature, Jennifer Hayes Clark investigates precisely the ways in which—and under what conditions—members of the minority party successfully pursue their interests. For this study, Clark collects fine-grained data from both the U.S. Congress and state legislatures to get a close look at three key points in the legislative process: committee assignments, bill cosponsorship, and roll-call votes. She finds that minority party members are not systematically excluded throughout the policymaking process. Indeed, their capacity to shape legislative decision-making is enhanced when party polarization is low, when institutional prerogatives are broadly dispersed rather than centralized, and when staff resources are limited. Under these conditions, bipartisanship bill cosponsorship and voting coalitions are also more prevalent.

With the sharp increase of partisan polarization in state legislatures and in Congress, it is essential to understand how and when a minority party can effectively represent constituents.

 

[more]

front cover of Missing
Missing
Youth, Citizenship, and Empire after 9/11
Sunaina Marr Maira
Duke University Press, 2009
In Missing, Sunaina Marr Maira explores how young South Asian Muslim immigrants living in the United States experienced and understood national belonging (or exclusion) at a particular moment in the history of U.S. imperialism: in the years immediately following September 11, 2001. Drawing on ethnographic research in a New England high school, Maira investigates the cultural dimensions of citizenship for South Asian Muslim students and their relationship to the state in the everyday contexts of education, labor, leisure, dissent, betrayal, and loss. The narratives of the mostly working-class youth she focuses on demonstrate how cultural citizenship is produced in school, at home, at work, and in popular culture. Maira examines how young South Asian Muslims made sense of the political and historical forces shaping their lives and developed their own forms of political critique and modes of dissent, which she links both to their experiences following September 11, 2001, and to a longer history of regimes of surveillance and repression in the United States.

Bringing grounded ethnographic analysis to the critique of U.S. empire, Maira teases out the ways that imperial power affects the everyday lives of young immigrants in the United States. She illuminates the paradoxes of national belonging, exclusion, alienation, and political expression facing a generation of Muslim youth coming of age at this particular moment. She also sheds new light on larger questions about civil rights, globalization, and U.S. foreign policy. Maira demonstrates that a particular subjectivity, the “imperial feeling” of the present historical moment, is linked not just to issues of war and terrorism but also to migration and work, popular culture and global media, family and belonging.

[more]

front cover of Modern Odysseys
Modern Odysseys
Cavafy, Woolf, Césaire, and a Poetics of Indirection
Michelle Zerba
The Ohio State University Press, 2021
Michelle Zerba’s Modern Odysseys explores three major writers in global modernism from the Mediterranean, Anglo-European Britain, and the Caribbean whose groundbreaking literary works have never been studied together before. Using language as an instrument of revolution and social change, C. P. Cavafy, Virginia Woolf, and Aimé Césaire gave expression to the forms of human experience we now associate with modernity: homoeroticism, transsexuality, and racial consciousness. More specifically, Zerba argues that Odyssean tropes of diffusion, isolation, passage, and return give form to works by these writers but in ways that invite us to reconsider and revise the basic premises of reception studies and intellectual history.
 
Combining close readings of literary texts with the study of interviews, essays, diaries, and letters, Zerba advances a revisionary account of how to approach relationships between antiquity and modernity. Instead of frontal encounters with the Odyssey, Cavafy, Woolf, and Césaire indirectly—but no less significantly—engage with Homer’s epic poem. In demonstrating how such encounters operate, Modern Odysseys explores issues of race and sexuality that connect antiquity with the modern period.
 
[more]

front cover of Modernity at Gunpoint
Modernity at Gunpoint
Firearms, Politics, and Culture in Mexico and Central America
Sophie Esch
University of Pittsburgh Press, 2018
Winner, 2019 LASA Best Book in the Humanities (Mexico section)

Modernity at Gunpoint provides the first study of the political and cultural significance of weaponry in the context of major armed conflicts in Mexico and Central America. In this highly original study, Sophie Esch approaches political violence through its most direct but also most symbolic tool: the firearm. In novels, songs, and photos of insurgency, firearms appear as artifacts, tropes, and props, through which artists negotiate conceptions of modernity, citizenship, and militancy. Esch grounds her analysis in important rereadings of canonical texts by Martín Luis Guzman, Nellie Campobello, Omar Cabezas, Gioconda Belli, Sergio Ramirez, Horacio Castellanos Moya, and others. Through the lens of the iconic firearm, Esch relates the story of the peasant insurgencies of the Mexican Revolution, the guerrilla warfare of the Sandinista Revolution, and the ongoing drug-related wars in Mexico and Central America, to highlight the historical, cultural, gendered, and political significance of weapons in this volatile region.
[more]

front cover of Modernity At Sea
Modernity At Sea
Melville, Marx, Conrad In Crisis
Cesare Casarino
University of Minnesota Press, 2002

front cover of Money and Modernity
Money and Modernity
Pound, Williams, and the Spirit of Jefferson
Alec Marsh
University of Alabama Press, 1998
Marsh locates Pound and Williams firmly in the Jeffersonian tradition and examines their epic poems as manifestations of a Jeffersonian ideology in modernist terms.

The modernist poets William Carlos Williams and Ezra Pound were latter-day Jeffersonians whose politics and poetry were strongly marked by the populism of the late 19th century. They were sharply aware of the social contradictions of modernization and were committed to a highly politicized, often polemical poetry that criticized finance capitalism and its institutions--notably banks--in the strongest terms.

Providing a history of the aesthetics of Jeffersonianism and its collision with modernism in the works of Pound and Williams, Alec Marsh traces "the money question" from the republican period through the 1940s. Marsh can thus read two modernist epics--Pound's Cantos and Williams's Paterson--as the poets hoped they would be read, as attempts to break the hold of "false" financial values on the American imagination.

Marsh argues that Pound's and Williams's similar Jeffersonian outlooks were the direct result of the political battles of the 1890s concerning the meaning of money. Although Pound's interest in money and economics is well known, few people are aware that both poets were active in the Social Credit monetary-reform movement of the 1930s and 1940s, a movement shown by Marsh to have direct links to Jeffersonianism via American populism.  Ultimately, the two poets took divergent paths, with Pound swerving toward Italian fascism (as exemplified in his Jefferson and/or Mussolini) and Williams becoming deeply influenced by the American pragmatism of John Dewey. Thus, Marsh concludes, Pound embraced the fascist version of state-capitalism whereas his old friend proclaimed a pragmatic openness to the new selves engendered by corporate capitalism.

Money and Modernity exemplifies the best of recent literary criticism in its incorporation of American studies and cultural studies approaches to bring new insight to modern masterworks.
[more]

front cover of The Monkey and the Inkpot
The Monkey and the Inkpot
Natural History and Its Transformations in Early Modern China
Carla Nappi
Harvard University Press, 2009

This is the story of a Chinese doctor, his book, and the creatures that danced within its pages. The Monkey and the Inkpot introduces natural history in sixteenth-century China through the iconic Bencao gangmu (Systematic materia medica) of Li Shizhen (1518–1593).

The encyclopedic Bencao gangmu is widely lauded as a classic embodiment of pre-modern Chinese medical thought. In the first book-length study in English of Li’s text, Carla Nappi reveals a “cabinet of curiosities” of gems, beasts, and oddities whose author was devoted to using natural history to guide the application of natural and artificial objects as medical drugs. Nappi examines the making of facts and weighing of evidence in a massive collection where tales of wildmen and dragons were recorded alongside recipes for ginseng and peonies.

Nappi challenges the idea of a monolithic tradition of Chinese herbal medicine by showing the importance of debate and disagreement in early modern scholarly and medical culture. The Monkey and the Inkpot also illuminates the modern fate of a book that continues to shape alternative healing practices, global pharmaceutical markets, and Chinese culture.

[more]

front cover of Monuments to the Lost Cause
Monuments to the Lost Cause
Women, Art, And The Landscapes Of Southern Memory
Cynthia Mills
University of Tennessee Press, 2003
This richly illustrated collection of essays, reissued in paperback with a new foreword by Karen L. Cox, examines Confederate memorials from Monument Avenue to Stone Mountain and explores how each monument, with its associated public rituals, testifies to the romanticized narrative of the American Civil War known as the Lost Cause. Several of the fourteen essays highlight the creative leading role played by women’s groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The contributors – who include Karen L. Cox, Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen – trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public – and often emotionally charged – debate about how the South’s past should be remembered.
[more]

front cover of A Moral Military
A Moral Military
Sidney Axinn
Temple University Press, 2008

In this new edition of the classic book on the moral conduct of war, Sidney Axinn provides a full-length treatment of the military conventions from a philosophical point of view. Axinn considers these basic ethical questions within the context of the laws of warfare: Should a good soldier ever disobey a direct military order? Are there restrictions on how we fight a war? What is meant by “military honor,” and does it really affect the contemporary soldier? Is human dignity possible under battlefield conditions?

Axinn answers “yes” to these questions. His objective in A Moral Military is to establish a basic framework for moral military action and to assist in analyzing military professional ethics. He argues for the seriousness of the concept of military honor but limits honorable military activity by a strict interpretation of the notion of war crime.

With revisions and expansions throughout, including a new chapter on torture, A Moral Military is an essential guide on the nature of war during a time when the limits of acceptable behavior are being stretched in new directions.

[more]

front cover of A Moral Military
A Moral Military
Sidney Axinn
Temple University Press, 1990
"Sidney Axinn addresses the hardest questions raised by the experience of war and argues his way to clear and forthright answers. His book is a virtuoso display of intellectual energy and moral courage." --Michael Walzer, Institute for Advanced Study Should a good soldier ever disobey a direct military order? Are there restrictions on how we fight a war? What is meant by "military honor," and does it really affect the contemporary soldier? Is human dignity possible under battlefield conditions? Sidney Axinn considers these basic ethical questions within the context of the laws of warfare and answers "yes" to each of these questions. In this study of the conduct of war, he examines actions that are honorable or dishonorable and provides the first full-length treatment of the military conventions from a philosophical point of view. Axinn gives a philosophical analysis of the "Laws of Warfare" as found in the Hague and Geneva Conventions, which have been agreed to by almost every nation in the world. The aims of his study are to establish a basic twentieth-century framework for moral military action and to assist military personnel in analyzing their won professional ethic. Stating that moral reasoning is required by people in military uniform in a wide variety of situations, the author examines the question of the limits of military obedience. Axinn argues for the seriousness of the concept of military honor but limits honorable military activity by a strict interpretation of the notion of war crime. Major chapters deal with military honor, prisoners of war, spying, war crimes, the dirty-hands theory of command, nuclear weapons, terrorism, and covert operations. This philosophical study of the line between honorable and dishonorable military action cautions that in compliance with the war conventions professional military personnel and knowledgeable civilians must not lose their moral nerve nor abandon honor to satisfy immoral political requests. "This is an excellent and long-overdue text on the ethics of the profession of arms. It will be welcomed by both students and instructors due to its straightforward yet entertaining approach to this complex subject. I recommend it highly for both the professional soldier and the citizen concerned with the way his or her country conducts its defense." --LTC John Nugent, USA "In order to make warfare more humane, the [Geneva and the Hague] Conventions require nations to teach their provisions to their entire military and civilian populations. This book is written to promote and achieve that end, to defend the rules of war and to explain the reasons for them. …it goes a long way toward teaching the basic Conventions of war and showing strong reasons for following them." --Choice "An interesting read. If war is immoral, can a war be fought morally? According to Axinn, yes." --Reference and Research Book News
[more]

front cover of A More Conservative Place
A More Conservative Place
Intellectual Culture in the Bush Era
Paul A. Bové
Dartmouth College Press, 2013
Identifying the historical antecedents of President George W. Bush’s imperial ambitions and the sources of the reactionary thought and politics that underlie them, Paul A. Bové shows how neoconservatism represents a singular danger to democracy. At the same time, he criticizes the equally disheartening inability of the academic Left to oppose neoconservatives and its tendency to mirror their views instead. Divorced from historical knowledge and intellectual rigor, the neocon mindset reflects a cultural and historical amnesia that feeds on ignorance and conformity. Exposing the threats to national survival inherent in the alliance of right-wing politics and academic tribalism, Bové emphasizes the need to reconnect with the powers of imagination and the complexity of human historical experience. With urgency and passion, Bové shows how the neocons have succeeded in cowing or coopting academic intellectuals and how language has been used and abused for the maintenance and extension of an undemocratic regime.
[more]

front cover of More Than God Demands
More Than God Demands
Politics and Influence of Christian Missions in Northwest Alaska, 1897-1918
Anthony Urvina with Sally Urvina
University of Alaska Press, 2016
Near the turn of the twentieth century, the territorial government of Alaska put its support behind a project led by Christian missionaries to convert Alaska Native peoples—and, along the way, bring them into “civilized” American citizenship. Establishing missions in a number of areas inhabited by Alaska Natives, the program was an explicit attempt to erase ten thousand years of Native culture and replace it with Christianity and an American frontier ethic.
            Anthony Urvina, whose mother was an orphan raised at one of the missions established as part of this program, draws on details from her life in order to present the first full history of this missionary effort. Smoothly combining personal and regional history, he tells the story of his mother’s experience amid a fascinating account of Alaska Native life and of the men and women who came to Alaska to spread the word of Christ, confident in their belief and unable to see the power of the ancient traditions they aimed to supplant.
[more]

front cover of Moscow, the Fourth Rome
Moscow, the Fourth Rome
Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931–1941
Katerina Clark
Harvard University Press, 2011

In the early sixteenth century, the monk Filofei proclaimed Moscow the “Third Rome.” By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world.

Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today—transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin.

Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin.

[more]

front cover of The Mourner's Song
The Mourner's Song
War and Remembrance from the Iliad to Vietnam
James Tatum
University of Chicago Press, 2002
No matter when or where they are fought, all wars have one thing in common: a relentless progression to monuments and memorials for the dead. Likewise all art made from war begins and ends in mourning and remembrance. In The Mourner's Song, James Tatum offers incisive discussions of physical and literary memorials constructed in the wake of war, from the Vietnam Veterans Memorial to the writings of Stephen Crane, Edmund Wilson, Tim O'Brien, and Robert Lowell.

Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials.

Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.
[more]

front cover of Moving Beyond Borders
Moving Beyond Borders
Julian Samora and the Establishment of Latino Studies
Edited by Alberto Lopez Pulido, Barbara Driscoll de Alvarado, and Carmen Samora
University of Illinois Press, 2008

Moving Beyond Borders examines the life and accomplishments of Julian Samora, the first Mexican American sociologist in the United States and the founding father of the discipline of Latino studies. Detailing his distinguished career at the University of Notre Dame from 1959 to 1984, the book documents the history of the Mexican American Graduate Studies program that Samora established at Notre Dame and traces his influence on the evolution of border studies, Chicano studies, and Mexican American studies. 

Samora's groundbreaking ideas opened the way for Latinos to understand and study themselves intellectually and politically, to analyze the complex relationships between Mexicans and Mexican Americans, to study Mexican immigration, and to ready the United States for the reality of Latinos as the fastest growing minority in the nation. In addition to his scholarly and pedagogical impact, his leadership in the struggle for civil rights was a testament to the power of community action and perseverance. Focusing on Samora's teaching, mentoring, research, and institution-building strategies, Moving Beyond Borders explores the legacies, challenges, and future of ethnic studies in United States higher education. 

Contributors are Teresita E. Aguilar, Jorge A. Bustamante, Gilberto Cárdenas, Miguel A. Carranza, Frank M. Castillo, Anthony J. Cortese, Lydia Espinosa Crafton, Barbara Driscoll de Alvarado, Herman Gallegos, Phillip Gallegos, José R. Hinojosa, Delfina Landeros, Paul López, Sergio X. Madrigal, Ken Martínez, Vilma Martínez, Alberto Mata, Amelia M. Muñoz, Richard A. Navarro, Jesus "Chuy" Negrete, Alberto López Pulido, Julie Leininger Pycior, Olga Villa Parra, Ricardo Parra, Victor Rios, Marcos Ronquillo, Rene Rosenbaum, Carmen Samora, Rudy Sandoval, Alfredo Rodriguez Santos, and Ciro Sepulveda.

[more]

front cover of Mozart and the Mediation of Childhood
Mozart and the Mediation of Childhood
Adeline Mueller
University of Chicago Press, 2021

The story of Wolfgang Amadeus Mozart’s precocity is so familiar as to be taken for granted. In scholarship and popular culture, Mozart the Wunderkind is often seen as belonging to a category of childhood all by himself. But treating the young composer as an anomaly risks minimizing his impact. In this book, Adeline Mueller examines how Mozart shaped the social and cultural reevaluation of childhood during the Austrian Enlightenment. Whether in a juvenile sonata printed with his age on the title page, a concerto for a father and daughter, a lullaby, a musical dice game, or a mass for the consecration of an orphanage church, Mozart’s music and persona transformed attitudes toward children’s agency, intellectual capacity, relationships with family and friends, political and economic value, work, school, and leisure time.
 
Thousands of children across the Habsburg Monarchy were affected by the Salzburg prodigy and the idea he embodied: that childhood itself could be packaged, consumed, deployed, “performed”—in short, mediated—through music. This book builds upon a new understanding of the history of childhood as dynamic and reciprocal, rather than a mere projection or fantasy—as something mediated not just through texts, images, and objects but also through actions. Drawing on a range of evidence, from children’s periodicals to Habsburg court edicts and spurious Mozart prints, Mueller shows that while we need the history of childhood to help us understand Mozart, we also need Mozart to help us understand the history of childhood.

[more]

front cover of Mr. Chairman
Mr. Chairman
The Life and Legacy of Wilbur D. Mills
Kay Collett Goss
Parkhurst Brothers, Inc., 2012
No-holds barred bio of national budget czar (during the 1950s and 1960s), Wilbur D. Mills, who was Chairman of the United States House of Representatives Committee on Ways and Means for nineteen years.  Mills tutuladge of young congressman, such as George H.W. Bush (the future president #41) and detailed knowledge of the United States Tax Code, as well as his behind-the-scenes network of information and the leanings of congressional members earned him high regard in the eyes of presidents Eisenhower, Kennedy, and Nixon.  Mills' career came to an abrupt end when he was found at the Tidal Basin with exotic dancer, Fanny Foxe.  The text describes both Mills the powerful politician and Mills' sometimes troubled personal life with clarity and in detail.
[more]

front cover of Mrs. Abraham Lincoln
Mrs. Abraham Lincoln
A Study of Her Personality and Her Influence on Lincoln
W.A. Evans, Foreword by Jason Emerson
Southern Illinois University Press, 1932

First published in 1932, this was the first thoroughly researched biography of Mary Lincoln ever written, and it remains the most balanced and complete work on this controversial First Lady. Author W. A. Evans challenges the disparaging views of Mary Lincoln that were generally accepted at the time, offering a comprehensive and informed look at a woman whose physical and mental health problems have often been misconstrued or overlooked by other biographers. Evans conducted extensive research, interviewing Mrs. Lincoln’s family members, seeking advice and assistance from numerous Lincoln scholars and historians, scouring thousands of pages of contemporary newspapers and primary resources, reviewing correspondence Mary wrote during her stay at Bellevue Place sanitarium, and consulting with several medical experts. The result of all this research is an objective and detailed portrait of Mrs. Lincoln and her influence on her husband that still has a great deal of historical value for readers today.

A new foreword by Jason Emerson, author of The Madness of Mary Lincoln, provides biographical information on Evans and background on the origins of the book and its reception and influence. Finally back in print, this classic biography is essential reading for all with an interest in the Lincoln family.

[more]

front cover of Mulan's Legend and Legacy in China and the United States
Mulan's Legend and Legacy in China and the United States
Authored by Lan Dong
Temple University Press, 2010

Mulan, the warrior maiden who performed heroic deeds in battle while dressed as a male soldier, has had many incarnations from her first appearance as a heroine in an ancient Chinese folk ballad. Mulan’s story was retold for centuries, extolling the filial virtue of the young woman who placed her father's honor and well-being above her own. With the publication of Maxine Hong Kingston’s The Woman Warrior in the late 1970s, Mulan first became familiar to American audiences who were fascinated with the extraordinary Asian American character. Mulan’s story was recast yet again in the popular 1998 animated Disney film and its sequel.

In Mulan’s Legend and Legacy in China and the United States, Lan Dong traces the development of this popular icon and asks, "Who is the real Mulan?" and "What does authenticity mean for the critic looking at this story?" Dong charts this character’s literary voyage across historical and geographical borders, discussing the narratives and images of Mulan over a long time span—from premodern China to the contemporary United States to Mulan’s counter-migration back to her homeland.

As Dong shows, Mulan has been reinvented repeatedly in both China and the United States so that her character represents different agendas in each retelling—especially after she reached the western hemisphere. The dutiful and loyal daughter, the fierce, pregnant warrior, and the feisty teenaged heroine—each is Mulan representing an idea about female virtue at a particular time and place.

[more]

front cover of Muslims in a Post-9/11 America
Muslims in a Post-9/11 America
A Survey of Attitudes and Beliefs and Their Implications for U.S. National Security Policy
Rachel M. Gillum
University of Michigan Press, 2018

Muslims in a Post-9/11 America examines how public fears about Muslims in the United States compare with the reality of American Muslims’ attitudes on a range of relevant issues. While most research on Muslim Americans focuses on Arab Muslims, a quarter of the Muslim American population, Rachel Gillum includes perspectives of Muslims from various ethnic and national communities—from African Americans to those of Pakistani, Iranian, or Eastern European descent. Using interviews and one of the largest nationwide surveys of Muslim Americans to date, Gillum examines more than three generations of Muslim American immigrants to assess how segments of the Muslim American community are integrating into the U.S. social fabric, and how they respond to post-9/11 policy changes. Gillum’s findings challenge perceptions of Muslims as a homogeneous, isolated, un-American, and potentially violent segment of the U.S. population.

Despite these realities, negative political rhetoric around Muslim Americans persists. The findings suggest that the policies designed to keep America safe from terrorist attacks may have eroded one of law enforcement’s greatest assets in the fight against violent extremism—a relationship of trust and goodwill between the Muslim American community and the U.S. government. Gillum argues for policies and law enforcement tactics that will bring nuanced understandings of this diverse category of Americans and build trust, rather than alienate Muslim communities.

[more]

front cover of My Brother's Keeper
My Brother's Keeper
George McGovern and Progressive Christianity
Mark A. Lempke
University of Massachusetts Press, 2017
George McGovern is chiefly remembered for his landslide loss to Richard Nixon in 1972. Yet at the time, his candidacy raised eyebrows by invoking the prophetic tradition, an element of his legacy that is little studied. In My Brother's Keeper, Mark A. Lempke explores the influence of McGovern's evangelical childhood, Social Gospel worldview, and conscientious Methodism on a campaign that brought antiwar activism into the mainstream.

McGovern's candidacy signified a passing of the torch within Christian social justice. He initially allied with the ecumenical movement and the mainline Protestant churches during a time when these institutions worked easily with liberal statesmen. But the senator also galvanized a dynamic movement of evangelicals rooted in the New Left, who would dominate subsequent progressive religious activism as the mainline entered a period of decline. My Brother's Keeper argues for the influential, and often unwitting, role McGovern played in fomenting a "Religious Left" in 1970s America, a movement that continues to this day. It joins a growing body of scholarship that complicates the dominant narrative of that era's conservative Christianity.
[more]

front cover of My Private Lennon
My Private Lennon
Explorations from a Fan Who Never Screamed
Sibbie O'Sullivan
The Ohio State University Press, 2020
My Private Lennon: Explorations from a Fan Who Never Screamed offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fifteen-year-old hysterical female Beatles fan and replaces it with an introspective and often humorous tale about how the band shaped her intellectual and artistic development.
 
My Private Lennon charts the author’s realization that the Beatles, especially John Lennon, were a crucial force in her development. A radical departure from other books written by Beatles fans, My Private Lennon invites its readers to consider subjects not usually found in works about Lennon and the band, such as the constraints of memory, the male body, grief, the female breast, race, cultural issues, and the importance of privacy in our over-mediated world. In pieces that engage cultural issues and historical contexts, My Private Lennon creates a witty and provocative intimacy with readers who value the power of art to change one’s life and who love John Lennon and the Beatles.
 
[more]


Send via email Share on Facebook Share on Twitter