BiblioVault - Books about Interviews

Generations of Exclusion

Mexican-Americans, Assimilation, and Race

Edward E. Telles

Russell Sage Foundation, 2008

Foreword by Joan W. Moore When boxes of original files from a 1965 survey of Mexican Americans were discovered behind a dusty bookshelf at UCLA, sociologists Edward Telles and Vilma Ortiz recognized a unique opportunity to examine how the Mexican American experience has evolved over the past four decades. Telles and Ortiz located and re-interviewed most of the original respondents and many of their children. Then, they combined the findings of both studies to construct a thirty-five year analysis of Mexican American integration into American society. Generations of Exclusion is the result of this extraordinary project. Generations of Exclusion measures Mexican American integration across a wide number of dimensions: education, English and Spanish language use, socioeconomic status, intermarriage, residential segregation, ethnic identity, and political participation. The study contains some encouraging findings, but many more that are troubling. Linguistically, Mexican Americans assimilate into mainstream America quite well—by the second generation, nearly all Mexican Americans achieve English proficiency. In many domains, however, the Mexican American story doesn't fit with traditional models of assimilation. The majority of fourth generation Mexican Americans continue to live in Hispanic neighborhoods, marry other Hispanics, and think of themselves as Mexican. And while Mexican Americans make financial strides from the first to the second generation, economic progress halts at the second generation, and poverty rates remain high for later generations. Similarly, educational attainment peaks among second generation children of immigrants, but declines for the third and fourth generations. Telles and Ortiz identify institutional barriers as a major source of Mexican American disadvantage. Chronic under-funding in school systems predominately serving Mexican Americans severely restrains progress. Persistent discrimination, punitive immigration policies, and reliance on cheap Mexican labor in the southwestern states all make integration more difficult. The authors call for providing Mexican American children with the educational opportunities that European immigrants in previous generations enjoyed. The Mexican American trajectory is distinct—but so is the extent to which this group has been excluded from the American mainstream. Most immigration literature today focuses either on the immediate impact of immigration or what is happening to the children of newcomers to this country. Generations of Exclusion shows what has happened to Mexican Americans over four decades. In opening this window onto the past and linking it to recent outcomes, Telles and Ortiz provide a troubling glimpse of what other new immigrant groups may experience in the future.

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Georges Woke Up Laughing

Long-Distance Nationalism and the Search for Home

Nina Glick Schiller and Georges Eugene Fouron

Duke University Press, 2001

Combining history, autobiography, and ethnography, Georges Woke Up Laughing provides a portrait of the Haitian experience of migration to the United States that illuminates the phenomenon of long-distance nationalism, the voicelessness of certain citizens, and the impotency of government in an increasingly globalized world. By presenting lively ruminations on his life as a Haitian immigrant, Georges Eugene Fouron—along with Nina Glick Schiller, whose own family history stems from Poland and Russia—captures the daily struggles for survival that bind together those who emigrate and those who stay behind.
According to a long-standing myth, once emigrants leave their homelands—particularly if they emigrate to the United States—they sever old nationalistic ties, assimilate, and happily live the American dream. In fact, many migrants remain intimately and integrally tied to their ancestral homeland, sometimes even after they become legal citizens of another country. In Georges Woke Up Laughing the authors reveal the realities and dilemmas that underlie the efforts of long-distance nationalists to redefine citizenship, race, nationality, and political loyalty. Through discussions of the history and economics that link the United States with countries around the world, Glick Schiller and Fouron highlight the forces that shape emigrants’ experiences of government and citizenship and create a transborder citizenry. Arguing that governments of many countries today have almost no power to implement policies that will assist their citizens, the authors provide insights into the ongoing sociological, anthropological, and political effects of globalization.
Georges Woke up Laughing will entertain and inform those who are concerned about the rights of people and the power of their governments within the globalizing economy.

“In my dream I was young and in Haiti with my friends, laughing, joking, and having a wonderful time. I was walking down the main street of my hometown of Aux Cayes. The sun was shining, the streets were clean, and the port was bustling with ships. At first I was laughing because of the feeling of happiness that stayed with me, even after I woke up. I tried to explain my wonderful dream to my wife, Rolande. Then I laughed again but this time not from joy. I had been dreaming of a Haiti that never was.”—from Georges Woke Up Laughing

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The Glass Anvil

Andrew Hudgins

University of Michigan Press, 1997

In this highly accessible volume, poet Andrew Hudgins puts himself under the eye of scrutiny, spanning his career from a beginning writer seriously committed to his art to a mature author ready to reflect upon his role as a poet. The transition from one to the other comprises a rich lode of personal experiences, which Hudgins honestly and humorously details in essays ranging from his fascination with imagined worlds created by books to his appreciation of the works of nineteenth-century poet Frederick Goddard Tuckerman and contemporary poet Galway Kinnell.

Finally coming to rest on an examination of his own autobiography, The Glass Hammer, Hudgins reveals some of the ways he lied in that book--and some of the reasons for doing so. In a lighthearted manner, he manages to throw both light--and shadow--on the autobiography as a literary form. Amid charming anecdotes of his Southern upbringing, The Glass Anvil vividly records the depth of Hudgins's fascination with language, particularly as it mingles with the important issues of his life--religion, racism, Southern literature, and narrative poetry. This fascination is further documented in a free-wheeling interview which closes the book.

Engaging and amusing reading, The Glass Anvil will appeal to readers interested in contemporary poetry and Southern literature.

Andrew Hudgins's books include The Never Ending, After the Lost War: A Narrative, Saints and Strangers, and most recently The Glass Hammer. He is Professor of English, University of Cincinnati.

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Goatfoot Milktongue Twinbird

Interviews, Essays, and Notes on Poetry, 1970-76

Donald Hall

University of Michigan Press, 1978

These essays and interviews from 1970-76 are lively, pointed, often polemical. They derive from a unified point of view about creativity and about the function of poetry. For the interested reader they can provide a key to the universe of the contemporary poet. In this work, Donald Hall speaks in a conversational way about his poetry and about his poetic wishes, endeavors, failures, and successes.

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Good Days, Bad Days

The Self and Chronic Illness in Time

Kathy C Charmaz

Rutgers University Press, 1993

Kathy Charmaz has written a compelling book on chronic illness and the effect it has on the self-concepts of those who suffer. It will appeal to anyone facing a long-term problem that seems beyond control. Her work is based on interviews with people suffering from such diseases as cancer, multiple sclerosis, and arthritis, and with their caregivers. Charmaz looks at how these people disclose their illness, how they experience their emotions, and how they manage daily life.

Illness provides a mirror that allows sufferers to see themselves and to become more introspective. As they struggle for control over illness and control over time, they also struggle to control the central images of the self. For example, the chronically ill may situate their self-concepts in the past, present, or future. Charmaz examines under what conditions they situate their self-concepts in each of those timeframes. People may say they live one day at a time. They may bracket certain experiences, such as a heart attack, as timemarkers or turning points in the past. Or they may look ahead to recovering their health. Or ahead to death.

Charmaz artfully combines near jargon-free analysis with moving stories about how people have experienced illness, usually told in the sufferers' own words. She enters the world of the chronically ill, and brings us into it.

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Goyen

Autobiographical Essays, Notebooks, Evocations, Interviews

By William Goyen

University of Texas Press, 2007

William Goyen (1915-1983) was an American original, acclaimed nationally and internationally, and one of the most important writers ever to be associated with the regional culture and literary history of Texas. Called "one of the great American writers of short fiction" by the New York Times Book Review, Goyen also authored the novels The House of Breath, In a Farther Country, Come, the Restorer, and Arcadio, as well as plays, poetry, and nonfiction. His literary works manifest an intimate intensity of feeling and an inimitable tone of voice, reflecting Goyen's lifelong desire to create art that was at once a spiritual quest for universal truths and an evocation of the rhythms of speech and storytelling of his native East Texas.

This volume contains all of the uncollected autobiographical writings of William Goyen, including essays previously published in American periodicals and literary journals; interviews published in Paris Review, TriQuarterly, and the French magazine Masques; and previously unpublished materials drawn from Goyen's papers in the Harry Ransom Humanities Research Center at the University of Texas at Austin. The writings span Goyen's entire adult life, from youthful journals to autobiographical sketches to his long sketch for an autobiographical book, Six Women, which profiles women whom Goyen felt had influenced him deeply: Frieda Lawrence, Dorothy Brett, Mabel Dodge Luhan, Margo Jones, Millicent Rogers, and Katherine Anne Porter. The volume also contains late essays on growing up in Houston, writing from life, and illness and recovery.

While most of William Goyen's work was autobiographical, writing a traditional autobiography proved to be inimical to his artistic sensibility and style. Thus, the pieces collected in Goyen constitute the most complete autobiography that we will ever have from this highly regarded writer.

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The Grain of the Voice

Interviews 1962-1980

Roland Barthes

Northwestern University Press, 2009

This book brings together the great majority of Barthes’s interviews that originally appeared in French in Le Figaro Littéraire, Cahiers du Cinéma, France-Observateur, L'Express, and elsewhere. Barthes replied to questions—on the cinema, on his own works, on fashion, writing, and criticism—in his unique voice; here we have Barthes in conversation, speaking directly, with all his individuality. These interviews provide an insight into the rich, probing intelligence of one of the great and influential minds of our time.

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Gregory Benford

George Slusser

University of Illinois Press, 2014

Gregory Benford is perhaps best known as the author of Benford's law of controversy: "Passion is inversely proportional to the amount of real information available." That maxim is a quotation from Timescape, Benford's Nebula and Campbell Award-winning 1980 novel, which established his work as an exemplar of "hard science fiction," dedicated to working out the consequences of modern science rather than substituting pseudoscience for fantasy.

Like many other current science fiction writers, Benford has tackled the major genres: space travel, time travel, technology running amok, prolonged longevity, searing apocalyptic cosmic events, and alien life, which he theorizes to be more likely viral than intelligent. An astrophysicist by training and profession, Benford has published more than twenty novels, over one hundred short stories, some fifty essays, and myriad articles that display both his scientific rigor as well as a recognition of literary traditions.

In this study, George Slusser explores the extraordinary, seemingly inexhaustible display of creative energy in Gregory Benford's life and work. Presenting Benford's ideas on science and the writing of science fiction, the volume addresses the writer's literary production and his place in contemporary science fiction. By identifying direct sources and making parallels with other works and writers, Slusser reveals the vast scope of Benford's knowledge, both of literature and of the major scientific and philosophical issues of our time. Slusser also discusses Benford's numerous scientific articles and nonfiction books and includes a new interview with Benford.

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The Guestroom Novelist

A Donald Harington Miscellany

Donald Harington

University of Arkansas Press, 2019

Donald Harington, best known for his fifteen novels, was also a prolific writer of essays, articles, and book reviews.

The Guestroom Novelist: A Donald Harington Miscellany gathers a career-spanning and eclectic selection of nonfiction by the Arkansawyer novelist Donald Harington that reveals how a life of devastating losses and disappointments inspired what the Boston Globe called the “quirkiest, most original body of work in contemporary US letters.”

This extensive collection of interviews and other works of prose—many of which are previously unpublished—offers glimpses into Harington’s life, loves, and favorite obsessions, replays his minor (and not so minor) dramas with literary critics, and reveals the complicated and sometimes contentious relationship between his work of the writers he most admired. The Guestroom Novelist, which takes its title from an essay that serves as a love letter to his fellow underappreciated writers, paints a rich portrait of the artist as a young, middle-aged, and fiercely funny old man, as well as comic, sentimentalist, philosopher, and critic, paying testimony to the writer’s magnificent ability to transform the seemingly crude stuff of our material existence into enduring art.

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The Gwich’in Climate Report

compiled and edited by Matt Gilbert

University of Alaska Press, 2022

A regional climate impact and adaptation report from the Gwich'in Athabascans of Interior Alaska, The Gwich’in Climate Report is a compilation of transcribed interviews between Matt Gilbert and northern Alaska Gwich’in Athabascan community members, elders, hunters, and trappers. The book explores Gwich’in insight and wisdom about ecology, climate, and the drastic effects of climate change on their landscapes and culture.

These interview subjects are at a “ground zero” of climate change, and their voices are largely absent from popular research on and discussion of the topic. Their traditional knowledge of Arctic flora and fauna, forestation, landforms, meteorology, airstream behavior, and river hydrology makes a significant contribution to the documentation of climate change. In addition, Gilbert bridges the Gwich’in worldview and that of Western science by including factual substantiation and citations that corroborate key observations in the Gwich’in transcripts.

A text that matters for its cultural and historical significance—as well as its potential impact on the way science and policy are conducted in rural Alaska and on public lands—TheGwich’in Climate Report will be of interest to residents of and stakeholders in the communities it represents as well as researchers concerned with on-the-ground conditions of ecosystems and Indigenous peoples most directly affected by climate change.

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