In Heart to Heart, Dr. Allen B. Weisse presents the first collection of in-depth conversations with some of the world's most renowned cardiologists and surgeons. Weisse's interviews bring a special vitality to the doctors' recollections of the people and events that influenced them, their motivations, their problems, their interactions with their contemporaries, and their hopes and beliefs for the future. Since not every doctor who has made important contributions to the treatment and prevention of heart disease could be interviewed for this volume, Weisse includes a biographical section listing other prominent cardiologists and surgeons as well as a list of recommended reading. This comprehensive history will be a resource for any student of cardiology or general medicine.
From a hotel in Marrakech in The Man Who Knew Too Much, to small-town Alabama in To Kill a Mockingbird, to Mission Control in Space Cowboys, creating a fictional, yet wholly believable world in which to film a movie has been the passion and life's work of Henry Bumstead, one of Hollywood's most celebrated production designers. In a career that has spanned nearly seventy years, Bumstead has worked on more than one hundred movies and television films. His many honors include Academy Awards for Art Direction for To Kill a Mockingbird and The Sting, as well as nominations for Vertigo and The Unforgiven.
This popularly written and extensively illustrated book tells the intertwining stories of Henry Bumstead's career and the evolution of Hollywood art direction. Andrew Horton combines his analysis of Bumstead's design work with wide-ranging interviews in which Bumstead talks about working with top directors, including Alfred Hitchcock, George Roy Hill, Robert Mulligan, and Clint Eastwood, as well as such stars as Paul Newman, Robert Redford, Doris Day, Jimmy Stewart, Sidney Poitier, Bill Cosby, Jerry Lewis, and James Cagney. Numerous production drawings, storyboards, and film stills illustrate how Bumstead's designs translated to film. This portrait of Bumstead's career underscores an art director's crucial role in shaping the look of a film and also tracks the changes in production design from the studio era through location shooting to today's use of high-tech special effects.
Women to whom Lincoln proposed marriage, political allies and adversaries, judges and fellow attorneys, longtime comrades, erstwhile friends--all speak out here in words first gathered by William H. Herndon, Lincoln's law partner, between 1865 and 1890. Historian David Herbert Donald has called Herndon's materials "the basic source for Abraham Lincoln's early years."
Some of those Herndon questioned were illiterate; others could read but barely write. Completion of this undertaking took the editors to three major collections for the mammoth task of transcribing documents that often were nearly illegible.
Invaluable to Lincoln scholars and intriguing to anyone curious about Lincoln and his times, the book includes an introduction, scholarly annotations, a registry of the informants, and a detailed topical index.
This book tells us how we learned what we now know about the Southeast's unwritten past. Of obvious interest to professionals and students of the field, this volume will also be sought after by historians, political scientists, amateurs, and anyone interested in the South.
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Many straight Americans would never embrace homosexuals as neighbors, co-workers, or friends. Still less would they accept as equals those transgendered individuals who work the streets to provide themselves with drug money.
This book seeks to change that perception. It celebrates the lives of Shontae, China, Keisha, Detra, and Monique, five Afro-American gay hustlers who struggle to survive and to maintain a life of dignity and value in the face of their drug use and criminal activity. As individuals they vary in terms of background, the manner in which they entered the transgendered world, and the nature of their initiation into the drug subculture. None of them has escaped the ravages of urban decline, crime, drugs, and poverty that accompany life in an inner city, but by the same token, none of them has capitulated to the stresses with which they live.
It is impossible to read these accounts and not come away emotionally drained. As Monique explains, their lives take place in a world of chances. "You take a chance on living or dying, on being hurt or not being hurt, a chance on finding a friend or finding an enemy." It is from this world that their voices speak so eloquently about their families, hustling, sexuality, sexual abuse, friendship, and intimacy.
By letting these women speak, Leon E. Pettiway evokes questions and encourages discussion and a re-evaluation of those who are labeled as deviant. Pettiway reaches beyond academic convention to offer a view with depth and emotion that mere statistics could never provide. While the poverty and often destructive lifestyle of these women may be gut-wrenching, their experiences reveal joy, pain, and the profound strength of the human spirit with which we can all identify. These lives have much to teach us about ourselves and those we label as "other."
The neighborhoods of Fifth Ward, Fourth Ward, Third Ward, and the Southside of Houston, Texas, gave birth to Houston rap, a vibrant music scene that has produced globally recognized artists such as Geto Boys, DJ Screw, Pimp C and Bun B of UGK, Fat Pat, Big Moe, Z-Ro, Lil’ Troy, and Paul Wall. Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books Houston Rap and Houston Rap Tapes.
This second edition of Houston Rap Tapes amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. As Willie D of Geto Boys writes in the foreword, “Houston Rap Tapes flows more like a bunch of fellows who haven’t seen each other for ages, hanging out on the block reminiscing, rather than a calculated literary guide to Houston’s history.”
Believing that Americans should understand their leadership, Harry Truman was the first American president to authorize an oral history of his life and times. In that vein, almost forty years ago, the Truman Library in the president’s native Independence, Missouri, began the daunting task of compiling the words of Truman’s contemporaries, including his senior aides, foreign policy and military advisors, political strategists, and close friends. Longtime Chicago journalist Steve Neal has edited twenty of these remarkable interviews for HST: Memories of the Truman Years.
Candid and insightful, the recollections include those of statesmen Dean Acheson and Averell Harriman; soldiers Omar Bradley and Lucius Clay; Truman’s best friend Thomas Evans; associates Clark Clifford and Matt Connelly; 1948 Republican vice-presidential nominee Earl Warren; artist Thomas Hart Benton; West German leader Konrad Adnauer; former New Dealers Sam Rosenman and James Rowe; journalist Richard L. Strout; and many others.
An honest portrait of Truman emerges from the twenty firsthand accounts of those who knew him best. HST: Memories of the Truman Years spans Truman’s rise to the presidency and his responses to the challenges of World War II, the Soviet blockade of Berlin, the rebuilding of postwar Europe, the 1948 campaign, his controversial firing of General Douglas MacArthur, and his courageous leadership on civil rights.
“The goal of these histories,” explains Truman’s grandson, Clifton Truman Daniel, in the foreword, “in keeping with Grandpa’s stated desire that the [Truman Library] be about his presidency, not a monument to him, was to preserve forever the perspective of those who had shared his life and times and, in many cases, helped him shape the world.”
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