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Obesity Surgery
Stories Of Altered Lives
Marta Meana
University of Nevada Press, 2008
Obesity is a major national health problem, and science has been developing a number of ways to address it. The most revolutionary is surgical intervention to alter the gastrointestinal system so that less food/nutrients can be consumed and/or absorbed. People who undergo this surgery usually experience drastic weight loss and dramatic health improvements. They also discover a new sense of self and face challenges often unimaginable when they were obese.
Using in-depth, first person accounts of 33 men and women who underwent weight-loss surgery, this book elaborates on the complexities of finally getting what you wished for— the good, the bad, and the totally unexpected.
We live in a culture fascinated by physical make-overs, but no one talks about their psychological consequences. Losing a lot of weight is perhaps the most extreme make-over of all. It leaves people emotionally changed, and these changes are the heart of this book.The fascinating narratives contain important lessons for individuals considering or having had the surgery and for those who try to help them. It is simply a story of how finally getting what you’ve always wished for can be much more complicated affair than you ever imagined.
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front cover of Obesity Surgery
Obesity Surgery
Stories Of Altered Lives
Marta Meana
University of Nevada Press, 2008
Obesity is a major national health problem, and science has been developing a number of ways to address it. The most revolutionary is surgical intervention to alter the gastrointestinal system so that less food/nutrients can be consumed and/or absorbed. People who undergo this surgery usually experience drastic weight loss and dramatic health improvements. They also discover a new sense of self and face challenges often unimaginable when they were obese.
Using in-depth, first person accounts of 33 men and women who underwent weight-loss surgery, this book elaborates on the complexities of finally getting what you wished for— the good, the bad, and the totally unexpected.
We live in a culture fascinated by physical make-overs, but no one talks about their psychological consequences. Losing a lot of weight is perhaps the most extreme make-over of all. It leaves people emotionally changed, and these changes are the heart of this book.The fascinating narratives contain important lessons for individuals considering or having had the surgery and for those who try to help them. It is simply a story of how finally getting what you’ve always wished for can be much more complicated affair than you ever imagined.
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The Old German Baptist Brethren
Faith, Farming, and Change in the Virginia Blue Ridge
Charles D. Thompson Jr.
University of Illinois Press, 2006
Since arriving nearly 250 years ago in Franklin County, Virginia, German Baptists have maintained their faith and farms by relying on their tightly knit community for spiritual and economic support. Today, with their land and livelihoods threatened by the encroachment of neighboring communities, the construction of a new highway, and competition from corporate megafarms, the German Baptists find themselves forced to adjust.
 
Charles D. Thompson Jr.'s The Old German Baptist Brethren combines oral history with ethnography and archival research--as well as his own family ties to the Franklin County community--to tell the story of the Brethren's faith on the cusp of impending change. The book traces the transformation of their operations from frontier subsistence farms to cash-based enterprises, connecting this with the wider confluence of agriculture and faith in colonial America. Using extensive interviews, Thompson looks behind the scenes at how individuals interpret their own futures in farming, their hope for their faith, and how the failure of religiously motivated agriculture figures in the larger story of the American farmer.
 
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On Dark and Bloody Ground
An Oral History of the West Virginia Mine Wars
Anne T. Lawrence
West Virginia University Press, 2021
An oral history of the West Virginia Mine Wars published to coincide with the centennial of the Battle of Blair Mountain.

In 1972 Anne Lawrence came to West Virginia at the invitation of the Miners for Democracy movement to conduct interviews with participants in, and observers of, the Battle of Blair Mountain and other Appalachian mine wars of the 1920s and ’30s. The set of oral histories she collected—the only document of its kind—circulated for many years as an informal typescript volume, acquiring an almost legendary status among those intrigued by the subject. Key selections from it appear here for the first time as a published book, supplemented with introductory material, maps, and photographs. The volume’s vivid, conversational mode invites readers into miners’ lived experiences and helps us understand why they took up arms to fight anti-union forces in some of the nation’s largest labor uprisings.

Published to coincide with the celebration of the Blair Mountain centennial in 2021, On Dark and Bloody Ground includes a preface by public historian Catherine Venable Moore and an afterword by Cecil E. Roberts of the United Mine Workers of America.
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On Story - Screenwriters and Their Craft
Austin Film Festival
University of Texas Press, 2013

Austin Film Festival (AFF) is the first organization of its kind to focus on the writer’s creative contribution to film. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as refreshing veterans with new ideas. To extend the Festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents footage of high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own films.

This book distills the advice of renowned, award-winning screenwriters who have appeared on On Story, including John Lee Hancock, Peter Hedges, Lawrence Kasdan, Whit Stillman, Robin Swicord, and Randall Wallace. In their own lively words and stories transcribed from interviews and panel discussions, they cover the entire development of a screenplay, from inspiration, story, process, structure, characters, and dialogue to rewriting and collaboration. Their advice is fresh, practical, and proven—these writers know how to tell a story on screen. Enjoy this collection of ideas and use it to jumpstart your own screenwriting career.

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front cover of On Story—Screenwriters and Filmmakers on Their Iconic Films
On Story—Screenwriters and Filmmakers on Their Iconic Films
Austin Film Festival, Edited by Barbara Morgan and Maya Perez
University of Texas Press, 2016

On Story is film school in a box, a lifetime’s worth of filmmaking knowledge squeezed into half-hour packages.”
—Kenneth Turan, film critic for the Los Angeles Times

Austin Film Festival (AFF) is the first organization focused on the writer’s creative contribution to film. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as refreshing veterans with new ideas. To extend the festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents footage of high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own films.

On Story—Screenwriters and Filmmakers on Their Iconic Films presents renowned, award-winning screenwriters and filmmakers discussing their careers and the stories behind the production of their iconic films such as L.A. Confidential, Thelma & Louise, Groundhog Day, Guardians of the Galaxy, The Silence of the Lambs, In the Name of the Father, Apollo 13, and more. In their own lively words transcribed from interviews and panel discussions, Ron Howard, Callie Khouri, Jonathan Demme, Ted Tally, Jenny Lumet, Harold Ramis, and others talk about creating stories that resonate with one’s life experiences or topical social issues, as well as how to create appealing characters and bring them to life. Their insights, production tales, and fresh, practical, and proven advice make this book ideal for film lovers, screenwriting students, and filmmakers and screenwriters seeking inspiration.

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On Story—The Golden Ages of Television
Edited by Maya Perez and Barbara Morgan; foreword by Noah Hawley
University of Texas Press, 2018

On Story is film school in a box, a lifetime’s worth of filmmaking knowledge squeezed into half-hour packages.”
—Kenneth Turan, film critic for the Los Angeles Times

Austin Film Festival (AFF) is the first organization to focus on writers’ creative contributions to film and television. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as reinvigorate veterans with new ideas. To extend the Festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own work.

On Story—The Golden Ages of Television explores the transformation of television’s narrative content over the past several decades through interviews with some of TV’s best creators and writers, including Garry Shandling (The Larry Sanders Show), Carl Reiner (The Dick Van Dyke Show), Issa Rae (Insecure), Vince Gilligan (Breaking Bad), Greg Daniels (The Office), Paula Pell (Saturday Night Live), Noah Hawley (Fargo), Liz Meriwether (New Girl), David Chase (The Sopranos), Alan Yang (Master of None), Marta Kauffman (Friends), Jenji Kohan (Orange Is the New Black), and many more. Their insights, behind-the-scenes looks at the creative process, production tales, responses to audiences’ reactions, and observations on how both TV narratives and the industry have changed make this book ideal for TV lovers, pop culture fans, students taking screenwriting courses, and filmmakers and writers seeking information and inspiration.

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On the Record
Music Journalists on Their Lives, Craft, and Careers
Mike Hilleary
University of Massachusetts Press, 2020
Rolling Stone, Creem, the Village Voice, SPIN, Billboard, Stereogum, Pitchfork. How did the music journalists who write for these popular publications break into the business? How have they honed their writing and interviewing techniques? How have they managed to thrive amid major changes in the industry, as print magazines have declined and digital publications have emerged? What does it take to turn a love of music into a professional writing career?

Bringing together interviews from an impressive roster of over fifty music writers, Mike Hilleary offers up an engaging and wide-reaching examination of the past and potential future of music journalism. This accessible oral history contains professional insights into journalists' craft and purpose, practical advice, and essential life lessons from a diverse cast of music writers—ranging from long-respected veterans of the field such as Rob Sheffield, Jessica Hopper, Ann Powers, and Chuck Klosterman to must-read modern voices including Amanda Petrusich, Hanif Abdurraqib, Lindsay Zoladz, and Jayson Greene. Honest and absorbing, On the Record will educate and enlighten anyone who wants to write about music, or anyone who wants a better understanding about those who do.
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One Island, Many Voices
Conversations with Cuban-American Writers
Eduardo R. del Rio
University of Arizona Press, 2008
Cuban-American writers have been studied primarily within the context of Latino literature as a whole. Seeing a need to distinguish and define this unique literary perspective, Eduardo del Rio selected twelve important well-known authors and conducted interviews. He chose writers who were born in Cuba but have lived in the United States for a significant amount of time and whose works include themes he considers elemental to Cuban-American literature: identity, duality, memory, and exile. But rather than a cohesive, homogeneous group, these conversations unveiled a kaleidoscope of individuality, style, and motive. The authors’ bonds to Cuba inform their creative work in vastly different ways, and attempts to categorize their similarities only highlight the range of character and experience within this assemblage of talented writers.

From playwright Dolores Prida to author and literary critic Gustavo Pérez Firmat, these voices run the gamut of both genre and personality. In addition to the essential facts of literary accomplishment, the interviews include a wealth of insight into each writer’s history, motivations, concerns, and relationship to language. These personal details serve to humanize and illuminate the unique circumstances and realities that have shaped both the authors and their work.

What del Rio has ultimately brought together is a series of intimate sketches that will not only serve as an important reference for any discussion of the literature but will also help readers to develop for themselves a sense of what Cuban-American writing is, and what it is not.

CONTENTS
Preface
Acknowledgments
Introduction
Nilo Cruz
Roberto Fernández
Cristina García
Carolina Hospital
Eduardo Machado
Dionisio Martínez
Pablo Medina
Achy Obejas
Ricardo Pau-Llosa
Gustavo Pérez Firmat
Dolores Prida
Virgil Suárez
Epilogue
Notes
Bibliography
Index
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front cover of Oral History, Community, and Work in the American West
Oral History, Community, and Work in the American West
Edited by Jessie L. Embry
University of Arizona Press, 2013
Nurses, show girls, housewives, farm workers, casino managers, and government inspectors—together these hard-working members of society contributed to the development of towns across the West. The essays in this volume show how oral history increases understanding of work and community in the twentieth century American West.

In many cases occupations brought people together in myriad ways. The Latino workers who picked lemons together in Southern California report that it was baseball and Cinco de Mayo Queen contests that united them. Mormons in Fort Collins, Colorado, say that building a church together bonded them together. In separate essays, African Americans and women describe how they fostered a sense of community in Las Vegas. Native Americans detail the “Indian economy” in Northern California.

As these essays demonstrate, the history of the American West is the story of small towns and big cities, places both isolated and heavily populated. It includes groups whose history has often been neglected. Sometimes, western history has mirrored the history of the nation; at other times, it has diverged in unique ways. Oral history adds a dimension that has often been missing in writing a comprehensive history of the West. Here an array of oral historians—including folklorists, librarians, and public historians—record what they have learned from people who have, in their own ways, made history.
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Oscar Wilde in America
The Interviews
Edited by Matthew Hofer and Gary Scharnhorst
University of Illinois Press, 2013
Better known in 1882 as a cultural icon than a serious writer, Oscar Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and he tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. This exceptional volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America.
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The Other Face of the Moon
Claude Lévi-Strauss
Harvard University Press, 2013

Gathering for the first time all of Claude Lévi-Strauss’s writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist’s dictum that to understand one’s own culture, one must regard it from the point of view of another.

Exposure to Japanese art was influential in Lévi-Strauss’s early intellectual growth, and between 1977 and 1988 he visited the country five times. The essays, lectures, and interviews of this volume, written between 1979 and 2001, are the product of these journeys. They investigate an astonishing range of subjects—among them Japan’s founding myths, Noh and Kabuki theater, the distinctiveness of the Japanese musical scale, the artisanship of Jomon pottery, and the relationship between Japanese graphic arts and cuisine. For Lévi-Strauss, Japan occupied a unique place among world cultures. Molded in the ancient past by Chinese influences, it had more recently incorporated much from Europe and the United States. But the substance of these borrowings was so carefully assimilated that Japanese culture never lost its specificity. As though viewed from the hidden side of the moon, Asia, Europe, and America all find, in Japan, images of themselves profoundly transformed.

As in Lévi-Strauss’s classic ethnography Tristes Tropiques, this new English translation presents the voice of one of France’s most public intellectuals at its most personal.

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Our Deep Gossip
Conversations with Gay Writers on Poetry and Desire
Christopher Hennessy; Foreword by Christopher Bram
University of Wisconsin Press, 2013
From Walt Whitman forward, a century and a half of radical experimentation and bold speech by gay and lesbian poets has deeply influenced the American poetic voice. In Our Deep Gossip, Christopher Hennessy interviews eight gay men who are celebrated American poets and writers: Edward Field, John Ashbery, Richard Howard, Aaron Shurin, Dennis Cooper, Cyrus Cassells, Wayne Koestenbaum, and Kazim Ali. The interviews showcase the complex ways art and life intertwine, as the poets speak about their early lives, the friends and communities that shaped their work, the histories of gay writers before them, how sex and desire connect with artistic production, what coming out means to a writer, and much more.
            While the conversations here cover almost every conceivable topic of interest to readers of poetry and poets themselves, the book is an especially important, poignant, far-reaching, and enduring document of what it means to be a gay artist in twentieth- and early twenty-first-century America.
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Our Precious Corn
Yukwanénste
Rebecca M. Webster
Michigan State University Press, 2023
For the Oneida people, yukwanénste has two meanings: our corn and our precious. Corn has walked alongside the Oneida and other Haudenosaunee people since creation, playing an integral role in their daily and ceremonial lives throughout their often turbulent history. The relationship between corn and the Oneida has changed over time, but the spirit of this important resource has remained by their side, helping them heal along the way. In Our Precious Corn: Yukwanénste, author Rebecca M. Webster (Kanyʌʔtake·lu), an Oneida woman and Indigenous corn grower, weaves together the words of explorers, military officers, and anthropologists, as well as historic and other contemporary Haudenosaunee people, to tell a story about their relationships with corn. Interviews with over fifty Oneida community members describe how the corn has made positive impacts on their lives, as well as hopeful visions for its future. As an added bonus, the book includes an appendix of different cooking and preparation methods for corn, including traditional and modern recipes.
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Outside the Box
Interviews with Contemporary Cartoonists
Hillary L. Chute
University of Chicago Press, 2014
We are living in a golden age of cartoon art. Never before has graphic storytelling been so prominent or garnered such respect: critics and readers alike agree that contemporary cartoonists are creating some of the most innovative and exciting work in all the arts. 

For nearly a decade Hillary L. Chute has been sitting down for extensive interviews with the leading figures in comics, and with Outside the Box she offers fans a chance to share her ringside seat. Chute’s in-depth discussions with twelve of the most prominent and accomplished artists and writers in comics today reveal a creative community that is richly interconnected yet fiercely independent, its members sharing many interests and approaches while working with wildly different styles and themes. Chute’s subjects run the gamut of contemporary comics practice, from underground pioneers like Art Spiegelman and Lynda Barry, to the analytic work of Scott McCloud, the journalism of Joe Sacco, and the extended narratives of Alison Bechdel, Charles Burns, and more. They reflect on their experience and innovations, the influence of peers and mentors, the reception of their art and the growth of critical attention, and the crucial place of print amid the encroachment of the digital age.

Beautifully illustrated in full-color, and featuring three never-before-published interviews—including the first published conversation between Art Spiegelman and Chris Ware—Outside the Box will be a landmark volume, a close-up account of the rise of graphic storytelling and a testament to its vibrant creativity.
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Outside the Lines
Talking with Contemporary Gay Poets
Christopher Hennessy, Editor
University of Michigan Press, 2005
"Outside the Lines explores the personal and historical forces that have shaped the work of a dozen gifted poets. The answers given to Hennessy's astute, perfectly tailored questions remind a reader how exciting poetry can be, and how writers create, through language, the world as we have never known it. These adventuresome interviews will stir anyone who cares about the making of art."
---Bernard Cooper, author of Maps to Anywhere

Editor Christopher Hennessy gathers interviews with some of the most significant figures in contemporary American poetry. While each poet is gay, these encompassing, craft-centered interviews reflect the diversity of their respective arts and serve as a testament to the impact gay poets have had and will continue to have on contemporary poetics.

The book includes twelve frank, intense interviews with some of America's best-known and loved poets, who have not only enjoyed wide critical acclaim but who have had lasting impact on both the gay tradition and the contemporary canon writ large, for example, Frank Bidart, the late Thom Gunn, and J. D. McClatchy. Some of the most honored and respected poets, still in the middle of their careers, are also included, for example, Mark Doty, Carl Phillips, and Reginald Shepherd. Each interview explores the poet's complete work to date, often illuminating the poet's technical evolution and emotional growth, probing shifts in theme, and even investigating links between verse and sexuality.

In addition to a selected bibliography of works by established poets, the book also includes a list of works by newer and emerging poets who are well on their way to becoming important voices of the new millennium.
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