One of the bloodiest conflicts in human history, World War I devastated France, leaving behind battlefields littered with the remains of the dead. Daniel Sherman takes a close look at the human impact of this Great War by examining the ways in which the French remembered their veterans and war dead after the armistice. Arguing that memory is more than just a record of experience, Sherman's cultural history offers a radically new perspective on how commemoration of WWI helped to shape postwar French society and politics.

Sherman shows how a wartime visual culture saturated with images of ordinary foot soldiers, together with contemporary novels, memoirs, and tourist literature, promoted a distinctive notion of combat experience. The contrast between battlefield and home front, soldier and civilian was the basis for memory and collective gratitude. Postwar commemoration, however, also grew directly out of the long and agonized search for the remains of hundreds of thousands of missing soldiers, and the sometimes contentious debates over where to bury them. For this reason, the local monument, with its inscribed list of names and its functional resemblance to tombstones, emerged as the focal point of commemorative practice. Sherman traces every step in the process of monument building as he analyzes commemoration's competing goals—to pay tribute to the dead, to console the bereaved, and to incorporate mourners' individual memories into a larger political discourse.

Extensively illustrated, Sherman's study offers a visual record of a remarkable moment in the history of public art. It is at once a moving account of a culture haunted by war and a sophisticated analysis of the political stakes of memory in the twentieth century.

Winner of the 2000 J. Russell Major Prize of the American Historical Association

In Mobilizing Youth, Susan B. Whitney examines how youth moved to the forefront of French politics in the two decades following the First World War. In those years Communists and Catholics forged the most important youth movements in France. Focusing on the competing efforts of the two groups to mobilize the young and harness generational aspirations, Whitney traces the formative years of the Young Communists and the Young Christian Workers, including their female branches. She analyzes the ideologies of the movements, their major campaigns, their styles of political and religious engagement, and their approaches to male and female activism. As Whitney demonstrates, the recasting of gender roles lay at the heart of Catholic efforts and became crucial to Communist strategies in the mid-1930s.

Moving back and forth between the constantly shifting tactics devised to mobilize young people and the circumstances of their lives, Whitney gives special consideration to the context in which the youth movements operated and in which young people made choices. She traces the impact of the First World War on the young and on the formulation of generation-based political and religious identities, the role of work and leisure in young people’s lives and political mobilization, the impact of the Depression, the importance of Soviet ideas and intervention in French Communist youth politics, and the state’s attention to youth after the victory of France’s Popular Front government in 1936. Mobilizing Youth concludes by inserting the era’s youth activists and movements into the complicated events of the Second World War.