front cover of Century Of Revolution
Century Of Revolution
Social Movements in Iran
John Foran
University of Minnesota Press, 1994

front cover of China in the Middle East
China in the Middle East
The Wary Dragon
Andrew Scobell
RAND Corporation, 2016
This study examines China’s interests in the Middle East and assesses China’s economic, political, and security activities there to determine whether China has a strategy toward the region and what such a strategy means for the United States. The study focuses on China’s relations with two of its key partners in the Middle East: Saudi Arabia and Iran.
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Cinemas of the Other
A Personal Journey with Film-Makers from Iran and Turkey
Gönül Dönmez-Colin
Intellect Books, 2012
Updated collections of recent interviews with filmmakers whose works represent trends in the film industries of Central Asia and the Middle East, these two new geospecific editions expand upon the earlier volume Cinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia.
 
Following an introduction delineating the histories of the film industries of the countries that make up the Middle East and Central Asia—including Iran, Turkey, and the Central Asian republics of Kazakhstan, Kyrgyzstan, Tajikstan, Turkmenistan, and Uzbekistan—both books contain interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. The striking variety of approaches toward each interview creates a rich diversity of tone and opens the door to a better understanding of images of “otherness” in film. In addition to transcripts of the interviews, each chapter also includes stills from important films discussed, biographical information about the filmmakers, and filmographies of their works.
 
Gönül Dönmez-Colin offers in these expanded editions a carefully researched and richly detailed firsthand account of the developments and trends in these regional film industries that is sure to be appreciated by film scholars and researchers of the Middle East and Central Asia.
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The Color Black
Enslavement and Erasure in Iran
Beeta Baghoolizadeh
Duke University Press, 2024
In The Color Black, Beeta Baghoolizadeh traces the twin processes of enslavement and erasure of Black people in Iran during the nineteenth and twentieth centuries. She illustrates how geopolitical changes and technological advancements in the nineteenth century made enslaved East Africans uniquely visible in their servitude in wealthy and elite Iranian households. During this time, Blackness, Africanness, and enslavement became intertwined—and interchangeable—in Iranian imaginations. After the end of slavery in 1929, the implementation of abolition involved an active process of erasure on a national scale, such that a collective amnesia regarding slavery and racism persists today. The erasure of enslavement resulted in the erasure of Black Iranians as well. Baghoolizadeh draws on photographs, architecture, theater, circus acts, newspapers, films, and more to document how the politics of visibility framed discussions around enslavement and abolition during the nineteenth and twentieth centuries. In this way, Baghoolizadeh makes visible the people and histories that were erased from Iran and its diaspora.
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front cover of Conflict and Development in Iranian Film
Conflict and Development in Iranian Film
Edited by A. A. Seyed-Gohrab and Kamran Talattof
Leiden University Press, 2013
The contributors to this timely volume explore the philosophical underpinnings and cinematic techniques characteristic of contemporary Iranian film. Collectively, they demonstrate how the pervasive themes of Iranian cinema—such as martyrdom and war, traditional gender roles and their recent subversion, as well as broader social policy issues—have been addressed and how various directors, including the acclaimed Abbas Kiarostami, have approached them using a variety of techniques. Capturing the unique poetic and mystical dimensions of Iranian cinema, these essays consider the effects of the Islamic Revolution on cinema’s ethical and aesthetic aspects. 
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front cover of Creative Conformity
Creative Conformity
The Feminist Politics of U.S. Catholic and Iranian Shi'i Women
Elizabeth M. Bucar
Georgetown University Press, 2011

Much feminist scholarship has viewed Catholicism and Shi'i Islam as two religious traditions that, historically, have greeted feminist claims with skepticism or outright hostility. Creative Conformity demonstrates how certain liberal secular assumptions about these religious traditions are only partly correct and, more importantly, misleading. In this highly original study, Elizabeth Bucar compares the feminist politics of eleven US Catholic and Iranian Shi'i women and explores how these women contest and affirm clerical mandates in order to expand their roles within their religious communities and national politics.

Using scriptural analysis and personal interviews, Creative Conformity demonstrates how women contribute to the production of ethical knowledge within both religious communities in order to expand what counts as feminist action, and to explain how religious authority creates an unintended diversity of moral belief and action. Bucar finds that the practices of Catholic and Shi‘a women are not only determined by but also contribute to the ethical and political landscape in their respective religious communities. She challenges the orthodoxies of liberal feminist politics and, ultimately, strengthens feminism as a scholarly endeavor.

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The Cruel Way
Switzerland to Afghanistan in a Ford, 1939
Ella K. Maillart
University of Chicago Press, 2013
In 1939 Swiss travel writer and journalist Ella K. Maillart set off on an epic journey from Geneva to Kabul with fellow writer Annemarie Schwarzenbach in a brand new Ford. As the first European women to travel alone on Afghanistan’s Northern Road, Maillart and Schwarzenbach had a rare glimpse of life in Iran and Afghanistan at a time when their borders were rarely crossed by Westerners. As the two flash across Europe and the Near East in a streak of élan and daring, Maillart writes of comical mishaps, breathtaking landscapes, vitriolic religious clashes, and the ingenuity with which the women navigated what was often a dangerous journey. In beautiful, clear-eyed prose, The Cruel Way shows Maillart’s great ability to explore and experience other cultures in writing both lyrical and deeply empathetic.

While the core of the book is the journey itself and their interactions with people oppressed by political conflict and poverty, towards the end of the trip the women’s increasingly troubled relationship takes center stage. By then the glamorous, androgynous Schwarzenbach, whose own account of the trip can be found in All the Roads Are Open, is fighting a losing battle with her own drug addiction, and Maillart’s frustrated attempts to cure her show the profound depth of their relationship.

Complete with thirteen of Maillart’s own photographs from the journey, The Cruel Way is a classic of travel writing, and its protagonists are as gripping and fearless as any in literature.
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Ctesias’ Persica in Its Near Eastern Context
Matt Waters
University of Wisconsin Press, 2020
The Persica is an extensive history of Assyria and Persia written by the Greek historian Ctesias, who served as a doctor to the Persian king Artaxerxes II around 400 bce. Written for a Greek readership, the Persica influenced the development of both historiographic and literary traditions in Greece. It also, contends Matt Waters, is an essential but often misunderstood source for the history of the Achaemenid Persian Empire.
            Waters, as a historian of Persia with command of Akkadian, Elamite, and Old Persian languages in addition to Latin and Greek, offers a fresh interdisciplinary analysis of the Persica. He shows in detail how Ctesias’ history, though written in a Greek literary style, was infused with two millennia of Mesopotamian and Persian motifs, legends, and traditions. This Hellenized version of Persian culture was enormously influential in antiquity, shaping Greek stereotypes of effeminate Persian monarchs, licentious and vengeful queens, and conniving eunuchs. Waters’ revealing study contributes significantly to knowledge of ancient historiography, Persian dynastic traditions and culture, and the influence of Near Eastern texts and oral tradition on Greek literature.
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Cyrus the Great
Life and Lore
M. Rahim Shayegan
Harvard University Press, 2019

The edited volume Cyrus the Great: Life and Lore re-contextualizes Cyrus’s foundational act and epoch in light of recent scholarship, while examining his later reception in antiquity and beyond. Among the many themes addressed in the volume are: the complex dossier of Elamo-Persian acculturation; the Mesopotamian antecedents of Cyrus’s edict and religious policy; Cyrus’s Baupolitik at Pasargadae, and the idiosyncratic genesis of Persian imperial art; the Babylonian exile, the Bible, and the First Return; Cyrus’s exalted but conflicted image in the later Greco-Roman world; his reception and programmatic function in genealogical constructs of the Hellenistic and Arsacid periods; and finally Cyrus’s conspicuous and enigmatic evanescence in the Sasanian and Muslim traditions.

The sum of these wide-ranging contributions assembled in one volume, as well as a new critical edition and English translation of the Cyrus Cylinder, allow for a more adequate evaluation of Cyrus’s impact on his own age, as well as his imprint on posterity.

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