front cover of Memories of a Bygone Age
Memories of a Bygone Age
Qajar Persia and Imperial Russia 1853-1902
Prince Arfa
Gingko, 2016
Set against the backdrop of Iran’s struggle against the rising powers of Russia and Britain, the memoirs of Mirza Riza Khan Arfa’-ed-Dowleh—otherwise known as Prince Arfa (1853–1902)—are packed with picaresque adventures as the prince tells the story of his rise from humble provincial beginnings to the heights of the Iranian state. With this translation, his incredible story is brought to life for the first time in English.

Prince Arfa writes with arresting wit about the deadly intrigues of the Qajar court. Lamentingly, but resolutely, he chronicles the decline of Iran from a once great empire to an almost bankrupt, lawless state, in which social unrest is channelled and exploited by the clergy. He describes the complex interactions between Iran and Europe, including an account of Naser-od-Din Shah’s profligate visits to Britain and France; the splendor and eccentricities of the doomed Tsar Nicholas II’s court; the Tsar’s omen-laden coronation; and his own favor with the Tsarina, who would grant him concessions on matters of vital importance to his country. The result is a memoir of extraordinary political intrigue.
 
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The Memory of Elephants
A Novel
Boman Desai
University of Chicago Press, 2001
Spurned by his first love, Homi Seervai, the Parsi genius from Bombay, creates a machine that lets him scan his brain for memories of the time he spent with her. The machine malfunctions, propelling him instead into his collective unconscious where he encounters ancestors and relatives, both dead and alive. In this wildly inventive book—available for the first time in the United States—Homi, blessed with the memory of elephants, discovers the splendor of his heritage as well as hope for the future.

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A Mission for Development
Utah Universities and the Point Four Program in Iran
Richard Garlitz
Utah State University Press, 2018
A Mission for Development tells the remarkable story of faculty from three Utah universities who lived and worked in Iran as part of the Point Four Program. Using the experience of these advisers, the book reexamines the rise and fall of the US-Iranian alliance and explores the roles that American universities played in international development during the Cold War.
 
The Point Four Program sponsored American technical assistance for developing countries during the 1950s—an American Cold War strategy to cultivate friendly governments and economic development in countries purportedly susceptible to Communist influence. Between 1951 and 1964, advisers from Brigham Young University sought to modernize Iranian public education, experts from Utah State University worked to improve agricultural production, and doctors and nurses from the University of Utah helped with the Iranian government’s rural health initiatives. In A Mission for Development, author Richard Garlitz offers a critical and clear-eyed assessment of the challenges the Utahns faced and the contributions they made to Iranian development.
 
The book also reexamines the Iranian political crisis of the early 1950s and the overthrow of Prime Minister Mohammad Mossadegh through the eyes of the Utah advisers. A Mission for Development provides rare insight into the role of these universities in international development and will be of interest to historians and policy makers.
 
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front cover of Mughal Arcadia
Mughal Arcadia
Persian Literature in an Indian Court
Sunil Sharma
Harvard University Press, 2017

At its height in the sixteenth and seventeenth centuries, the Mughal Empire was one of the largest empires in Eurasia, with territory extending over most of the Indian subcontinent and much of present-day Afghanistan. As part of the Persianate world that spanned from the Bosphorus to the Bay of Bengal, Mughal rulers were legendary connoisseurs of the arts. Their patronage attracted poets, artists, and scholars from all parts of the eastern Islamic world. Persian was the language of the court, and poets from Safavid Iran played a significant role in the cultural life of the nobility. Mughal Arcadia explores the rise and decline of Persian court poetry in India and the invention of an enduring idea—found in poetry, prose, paintings, and architecture—of a literary paradise, a Persian garden located outside Iran, which was perfectly exemplified by the valley of Kashmir.

Poets and artists from Iran moved freely throughout the Mughal empire and encountered a variety of cultures and landscapes that inspired aesthetic experiments which continue to inspire the visual arts, poetry, films, and music in contemporary South Asia. Sunil Sharma takes readers on a dazzling literary journey over a vast geographic terrain and across two centuries, from the accession of the first emperor, Babur, to the throne of Hindustan to the reign of the sixth great Mughal, Aurangzeb, in order to illuminate the life of Persian poetry in India. Along the way, we are offered a rare glimpse into the social and cultural life of the Mughals.

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front cover of Muslim Reformers in Iran and Turkey
Muslim Reformers in Iran and Turkey
The Paradox of Moderation
By Güneş Murat Tezcür
University of Texas Press, 2010

Moderation theory describes the process through which radical political actors develop commitments to electoral competition, political pluralism, human rights, and rule of law and come to prefer negotiation, reconciliation, and electoral politics over provocation, confrontation, and contentious action. Revisiting this theory through an examination of two of the most prominent moderate Islamic political forces in recent history, Muslim Reformers in Iran and Turkey analyzes the gains made and methods implemented by the Reform Front in the Islamic Republic of Iran and the Justice and Development Party in Turkey.

Both of these groups represent Muslim reformers who came into continual conflict with unelected adversaries who attempted to block their reformist agendas. Based on extensive field research in both locales, Muslim Reformers in Iran and Turkey argues that behavioral moderation as practiced by these groups may actually inhibit democratic progress. Political scientist Güneş Murat Tezcür observes that the ability to implement conciliatory tactics, organize electoral parties, and make political compromises impeded democracy when pursued by the Reform Front and the Justice and Development Party. Challenging conventional wisdom, Tezcür's findings have broad implications for the dynamics of democratic progress.

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front cover of Mute Dreams, Blind Owls, and Dispersed Knowledges
Mute Dreams, Blind Owls, and Dispersed Knowledges
Persian Poesis in the Transnational Circuitry
Michael M. J. Fischer
Duke University Press, 2004
Over the past decade Iranian films have received enormous international attention, garnering both critical praise and popular success. Combining his extensive ethnographic experience in Iran and his broad command of critical theory, Michael M. J. Fischer argues that the widespread appeal of Iranian cinema is based in a poetics that speaks not only to Iran’s domestic cultural politics but also to the more general ethical dilemmas of a world simultaneously torn apart and pushed together. Approaching film as a tool for anthropological analysis, he illuminates how Iranian filmmakers have incorporated and remade the rich traditions of oral, literary, and visual media in Persian culture.

Fischer reveals how the distinctive expressive idiom emerging in contemporary Iranian film reworks Persian imagery that has itself been in dialogue with other cultures since the time of Zoroaster and ancient Greece. He examines a range of narrative influences on this expressive idiom and imagery, including Zoroastrian ritual as it is practiced in Iran, North America, and India; the mythic stories, moral lessons, and historical figures written about in Iran’s national epic, the Shahnameh; the dreamlike allegorical world of Persian surrealism exemplified in Sadeq Hedayat’s 1939 novella The Blind Owl; and the politically charged films of the 1960s and 1970s. Fischer contends that by combining Persian traditions with cosmopolitan influences, contemporary Iranian filmmakers—many of whom studied in Europe and America—provide audiences around the world with new modes of accessing ethical and political experiences.

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