Gathering material from politically active scholars, artists, and authors from Europe, Asia, and North America, this collection reflects on the likely fallout from the corruptive U.S. strategy of preemption. In the introduction, the editors criticize the American press for being, with few exceptions, easily if not willingly deceived by the Bush administration’s propaganda regarding weapons of mass destruction. One contributor redefines fascism as a situation in which contradictions are evident but blatantly ignored, one which creates a false sense of cohesion between events. Another argues that U.S. military bases around the world are now maintained not for military defense and quick mobilization but to create a culture of American militarism, noting that troops were sent from the U.S. for the invasion of Iraq rather than from closer bases around the world. Finally, the issue raises a formidable question: how do we end war waged against what might come to pass rather than what actually is?
Contributors. Tani Barlow, Jim Bonk, Josh Brown, Bei Dao, Carolyn Eisenberg, Lawrence Ferlinghetti, Matthew Fryslie, Sue Golding (as johnny de philo), Freda Guttman, Yukiko Hanawa, Harry Harootunian, Sharon Hayashi, Reynaldo C. Ileto, Joy Kogawa, Thomas LaMarre, The Liberal Islam Network, Sumit K. Mandal, Edoarda Masi, Brian Massumi, Anne McKnight, Carel Moiseiwitsch, Alberto Moreiras, Claudia Pozzana, Alessandro Russo, Ukai Satoshi, Laurie Sears, Kuang Xinnian, Marilyn Young
Why did the invasion of Iraq result in cultural destruction and killings of intellectuals? Convention sees accidents of war and poor planning in a campaign to liberate Iraqis. The authors argue instead that the invasion aimed to dismantle the Iraqi state to remake it as a client regime.
Post-invasion chaos created conditions under which the cultural foundations of the state could be undermined. The authors painstakingly document the consequences of the occupiers' willful inaction and worse, which led to the ravaging of one of the world's oldest recorded cultures. Targeted assassination of over 400 academics, kidnapping and the forced flight of thousands of doctors, lawyers, artists and other intellectuals add up to cultural cleansing.
This important work lays to rest claims that the invasion aimed to free an educated population to develop its own culture of democracy.
In 2003, after serving five and a half years as a carpenter in a North Dakota National Guard engineer unit, Bronson Lemer was ready to leave the military behind. But six months short of completing his commitment to the army, Lemer was deployed on a yearlong tour of duty to Iraq. Leaving college life behind in the Midwest, he yearns for a lost love and quietly dreams of a future as an openly gay man outside the military. He discovers that his father’s lifelong example of silent strength has taught him much about being a man, and these lessons help him survive in a war zone and to conceal his sexuality, as he is required to do by the U.S. military.
The Iraq war defined the first decade of the twenty-first century – leading to mass protests and raising profound questions about domestic politics and the use of military force. Yet most explanations of the war have a narrow focus either on political personalities or oil.
Christopher Doran provides a unique perspective, arguing that the drive to war came from the threat Iraq might pose to American economic hegemony if the UN sanctions regime was ended. Doran argues that this hegemony is rooted in third world debt and corporate market access. It was protection of these arrangements that motivated US action, not Iraq’s alleged weapons of mass destruction or a simplistic desire to seize its oil.
This book will provide new insights on the war which still casts a shadow over global politics, and will have wide appeal to all those concerned about the Middle East, world peace and global development.
The Iraqi city of Fallujah has become an epicenter of geopolitical conflict, where foreign powers and non-state actors have repeatedly waged war in residential neighborhoods with staggering humanitarian consequences. The Sacking of Fallujah is the first comprehensive study of the three recent sieges of this city, including those by the United States in 2004 and the Iraqi-led operation to defeat ISIS in 2016.
Unlike dominant military accounts that focus on American soldiers and U.S. leaders and perpetuate the myth that the United States “liberated” the city, this book argues that Fallujah was destroyed by coalition forces, leaving public health crises, political destabilization, and mass civilian casualties in their wake. This meticulously researched account cuts through the propaganda to uncover the lived experiences of Fallujans under siege and occupation, and contextualizes these events within a broader history of U.S. policy in the Middle East. Relying on testimony from Iraqi civilians, the work of independent journalists, and documentation from human rights organizations, Ross Caputi, Richard Hil, and Donna Mulhearn place the experiences of Fallujah's residents at the center of this city's recent history.
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