In Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel, Yaron Shemer presents the most comprehensive and systematic study to date of Mizrahi (Oriental-Jewish or Arab-Jewish) films produced in Israel in the last several decades. Through an analysis of dozens of films the book illustrates how narratives, characters, and space have been employed to give expression to Mizrahi ethnic identity and to situate the Mizrahi within the broader context of the Israeli societal fabric. The struggle over identity and the effort to redraw ethnic boundaries have taken place against the backdrop of a long-standing Zionist view of the Mizrahi as an inferior other whose “Levantine” culture posed a threat to the Western-oriented Zionist enterprise.
In its examination of the nature and dynamics of Mizrahi cinema (defined by subject-matter), the book engages the sensitive topic of Mizrahi ethnicity head-on, confronting the conventional notion of Israeli society as a melting pot and the widespread dismissal of ethnic divisions in the country. Shemer explores the continuous marginalization of the Mizrahi in contemporary Israeli cinema and the challenge some Mizrahi films offer to the subjugation of this ethnic group. He also studies the role cultural policies and institutional power in Israel have played in shaping Mizrahi cinema and the creation of a Mizrahi niche in cinema. In a broader sense, this pioneering work is a probing exploration of Israeli culture and society through the prism of film and cinematic expression. It sheds light on the play of ethnicity, class, gender, and religion in contemporary Israel, and on the heated debates surrounding Zionist ideology and identity politics. By charting a new territory of academic inquiry grounded in an interdisciplinary theoretical framework, the study contributes to the formation of “Mizrahi Cinema” as a recognized and vibrant scholarly field.
2024 On The Brinck Book Award and Lecture Series, University of New Mexico
2024 PROSE Award, Architecture–Urban Planning, Association of American Publishers
An on-the-ground account of the design and evolution of West Bank settlements, showing how one of the world’s most contested landscapes was produced by unexpected conflicts and collaborations among widely divergent actors.
Since capturing the West Bank in 1967, Israel has overseen the construction of scores of settlements across the territory’s rocky hilltops. The settlements are part of a fierce political conflict. But they are not just hotly contested political ventures. They are also something more everyday: residential architectural projects.
In the Land of the Patriarchs is an on-the-ground account of the design and evolution of West Bank settlements. Noam Shoked shows how settlements have been shaped not only by the decisions of military generals, high-profile politicians, and prominent architects but also by a wide range of actors, including real estate developers, environmental consultants, amateur archeologists, and Israelis who feel unserved by the country’s housing system. The patterns of design and construction they have inspired reflect competing worldviews and aesthetic visions, as well as everyday practices not typically associated with the politics of the Israeli occupation. Revealing the pragmatic choices and contingent circumstances that drive what appears to be a deliberately ideological landscape, Shoked demonstrates how unpredictable the transformation of political passion into brick and mortar can be.
Despite the tragic reality of the continuing Israeli-Arab conflict and deep-rooted beliefs that the chasm between Israeli Jews and Israeli Arabs is unbridgeable, this book affirms the bonds between the two communities. Rachel Feldhay Brenner demonstrates that the literatures of both ethnic groups defy the ideologies that have obstructed dialogue between the two peoples.
Brenner argues that literary critics have ignored the variety and the dissent in the novels of both Arab and Jewish writers in Israel, giving them interpretations that embrace the politics of exclusion and conform with Zionist ideology. Brenner offers insightful new readings that compare fiction by Jewish writers Amos Oz, A.B. Yehoshua, David Grossman, and others with fiction written in Hebrew by such Arab-Israeli writers as Atallah Mansour, Emile Habiby, and Anton Shammas. This parallel analysis highlights the moral and psychological dilemmas faced by both the Jewish victors and the Arab vanquished, and Brenner suggests that the hope for release from the historical trauma lies—on both sides—in reaching an understanding with and of the adversary.
Drawing upon the theories of Walter Benjamin, Jacques Lacan, Sigmund Freud, Emanuel Levinas, and others, Inextricably Bonded is an innovative and illuminating examination of literary dissent from dominant ideology.
Since its establishment in the late 1970s, Israel’s Islamic Movement has grown from a small religious revivalist organization focused on strengthening the faith of Muslim Palestinian citizens of Israel to a countrywide sociopolitical movement with representation in the Israeli legislature. But how did it get here? How does it differ from other Islamic movements in the region? And why does its membership continue to grow?
Tilde Rosmer examines these issues in The Islamic Movement in Israel as she tells the story of the movement, its identity, and its activities. Using interviews with movement leaders and activists, their documents, and media reports from Israel and beyond, she traces the movement’s history from its early days to its 1996 split over the issue of its relationship to the state. She then explores how the two factions have functioned since, revealing that while leaders of the two branches have pursued different approaches to the state, until the outlawing of the Northern Branch in 2015, both remained connected and dedicated to providing needed social, education, and health services in Israel’s Palestinian towns and villages. The first book in English on this group, The Islamic Movement in Israel is a timely study about how an Islamist movement operates within the unique circumstances of the Jewish state.
The last two decades have given rise to a proliferation of scholarship by Israeli feminists working in diverse fields, ranging from sociology to literature, anthropology, and history. As the Israeli feminist movement continually decentralizes and diversifies, it has become less Eurocentric and heterocentric, making way for pluralistic concerns. Collecting fifteen previously published essays that give voice to this diversity, Israeli Feminist Scholarship showcases articles on Ashkenazi, Mizrahi, Palestinian, and lesbian identities as well as on Israeli women’s roles as mothers, citizens and activists, and soldiers.
Citing evidence that these scholars have redefined their object of inquiry as an open site of contested and constructed identity, luminary Esther Fuchs traces the history of Israeli feminism. Among the essays are Jewish historian Margalit Shilo’s study of the New Hebrew Woman, sociologist Ronit Lentin’s analysis of gendered representations of the Holocaust in Israeli culture, peace activist Erella Shadmi on lesbianism as a nonissue in Israel, and cultural critic Nitza Berkovitch’s examination of womanhood as constructed in Israeli legal discourse.
Creating a space for a critical examination of the relationship between disparate yet analogous discourses within feminism and Zionism, this anthology reclaims the mobilizing, inclusive role of these multifaceted discourses beyond the postmodern paradigm.
As Schulman learns more, she questions the contradiction between Israel's investment in presenting itself as gay friendly—financially sponsoring gay film festivals and parades—and its denial of the rights of Palestinians. At the same time, she talks with straight Palestinian activists about their position in relation to homosexuality and gay rights in Palestine and internationally. Back in the United States, Schulman draws on her extensive activist experience to organize a speaking tour for some of the Palestinian queer leaders whom she had met and trusted. Dubbed "Al-Tour," it takes the activists to LGBT community centers, conferences, and universities throughout the United States. Its success solidifies her commitment to working to end Israel's occupation of Palestine, and it kindles her larger hope that a new "queer international" will emerge and join other movements demanding human rights across the globe.
In his courageous book, Israel's Dead Soul, Steven Salaita explores the failures of Zionism as a political and ethical discourse. He argues that endowing nation-states with souls is a dangerous phenomenon because it privileges institutions and corporations rather than human beings.
Asserting that Zionism has been normalized--rendered "benign" as an ideology of "multicultural conviviality"—Salaita critiques the idea that Zionism, as an exceptional ideology, leads to a lack of critical awareness of the effects of the Israeli occupation in Palestinian territory and to an unquestioning acceptance of Israel as an ethnocentric state.
Salaita's analysis targets the Anti-Defamation League, films such as Munich and Waltz with Bashir, intellectuals including Cornel West and Michael Eric Dyson, gay rights activists, and other public figures who mourn the decline of Israel's "soul." His pointed account shows how liberal notions of Zionism are harmful to various movements for justice.
Combining vivid ethnographic detail, postcolonial theory, and readings of Israeli and Palestinian popular texts, Stein considers a broad range of Israeli leisure cultures of the Oslo period with a focus on the Jewish desires for Arab things, landscapes, and people that regional diplomacy catalyzed. Moving beyond conventional accounts, she situates tourism within a broader field of “discrepant mobility,” foregrounding the relationship between histories of mobility and immobility, leisure and exile, consumption and militarism. She contends that the study of Israeli tourism must open into broader interrogations of the Israeli occupation, the history of Palestinian dispossession, and Israel’s future in the Arab Middle East. Itineraries in Conflict is both a cultural history of the Oslo process and a call to fellow scholars to rethink the contours of the Arab-Israeli conflict by considering the politics of popular culture in everyday Israeli and Palestinian lives.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2026
The University of Chicago Press
