The Worship and Love of God is one of the most unusual writings of Swedish scientist and theologian Emanuel Swedenborg (1688-1772). A "poetical novel," it dramatizes the Creation and examines the life of Adam and Eve as the first truly united couple. Considered Swedenborg's last work before he embarked on his visionary period, the manuscript was left unfinished by its author and published only after his death.

Inge Jonsson, one of the world's leading scholars on Swedenborg's works, offers a scholarly look into a neglected literary achievement. He examines this unique work from the perspective of sources and influences. The literary genre f hexaemeron, ancient and modern philosophy, and scientific discoveries in the seventeenth and eighteenth centuries come into play in Swedenborg's richly imagined and beautifully articulated world. Yet The Worship and Love of God also offers an intriguing glimpse into Swedenborg's future as a biblical exegete and revelator.

What is the "secret of Great Tartary"? What became of the Swedish clerk Carl Robsahm's original manuscript of his talks with Emanuel Swedenborg? What was Strindberg's reaction to Balzac's novel Seraphita?

These and other provocative questions are answered by Anders Hallengren in a selection of essays. Hallengren's research in various parts of the world brings to light records that were formerly thought to be lost. In addition, Hallengren traces routes of subtle influence that range from the experiences of Swedish soldiers captured in Russia to a chance encounter in a hotel in Charlotte Amalie, St. Thomas, in the Virgin Islands. Hallengren argues that these influences show the profound effect of Swedenborgian thought on celebrated and ordinary people, resulting not only in profound art but in a better world.

Most of the books written on eighteenth-century theologian and mystic Emanuel Swedenborg analyze his theology, detail his remarkable mystical travels, or investigate his influence on philosophers and artists who succeeded him. Distinguished Swedish scholar Inge Jonsson approaches Swedenborg’s oeuvre from the standpoint of the history of ideas and relates it to the intellectual milieu of the time. From the impact of Cartesian philosophy on eighteenth-century thinkers to the effect of Leibniz and his disciples on Swedenborg’s emerging views of science and spirit, Jonsson recreates the debates that electrified the Enlightenment.

Despite Swedenborg’s enduring fame as a mystic, his early reputation was firmly based on scientific treatises that he wrote during years when new theories of life were exploding through microscopic and anatomical research. In the first part of this study, Jonsson examines Swedenborg’s philosophy of nature, his cosmology, and physiological and psychological theories and shows how Swedenborg’s unique spiritual perspective was rooted in his early scientific endeavors and in agreement with contemporary science.

However, after a spiritual crisis in the years 1744-1745, detailed in the remarkable document The Journal of Dreams, Swedenborg turned his intellectual energies and scientific precision toward biblical exegesis and examination of spiritual nature. In the second half of this work, Jonsson investigates Swedenborg’s detailed and sensitive rendering of spiritual life in such works as Arcana Coelestia, Heaven and Hell, and Conjugial Love.