A SCHOLARLY BOOK REPOSITORY22 start with D start with D
Dancing Into Darkness is Sondra Horton Fraleigh's chronological diary of her deepening understanding of and appreciation for this art form, as she moves from a position of aesthetic response as an audience member to that of assimilation as a student. As a student of Zen and butoh, Fraleigh witnesses her own artistic and personal transformation through essays, poems, interviews, and reflections spanning twelve years of study, much of it in Japan. Numerous performance photographs and original calligraphy by Fraleigh's Zen teacher Shodo Akane illuminate her words.
The pieces of Dancing Into Darkness cross boundaries, just as butoh anticipates a growing global amalgamation. "Butoh is not an aesthetic movement grafted onto Western dance, " Fraleigh concludes, "and Western dance may be more Eastern than we have been able to see. "
Nelson analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through fragments of the past in order to reconstruct the fabric of everyday life. Artists such as the popular Okinawan actor and storyteller Fujiki Hayato weave together genres including Japanese stand-up comedy, Okinawan celebratory rituals, and ethnographic studies of war memory, encouraging their audiences to imagine other ways to live in the modern world. Nelson looks at the efforts of performers and activists to wrest the Okinawan past from romantic representations of idyllic rural life in the Japanese media and reactionary appropriations of traditional values by conservative politicians. In his consideration of eisā, the traditional dance for the dead, Nelson finds a practice that reaches beyond the expected boundaries of mourning and commemoration, as the living and the dead come together to create a moment in which a new world might be built from the ruins of the old.
Buddhism was a fact of life and death during the Tokugawa period (1600–1868): every household was expected to be affiliated with a Buddhist temple, and every citizen had to be given a Buddhist funeral. The enduring relationship between temples and their affiliated households gave rise to the danka system of funerary patronage.
This private custom became a public institution when the Tokugawa shogunate discovered an effective means by which to control the populace and prevent the spread of ideologies potentially dangerous to its power—especially Christianity. Despite its lack of legal status, the danka system was applied to the entire population without exception; it became for the government a potent tool of social order and for the Buddhist establishment a practical way to ensure its survival within the socioeconomic context of early modern Japan.
In this study, Nam-lin Hur follows the historical development of the danka system and details the intricate interplay of social forces, political concerns, and religious beliefs that drove this “economy of death” and buttressed the Tokugawa governing system. With meticulous research and careful analysis, Hur demonstrates how Buddhist death left its mark firmly upon the world of the Tokugawa Japanese.
Presenting fresh insights on the internal dynamics and global contexts that shaped foreign relations in early modern Japan, Robert I. Hellyer challenges the still largely accepted wisdom that the Tokugawa shogunate, guided by an ideology of seclusion, stifled intercourse with the outside world, especially in the eighteenth and nineteenth centuries.
Examining diplomacy, coastal defense, and foreign trade, this study demonstrates that while the shogunate created the broader framework, foreign relations were actually implemented through cooperative but sometimes competitive relationships with the Satsuma and Tsushima domains, which themselves held largely independent ties with neighboring states. Successive Tokugawa leaders also proactively revised foreign trade, especially with China, taking steps that mirrored the commercial stances of other Asian and Western states.
In the nineteenth century, the system of foreign relations continued to evolve, with Satsuma gaining a greater share of foreign trade and Tsushima assuming more responsibility in coastal defense. The two domains subsequently played key roles in Japan’s transition from using early modern East Asian practices of foreign relations to the national adoption of international relations, especially the recasting of foreign trade and the centralization of foreign relations authority, in the years surrounding the Meiji Restoration of 1868.
Histories of remote islands around Japan are usually told through the prism of territorial disputes. In contrast, Takahiro Yamamoto contends that the transformation of the islands from ambiguous border zones to a territorialized space emerged out of multilateral power relations. Sakhalin, the Kuril Islands, Tsushima, the Bonin Islands, and the Ryukyu Islands became the subject of inter-imperial negotiations during the formative years of modern Japan as empires nudged each other to secure their status with minimal costs rather than fighting a territorial scramble. Based on multiarchival, multilingual research, Demarcating Japan argues that the transformation of border islands should be understood as an interconnected process, where inter-local referencing played a key role in the outcome: Japan’s geographical expansion in the face of domineering Extra-Asian empires.
Underneath this multilateral process were the connections forged by individuals. Translators, doctors, traffickers, castaways, and indigenous hunters crisscrossed border regions and enacted violence, exchanged knowledge, and forged friendships. Although their motivations were eclectic and their interactions transcended national borders, the linkages they created were essential in driving territorialization forward. Demarcating Japan demonstrates the crucial role of nonstate actors in formulating a territory.
Following World War II, the American Occupation created Western style democratic institutions in Japan and sought to develop a society and culture that would support a democratic political system. Now, after four decades, the successes and failures of Japanese democracy can be assessed. How equal are Japan’s citizens? To what extent are their views represented in the legislature? How does Japan handle dissent and protest? How stable is its democracy?
In closely related and readable essays, thirteen leading experts consider three main components of democracy in Japan - political, social, and economic. The editors’ introduction provides historical background, making this book accessible and valuable for students, the general reader interested in Japan, as well as the specialist.
From cars to cameras, design from Japan is ubiquitous. So are perceptions of Japanese design, from calming, carefully crafted minimalism to avant-garde catwalk fashion, or the cute, Kawaii aesthetic populating Tokyo streets. But these portrayals overlook the creativity, generosity, and sheer hard work that has gone into creating and maintaining design industries in Japan.
In Designing Modern Japan, Sarah Teasley deftly weaves together the personal stories of people who shaped and shape Japan’s design industries with social history, economic conditions, and geopolitics.. Key to her account is how design has been a strategy to help communities thrive during turbulent times, and for making life better along the way. Deeply researched and superbly illustrated, Designing Modern Japan appeals to a wide audience for Japanese design, history, and culture.
Japan’s “Christian Century” began in 1549 with the arrival of Jesuit missionaries led by Saint Francis Xavier, and ended in 1639 when the Tokugawa regime issued the final Sakoku Edict prohibiting all traffic with Catholic lands. “Sakoku”—national isolation—would for more than two centuries be the sum total of the regime’s approach to foreign affairs. This policy was accompanied by the persecution of Christians inside Japan, a course of action for which the missionaries and their zealots were in part responsible because of their dogmatic orthodoxy. The Christians insisted that “Deus” was owed supreme loyalty, while the Tokugawa critics insisted on the prior importance of performing one’s role within the secular order, and denounced the subversive doctrine whose First Commandment seemed to permit rebellion against the state.
In discussing the collision of ideas and historical processes, George Elison explores the attitudes and procedures of the missionaries, describes the entanglements in politics that contributed heavily to their doom, and shows the many levels of the Japanese response to Christianity. Central to his book are translations of four seventeenth-century, anti-Christian polemical tracts.
From the revered classics of Akira Kurosawa to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres.
As the inaugural volume of an ambitious new series from Intellect documenting world cinema, the directory aims to play a part in moving intelligent, scholarly criticism beyond the academy by building a forum for the study of film that relies on a disciplined theoretical base. It takes the form of an A–Z collection of reviews, longer essays, and research resources, accompanied by fifty full-color film stills highlighting significant films and players. The cinematic lineage of samurai warriors, yakuza enforcers, and atomic monsters take their place alongside the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.
Ivy shows how a fascination with cultural margins accompanied the emergence of Japan as a modern nation-state. This fascination culminated in the early twentieth-century establishment of Japanese folklore studies and its attempts to record the spectral, sometimes violent, narratives of those margins. She then traces the obsession with the vanishing through a range of contemporary reconfigurations: efforts by remote communities to promote themselves as nostalgic sites of authenticity, storytelling practices as signs of premodern presence, mass travel campaigns, recallings of the dead by blind mediums, and itinerant, kabuki-inspired populist theater.
In this book, J. Mark Ramseyer, a noted authority on Japan looks at discrimination against groups in Japanese society, focusing on the Korean, Okinawan, and Burakumin groups. Ramseyer asks why they experience discrimination in Japan, an unusually homogeneous society. Is it because of some prejudice on the part of the majority that prevents their integration into mainstream Japanese society? Or is it because some of the dynamics within the group create incentives for the group to stay together and to be on the fringes of society?
Ramseyer argues that the real explanation is the latter, and each of these three groups has been victimized by its own leadership. Precisely because the groups are dysfunctional, members of the group cannot control members who would appoint themselves group leaders. The result has been the capture of leadership positions by people who manipulate the group to their own private advantage and to the detriment of the group as a whole.
The New York Japanese American community was a composite of several micro communities divided along status, class, geographic, and religious lines. Using a wealth of primary sources—oral histories, memoirs, newspapers, government documents, photographs, and more—Daniel H. Inouye tells the stories of the business and professional elites, mid-sized merchants, small business owners, working-class families, menial laborers, and students that made up these communities. The book presents new knowledge about the history of Japanese immigrants in the United States and makes a novel and persuasive argument about the primacy of class and status stratification and relatively weak ethnic cohesion and solidarity in New York City, compared to the pervading understanding of nikkei on the West Coast. While a few prior studies have identified social stratification in other nikkei communities, this book presents the first full exploration of the subject and additionally draws parallels to divisions in German American communities.
Distant Islands is a unique and nuanced historical account of an American ethnic community that reveals the common humanity of pioneering Japanese New Yorkers despite diverse socioeconomic backgrounds and life stories. It will be of interest to general readers, students, and scholars interested in Asian American studies, immigration and ethnic studies, sociology, and history.
Winner- Honorable Mention, 2018 Immigration and Ethnic History Society First Book Award
The 1905 Portsmouth Conference, mediated by President Theodore Roosevelt, for which he received the Nobel Peace Prize, brought to an end a war in which Japan won spectacular victories on land and sea. Although the peace settlement fell far short of public expectations in Japan, she gained supremacy in Korea and a sphere of influence in South Manchuria as a consequence of the treaty. Nevertheless, the treaty reflected the military stalemate in Manchuria. Roosevelt wanted a balance of power to emerge from the war, and his hope was realized in the peace process.
Raymond Esthus, drawing on the records of six nations, provides a detailed and panoramic account of the 1905 conference from the perspectives of both the Russians and the Japanese participants, depicting the powerful personalities of Roosevelt and the Russian Sergei Witte, as well as Tsar Nicholas II and the Foreign Minister Komura Jutaro. It is a story of verbal duels, tests of will, and moments of high personal courage. If there was no clear-cut victor at the conference, Roosevelt emerged as a worldwide hero of the cause of peace.
A fresh take on the dopplegänger and its place in Japanese film and literature—past and present
Since its earliest known use in German Romanticism in the late 1700s, the word Doppelgänger (double-walker) can be found throughout a vast array of literature, culture, and media. This motif of doubling can also be seen traversing historical and cultural boundaries. Double Visions, Double Fictions analyzes the myriad manifestations of the doppelgänger in Japanese literary and cinematic texts at two historical junctures: the interwar period of the 1920s and 1930s and the present day.
According to author Baryon Tensor Posadas, the doppelgänger marks the intersection of the historical impact of psychoanalytic theory, the genre of detective fiction in Japan, early Japanese cinema, and the cultural production of Japanese colonialism. He examines the doppelgänger’s appearance in the works of Edogawa Rampo, Tanizaki Jun’ichiro, and Akutagawa Ryunosuke, as well as the films of Tsukamoto Shin’ya and Kurosawa Kiyoshi, not only as a recurrent motif but also as a critical practice of concepts. Following these explorations, Posadas asks: What were the social, political, and material conditions that mobilized the desire for the doppelgänger? And how does the dopplegänger capture social transformations taking place at these historical moments?
Double Visions, Double Fictions ultimately reveals how the doppelgänger motif provides a fascinating new backdrop for understanding the enmeshment of past and present.
Benjamin Duke has compiled this comprehensive biography of David Murray to showcase Murray’s work, both in assisting around 100 samurai students in their studies at Rutgers, and in his unprecedented role in early Japanese-American relations. This fascinating story uncovers a little-known link between Rutgers University and Japan, and it is the only book to conclude that Rutgers made a greater contribution to the development of modern education in the early Meiji Era than any other non-Japanese college or university in the world.
How Japanese coastal residents and transnational conservationists collaborated to foster relationships between humans and sea life
Drawing the Sea Near opens a new window to our understanding of transnational conservation by investigating projects in Okinawa shaped by a “conservation-near” approach—which draws on the senses, the body, and memory to collapse the distance between people and their surroundings and to foster collaboration and equity between coastal residents and transnational conservation organizations. This approach contrasts with the traditional Western “conservation-far” model premised on the separation of humans from the environment.
Based on twenty months of participant observation and interviews, this richly detailed, engagingly written ethnography focuses on Okinawa’s coral reefs to explore an unusually inclusive, experiential, and socially just approach to conservation. In doing so, C. Anne Claus challenges orthodox assumptions about nature, wilderness, and the future of environmentalism within transnational organizations. She provides a compelling look at how transnational conservation organizations—in this case a field office of the World Wide Fund for Nature in Okinawa—negotiate institutional expectations for conservation with localized approaches to caring for ocean life.
In pursuing how particular projects off the coast of Japan unfolded, Drawing the Sea Near illuminates the real challenges and possibilities of work within the multifaceted transnational structures of global conservation organizations. Uniquely, it focuses on the conservationists themselves: why and how has their approach to project work changed, and how have they themselves been transformed in the process?
A Dream of Resistance is the first book in English to explore Kobayashi’s entire career, from the early films he made at Shochiku studio, to internationally-acclaimed masterpieces like The Human Condition, Harakiri, and Samurai Rebellion, and on to his final work for NHK Television. Closely examining how Kobayashi’s upbringing and intellectual history shaped the values of his work, Stephen Prince illuminates the political and religious dimensions of Kobayashi’s films, interpreting them as a prayer for peace in troubled times. Prince draws from a wealth of rare archives, including previously untranslated interviews, material that Kobayashi wrote about his films, and even the young director’s wartime diary. The result is an unprecedented portrait of this singular filmmaker.
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