In mainstream assessments of Confucianism’s modern genealogy there is a Sinocentric bias which is, in part, the result of a general neglect of modern Japanese Confucianism by political and moral philosophers and intellectual historians during the post-war era. This collection of essays joins a small group of other studies bringing modern Japanese Confucianism to international scholarly notice, largely covering the time period between the Bakumatsu era of the mid-19th century and the 21st century. The essays in this volume can be read for the insight they provide into the intellectual and ideological proclivities of reformers, educators and philosophers explicitly reconstructing Confucian thought, or more tacitly influenced by it, during critical phases in Japan’s modernization, imperialist expansionism and post-1945 reconstitution as a liberal democratic polity. They can be read as introductions to the ideas of modern Japanese Confucian thinkers and reformers whose work is little known outside Japan—and sometimes barely remembered inside Japan. They can also be read as a needful corrective to the above-mentioned Sinocentric bias in the 20th century intellectual history of Confucianism. For those Confucian scholars currently exploring how Confucianism is, or can be made compatible with democracy, at least some of the studies in this volume serve as a warning. They enjoin readers to consider how Confucianism was also rendered compatible with the authoritarian ultranationalism and militarism that captured Japan’s political system in the 1930s, and brought war to the Asia-Pacific region.

Japan: a land plagued by volcanoes, earthquakes and typhoons, yet blessed with a climate suitable for all manner of agriculture and forestry, and positioned where ocean currents collide and bring an abundance of the ocean’s resources to its people; a country which moved quickly from an agrarian pre-industrial society to become one of the world’s great economic powerhouses in only a few decades, spoiling water, air and land in the process, bringing misery to many of its people; a country with expansionist desires, colonizing neighboring lands, leading to war, defeat, destruction and, for the first time in history, nuclear devastation and its aftermath; a land and its people which share a remarkable resilience and ability to evaluate and correct their mistakes and renew their trajectory towards a better future.

Just as higher education (HE) in Europe had its beginnings in religious training for the priesthood, HE in feudal Japan, too, provided instruction for a religious life. But while the evolution to secular instruction was gradual in Europe, in Japan it came with a big bang: the "opening" of the country and consequent Westernization and all that that involved in the mid-19th century. This first volume in the new Japan Documents Handbook series tells the story in 25 chapters of how Japan’s HE system has become what it is now, ending with a very tentative glimpse into the rest of the 21st century. A variety of themes are covered by scholars: chapters that concentrate on governance look at the distinction between "national," "public," and "private" institutions; others consider important topics such as internationalization, student recruitment, and faculty mobility. More innovative topics include "Women of Color Leading in Japanese Higher Education." All provide copious references to other authorities, but rather than just toe the conventional line they include opinions and proposals that may be contentious or even revolutionary. The editor provides an overview of the subject and its treatment in an Introduction.

The Handbook of Japanese Media and Popular Culture in Transition brings together new research and perspectives on popular media phenomena, as well as shining a spotlight on texts that are less well known or studied. Organized into five thematic sections, the chapters span a diverse range of cultural genres, including contemporary film and television, postwar cinema, advertising, popular fiction, men’s magazines, manga and anime, karaoke and digital media. They address issues critical to contemporary Japanese society: the politicization of history, authenticity and representation, constructions of identity, trauma and social disaffection, intersectionality and trans/nationalism. Drawing on methods and approaches from a range of disciplines, the chapters make explicit the interconnections between these areas of research and map out possible trajectories for future inquiry. As such, the handbook will be of value to both novice scholars and seasoned researchers, working within and/or beyond the Japanese media studies remit.

The history of official relations between Russia and Japan encompasses a period of a little more than one hundred and fifty years, but stretch back unofficially for at least double that amount of time. But for both Russia and Japan, these relations have never been a key element of foreign policy, indispensable or intrinsically important for their diplomatic strategy. It is also noteworthy that for most of this time Russia and Japan were enemies, rivals, competitors. For both parties the significance of bilateral relations to a large extent was determined by their geographical proximity. This geographically predestined relationship can be characterized as “distant neighbors.” At the same time, at certain historical stages, this neighborhood was not so "distant." The countries managed to establish relations in the economic sphere, while tourism, cultural, scientific and educational ties were actively developing. The complexity of the relations which developed for just over three centuries is worthy of study. This book analyzes these three centuries of Japan-Russia relations so as not to miss out any essential factors of the relationship.

"In a government, military matters are the essential thing," said Japan's "Heavenly Warrior," the Emperor Temmu, in 684. Heavenly Warriors traces in detail the evolutionary development of weaponry, horsemanship, military organization, and tactics from Japan's early conflicts with Korea up to the full-blown system of the samurai. Enhanced by illustrations and maps, and with a new preface by the author, this book will be indispensable for students of military history and Japanese political history.

Here is the first full-length biography in English of the most important political figure in premodern Japan.

Hideyoshi—peasant turned general, military genius, and imperial regent of Japan—is the subject of an immense legendary literature. He is best known for the conquest of Japan’s sixteenth-century warlords and the invasion of Korea. He is known, too, as an extravagant showman who rebuilt cities, erected a colossal statue of the Buddha, and entertained thousands of guests at tea parties. But his lasting contribution is as governor whose policies shaped the course of Japanese politics for almost three hundred years.

In Japan’s first experiment with federal rule, Hideyoshi successfully unified two hundred local domains under a central authority. Mary Elizabeth Berry explores the motives and forms of this new federalism which would survive in Japan until the mid-nineteenth century, as well as the philosophical question it raised: What is the proper role of government? This book reflects upon both the shifting political consciousness of the late sixteenth century and the legitimation rituals that were invoked to place change in a traditional context. It also reflects upon the architect of that change—a troubled parvenu who acted often with moderation and sometimes with explosive brutality.

In the twelfth century, along the borders of the Japanese state in northern Honshu, three generations of local rulers built a capital city at Hiraizumi that became a major military and commercial center. Known as the Hiraizumi Fujiwara, these rulers created a city filled with art, in an attempt to use the power of art and architecture to claim a religious and political mandate.

In the first book-length study of Hiraizumi in English, the author studies the rise of the Hiraizumi Fujiwara and analyzes their remarkable construction program. She traces the strategies by which the Hiraizumi Fujiwara attempted to legitimate their rule and grounds the splendor of Hiraizumi in the desires, political and personal, of the men and women who sponsored and displayed that art.

The myth that kamikaze, or divine winds, protected Japan against the Mongol invasions of 1274 and 1281 is linked to a belief in absolute victory in the Pacific War in the twentieth century. But what was the representation of a historical past in Japan, and what role did it play as a repertoire of cultural identity before the rise of hyper-nationalism?

The Historical Writing of the Mongol Invasions in Japan is about the names for Japan and the Mongols, the commemoration of battle sites and ancestors, and the antiquarian exchanges within confined circles in the seventeenth and eighteenth centuries. In the Tokugawa culture of appearances, historical writing and related genres affirmed status identity. In the first two-thirds of the nineteenth century, the exploits of thirteenth-century warriors served as a model for propagating revolutionary change in Japanese cities, whereas in the 1880s and 1890s, conservative associations appropriated the defense against the Mongol invasions as a symbol of patriotism. The Historical Writing of the Mongol Invasions in Japan thus points to the continuities and ruptures that marked the emergence of a national culture after the Meiji Restoration of 1868.

At the heart of modern Japan there remains an intractable and divisive social problem with its roots in pre-history, namely the ongoing social discrimination against the D?wa communities, otherwise known as Buraku. Their marginalization and isolation within society as a whole remains a veiled yet contested issue. Buraku studies, once largely ignored within Japan’s academia and by scholarly publishers, have developed considerably in the first decades of the twenty-first century, as the extensive bibliographies of both Japanese and English sources provided here clearly demonstrates. The authors of the present study published in Japanese in 2016 and translated here by the Oxford scholar Ian Neary, have been able to incorporate this most recent data. Because of its importance as the first Buraku history based on this new research, a wider readership was always the authors’ principal focus. Yet, it also provides a valuable source book for further study by those wishing to develop their knowledge about the subject from an informed base. This history of the Buraku communities and their antecedents is the first such study to be published in English.

When Temple University Japan (TUJ) was founded in 1982—to advance the mission of international higher education—the university had few ties to Japan, or any other Asian country. However, more than 40 years later, TUJ has overcome substantial obstacles and remains the only American university campus in Japan, gaining legitimacy and considerable respect as an international institution of higher education. In The History of Temple University Japan, two former TUJ Deans, Richard Joslyn and Bruce Stronach, explore the creation, development, and maturation of TUJ, and present a case study of how Temple University successfully created an overseas branch campus.
 
The authors recount the development of the academic program, the recruitment of students, and the support from Temple that enabled curricular and pedagogical improvement. 
They also address the university’s relationships with three Japanese partners, and the financial threats and crises TUJ faced over the decades. 
 
The History of Temple University Japan is not only an important documentation of TUJ, but also a history of U.S.-Japanese relations. What emerges is the significant impact TUJ has had on the thousands of students, faculty, and staff who have been a part of this international academic institution.  
 
 

With the addition of a contextualized introduction, here is the first annotated translation of the eighth- century clan history T?shi Kaden or the History of the Fujiwara House. Hitherto, scholars have focused on the more famous eighth-century imperial histories Nihon Shoki and Kojiki, but other sources such as the History of the Fujiwara House provide a narrative that complements or deviates from the official histories. The book was written to provide students and researchers with additional material to reconsider the political and intellectual currents of seventh- and eighth-century Japan and, in addition, reveal further insight into the career and motivations of its controversial author, the courtier Fujiwara no Nakamaro.

The brutality and racial hatred exhibited by Japan’s military during the Pacific War piqued outrage in the West and fanned resentments throughout Asia. Public understanding of Japan’s wartime atrocities, however, often fails to differentiate the racial agendas of its military and government elites from the racial values held by the Japanese people. While not denying brutalities committed by the Japanese military, Honored and Dishonored Guests overturns these standard narratives and demonstrates rather that Japan’s racial attitudes during wartime are more accurately discerned in the treatment of Western civilians living in Japan than the experiences of enemy POWs.

The book chronicles Western communities in wartime Japan, using this body of experiences to reconsider allegations of Japanese racism and racial hatred. Its bold thesis is borne out by a broad mosaic of stories from dozens of foreign families and individuals who variously endured police harassment, suspicion, relocation, starvation, denaturalization, internment, and torture, as well as extraordinary acts of charity. The book’s account of stranded Westerners—from Tokyo, Yokohama, and Kobe to the mountain resorts of Karuizawa and Hakone—yields a unique interpretation of race relations and wartime life in Japan.

The brutality and racial hatred exhibited by Japan’s military during the Pacific War piqued outrage in the West and fanned resentments throughout Asia. Public understanding of Japan’s wartime atrocities, however, often fails to differentiate the racial agendas of its military and government elites from the racial values held by the Japanese people. While not denying brutalities committed by the Japanese military, Honored and Dishonored Guests overturns these standard narratives and demonstrates rather that Japan’s racial attitudes during wartime are more accurately discerned in the treatment of Western civilians living in Japan than the experiences of enemy POWs.

The book chronicles Western communities in wartime Japan, using this body of experiences to reconsider allegations of Japanese racism and racial hatred. Its bold thesis is borne out by a broad mosaic of stories from dozens of foreign families and individuals who variously endured police harassment, suspicion, relocation, starvation, denaturalization, internment, and torture, as well as extraordinary acts of charity. The book’s account of stranded Westerners—from Tokyo, Yokohama, and Kobe to the mountain resorts of Karuizawa and Hakone—yields a unique interpretation of race relations and wartime life in Japan.

A house is a site, the bounds and focus of a community. It is also an artifact, a material extension of its occupants’ lives. This book takes the Japanese house in both senses, as site and as artifact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era.

As Japan modernized, the principles that had traditionally related house and family began to break down. Even where the traditional class markers surrounding the house persisted, they became vessels for new meanings, as housing was resituated in a new nexus of relations. The house as artifact and the artifacts it housed were affected in turn. The construction and ornament of houses ceased to be stable indications of their occupants’ social status, the home became a means of personal expression, and the act of dwelling was reconceived in terms of consumption. Amid the breakdown of inherited meanings and the fluidity of modern society, not only did the increased diversity of commodities lead to material elaboration of dwellings, but home itself became an object of special attention, its importance emphasized in writing, invoked in politics, and articulated in architectural design. The aim of this book is to show the features of this culture of the home as it took shape in Japan.

As direct descendants of the great courtier-poets Fujiwara no Shunzei (1114–1204) and his son Teika (1162–1244), the heirs of the noble Reizei house can claim an unbroken literary lineage that spans over eight hundred years. During all that time, their primary goal has been to sustain the poetic enterprise, or michi (way), of the house and to safeguard its literary assets.

Steven D. Carter weaves together strands of family history, literary criticism, and historical research into a coherent narrative about the evolution of the Reizei Way. What emerges from this innovative approach is an elegant portrait of the Reizei poets as participants in a collective institution devoted more to the continuity of family poetic practices and ideals than to the concept of individual expression that is so central to more modern poetic culture.

In addition to the narrative chapters, the book also features an extensive appendix of one hundred poems from over the centuries, by poets who were affiliated with the Reizei house. Carter’s annotations provide essential critical context for this selection of poems, and his deft translations underscore the rich contributions of the Reizei family and their many disciples to the Japanese poetic tradition.