front cover of Unbeaten Tracks in Japan
Unbeaten Tracks in Japan
Revisiting Isabella Bird
Kiyonori Kanasaka
Amsterdam University Press, 2018
Isabella Bird’s best-selling book on Japan is republished here, but with a difference: for the first time, it is now fully annotated with supporting commentaries, providing the twenty-first century reader with an enhanced informed view of the new ‘modern Japan’ as Bird experienced it in 1878. Originally published as a two-volume work in 1880, this later abridged version, first published in 1885 and promoted as ‘a tale of travel and adventure’, became one of the best-selling travel books published by John Murray; it was reprinted numerous times and by different publishers. This volume is the original 1885 edition. It is not a facsimile, but has been reprocessed digitally to enable the annotations to be inserted, as well as the 40 copperplate illustrations to be restored to their original quality. The commentaries and notes have been written by Kiyonori Kanasaka, Japan’s leading expert on Isabella Bird who, over the past nearly 30 years, has retraced Isabella Bird’s footsteps in all the parts of the world she visited, and knows her travels in Japan intimately. (See Isabella Bird and Japan: A Reassessment>, Renaissance Books 2017.) This book will be essential reading for all those interested in the Bird legacy, the birth of modern Japan, travel writings of the Far East, the topography of Japan and Japan’s social and political history.
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The Uncanny Child in Transnational Cinema
Ghosts of Futurity at the Turn of the Twenty-first Century
Jessica Balanzategui
Amsterdam University Press, 2018
The Uncanny Child in Transnational Cinema illustrates how global horror film depictions of children re-conceptualised childhood at the turn of the twenty-first century. By analysing an influential body of transnational horror films, largely stemming from Spain, Japan, and the US, Jessica Balanzategui shows how millennial uncanny child characters resist embodying growth and futurity, unravelling concepts to which the child's symbolic function is typically bound. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in these potent cinematic renegotiations of the concept of childhood. By demonstrating both the culturally specific and globally resonant properties of these frightening visions of children who refuse to grow up, the book outlines the conceptual and aesthetic mechanisms by which long entrenched ideologies of futurity, national progress, and teleological history started to waver at the turn of the twenty-first century.
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Uncertain Powers
Sen’yōmon-in and Landownership by Royal Women in Early Medieval Japan
Sachiko Kawai
Harvard University Press

Uncertain Powers is an original and much-needed analysis of female leadership in medieval Japan. In challenging current scholarship by exploring the important political and economic roles of twelfth- and thirteenth-century Japanese royal women, Sachiko Kawai questions the traditional view of the era as one dominated by male retired monarchs and a warrior government. Instead the author populates it with royal wives and daughters who held the title of premier royal lady (nyoin) and owned extensive estates across the Japanese archipelago. Nyoin, whose power varied according to marital status, networks, and age, used their wealth and human networks to build temples and organize their entourages as salons to assert religious, cultural, and political influence. Confronted with social factors and gender disparities, they were motivated to develop coping strategies, the workings of which Kawai masterfully teases out from the abundant primary sources.

Uncertain Powers presents a nuanced and groundbreaking study of the relationship between a nyoin’s authority (her acknowledged rights) and her actual power (the ability to enforce those rights), demonstrating how, as members of political factions, as landlords, and as religious and cultural patrons, nyoin struggled to transform authority into power by means of cooperation, persuasion, compromise, and coercion.

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Uncovering Heian Japan
An Archaeology of Sensation and Inscription
Thomas LaMarre
Duke University Press, 2000
The poetry of the Heian court of Japan has typically been linked with the emergence of a distinct Japanese language and culture. This concept of a linguistically homogeneous and ethnically pure “Japaneseness” has been integral to the construction of a modern Japanese nation, especially during periods of western colonial expansion and cultural encroachment. But Thomas LaMarre argues in Uncovering Heian Japan that this need for a cultural unity—a singular Japanese identity—has resulted in an overemphasis of a relatively minor aspect of Heian poetry, obscuring not only its other significant elements but also the porousness of Heian society and the politics of poetic expression.
Combining a pathbreaking visual analysis of the calligraphy with which this poetry was transcribed, a more traditional textual analysis, and a review of the politics of the period, LaMarre presents a dramatically new view of Heian poetry and culture. He challenges the assumption of a cohesive “national imagination,” seeing instead an early Japan that is ethnically diverse, territorially porous, and indifferent to linguistic boundaries. Working through the problems posed by institutionalized notions of nationalism, nativism, and modernism, LaMarre rethinks the theories of scholars such as Suzuki Hideo, Yoshimoto Takaaki, and Komatsu Shigemi, in conjunction with theorists such as Derrida, Karatani, Foucault, and Deleuze. Contesting the notion that speech is central to the formation of community, Uncovering Heian Japan focuses instead on the potential centrality of the more figural operations of poetic practice.
Specialists in Japanese history and culture as well as scholars working in other areas of cultural criticism will find that this book enriches their understanding of an early Japan that has exerted so much influence on later concepts of what it means to be Japanese.
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The Undiscovered Country
Text, Translation, and Modernity in the Work of Yanagita Kunio
Melek Ortabasi
Harvard University Press, 2014

Yanagita Kunio (1875–1962) was a public intellectual who played a pivotal role in shaping modern Japan’s cultural identity. A self-taught folk scholar and elite bureaucrat, he promoted folk studies in Japan. So extensive was his role that he has been compared with the fabled Grimm Brothers of Germany and the great British folklorist James G. Frazer (1854–1941), author of The Golden Bough. This monograph is only the second book-length English-language examination of Yanagita, and it is the first analysis that moves beyond a biographical account of his pioneering work in folk studies.

An eccentric but insightful critic of Japan’s rush to modernize, Yanagita offers a compelling array of rebuttals to mainstream social and political trends in his carefully crafted writings. Through a close reading of Yanagita’s interdisciplinary texts, which comment on a wide range of key cultural issues that characterized the first half of Japan’s twentieth century, Melek Ortabasi seeks to reevaluate the historical significance of his work. Ortabasi’s inquiry simultaneously exposes, discursively, some of the fundamental assumptions we embrace about modernity and national identity in Japan and elsewhere.

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Unfinished Business
Ayukawa Yoshisuke and U.S.–Japan Relations, 1937–1953
Haruo Iguchi
Harvard University Press, 2003

Ayukawa Yoshisuke (1880–1967) was the founder of the Nissan conglomerate and the leader of the Manchuria Industrial Development Corporation, one of the linchpins of Imperial Japan’s efforts to economically exploit its overseas dependencies. Despite his close association with the Japanese government from the 1920s to the 1950s, Ayukawa was a proponent of free trade and global economic interdependence. He sought to lessen state control of Japan’s economy by trying to attract foreign—especially American—capital and technology in the years surrounding World War II.

In the postwar era in particular, Ayukawa actively pushed the growth of small- and medium-sized firms, yet his efforts were ultimately unsuccessful. In Unfinished Business, through exploring the reasons for Ayukawa’s failure, Haruo Iguchi illuminates many of the economic problems of today’s Japan.

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The United Nations in Japan's Foreign and Security Policymaking, 1945-1992
National Security, Party Politics, and International Status
Liang Pan
Harvard University Press, 2005

In the mid-1950s, as part of Tokyo's goal of reinstating Japan as a full member of the international community, Japan sought and gained admittance to the United Nations. Since then, it has been a proactive member and a generous financial contributor to the organization. This study focuses on postwar Japan's foreign policy making in the political and security areas, the core UN missions. It analyzes these two policy arenas from three perspectives—international political structure, domestic political organization, and the psychology of policymakers.

The intent is to illustrate how policy goals forged by national security concerns, domestic politics, and psychological needs gave shape to Japan's complicated and sometimes incongruous policy toward the UN since World War II. In contrast to the usual emphasis on the role of the foreign-policy bureaucracy, however, the author argues that we must view the bureaucracy as functioning within a larger framework of party politics and interactions among government agencies, political parties, and other actors associated with these parties. The last part of the book addresses the psychological aspect of Japan's UN policymaking in an effort to elucidate the role of national prestige in generating Japanese policy toward the UN.

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The United States and Cultural Heritage Protection in Japan (1945-1952)
Nassrine Azimi
Amsterdam University Press, 2019
One of the untold stories of the American military occupation of Japan, from 1945 to 1952, is that of efforts by the Arts and Monuments Division of the Supreme Commander for the Allied Powers (SCAP), for the preservation of Japan’s cultural heritage. While the role of Allies after WWII in salvaging the cultural heritage of Europe has recently become better known, not much is written of the extraordinary vision, planning and endeavors by curators and art specialists embedded in the US military and later based in Tokyo, and their peers and political masters back in Washington D.C. - all of whom ensured that defeated Japan’s cultural heritage was protected in the chaos and misery of post-war years.
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The United States and Japan
Third Edition
Edwin O. Reischauer
Harvard University Press

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United States-Japanese Relations
The 1970s
Priscilla Clapp and Morton H. Halperin
Harvard University Press, 1974

"This is clearly a time of significant transition in Japanese-American relations," Edwin O. Reischauer writes in his introduction to this timely and important book. "Are the prospects as alarming as some would argue, or is there more reason for hope?"

In the penetrating essays that form this volume, the flashpoints for trouble are exposed so that we can understand the causes for the "great uneasiness" in American-Japanese relations:increasing economic rivalry, the emergence of a multipolar world, America's new interest in better relations with China and Russia, Japanese economic decline, and projected Japanese political instability.It would be easier to deal with these problems if American and Japanese cultural and political styles were similar. But they are not, and the resulting lack of communication and response is a serious handicap to solving mutual problems. In their diplomatic relations the Japanese try to avoid political confrontation and prefer to negotiate by indirection. Then, too, American images of Japan are skewed by layers of government and bureaucracy. Finally, Japanese consensus politics leads to immobility when Americans want action. The writers, in pointing out these differences, indicate how confusing all this is to U.S. policymakers.

Despite these obstacles to friendship and understanding, a "cautious optimism" about the future pervades this book. The distinguished authors suggest a variety of ways to improve relations.Japan could and should take on more responsibility for Eastern stability and economic viability. In turn, the United States ought to recognize Japan as a major power with a large stake in Asia and to stress the complementarity of their economies.

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The Uses of Memory
The Critique of Modernity in the Fiction of Higuchi Ichiyō
Timothy J. Van Compernolle
Harvard University Press, 2006

The pioneering writer Higuchi Ichiyō (1872–1896) has been described as “the last woman of old Japan,” a consummate stylist of classical prose, whose command of the linguistic and rhetorical riches of the premodern tradition might suggest that her writings are relics of the past with no concern for the problems of modern life.

Timothy Van Compernolle investigates the social dimensions of Ichiyō’s artistic imagination and argues that she creatively reworked the Japanese literary tradition in order to understand, confront, and critique the emerging modernity of the Meiji period. For Ichiyō, the classical canon was a reservoir of tropes and paradigms that could be reshaped and renewed as a way to explore the sociopolitical transformations of the 1890s and cast light upon the human costs of modernization.

Drawing critical momentum from the dialogical theory of Mikhail Bakhtin, the author explores in five of Ichiyō’s best known stories how traditional rhetoric and literary devices are dialogically engaged with discourses associated with modernity within the pages of Ichiyō’s narratives. In its close, sensitive readings of Ichiyō’s oeuvre, The Uses of Memory not only complicates the scholarly discussion of her position in the Japanese literary canon, but also broaches larger theoretical issues.

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