front cover of Looking Like the Enemy
Looking Like the Enemy
Japanese Mexicans, the Mexican State, and US Hegemony, 1897–1945
Jerry García
University of Arizona Press, 2014
At the beginning of the twentieth century, thousands of Japanese citizens sought new opportunities abroad. By 1910, nearly ten thousand had settled in Mexico. Over time, they found work, put down roots, and raised families. But until now, very little has been written about their lives. Looking Like the Enemy is the first English-language history of the Japanese experience in Mexico.
 
Japanese citizens were initially lured to Mexico with promises of cheap and productive land in Chiapas. Many of the promises were false, and the immigrants were forced to fan out across the country, especially to the lands along the US border. As Jerry García reveals, they were victims of discrimination based on “difference,” but they also displayed “markers of whiteness” that linked them positively to Europeans and Americans, who were perceived as powerful and socially advanced. And, García reports, many Mexicans looked favorably on the Japanese as hardworking and family-centered.
 
The book delves deeply into the experiences of the Japanese on both sides of the border during World War II, illuminating the similarities and differences in their treatment. Although some Japanese Mexicans were eventually interned (at the urging of the US government), in general the fear and vitriol that Japanese Americans encountered never reached the same levels in Mexico.
 
Looking Like the Enemy is an ambitious study of a tumultuous half-century in Mexico. It is a significant contribution to our understanding of the immigrant experience in the Western Hemisphere and to the burgeoning field of borderlands studies.
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Love after The Tale of Genji
Rewriting the World of the Shining Prince
Charo B. D'Etcheverry
Harvard University Press, 2007

The eleventh-century masterpiece The Tale of Genji casts a long shadow across the literary terrain of the Heian period (794-1185). It has dominated critical and popular reception of Heian literary production and become the definitive expression of the aesthetics, poetics, and politics of life in the Heian court.

But the brilliance of Genji has eclipsed the works of later Heian authors, who have since been displaced from the canon and relegated to critical obscurity.

Charo B. D'Etcheverry calls for a reevaluation of late Heian fiction by shedding new light upon this undervalued body of work. D'Etcheverry examines three representative texts—The Tale of Sagoromo, The Tale of the Hamamatsu Middle Counselor, and Nezame at Night—as legitimate heirs to the literary legacy of Genji and as valuable indexes to the literary tastes and readerly expectations that evolved over the Heian period.

Balancing careful analyses of plot, character, and motif with keen insights into the cultural and political milieu of the late Heian period, D'Etcheverry argues that we should read such works not as mere derivatives of a canonical text, but as dynamic fictional commentaries and variations upon the tropes and subplots that continue to resonate with readers of Genji.

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The Lyric Journey
Poetic Painting in China and Japan
James Cahill
Harvard University Press, 1996

Creating paintings with poetic resonances, sometimes with ties to specific lines of poetry, is a practice that began in China in the eleventh century, the Northern Sung period. James Cahill vividly surveys its first great flowering among artists working in the Southern Sung capital of Hangchou, probably the largest and certainly the richest city on earth in this era. He shows us the revival of poetic painting by late Ming artists working in the prosperous city of Suchou. And we learn how artists in Edo-period Japan, notably the eighteenth-century Nanga masters and the painter and haiku poet Yosa Buson, transformed the style into a uniquely Japanese vehicle of expression.

In all cases, Cahill shows, poetic painting flourished in crowded urban environments; it accompanied an outpouring of poetry celebrating the pastoral, escape from the city, immersion in nature. An ideal of the return to a life close to nature—the “lyric journey”—underlies many of the finest, most moving paintings of China and Japan, and offers a key for understanding them.

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