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Kabbalah, Magic and Science
The Cultural Universe of a Sixteenth-Century Jewish Physician
David Ruderman
Harvard University Press, 1988

In describing the career of Abraham Yagel, a Jewish physician, kabbalist, and naturalist who lived in northern Italy from 1553 to about 1623, David Ruderman observes the remarkable interplay between early modern scientific thought and religious and occult traditions from a wholly new perspective: that of Jewish intellectual life.

Whether he was writing about astronomical discoveries, demons, marvelous creatures and prodigies of nature, the uses of magic, or reincarnation, Yagel made a consistent effort to integrate empirical study of nature with kabbalistic and rabbinic learning. Yagel's several interests were united in his belief in the interconnectedness of all thing—a belief, shared by many Renaissance thinkers, that turns natural phenomena into “signatures” of the divine unity of all things. Ruderman argues that Yagel and his coreligionists were predisposed to this prevalent view because of occult strains in traditional Jewish thought He also suggests that underlying Yagel's passion for integrating and correlating all knowledge was a powerful psychological need to gain cultural respect and acceptance for himself and for his entire community, especially in a period of increased anti-Semitic agitation in Italy.

Yagel proposed a bold new agenda for Jewish culture that underscored the religious value of the study of nature, reformulated kabbalist traditions in the language of scientific discourse so as to promote them as the highest form of human knowledge, and advocated the legitimate role of the magical arts as the ultimate expression of human creativity in Judaism. This portrait of Yagel and his intellectual world will well serve all students of late Renaissance and early modern Europe.

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Kafka and Cultural Zionism
Dates in Palestine
Iris Bruce
University of Wisconsin Press, 2007
Kafka and Cultural Zionism is an illumination of the individual Jewish identity of this major modernist German author. Through a thorough examination of Kafka's life, his influences, and his writings, Iris Bruce makes a case for Kafka's interest in Zionism and demonstrates the presence of Jewish themes and motifs in Kafka's literary works. In recognizing this essential part of Kafka's individual voice, Bruce hopes to provide a new perspective on Kafka and his writings that allows the reader to find the humor, playfulness, rebelliousness, and challenge that can be overlooked if the reader expects to find a Kafka who is disengaged from his ethnic and cultural identity, as well as the politics of his age.
 
Outstanding Academic Title, Choice Magazine
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Kafka’s Son
Szilárd Borbély
Seagull Books, 2023
A posthumously published Hungarian masterpiece that reflects on fragmented lives.
 
Born in 1963, Szilárd Borbély emerged as one of the most important poets of post-communist Europe, exploring the themes of grief, memory, and trauma in his critically acclaimed work. Following the murder of his mother during a burglary in 2000, and the subsequent breakdown and death of his father, Borbély suffered from post-traumatic depression and tragically ended his own life in 2014.

Among the manuscripts that Borbély left behind was Kafka’s Son, a fragmentary work, rendered still more fragmented through the author’s death. Through a series of haunting passages that explore early twentieth-century Prague, including the ruins of the ancient Jewish ghetto during the time of its demolition, Borbély inscribes the story of Franz Kafka and his father onto the city. We are used to hearing from Franz; here Hermann Kafka is also given a voice. “The son,” he tells us, “is the life of the father. The father is the death of the son.” By extension, then, this book is also an indirect telling of the story of Borbély and his father, and about sons and fathers in the Habsburg empire and the culture of brutality that defined Eastern Europe.

A posthumously published Hungarian masterpiece, Kafka’s Son now appears in English in award-winning translator Ottilie Mulzet’s sensitive translation, a fragmentary yet iridescent work inviting us to reflect on our fragmented lives.
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Kazimira
Svenja Leiber
Seagull Books, 2024
A gripping and emotionally resonant saga that traces the lives of five generations of resilient women from the late nineteenth century to the dawn of the twenty-first.

Towards the end of the nineteenth century in East Prussia, a woman named Kazimira strolls the remote shores of the Baltic Sea, bringing home bits of amber that wash up on the beach. Her husband Antas is the region’s best carver, and he catches the attention of Moritz Hirschberg, owner of a nearby amber factory. Antas rises through the ranks, but Kazimira has the best ideas for processing and cutting the stones. Although establishing a new mine on such shifting terrain is hazardous, the venture finally pays off. It brings success, but envy and resentment swiftly follow, as antisemitism and nationalism sweep across the German Empire. Kazimira soon learns she must go her own way, as the Hirshbergs are expelled and World War I shatters her son. Three decades later, at the end of World War II, she becomes the last witness of German war crimes committed on West Beach, formerly a place of prosperity and progress.

At the dawn of the twenty-first century in Russia, a woman named Nadia operates an excavator in a massive open-pit amber mine until she is told to go sell trinkets alongside all the other shopgirls. In alternating passages weaving together vastly different eras across the span of a century and a half, Svenja Leiber’s Kazimira tells the story of the largest amber-mining operation in history, and its lasting effects expose pressing questions: Where do hatred and violence come from? What happens when life is declared worthless? Beginning with Kazimira and her bold struggle for self-determination, this saga follows five generations of women who envision an alternative world.
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King of Odessa
A Novel of Isaac Babel
Robert A. Rosenstone
Northwestern University Press, 2007
An offbeat and brilliant imagining of a "lost novel" by Isaac Babel

A celebrated writer returns to his hometown of Odessa, pondering a deal with the secret police, pining for a daughter living abroad, and hoping to pen one last homage to his own past. Isaac Babel, the world famous spinner of tales about Cossacks and gangsters, arrives in Odessa to be treated for asthma-and perhaps help a condemned prisoner to escape. Or is it Babel who intends to escape?

For six decades our only record of Babel's visit has been the contents of letters and postcards sent abroad to his mother and sister. In King of Odessa, Robert A. Rosenstone imagines a version of this visit and the novel Babel wrote during those weeks. Babel himself is concerned with more than literary plots as he considers an escape just as he starts an affair with an actress who may be a police spy. He also ruminates on his past-his childhood as a sickly Jewish boy, the horrifying 1905 pogrom, the famous rides with the Cossacks that inspired Red Calvary, and above all his complicated relationships with women. Throughout the novel Rosenstone captures Babel's lively wit, his exhaustion with fame and the Soviet system, and his infectious charm.

This would prove to be Babel's last visit to Odessa. Three years later, he was arrested as a spy and executed. Rosenstone, the acclaimed biographer of writer and activist John Reed, mixes historical facts and fiction with the talent of a gifted storyteller. The result is a captivating exploration of a great writer surrounded by history and on the brink of falling out of it forever.
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The Kishinev Ghetto, 1941–1942
A Documentary History of the Holocaust in Romania's Contested Borderlands
Paul A. Shapiro with chronology by Radu Ioanid and Brewster Chamberlin and translations by Angela Jianu
University of Alabama Press, 2015
The Kishinev Ghetto, 1941–1942 offers a wealth of primary sources and insightful commentary about the little-known slaughter of Jewish residents of Kishinev (Chisinau) under the military occupation by Romania under Marshal Ion Antonescu, a Hitler ally.​

The Kishinev Ghetto, 1941–1942 sheds new light on the little-known historical events surrounding the creation, administration, and liquidation of the Kishinev (Chisinau) ghetto during the first months following the Axis attack on the Soviet Union (Operation Barbarossa) in late June 1941. Mass killings during the combined Romanian-German drive toward Kishinev in Bessarabia, after a year of Soviet rule in this Romanian border province, were followed by the shooting of thousands of Jews on the streets of the city during the first days of reestablished Romanian administration. Survivors were driven into a ghetto, persecuted, and liquidated by year’s end. The Kishinev Ghetto, 1941–1942 is the first major study of these events.
 
Often overshadowed by events in Germany and Poland, the history of the Holocaust in Romania, including what took place in Bessarabia (corresponding in large part with the territory of the modern Republic of Moldova), was obscured during decades of communist rule by denial and by policies that blocked access to wartime documentation. This book is the result of a lengthy research project that began with Paul A. Shapiro’s missions to Romania for the United States Holocaust Memorial Museum to negotiate access to these documents.
 
The volume includes:
·        A preface describing the origin of the project in the immediate aftermath of the Ceausescu regime in Romania.
·        A hundred-page study setting the events of the book within the historical context of Eastern European antisemitism, Romanian-Soviet conflict over control of Bessarabia, and Romania’s alliance with Nazi Germany.
·        A thoughtfully curated collection of archival documents linked to the study.
·        A chronology of related historical events.
·        Twenty-one black and white photographs and a map of the ghetto.
 
Students and scholars of Holocaust history, Judaic studies, twentieth-century Eastern European history, Romania, Moldova, and historical Bessarabia will want to own this important, revealing volume.
 
Published in association with the United States Holocaust Memorial Museum
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