As a boy studying Torah, Isaac Neuman learned to seek the spiritual lessons hidden in everyday life. Likewise, in this narrative of occupation and holocaust, he uncovers a core of human decency and spiritual strength that inhumanity, starvation, and even death failed to extinguish.

Unlike many Holocaust memoirs that focus on physical suffering and endurance, The Narrow Bridge follows a spiritual journey. Neuman describes the world of Polish Jewry before and during the Holocaust, recreating the strong religious and secular personalities of his childhood and early youth in Zdunska Wola, Poland: the outcast butcher, Haskel Traskalawski; the savvy criminal-turned-entrepreneur Nochem Ellia; the trusted Dr. Lemberg, liaison to the German occupation government; and Neuman's beloved teacher, Reb Mendel. Through their stories, Neuman reveals the workings of a community tested to the limits of faith and human dignity.

With his brother Yossel, Neuman was transported to the Poznan area, first to the Yunikowo work camp in May 1941, then on to St. Martin's Cemetery camp, where they removed gold jewelry and fillings from exhumed corpses. A string of concentration camps followed, each more oppressive than the last: Fürstenfelde, Auschwitz, Fünfteichen, Gross Rosen, Mauthausen, Wels, and Ebensee. In the midst of these horrors, the brothers kept their feet on the "narrow bridge" of life by holding to their faith, their memories, and each other. In the end, only Isaac survived.

The Narrow Bridge celebrates symbolic victories of faith over brute force. The execution of Zdunska Wola's Jewish spiritual and intellectual leaders is trumped by an act of breathtaking courage and conviction. A secret Passover Seder is cobbled together from hoarded bits of wax, piecemeal prayers, and matzoh baked in delousing ovens. A dying fellow inmate gives Neuman his warm coat as they both lie freezing on the ground.

Such rituals of faith and acts of kindness, combined with boyhood memories and a sense of spiritual responsibility, sustained Neuman through the Holocaust and helped him to reconstruct his life after the war. His story is a powerful testimony to an unquenchable faith and a spirit tried by fire.

In four elegant chapters, Robert Alter explains the prismlike radiance created by the association of three modern masters: Franz Kafka, Walter Benjamin, and Gershom Scholem. The volume pinpoints the intersections of these divergent witnesses to the modern condition of doubt, the no-man’s-land between traditional religion and modern secular culture.

Scholem, the devoted Zionist and master historian of Jewish mysticism, and Benjamin, the Marxist cultural critic, dedicated much of their thought and correspondence to Kafka, the explorer in fiction of radical alienation. Kafka’s sense of spiritual complexities was an inspiration to both thinkers in their resistance to the murderous simplification of totalitarian ideology. In Necessary Angels, Alter uncovers a moment when the future of modernism is revealed in its preoccupation with the past. The angel of the title is first Kafka’s: on June 25, 1914, the writer recorded in his diary a dream vision of an angel that turned into the painted wooden figurehead of a ship. In 1940, at the end of his life, Walter Benjamin devoted the ninth of his Theses on the Philosophy of History to a meditation on an angel by the artist Paul Klee, first quoting a poem he had written on that painting. In Benjamin’s vision, the figure from Klee becomes an angel of history, sucked into the future by the storm of progress, his face looking back to Eden. Benjamin bequeathed the Klee oil painting to Scholem; it hung in the living room of Scholem’s home on Abarbanel Street in Jerusalem until 1989, when his widow placed it in the Israel Museum.

Alter’s focus on the epiphanic force of memory on these three great modernists shows with sometimes startling, sometimes prophetic clarity that a complete break with tradition is not essential to modernism. Necessary Angels itself continues the necessary discovery of the future in the past.

Widely regarded as today’s foremost American Jewish historian, Jonathan D. Sarna had a huge impact on the academy. Sarna’s influence is perhaps nowhere more apparent than among his former doctoral students—a veritable “Sarna diaspora” of over three dozen active scholars around the world. Both a tribute to Sarna and an important collection in its own right, New Perspectives in American Jewish History was compiled by Sarna’s former students and presents previously unpublished, neglected, or rarely seen historical documents and images that illuminate the breadth, diversity, and dynamism of the American Jewish experience. Beginning with the earliest known Jewish divorce in circum-Atlantic history (1774) and concluding with a Black Lives Matter Haggadah supplement (2019), the collection travels across time and space to shed light on intriguing and generative moments that span the varieties of Jewish experience in the American setting from the colonial era to the present. The materials underscore the interrelationship of myriad themes including ritual observance, Jewish-Christian relations, civil rights, Zionism and Israel, and immigration. While not intended as a comprehensive treatment of American Jewish history, the collection offers a chronological road map of American Jewry’s evolving self-understanding and encounter with America over the course of four centuries. A brief prefatory note sets up the analytic context of each document and helps to unpack and explore its significance. The capacious and multifaceted quality of the American Jewish experience is further amplified here by a sampling of artistic texts such as photographs, advertisements, cartoons, and more.