The third volume of research on ancient fiction

This volume includes essays presented in the Ancient Fiction and Early Christian and Jewish Narrative section of the Society of Biblical Literature. Contributors explore facets of ongoing research into the interplay of history, fiction, and narrative in ancient Greco-Roman, Jewish, and Christian texts. The essays examine the ways in which ancient authors in a variety of genre and cultural settings employed a range of narrative strategies to reflect on pressing contemporary issues, to shape community identity, or to provide moral and educational guidance for their readers. Not content merely to offer new insights, this volume also highlights strategies for integrating the fruits of this research into the university classroom and beyond.

Features

• Insight into the latest developments in ancient Mediterranean narrative
• Exploration of how to use ancient texts to encourage students to examine assumptions about ancient gender and sexuality or to view familiar texts from a new perspective
• Close readings of classical authors as well as canonical and noncanonical Jewish and Christian texts

    Available here for the first time in English, this eyewitness account by one of Freud's earliest students has been rediscovered for twenty-first century readers. Isidor Sadger's recollections provide a unique window into the early days of the psychoanalytic movement—the internecine and ideological conflicts of Freud's disciples. They also illuminate Freud's own struggles: his delight in wit, his attitudes toward Judaism, and his strong opinions concerning lay, non-medical analysts.
    As a student, Sadger attended Freud's lectures from 1895 through 1904. Two years later Freud nominated Sadger to his Wednesday Psychological Society (later called the Viennese Psychoanalytic Society).  Sadger, however, was not part of Freud's inner circle, but more a participant observer of the early years of the psychoanalytic movement and of Freud as teacher, therapist, and clinician.
    Sadger was considered one of the most devoted followers of Freud and hoped to become one of Freud's "favorite sons."  At the First Psychoanalytic Congress held in Salzburg in 1908, Sadger was chosen to be one of the principal speakers along with Freud, Jones, Alder, Jung, Prince, Rifkin, Abraham, and Stekel, an honor that bespeaks Sadger's early role in the movement.  But Freud and many of his disciples were also openly critical of Sadger's work, calling it at various times overly simplistic, unimaginative, reductionist, orthodox, and rigid.
    In 1930 Sadger published his memoir, Sigmund Freud: Persönliche Erinnerungen.  With the rise of Nazism and World War II, the book became lost to the world of psychoanalytic history.  Recently, Alan Dundes learned of its existence and mounted a search that led him around the world to one of the few extant copies—in a research library in Japan. The result of his fascinating quest is Recollecting Freud, a long-lost personal account that provides invaluable insights into Freud and his social, cultural, and intellectual context.

Between 1890 and 1924, more than two million Jewish immigrants landed on America's shores. The story of their integration into American society, as they traversed the difficult path between assimilation and retention of a unique cultural identity, is recorded in many works by American Hebrew writers. Red, Black, and Jew illuminates a unique and often overlooked aspect of these literary achievements, charting the ways in which the Native American and African American creative cultures served as a model for works produced within the minority Jewish community.

Exploring the paradox of Hebrew literature in the United States, in which separateness, and engagement and acculturation, are equally strong impulses, Stephen Katz presents voluminous examples of a process that could ultimately be considered Americanization. Key components of this process, Katz argues, were poems and works of prose fiction written in a way that evoked Native American forms or African American folk songs and hymns. Such Hebrew writings presented America as a unified society that could assimilate all foreign cultures. At no other time in the history of Jews in diaspora have Hebrew writers considered the fate of other minorities to such a degree. Katz also explores the impact of the creation of the state of Israel on this process, a transformation that led to ambivalence in American Hebrew literature as writers were given a choice between two worlds.

Reexamining long-neglected writers across a wide spectrum, Red, Black, and Jew celebrates an important chapter in the history of Hebrew belles lettres.

Antisemitism emerged toward the end of the nineteenth century as a powerful political movement with broad popular appeal. It promoted a vision of the world in which a closely-knit tribe called “the Jews” conspired to dominate the globe through control of international finance at the highest levels of commerce and money lending in the towns and villages. This tribe at the same time maneuvered to destroy the very capitalist system it was said to control through its devotion to the cause of revolution. It is easy to draw a straight line from this turn-of-the-century paranoid thinking to the murderous delusions of twentieth-century fascism. Yet the line was not straight.

Antisemitism as a political weapon did not stand unchallenged, even in Eastern Europe, where its consequences were particularly dire. In this region, Jewish leaders mobilized across national borders and in alliance with non-Jewish public figures on behalf of Jewish rights and in opposition to anti-Jewish violence. Antisemites were called to account and forced on the defensive. In Imperial and then Soviet Russia, in newly emerging Poland, and in aspiring Ukraine—notorious in the West as antisemitic hotbeds—antisemitism was sometimes a moral and political liability. These intriguing essays explore the reasons why, and they offer lessons from surprising places on how we can continue to fight antisemitism in our times.

This unique exploration of a lost religious and cultural artifact breathes new life into a forgotten but fascinating aspect of eighteenth-century Polish Jewry.
 
Thomas C. Hubka, an architectural historian, immersed himself in medieval and early modern Jewish history, religion, and culture to prepare for this remarkable study of the eighteenth-century Polish synagogue in the town of Gwozdziec, now in present-day Ukraine. Because the Gwozdziec Synagogue, like so many others, was destroyed by the Nazis, this book revives a spiritual community lost to history. Hubka selected the Gwozdziec Synagogue because of the completeness of its photographic and historical records. Graced with nearly two hundred historical photographs, architectural drawings, maps, diagrams, and color illustrations, Resplendent Synagogue vividly recreates the spiritual heart of a once-vibrant Jewish population. Hubka demonstrates that while the architectural exterior of the synagogue was largely the product of non-Jewish, regional influences, the interior design and elaborate wall-paintings signified a distinctly Jewish art form. The collaboration of Jewish and Gentile builders, craftsmen, and artists in the creation of this magnificent wooden structure attests to an eighteenth-century period of relative prosperity and communal well-being for the Jews of Gwozdziec. Part of a tradition that was later abandoned by Eastern European Jewish communities in the nineteenth and twentieth centuries, this truly resplendent synagogue exemplified a high point in Jewish architectural art and religious painting.
 

A novel that tells the story of a Jewish family in World War II and reaches deep into Jewish history.
 
Born in Brittany on the threshold of World War II, novelist Michèle Sarde had long been silent about her origins. After her mother, Jenny, finally shared their family history, Sarde decided to reconstruct Jenny’s journey, including her exile from Salonica, move to Paris in 1921, and assimilation in France. The Nazi occupation then forced her and her family to hide and conceal their Jewish identity, and in this retelling, Sarde shows how Jenny fights with everything she has to survive the Holocaust and protect her daughter.
 
Returning from Silence is a powerful saga that reaches deep into Jewish history, opening with the Expulsion of the Jews from Spain in 1492 and their settlement in a more tolerant Ottoman Empire. Sephardi culture and language flourished in Salonica for four centuries, but with the fall of the Ottoman Empire in the 1920s, and the sense of troubling times to come, Jenny’s family felt impelled to leave their much-loved city and rebuild their lives in France. Their years in France led to change that none could have fully expected, and then, the Holocaust. The trauma lasts well into the post-war period, silencing both mother and daughter in unanticipated ways.
 
Through this family history, Sarde sensitively raises questions about identity, migration, and assimilation while weaving fiction together with history, research, and testimony to bring the characters’ stories to life.
 

Mira Hamermesh is an award-winning film maker, painter and writer. This moving memoir gives a vivid account of her remarkable life.

As a young Jewish teenager Hamermesh escaped the horrors of German-occupied Poland and was spared the experience of the ghetto and the concentration camp that claimed most of her family. Mira shows how her status as a refugee has continued to influence her throughout her life. The journey led her across Europe and eventually to Palestine in 1941; her account of that region, before the establishment of Israel, provides a fascinating insight into the historical setting for today's conflict.

Having settled in London where she studied art and married, she eventually won a place at the celebrated Polish Film School in Lodz. At the height of the Cold War Mira Hamermesh commuted across the Iron Curtain – her experience of a divided Europe offers many insights into the political factors that affected people's everyday lives. Mira's theme of political conflict, so often explored in her films, is brought to life here in an intimate account that will live long in the memory.