Those who exit a religion—particularly one they were born and raised in—often find themselves at sea in their efforts to transition to life beyond their community. In Degrees of Separation, Schneur Zalman Newfield, who went through this process himself, interviews seventy-four Lubavitch and Satmar ultra-Orthodox Hasidic Jews who left their communities.He presents their motivations for leaving as well as how they make sense of their experiences and their processes of exiting, detailing their attitudes and opinions regarding their religious upbringing. Newfield also examines how these exiters forge new ways of being that their upbringing had not prepared them for, while also considering what these particular individuals lose and retain in the exit process.
Degrees of Separation presents a comprehensive portrait of the prolonged state of being “in-between” that characterizes transition out of a totalizing worldview. What Newfield discovers is that exiters experience both a sense of independence and a persistent connection; they are not completely dislocated from their roots once they “arrive” at their new destination. Moreover, Degrees of Separation shows that this process of transitioning identity has implications beyond religion.
What does a country's television programming say about its deep character, beliefs, dreams, and fears? In Demon in the Box, Tasha G. Oren recounts the volatile history of Israeli television and thereby reveals the history of the nation itself.
Initially rejected as a corrupting influence on "the people of the book," television became the object of fantasies and anxieties that went to the heart of Israel's most pressing concerns: Arab-Israeli relations, immigration, and the forging of a modern Israeli culture. Television broadcasting was aimed toward external relations-the flow of messages across borders, Arab-Israeli conflict, and the shaping of public opinion worldwide-as much as it was toward internal needs and interests. Through archival research and analysis of public scandals and early programs, Oren traces Israeli television's transformation from a feared agent of decadence to a powerful national communication tool, and eventually, to a vastly popular entertainment medium.
“In Denaturalized, Claire Zalc combines the precision of the scholar with the passion of a storyteller…This is a deftly written book. Zalc combines in an accessible style (smoothly translated by Catherine Porter) the stories of people trapped within a bureaucracy that was as obsessed, perhaps, with clearing files as with hunting Jews. In other words, Zalc reminds us how cruel the banality of indifference could be.”—Wall Street Journal
Winner of the Prix d’histoire de la justice
A leading historian radically revises our understanding of the fate of Jews under the Vichy regime.
Thousands of naturalized French men and women had their citizenship revoked by the Vichy government during the Second World War. Once denaturalized, these men and women, mostly Jews who were later sent to concentration camps, ceased being French on official records and walked off the pages of history. As a result, we have for decades severely underestimated the number of French Jews murdered by Nazis during the Holocaust. In Denaturalized, Claire Zalc unearths this tragic record and rewrites World War II history.
At its core, this is a detective story. How do we trace a citizen made alien by the law? How do we solve a murder when the body has vanished? Faced with the absence of straightforward evidence, Zalc turned to the original naturalization papers in order to uncover how denaturalization later occurred. She discovered that, in many cases, the very officials who granted citizenship to foreigners before 1940 were the ones who retracted it under Vichy rule.
The idea of citizenship has always existed alongside the threat of its revocation, and this is especially true for those who are naturalized citizens of a modern state. At a time when the status of millions of naturalized citizens in the United States and around the world is under greater scrutiny, Denaturalized turns our attention to the precariousness of the naturalized experience—the darkness that can befall those who suddenly find themselves legally cast out.
What was life like for Jews settled throughout the Mediterranean world of Classical antiquity--and what place did Jewish communities have in the diverse civilization dominated by Greeks and Romans? In a probing account of the Jewish diaspora in the four centuries from Alexander the Great's conquest of the Near East to the Roman destruction of the Jewish Temple in 70 C.E., Erich Gruen reaches often surprising conclusions.
By the first century of our era, Jews living abroad far outnumbered those living in Palestine and had done so for generations. Substantial Jewish communities were found throughout the Greek mainland and Aegean islands, Asia Minor, the Tigris-Euphrates valley, Egypt, and Italy. Focusing especially on Alexandria, Greek cities in Asia Minor, and Rome, Gruen explores the lives of these Jews: the obstacles they encountered, the institutions they established, and their strategies for adjustment. He also delves into Jewish writing in this period, teasing out how Jews in the diaspora saw themselves. There emerges a picture of a Jewish minority that was at home in Greco-Roman cities: subject to only sporadic harassment; its intellectuals immersed in Greco-Roman culture while refashioning it for their own purposes; exhibiting little sign of insecurity in an alien society; and demonstrating both a respect for the Holy Land and a commitment to the local community and Gentile government. Gruen's innovative analysis of the historical and literary record alters our understanding of the way this vibrant minority culture engaged with the dominant Classical civilization.
As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. Directed by God explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it.
Once the purview of secular culture, Israel’s media initially promoted alternatives to traditional religious expression; however, using films such as Kadosh, Waltz with Bashir, and Eyes Wide Open, Yaron Peleg shows how Israel’s contemporary film and television programs have been shaped by new religious trends and how secular Israeli culture has processed and reflected on its religious heritage. He investigates how shifting cinematic visions of Jewish masculinity and gender track transformations in the nation’s religious discourse. Moving beyond the secular/religious divide, Directed by God explores changing film and television representations of different Jewish religious groups, assessing what these representations may mean for the future of Israeli society.
For nearly half a century, until his death in October 1948, Judah Magnes occupied a singular place in Jewish public life. He won fame early as a preacher and communal leader, but abandoned these pursuits at the height of his influence for the roles of political dissenter and moral gadfly. During World War I he became an outspoken pacifist and supporter of radical causes. Settling permanently in Palestine in 1922, he was a founder and the first president of the Hebrew University.
Increasingly, he viewed rapprochement with the Arabs as the practical and moral test of Zionism, and the formation of a bi-national state of Arabs and Jews became his chief political goal. His life interests thus focused on the core issues that confronted and still confront the Jewish people: group survival in democratic America, the direction and character of the return to Zion, and thereconciliation of universal ideals with Jewish aspirations and needs.
Dissenter in Zion draws upon a rich corpus of private letters, personal journals, and diaries to offer a moving account of an eloquent and sensitive person grappling with the great questions of the day and of an activist striving to translate private moral feelings into public deeds through politics and diplomacy. We see Magnes disagreeing with Brandeis over the leadership and direction of American Zionism and with Weizmann and Ben-Gurion over ways to achieve peaceful relations with the Arabs; defending himself against charges by Einstein that he was mismanaging the affairs of the Hebrew University; and persistently negotiating with Arab leaders, trying to reach a compromise on the eve of the establishment of the State of Israel.
Dissenter in Zion also contains a biographical essay on Magnes by Arthur Goren, assessing his ideas and motives and placing him in the context of his times. It shows Magnes's profundity without covering up his weaknesses, his lifelong tactic for courting repeated defeat in favor of long-term goals that could not come to pass in his lifetime.
On January 13, 1953, the official press agency Tass announced the arrest of a group of "killer doctors" who were systematically doing away with prominent public figures in the Soviet Union. Nine doctors, six of them Jews, were cited, and in the next few weeks many more were carted off to the dread prisons of Lubyanka and Lefortovo. Among them was Yakov Lvovich Rapoport, a distinguished pathologist; this book is a firsthand memoir of his imprisonment, revealing not only the suffering caused by a fabricated "plot" but also the devastating climate of antisemitism and the appalling disarray of medicine and science in the Stalinist era.
Rapoport outlines the background of the infamous incident: arrests of prominent physicians had begun in 1952 and created hysteria throughout the country. Clinics were empty, patients refused professional medical advice, rumors abounded of poisoned medicines in pharmacies and murdered infants in maternity wards. Public opinion was primed to accept the Doctors' Plot, and to this day no one knows how many hundreds or thousands of doctors, prominent and ordinary, were victimized. Rapoport himself was arrested in early February, and he recalls in meticulous detail the psychological and physical pain he endured, all the while steadfastly denying that there was any conspiracy. He was saved from certain execution only by the death of Stalin.
The Doctors' Plot of 1953 is the gripping story of a brave man that gives a dismal picture of what life—especially for intellectuals and for Jews—was like in the Soviet Union under the paranoid Stalin. There is much information on the distortion of biology by Lysenko, the demagogic elevation of such charlatans as Olga Lepeshinskaya, the fictitious murder of Gorky and the quite likely murder of Frunze, and other mind-boggling examples of the surrealistic politics of Soviet science.
Doubly Chosen provides the first detailed study of a unique cultural and religious phenomenon in post-Stalinist Russia—the conversion of thousands of Russian Jewish intellectuals to Orthodox Christianity, first in the 1960s and later in the 1980s. These time periods correspond to the decades before and after the great exodus of Jews from the Soviet Union. Judith Deutsch Kornblatt contends that the choice of baptism into the Church was an act of moral courage in the face of Soviet persecution, motivated by solidarity with the values espoused by Russian Christian dissidents and intellectuals. Oddly, as Kornblatt shows, these converts to Russian Orthodoxy began to experience their Jewishness in a new and positive way.
Working primarily from oral interviews conducted in Russia, Israel, and the United States, Kornblatt underscores the conditions of Soviet life that spurred these conversions: the virtual elimination of Judaism as a viable, widely practiced religion; the transformation of Jews from a religious community to an ethnic one; a longing for spiritual values; the role of the Russian Orthodox Church as a symbol of Russian national culture; and the forging of a new Jewish identity within the context of the Soviet dissident movement.
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