Volume 26 of 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era travels beyond the usual discussions of power, identity, and cultural production to visit the purlieus and provinces of Britain’s literary empire. Bulging at its bindings are essays investigating out-of-the-way but influential ensembles, whether female religious enthusiasts, annotators of Maria Edgeworth’s underappreciated works, or modern video-based Islamic super-heroines energized by Mary Wollstonecraft’s irreverance. The global impact of the local is celebrated in studies of the personal pronoun in Samuel Johnson’s political writings and of the outsize role of a difficult old codger in catalyzing the literary career of Charlotte Smith. Headlining a volume that peers into minute details in order to see the outer limits of Enlightenment culture is a special feature on metaphor in long-eighteenth-century poetry and criticism. Five interdisciplinary essays investigate the deep Enlightenment origins of a trope usually associated with the rise of Romanticism. Volume 26 culminates in a rich review section containing fourteen responses to current books on Enlightenment religion, science, literature, philosophy, political science, music, history, and art.
About the annual journal 1650-1850 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines: literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for special features that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Forests for the People tells one of the most extraordinary stories of environmental protection in our nation’s history: how a diverse coalition of citizens, organizations, and business and political leaders worked to create a system of national forests in the Eastern United States. It offers an insightful and wide-ranging look at the actions leading to the passage of the Weeks Act in 1911—landmark legislation that established a system of well-managed forests in the East, the South, and the Great Lakes region—along with case studies that consider some of the key challenges facing eastern forests today.
The book begins by looking at destructive practices widely used by the timber industry in the late 1800s and early 1900s, including extensive clearcutting followed by forest fire that devastated entire landscapes. The authors explain how this led to the birth of a new conservation movement that began simultaneously in the Southern Appalachians and New England, and describe the subsequent protection of forests in New England (New Hampshire and the White Mountains); the Great Lakes region (Michigan, Wisconsin, and Minnesota), and the Southern Appalachians.
Following this historical background, the authors offer eight case studies that examine critical issues facing the eastern national forests today, including timber harvesting, the use of fire, wilderness protection, endangered wildlife, oil shale drilling, invasive species, and development surrounding national park borders.
Forests for the People is the only book to fully describe the history of the Weeks Act and the creation of the eastern national forests and to use case studies to illustrate current management issues facing these treasured landscapes. It is an important new work for anyone interested in the past or future of forests and forestry in the United States.
Francisco de Quevedo (1580–1645), one of the greatest poets of the Spanish Golden Age, was the master of the baroque style known as “conceptismo,” a complex form of expression fueled by elaborate conceits and constant wordplay as well as ethical and philosophical concerns. Although scattered translations of his works have appeared in English, there is currently no comprehensive collection available that samples each of the genres in which Quevedo excelled—metaphysical and moral poetry, grave elegies and moving epitaphs, amorous sonnets and melancholic psalms, playful romances and profane burlesques.
In this book, Christopher Johnson gathers together a generous selection of forty-six poems—in bilingual Spanish-English format on facing pages—that highlights the range of Quevedo’s technical expertise and themes. Johnson’s ingenious solutions to rendering the difficult seventeenth-century Spanish into poetic English will be invaluable to students and scholars of European history, literature, and translation, as well as poetry lovers wishing to reacquaint themselves with an old master.
This is the complex story of New Hampshire’s White Mountains, from the range’s days as the majestic homeland of the Abenaki, first seen by English colonists four centuries ago, to its unassailable standing today as one of America’s most beloved national forests, comprising 112,000 acres of protected wilderness.
Christopher Johnson, an avid hiker intimately familiar with the White Mountains, achieves two important objectives in This Grand and Magnificent Place. He lovingly explores their rich ecological, political, economic, and cultural history and, more broadly, opens a panoramic window on the evolution of American attitudes and policies toward wilderness over time.
Two competing visions of wilderness historically have coexisted in America: the instrumental, in which the wilderness is seen as a conglomeration of resources to be exploited for the benefit of entrepreneurs and consumers, and the aesthetic, in which the wilderness is appreciated for its natural beauty, the personal growth that it stimulates, the national pride it engenders, and the spiritual truth it offers. Johnson never loses sight of this fundamental dichotomy as he shares marvelous true tales of the first intrepid European settlers who “tamed” the Whites. He discusses Ethan Allen Crawford, the area’s first innkeeper, the emergence of tourism, and America’s love affair with the “wilderness experience”; and he explores tales of Thomas Cole, Nathaniel Hawthorne, and other renowned artists who immortalized these mountains in their works. He considers the coming of grand resort hotels—and the contemporaneous wilderness revival—in the late nineteenth century and the passing of the landmark 1911 Weeks Act, which was instrumental in preserving American wilderness in the face of development and threats of irreparable environmental damage. Johnson traces the perilous course of the twentieth-century movement toward wilderness preservation, which has successfully conserved the Whites, an extraordinary American treasure, for future generations. Finally, he poses thoughtful and essential questions regarding the destiny of this American wilderness, exploring the balance between maintaining its usefulness while conserving its glorious heritage.
This skillful and accessible history will rivet general readers, students, and professionals interested in the history, culture, and politics of the White Mountains, as well as those fascinated by environmental history and wilderness protection everywhere.