front cover of Intelligence Elsewhere
Intelligence Elsewhere
Spies and Espionage Outside the Anglosphere
Philip H. J. Davies and Kristian C. Gustafson, Editors
Georgetown University Press, 2013

Spying, the “world’s second oldest profession,” is hardly limited to the traditional great power countries. Intelligence Elsewhere, nevertheless, is the first scholarly volume to deal exclusively with the comparative study of national intelligence outside of the anglosphere and European mainstream. Past studies of intelligence and counterintelligence have tended to focus on countries such as the United States, Great Britain, and Russia, as well as, to a lesser extent, Canada, Australia, France, and Germany. This volume examines the deep historical and cultural origins of intelligence in several countries of critical importance today: India, China, the Arab world, and indeed, Russia, the latter examined from a fresh perspective. The authors then delve into modern intelligence practice in countries with organizations significantly different from the mainstream: Iran, Pakistan, Japan, Finland, Sweden, Indonesia, Argentina, and Ghana.

With contributions by leading intelligence experts for each country, the chapters give the reader important insights into intelligence culture, current practice, and security sector reform. As the world morphs into an increasingly multi-polar system, it is more important than ever to understand the national intelligence systems of rising powers and regional powers that differ significantly from those of the US, its NATO allies, and its traditional opponents. This fascinating book shines new light into intelligence practices in regions that, until now, have eluded our understanding.

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Robert Johnson
Lost and Found
Barry Lee Pearson and Bill McCulloch
University of Illinois Press, 2002

Even with just forty-one recordings to his credit, Robert Johnson (1911-38) is a towering figure in the history of the blues. His vast influence on twentieth-century American music, combined with his mysterious death at the age of twenty-seven, still encourage the speculation and myth that have long obscured the facts about his life. The most famous legend depicts a young Johnson meeting the Devil at a dusty Mississippi crossroads at midnight and selling his soul in exchange for prodigious guitar skills. 

Barry Lee Pearson and Bill McCulloch examine the full range of writings about Johnson and weigh the conflicting accounts of Johnson's life story against interviews with blues musicians and others who knew the man. Their extensive research uncovers a life every bit as compelling as the fabrications and exaggerations that have sprung up around it. In examining the bluesman's life and music, and the ways in which both have been reinvented and interpreted by other artists, critics, and fans, Robert Johnson: Lost and Found charts the cultural forces that have mediated the expression of African American artistic traditions.

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Robert Johnson, Mythmaking, and Contemporary American Culture
Patricia R. Schroeder
University of Illinois Press, 2004
Mississippi bluesman Robert Johnson died young and left behind just twenty-nine recorded songs. But the legacy, legends, and lore surrounding him loom large in American music history.

Merging literary analysis with cultural criticism and biographical study, Patricia R. Schroeder explores Johnson's ongoing role as a cultural icon. Schroeder's detailed analysis engages key images and myths about the blues musician (such as the Faustian crossroads exchange of his soul for guitar virtuosity). Navigating the many competing interpretations that swirl around him, Schroeder reveals the cultural purposes served by the stories and the storytellers. The result is a fascinating examination of the relationships among Johnson's life, its subsequent portrayals, and the forces that drove the representations.

Offering penetrating insights into both Johnson and the society that perpetuates him, Robert Johnson, Mythmaking, and Contemporary American Culture is essential reading for blues fans and cultural critics interested in a foundational musical figure.

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