In ministering to the sick, for instance, Clayton anointed with perfumed oil and rum. He performed baptisms to heal the sick. Church services, held irregularly, were referred to as “going to meeting” and seemed to be elective. He testifies of people speaking in tongues and of others “almost speaking in tongues.” When introduced to plural marriage, he was reluctant but eventually became one of its most enthusiastic proponents, marrying ten women and fathering forty-two children.
Since polygamy was initially secret, Clayton spent much of his time putting out the fires of innuendo and discontent. He caught his first plural wife rendezvousing with her former fiancé; later, when she became pregnant, her mother–his unaware mother-in-law–was so overwrought that she attempted suicide. Joseph Smith reassured him: “Just keep her at home and brook it and if they raise trouble about it and bring you before me I will give you an awful scourging and probably cut you off from the church and then I will set you ahead as good as ever.” Clayton was also the object of Emma Smith’s attentions, allegedly part of a jealous wife’s plan to make a cuckold of her errant husband.
Josiah Gorgas was best known as the highly regarded Chief of Confederate Ordnance. Born in 1818, he attended West Point, served in the U.S. Army, and later, after marrying Amelia Gayle, daughter of a former Alabama governor, joined the Confederacy. After the Civil War he served as president of The University of Alabama until ill health forced him to resign. His journals, maintained between 1857 and 1878, reflect the family's economic successes and failures, detail the course of the South through the Civil War, and describe the ordeal of Reconstruction. Few journals cover such a sweep of history. An added dimension is the view of Victorian family life as Gorgas explored his feelings about aspects of parental responsibility and transmission of values to children--a rarely documented account from the male perspective. His son, called Willie in the journals, was William Crawford Gorgas (1854-1920), who was noted for his fight to control yellow fever and who became surgeon general of the United States.
In his foreword to the volume, Frank E. Vandiver states: "Wiggins has done much more than present a well-edited version of Gorgas's diaries and journals; she has interpreted them in full Gorgas family context and in perspective of the times they cover. . . . Wiggins informs with the sort of editorial notes expected of a careful scholar, but she enlightens with wide knowledge of American and southern history. . . . Josiah Gorgas [was] an unusually observant, passionate man, a 'galvanized Rebel' who deserves rank among the true geniuses of American logistics."
The Old Land and the New was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
These are the journals in English translation of two early Swiss immigrants to America who provided an intriguing picture of life as they saw it in New York, Maryland, Pennsylvania, and Ohio. The book is illustrated with sketches by the Swiss artist, Hans Erni.
Emma Bell Miles (1879–1919) was a gifted writer, poet, naturalist, and artist with a keen perspective on Appalachian life and culture. She and her husband Frank lived on Walden’s Ridge in southeast Tennessee, where they struggled to raise a family in the difficult mountain environment. Between 1908 and 1918, Miles kept a series of journals in which she recorded in beautiful and haunting prose the natural wonders and local customs of Walden’s Ridge. Jobs were scarce, however, and as the family’s financial situation deteriorated, Miles began to sell literary works and paintings to make ends meet. Her short stories appeared in national magazines such as Harper’s Monthly and Lippincott’s, and in 1905 she published Spirit of the Mountains, a nonfiction book about southern Appalachia. After the death of her three-year-old son from scarlet fever in 1913, the journals took a more somber turn as Miles documented the difficulties of mountain life, the plight of women in rural communities, the effect of disparities of class and wealth, and her own struggle with tuberculosis.
Previously examined only by a handful of scholars, the journals contain both poignant and incisive accounts of nature and a woman’s perspective on love and marriage, death customs, child raising, medical care, and subsistence on the land in southern Appalachia in the early twentieth century. With a foreword by Elizabeth S. D. Engelhardt, this edited selection of Emma Bell Miles’s journals is illustrated with examples of her painting.
The personal diaries of one of America’s best-loved naturalists, revealing his difficult and inspiring path to finding his voice and becoming a writer
Few writers are as renowned for their eloquence about the natural world, its power and fragility, as Sigurd F. Olson (1899–1982). Before he could give expression to The Singing Wilderness, however, he had to find his own voice. It is this struggle, the painstaking and often simply painful process of becoming the writer and conservationist now familiar to us, that Olson documented in the journal entries gathered here.
Written mostly during the years from 1930 to 1941, Olson’s journals describe the dreams and frustrations of an aspiring writer honing his skills, pursuing recognition, and facing doubt while following the academic career that allowed him to live and work even as it consumed so much of his time. But even as he speaks with immediacy and intensity about the conditions of his apprenticeship, Olson can be seen developing the singular way of observing and depicting the natural world that would bring him fame—and also, more significantly, alert others to the urgent need to understand and protect that world. Author of Olson’s definitive biography, editor David Backes brings a deep knowledge of the writer to these journals, providing critical context, commentary, and insights along the way.
When Olson wrote, in the spring of 1941, “What I am afraid of now is that the world will blow up just as I am getting it organized to suit me,” he could hardly have known how right he would prove to be. It is propitious that at our present moment, when the world seems once more balanced on the precipice, we have the words of Sigurd F. Olson to remind us of what matters—and of the hard work and the wonder that such a reckoning requires.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2026
The University of Chicago Press
