What happens when fossil fuels run out? How do communities and cultures survive?

Central Appalachia and south Wales were built to extract coal, and faced with coal’s decline, both regions have experienced economic depression, labor unrest, and out-migration. After Coal focuses on coalfield residents who chose not to leave, but instead remained in their communities and worked to build a diverse and sustainable economy. It tells the story of four decades of exchange between two mining communities on opposite sides of the Atlantic, and profiles individuals and organizations that are undertaking the critical work of regeneration.

The stories in this book are told through interviews and photographs collected during the making of After Coal, a documentary film produced by the Center for Appalachian Studies at Appalachian State University and directed by Tom Hansell. Considering resonances between Appalachia and Wales in the realms of labor, environment, and movements for social justice, the book approaches the transition from coal as an opportunity for marginalized people around the world to work toward safer and more egalitarian futures.

Chosen by Rachel Hadas as the winner of the  Arkansas Poetry Award, Anne & Alpheus: 1842–1882 is a compelling duet of monologues between a frontier man and woman surviving the hardships and recording the small triumphs of life in rural nineteenth-century Kentucky.

Ambitious in breadth and scope, these poems chart the loves and losses of early marriage, the terrors of civilian life during the Civil War, and the universal sorrows of aging, loneliness, and death. Through the distinct voices of Anne and Alpheus Waters, Joe Survant has fashioned a collection with all the sweep of a novel, all the dramatic intensity, poem by poem, of short fiction, and all the earthy, human lyricism of the dramatic monologue. These poems take us into the tobacco sheds, put us behind the plow, let us smell the soil, and
carry us under the stars where Anne and Alpheus walked.

Harriette Simpson Arnow is an American treasure. Of the twenty-five stories in this collection, fifteen were previously unpublished. Until now, the short fiction of Arnow has remained relatively obscure despite the literary acclaim given to her novels The Dollmaker and Hunter’s Horn. These stories, written early in her career for the most part, reveal an artistic vision and narrative skill and serve as harbingers for her later work. They echo her interest in both agrarian and urban communities, the sharpening of her social conscience, and her commitment to creating credible and complex characters. This collection is organized against the backdrop of her life, from Kentucky in the 1920s to Ohio and Kentucky in the 1930s and to Michigan in the 1940s. As Arnow fans read these early gems, they will be led from gravel roads to city pavement and open layers of Arnow’s development as a novelist to expose the full range of her contributions to American literature.
     In 1938, Esquire purchased "The Hunters," which was eventually published as "The Two Hunters," a chilling story of a seventeen-year- old boy’s confrontation with a deputy sheriff. At the time, Esquire did not accept submissions from women, and its editors had no idea that writer H. L. Simpson was not a man. Years later, she admitted in an interview, "it worried me a little, that big lie, but I thought if they wanted a story, let them have it." Esquire paid her $125 for this story. The contributor’s notes at the back of the magazine include a photo of "H.L.Simpson," actually a photo of one of her brothers-in-law. It was her little joke on a publisher that discriminated against women....
—from the Introduction

In Creekside, dedicated archaeologist Meg Harrington guides her students in a race against time to protect the legacy of the past before bulldozers rip it to shreds.

The setting is a Kentucky pasture slated for development—the construction of the new Creekside subdivision. Once, that same beautiful stretch of land was home to three generations who experienced love, loss, and tragedy in their log cabin beside the creek. It was here during the late 18th century that Estelle Mullins struggled to build her home on the dangerous frontier.

In Meg’s 21st-century world of archaeology we read about excavation techniques, daily experiences at a dig, tight construction deadlines, the use of heavy equipment, report writing, artifact analysis, damage from looters and collectors, and the reality of site destruction in the path of modern development. The depiction of Estelle’s frontier life includes Kentucky’s early Euro-American settlement of the Cumberland Gap, encounters with Shawnee defending their land, Protestant fragmentation, the rise of religious fundamentalism, the immigrant stampede down the Ohio River, and the persistent issue of class-based land ownership.

The two partially interwoven story lines link artifact and place, ancestors and descendants, the present and the past, and inspire us to explore the personal connections between them all in fresh and vital ways.

Wesler provides an impressive and definitive compilation of more than 70 years of archaeological excavations at one of the most important
archaeological sites in Kentucky.

The Wickliffe Mounds site is located on a bluff overlooking the Mississippi River in Ballard County, Kentucky, about three miles south of the mouth of the Ohio River. Around A.D. 1100, Mississippian people--farmers and traders with a culture closely related to the historic cultures of the Southeast (Chickasaw, Choctaw, Creek, and others)—created a settlement there on which they lived for approximately 250 years before moving on.

In 1930 road construction cut a channel through the site, revealing archaeological deposits and bringing the area to the attention of Fain King, a local lumberman and entrepreneur. King bought the site in hopes of turning it into an attraction for the education and entertainment of the public, and not incidentally for his own profit. For more than 50 years the area was subjected to excavations ranging from looting to professional research efforts. In 1983, the site was finally turned over to Murray State University to be developed into an academic facility dedicated to research, student training, public education, and preservation of the site and its collections. Fortunately, the Wickliffe collections include all the early excavation records as well as more than 85,000 artifacts, 90% of which had been catalogued. Between 1984 and 1996 excavations were conducted specifically to affirm questionable data and/or fill in gaps in the Wickliffe archaeological record.

In this volume, Wesler and his colleagues have compiled data from almost seven decades of excavations at Wickliffe Mounds, providing the first comprehensive study of this important site. The paperback version of the book is accompanied by a CD-ROM that contains contributions from a wide range of archaeological specialists and includes archaeological data, site maps, database files, plats of excavations, artifact descriptions, and photographs, compiling in one place the entire archaeological record for this very important eastern North American site.

This historical and inspiring coming-of-age novel for young readers explores topics of both historical and contemporary relevance as it follows a harrowing year in the life of its intrepid teenaged narrator.

Lexington, Kentucky, 1833: Calendula “Cal” Farmer, a thirteen-year-old white girl, has been raised by her abolitionist, freethinking mother to reason for herself, consult her inner wisdom, and come to her own conclusions. But when a flash flood devastates her family’s home, Cal is unexpectedly thrust into domestic service in a wealthy family’s mansion. There, she encounters firsthand the physical, intellectual, and emotional brutalities of slavery. Later, a cholera outbreak kills a quarter of the population, including Cal’s mother, and Cal enters an orphanage, where she bravely begins another chapter in her young life.

Cal’s story is sure to captivate readers as she confronts the injustices and uncertainties of racism, class consciousness, epidemic disease, and personal loss with independent thinking, perseverance, and love.

At her death in 1986, Harriette Simpson Arnow left a modest collection of published work: ten short stories, five novels, two non-fiction books, a short autobiography, and nineteen essays and book reviews. Although the sum is small, her writing has been examined from regionalist, Marxist, feminist, and other critical perspectives.
The 1970s saw the first serious attempts to revive interest in Arnow. In 1971, Tillie Olsen identified her as a writer whose "books of great worth suffer the death of being unknown, or at best, a peculiar eclipsing." Joyse Carol Oates wrote in The New York Times Book Review that Arnow's The Dollmaker is "our most unpretentious American masterpiece."
In the 1990s, it is appropriate to take stock of her earlier work and to prompt reexamination of this powerful yet poorly understood writer. This collection of critical essays examines traditional as well as new interpretations of Arnow and her work. It also suggests future directions for Arnow scholarship and includes studies of all of Arnow's writing, fiction and non-fiction, published and unpublished.

Michigan State University Press is proud to announce the re-release of Harriette Simpson Arnow's 1949 novel Hunter's Horn, a work that Joyce Carol Oates called "our most unpretentious American masterpiece."  
     In Hunter's Horn, Arnow has written the quintessential account of Kentucky hill people—the quintessential novel of Southern Appalachian farmers, foxhunters, foxhounds, women, and children. New York Times reviewer Hirschel Brickell declared that Arnow "writes...as effortlessly as a bird sings, and the warmth, beauty, the sadness and the ache of life itself are not even once absent from her pages."  
     Arnow writes about Kentucky in the way that William Faulkner writes about Mississippi, that Flannery O'Connor writes about Georgia, or that Willa Cather writes about Nebraska—with studied realism, with landscapes and characters that take on mythic proportions, with humor, and with memorable and remarkable attention to details of the human heart that motivate literature.

An epic poem about life in America in the early 20th century, as perceived by a Jewish immigrant.

Kentucky is the first major work in Yiddish literature to present America as its primary theme. The long epic poem paints a rich picture of life in Kentucky just after the Civil War. Written between 1918 and 1922 by Lithuanian-born writer, I. J. Schwartz, it first appeared in the Yiddish journal Zukunft and later, in 1925, was published as a book. Although unknown to English readers until this translation, the book was a primary text for immigrants and potential immigrants in places as remote as Poland and Argentina who received their first impressions of America from its pages. Parts of it were even set to music and sung in choruses around the world.

Because textiles rarely are preserved in the archaeological record outside of deserts and permafrost areas, in many regions of the world very little is known about their characteristics, functions, production technology, or socioeconomic importance. While this fact is also true of organic fabrics produced during the Mississippian period in southeastern North Anerica, a wide variety of Mississippian textiles has been preserved in the form of impressions on large pottery vessels. From attribute analysis of 1,574 fabrics impressed on Wickliffe pottery sherds and comparison of the impressions with extant Mississippian textile artifacts, Drooker presents the first comparative analysis of these materials and the most inclusive available summary of information on Mississippian textiles.

Ancient human groups in the Eastern Woodlands of North America were long viewed as homogeneous and stable hunter-gatherers, changing little until the late prehistoric period when Mesoamerican influences were thought to have stimulated important economic and social developments. The authors in this volume offer new, contrary evidence to dispute this earlier assumption, and their studies demonstrate the vigor and complexity of prehistoric peoples in the North American Midwest and Midsouth. These peoples gathered at favored places along midcontinental streams to harvest mussels and other wild foods and to inter their dead in the shell mounds that had resulted from their riverside activities. They created a highly successful, pre-maize agricultural system beginning more than 4,000 years ago, established far-flung trade networks, and explored and mined the world's longest cave—the Mammoth Cave System in Kentucky.
 

Contributors include:
Kenneth C. Carstens, Cheryl Ann Munson, Guy Prentice, Kenneth B. Tankersley, Philip J. DiBlasi, Mary C. Kennedy, Jan Marie Hemberger, Gail E. Wagner, Christine K. Hensley, Valerie A. Haskins, Nicholas P. Herrmann, Mary Lucas Powell, Cheryl Claassen, David H. Dye, and Patty Jo Watson
 

Effie Marquess Carmack (1885-1974) grew up in the tobacco-growing region of southern Kentucky known as the Black Patch. As an adult she moved to Utah, back to Kentucky, to Arizona, and finally to California. Economic necessity primarily motivated Effie and her husband's moves, but her conversion to the Mormon Church in youth also was a factor. Throughout her life, she was committed to preserving the rural, southern folkways she had experienced as a child. She and other members of her family were folk musicians, at times professionally, and she also became a folk poet and artist, teaching herself to paint. In the 1940s she began writing her autobiography and eventually also completed a verse adaptation of it and an unpublished novel about life in the Black Patch.

Originally published in 1974, this second edition was published by Gnomon Press in 1997.Payne Hollow is a reflective and poetic memoir that details the simple, self-sufficient life Harlan Hubbard and his wife, Anna, led along the banks of the Ohio River in the 1950s–80s. After living on a shantyboat for eight years, the Hubbards crafted a custom home and studio at Payne Hollow, in Trimble County, Kentucky, where they lived off the land and embraced a lifestyle focused on nature, art, and solitude. The book, illustrated with Harlan’s own ink drawings, captures the couple’s philosophy of living in harmony with the natural world, free from the distractions and demands of modern society. Hubbard eloquently describes in words and images their daily routines, the changing seasons, and the deep satisfaction he and Anna found in their way of life. Through his writing, Hubbard rejoices in the return to simplicity and creates an appreciation for the living world, making Payne Hollow not just a memoir, but a model for building a deliberate, mindful life in tune with nature.

For two and a half years, Katherine J. Black crisscrossed Kentucky, interviewing home vegetable gardeners from a rich variety of backgrounds. Row by Row: Talking with Kentucky Gardeners is the result, a powerful compilation of testimonies on the connections between land, people, culture, and home.

The people profiled here share a Kentucky backdrop, but their life stories, as well as their gardens, have as many colors, shapes, and tastes as heirloom tomatoes do. Black interviewed those who grow in city backyards, who carve out gardens from farmland, and who have sprawling plots in creek bottoms and former pastures. Many of the gardeners in Row by Row speak eloquently about our industrialized food system’s injuries to the land, water, and health of people. But more often they talk about what they are doing in their gardens to reverse this course.

Row by Row is as sure to appeal to historians, food studies scholars, and sustainability advocates as it is to gardeners and local food enthusiasts. These eloquent portraits, drawn from oral histories and supplemented by Deirdre Scaggs’ color photographs, form a meditation on how gardeners make sense of their lives through what they grow and how they grow it.

This richly illustrated book is the eighth of nine Classics in Southeastern Archaeology volumes based on Moore's investigations along the waterways of eastern North America.

This oversized reprint volume presents original materials from Moore's northernmost expeditions conducted in the early 1900s as he surveyed areas of potential archaeological interest in the southeastern United States. Some of the sites he found were later targeted for major excavations during the days of the WPA/CCC. Many National Register Historic Sites are today located along the rivers he explored in this work. In many cases, however, Moore's report documents sites since destroyed by river action or by lake impoundments behind hydroelectric dams or by looters.

As with all of Moore's other investigations, his thorough documentation and collaboration with other scholars advanced understanding of aboriginal peoples and fueled debate among the experts. For instance, more than 296 burials were recovered from Indian Knoll on the Green River in Kentucky. Some graves included ceremonially "killed" artifacts, dogs buried with both adults and children, and exotic materials leading to speculations concerning origins, usage, and trade networks. Stone box graves were widespread and somewhat exclusive to this area, giving rise to early assumptions regarding kinship between scattered modern Indian tribes.

Richard Polhemus has compiled a comprehensive inventory of Moore's work in Tennessee, Alabama, Mississippi, and Kentucky and written a concise introduction to place the work in context. In so doing, he has made available to contemporary scholars of history, archaeology, and anthropology a trove of resource material on one of the most archaeologically rich and artifact-diverse regions in the nation.