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The British Prime Minister, 2nd ed.
Anthony King
Duke University Press, 1985
The British prime minister is universally acknowledged to be the most powerful single individual in the British system of government, but very little is known about what goes on behind the closed door at #10 Downing Street. As Anthony King points out, there are few articles—let alone books—on the prime ministership available to students of British politics either in the UK or the US. As the preface to the American edition states, while the British prime minister and the American president "do resemble each other in some ways, it is important right at the start to recognize the profound differences between them."
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front cover of Culture, Globalization and the World-System
Culture, Globalization and the World-System
Contemporary Conditions for the Representation of Identity
Anthony D. King
University of Minnesota Press, 1997
A foundational work in the study of the globalization of culture. First published in 1991, Culture, Globalization and the World-System is one of the inaugural books discussing the increasing tendency of cultural practices to cross national boundaries. Now widely available in the United States for the first time and updated with a new preface, these influential essays by a distinguished group of scholars and cultural critics lay the groundwork for a vital and exciting new field of inquiry. Culture, Globalization and the World-System views culture through different prisms and categories--including race, gender, ethnicity, class, and nation. The contributors consider how socially organized systems of meaning are produced and represented. Drawing from sociology, art history, film studies, and anthropology, these essays--many of them representing their authors' only treatment of globalization--provide paradigms for understanding cultures and the representation of identity in "the world as a single place." "A valuable contribution. The breadth of perspectives offered in this volume grant insight into the coming together of 'the world as a single place' that is absolutely necessary." --Urban Geography Contributors: Barbara Abou-El-Haj, Janet Abu-Lughod, Stuart Hall, Ulf Hannerz, Roland Robertson, John Tagg, Maureen Turim, Immanuel Wallerstein, Janet Wolff. Anthony King is professor of art history and sociology at the State University of New York, Binghamtom.
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front cover of Postmodernism and China
Postmodernism and China
Arif Dirlik and Xudong Zhang, eds.
Duke University Press, 2000
Few countries have been so transformed in recent decades as China. With a dynamically growing economy and a rapidly changing social structure, China challenges the West to understand the nature of its modernization. Using postmodernism as both a global frame of periodization and a way to break free from the rigid ideology of westernization as modernity, this volume’s diverse group of contributors argues that the Chinese experience is crucial for understanding postmodernism.
Collectively, these essays question the implications of specific phenomena, like literature, architecture, rock music, and film, in a postsocialist society. Some essays address China’s complicity in—as well as its resistance to—the culture of global capitalism. Others evaluate the impact of efforts to redefine national culture in terms of enhanced freedoms and expressions of the imagination in everyday life. Still others discuss the general relaxation of political society in post-Mao China, the emergence of the market and its consumer mass culture, and the fashion and discourse of nostalgia. The contributors make a clear case for both the historical uniqueness of Chinese postmodernism and the need to understand its specificity in order to fully grasp the condition of postmodernity worldwide. Although the focus is on mainland China, the volume also includes important observations on social and cultural realities in Hong Kong and Taiwan, whose postmodernity has so far been confined—in both Chinese and English-speaking worlds—to their economic and consumer activities instead of their political and cultural dynamism.
First published as a special issue of boundary 2, Postmodernism and China includes seven new essays. By juxtaposing postmodernism with postsocialism and by analyzing China as a producer and not merely a consumer of the culture of the postmodern, it will contribute to critical discourses on globalism, modernity, and political economics, as well as to cultural and Asian studies.

Contributors. Evans Chan, Arif Dirlik, Dai Jinhua, Liu Kang, Anthony D. King, Jeroen de Kloet, Abidin Kusno, Wendy Larson, Chaoyang Liao, Ping-hui Liao, Sebastian Hsien-hao Liao, Sheldon Hsiao-peng Lu, Wang Ning, Xiaobing Tang, Xiaoying Wang, Chen Xiaoming, Xiaobin Yang, Zhang Yiwu, Xudong Zhang


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