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The Paradox of Mass Politics
Knowledge and Opinion in the American Electorate
W. Russell Neuman
Harvard University Press, 1986

A central current in the history of democratic politics is the tensions between the political culture of an informed citizenry and the potentially antidemocratic impulses of the larger mass of individuals who are only marginally involved in the political world. Given the public’s low level of political interest and knowledge, it is paradoxical that the democratic system works at all.

In The Paradox of Mass Politics W. Russell Neuman analyzes the major election surveys in the United States for the period 1948–1980 and develops for each a central index of political sophistication based on measures of political interest, knowledge, and style of political conceptualization. Taking a fresh look at the dramatic findings of public apathy and ignorance, he probes the process by which citizens acquire political knowledge and the impact of their knowledge on voting behavior.

The book challenges the commonly held view that politically oriented college-educated individuals have a sophisticated grasp of the fundamental political issues of the day and do not rely heavily on vague political symbolism and party identification in their electoral calculus. In their expression of political opinions and in the stability and coherence of those opinions over time, the more knowledgeable half of the population, Neuman concludes, is almost indistinguishable from the other half. This is, in effect, a second paradox closely related to the first.

In an attempt to resolve a major and persisting paradox of political theory, Neuman develops a model of three publics, which more accurately portrays the distribution of political knowledge and behavior in the mass population. He identifies a stratum of apoliticals, a large middle mass, and a politically sophisticated elite. The elite is so small (less than 5 percent) that the beliefs and behavior of its member are lost in the large random samples of national election surveys, but so active and articulate that its views are often equated with public opinion at large by the powers in Washington. The key to the paradox of mass politics is the activity of this tiny stratum of persons who follow political issues with care and expertise. This book is essential reading for concerned students of American politics, sociology, public opinion, and mass communication.

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PERFORMING THE VICTORIAN
JOHN RUSKIN AND IDENTITY IN THEATER, SCIENCE, AND EDUCATION
SHARON ARONOFSKY WELTMAN
The Ohio State University Press, 2007
Performing the Victorian: John Ruskin and Identity in Theater, Science, and Education by Sharon Aronofsky Weltman is the first book to examine Ruskin’s writing on theater.
            In works as celebrated as Modern Painters and obscure as Love’s Meinie, Ruskin uses his voracious attendance at the theater to illustrate points about social justice, aesthetic practice, and epistemology. Opera, Shakespeare, pantomime, French comedies, juggling acts, and dance prompt his fascination with performed identities that cross boundaries of gender, race, nation, and species. These theatrical examples also reveal the primacy of performance to his understanding of science and education.
            In addition to Ruskin on theater, Performing the Victorian interprets recent theater portraying Ruskin (The Invention of Love, The Countess, the opera Modern Painters) as merely a Victorian prude or pedophile against which contemporary culture defines itself. These theatrical depictions may be compared to concurrent plays about Ruskin’s friend and student Oscar Wilde (Gross Indecency: The Three Trials of Oscar Wilde, The Judas Kiss). Like Ruskin, Wilde is misrepresented on the fin-de-millennial stage, in his case anachronistically as an icon of homosexual identity. These recent characterizations offer a set of static identity labels that constrain contemporary audiences more rigidly than the mercurial selves conjured in the prose of either Ruskin or Wilde.
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Pharmocracy
Value, Politics, and Knowledge in Global Biomedicine
Kaushik Sunder Rajan
Duke University Press, 2017
Continuing his pioneering theoretical explorations into the relationships among biosciences, the market, and political economy, Kaushik Sunder Rajan introduces the concept of pharmocracy to explain the structure and operation of the global hegemony of the multinational pharmaceutical industry. He reveals pharmocracy's logic in two case studies from contemporary India: the controversial introduction of an HPV vaccine in 2010, and the Indian Patent Office's denial of a patent for an anticancer drug in 2006 and ensuing legal battles. In each instance health was appropriated by capital and transformed from an embodied state of well-being into an abstract category made subject to capital's interests. These cases demonstrate the precarious situation in which pharmocracy places democracy, as India's accommodation of global pharmaceutical regulatory frameworks pits the interests of its citizens against those of international capital. Sunder Rajan's insights into this dynamic make clear the high stakes of pharmocracy's intersection with health, politics, and democracy.
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Poe, Fuller, and the Mesmeric Arts
Transition States in the American Renaissance
Bruce Mills
University of Missouri Press, 2005
In Poe, Fuller, and the Mesmeric Arts, Bruce Mills examines how the writings of Edgar Allan Poe and Margaret Fuller draw from representations of and theories concerning animal magnetism, somnambulism, or hypnosis rendered in newspapers, literary and medical journals, pamphlets, and books. Although some recent studies have begun to consider the relevance of animal magnetism or mesmerism to nineteenth-century literature and culture, this book moves more deeply into what might be termed the canon of mesmeric study.
            Through the works of Poe and Fuller, Mills argues, we can more fully understand the era’s response to dynamic cultural forces. Rather than simply using “American” subject matter as demanded in early calls for a national literature, Poe and Fuller, as well as Lydia Maria Child and Walt Whitman, increasingly rooted their epistemology and literary forms in psychological findings that accommodated the fluidity of democratic realities and principles.
            For many influential writers of the period, then, the call for a national literature had evolved into attention to the state of one’s own mind, to those manifestations of the highest states of mind, and to the effects of literary choices on readers’ psychological states. In the history and philosophy of mesmeric consciousness, Poe, Fuller, and others discerned those principles that offered the promise of answering a central question: how does one create an aesthetic that effectively explores, accommodates, and fosters the harmonious interplay of transition states in a democratic culture?
            Given its content and approach, Poe, Fuller, and the Mesmeric Arts should evoke interest among Poe and Fuller scholars as well as teachers, students, and historians intent upon understanding the emerging democratic sensibilities of the American Renaissance.
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Poe's Critical Theory
THE MAJOR DOCUMENTS
Edgar Allan Poe
University of Illinois Press, 2007
Edgar Allan Poe's reputation as an enduring and influential American literary critic rests mainly upon the pieces in this edition. Editors Stuart and Susan F. Levine provide reading texts, detailed explanatory footnotes, variant readings, and introductions to show context. They also face frankly the contradictions in Poe's critical opinions. Poe argues both that poetry is for pleasure, not truth, and that poetic inspiration leads to truth. Great works, Poe maintains, result from studied calculation, but also from irrational, supernal sources. Poe, both a biting critic and the doughty defender of American artistic achievement, was contemptuous of democratic art--except when vigorously defending it. Critical Theory highlights such conflicting ideas and suggests why they are present.

What was consistent in Poe's work was not a single theory, but rather wit, playfulness, concern for the strong effect, a bin of recyclable allusions, anecdotes and quotations, and a craftsman's discipline. Poe's writing on theory is of a piece with his fiction, poetry, and journalism. The Levines explain how these critical statements also tie tightly to the social, political, economic, and technological history of the world in which Poe lived.

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The Poet-Physician
Keats and Medical Science
Donald C. Goellnicht
University of Pittsburgh Press, 1984

For six years of his brief like, Keats studied medicine, first as an apprentice in Edmonton and then as a medical student at Guy’s Hospital in London. His biographers have generally glossed over this period of his life, and critics have ignored it and denied the influence of medical training on his poetry and thought.


In this challenging reappraisal, Goellnicht argues that Keats’ writings reveal a distinct influence of science and medicine. Goellnicht researches Keats’ course work and texts to reconstruct the milieu of the early nineteenth-century medical student. He then explores the scientific resonances in Keats’’ individual works, and convincingly shows the influence of his early medical training.

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The Poisonous Pen of Agatha Christie
By Michael C. Gerald
University of Texas Press, 1993

Poisoning occurs in over half of Agatha Christie's many novels and stories. In fact, she used a larger number and broader selection of poisons and medicines, for a wider variety of purposes, with greater frequency, ingenuity, and scientific accuracy than any other detective fiction writer. Yet very little has been written on the use of drugs, poisons, and chemicals in Christie's fiction.

The Poisonous Pen of Agatha Christie entertainingly and authoritatively fills this gap. Michael Gerald explores the use of poisons and drugs in Christie's fiction not only to commit murder and suicide but also to incapacitate a victim, alter behavior, treat disease, or support addiction. He also analyzes her views, as expressed in her fiction and autobiography, on drug addiction, the health professions, the value of medicines, and scientific discoveries.

Especially valuable is Gerald's exhaustive listing of all drugs, poisons, and chemicals mentioned in Christie's novels and stories, with references to the work(s) in which each appears and the ways in which each is used. Other tables list all the novels and short stories and the chemicals that are used in each. Throughout, the properties of all drugs are clearly explained so that the reader needs no special scientific or medical knowledge.

The Poisonous Pen of Agatha Christie illuminates the fictional uses Christie made of her real-life experiences as a hospital drug dispenser and as a provider of nursing care. It will be of interest to fans and scholars alike.

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Politics and History in William Golding
The World Turned Upside Down
Paul Crawford
University of Missouri Press, 2002
Politics and History in William Golding provides a much needed politicized and historicized reading of William Golding’s novels as a counter to previous, universalizing criticism. Paul Crawford argues that an understanding of fantastic and carnivalesque modes in Golding’s work is vital if we are to appreciate fully his interrogation of twentieth-century life.
            Golding’s early satirical novels question English constructions of national identity in opposition to Nazism and the “totalitarian personality.” For Crawford, Golding can and must be studied in the wider European tradition of “literature of atrocity.” His early novels, especially Lord of the Flies, are preoccupied with atrocity, whereas the later work betrays a greater concern for the status of language and literature.
In Golding’s later fiction, such as Darkness Visible, the fantastic and carnivalesque are used in an increasingly nonsatirical manner to complement first modernist and then postmodernist self-consciousness and indeterminacy. Even his critique of class and religious authority, which carries through all of his fiction, gives way to more lighthearted productions—a symptom of which is his crude, absurd attack against the English literary industry in The Paper Men. This reduction of satire marks a decline in Golding’s political commitment and the production of more complex and arguably less satisfying novels.
            The fantastic and carnivalesque are foundational to both the satirical and nonsatirical approaches that mark Golding’s early and late fiction. No previous study has analyzed this structure that is so central to his work. Politics and History in William Golding examines this writer’s work more fully than it has been studied within the convoluted context of the last half of the twentieth century. Crawford directly links Golding’s various deployments of the fantastic and carnivalesque to historical, political, and social change.
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Politics and Scholarship
Feminist Academic Journals and the Production of Knowledge
Patrice McDermott
University of Illinois Press, 1994
"Well argued and documented, Politics and Scholarship is a fascinating reading of a broader historical perspective of feminist concerns than just the three journals of focus: Feminist Studies, Frontiers, and Signs. The author's historical framework establishes an important overview that should have greater visibility."
-- J'nana Morse Sellery, coauthor of Elizabeth Bowen: A Bibliography
 
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The Politics of Knowledge
The Carnegie Corporation, Philanthropy, and Public Policy
Ellen Condliffe Lagemann
University of Chicago Press, 1992
The Carnegie Corporation, among this country's oldest and most important foundations, has underwritten projects ranging from the writings of David Riesman to Sesame Street. Lagemann's lively history focuses on how foundations quietly but effectively use power and private money to influence public policies.
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The Postmodern Condition
A Report on Knowledge
Jean-Francois Lyotard
University of Minnesota Press, 1984
Many definitions of postmodernism focus on its nature as the aftermath of the modern industrial age when technology developed dynamically. In The Postmodern Condition Jean-Francois Lyotard extends that analysis to postmodernism by looking at the status of science, technology, and the arts, the significance of technocracy, and the way the flow of information and knowledge are controlled in the Western world. Lyotard emphasized language; the world of postmodern knowledge can be represented as a game of language where speaking is participation in the game whose goal is the creation of new and ever-changing social linkages.
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Pound in Purgatory
From Economic Radicalism to Anti-Semitism
Leon Surette
University of Illinois Press, 1999
Pound in Purgatory, available now in paperback, overturns all previous explanations of Ezra Pound's anti-Semitism by uncovering its roots in economic and conspiracy theory. Leon Surette demonstrates that, contrary to popular opinion, Pound was not a life-long anti-Semite and consistently ignored or resisted anti-Semitic comments from his correspondents until after 1931.
 
From 1931 to 1945 Pound's poetry took a back seat to his activities as an economic reformer and propagandist for the corporate state. Pound believed he had a simple and practical solution for the economic woes of the world brought on by the Great Depression, and he became increasingly preoccupied with capturing political power for the economic reform he envisioned.
 
As the world spiraled toward war, Pound's program of economic reform foundered and he gradually succumbed to a paranoid belief in a Jewish conspiracy. Through an incisive analysis of Pound's correspondence and writings, much of it previously unexamined, Surette shows how this belief fostered the virulent anti-Semitism that pervades his work-–both poetry and prose-–from this time forward.
 
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Power, Knowledge, and Politics
Policy Analysis in the States
John A. Hird
Georgetown University Press, 2005

If knowledge is power, then John Hird has opened the doors for anyone interested in public policymaking and policy analysis on the state level. A beginning question might be: does politics put gasoline or sugar in the tank? More specifically, in a highly partisan political environment, is nonpartisan expertise useful to policymaking? Do policy analysts play a meaningful role in decision making? Does policy expertise promote democratic decision making? Does it vest power in an unelected and unaccountable elite, or does it become co-opted by political actors and circumstances? Is it used to make substantive changes or just for window-dressing?

In a unique comparative focus on state policy, Power, Knowledge, and Politics dissects the nature of the policy institutions that policymakers establish and analyzes the connection between policy research and how it is actually used in decision making. Hird probes the effects of politics and political institutions—parties, state political culture and dynamics, legislative and gubernatorial staffing, partisan think tanks, interest groups—on the nature and conduct of nonpartisan policy analysis. Through a comparative examination of institutions and testing theories of the use of policy analysis, Hird draws conclusions that are more useful than those derived from single cases.

Hird examines nonpartisan policy research organizations established by and operating in U.S. state legislatures—one of the most intense of political environments—to determine whether and how nonpartisan policy research can survive in that harsh climate. By first detailing how nonpartisan policy analysis organizations came to be and what they do, and then determining what state legislators want from them, he presents a rigorous statistical analysis of those agencies in all 50 states and from a survey of 800 state legislators. This thoroughly comprehensive look at policymaking at the state level concludes that nonpartisan policy analysis institutions can play an important role—as long as they remain scrupulously nonpartisan.

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Practicing Islam
Knowledge, Experience, and Social Navigation in Kyrgyzstan
David W. Montgomery
University of Pittsburgh Press, 2016
David W. Montgomery presents a rich ethnographic study on the practice and meaning of Islamic life in Kyrgyzstan. As he shows, becoming and being a Muslim are based on knowledge acquired from the surrounding environment, enabled through the practice of doing. Through these acts, Islam is imbued in both the individual and the community. To Montgomery, religious practice and lived experience combine to create an ideological space that is shaped by events, opportunities, and potentialities that form the context from which knowing emerges. This acquired knowledge further frames social navigation and political negotiation.
            Through his years of on-the-ground research, Montgomery assembles both an anthropology of knowledge and an anthropology of Islam, demonstrating how individuals make sense of and draw meanings from their environments. He reveals subtle individual interpretations of the religion and how people seek to define themselves and their lives as “good” within their communities and under Islam. 
            Based on numerous in-depth interviews, bolstered by extensive survey and data collection, Montgomery offers the most thorough English-language study to date of Islam in post-Soviet Kyrgyzstan. His work provides a broad view into the cognitive processes of Central Asian populations that will serve students, researchers, and policymakers alike.
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The Pragmatic Whitman
Reimaining American Democracy
Stephen John Mack
University of Iowa Press, 2002

 In this surprisingly timely book, Stephen Mack examines Whitman’s particular and fascinating brand of patriotism: his far-reaching vision of democracy. For Whitman, loyalty to America was loyalty to democracy. Since the idea that democracy is not just a political process but a social and cultural process as well is associated with American pragmatism, Mack relies on the pragmatic tradition of Emerson, James, Dewey, Mead, and Rorty to demonstrate the ways in which Whitman resides in this tradition.

Mack analyzes Whitman's democratic vision both in its parts and as a whole; he also describes the ways in which Whitman's vision evolved throughout his career. He argues that Whitman initially viewed democratic values such as individual liberty and democratic processes such as collective decision-making as fundamental, organic principles, free and unregulated. But throughout the 1860s and 1870s Whitman came to realize that democracy entailed processes of human agency that are more deliberate and less natural—that human destiny is largely the product of human effort, and a truly humane society can be shaped only by intelligent human efforts to govern the forces that would otherwise govern us.

Mack describes the foundation of Whitman’s democracy as found in the 1855 and 1856 editions of Leaves of Grass, examines the ways in which Whitman’s 1859 sexual crisis and the Civil War transformed his democratic poetics in “Sea-Drift,” “Calamus,” Drum-Taps,and Sequel to Drum-Taps, and explores Whitman’s mature vision in Democratic Vistas, concluding with observations on its moral and political implications today. Throughout, he illuminates Whitman's great achievement—learning that a full appreciation for the complexities of human life meant understanding that liberty can take many different and conflicting forms—and allows us to contemplate the relevance of that achievement at the beginning of the twenty-first century.

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The Problematic Self
Approaches to Identity in Stendhal, D. H. Lawrence, and Malraux
Elizabeth Brody Tenenbaum
Harvard University Press, 1977

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Professing Poetry
Seamus Heaney’s Poetics
Michael Cavanagh
Catholic University of America Press, 2009
The first full-length study of Heaney's poetics, Professing Poetry explores Heaney's unusual concept of influence and the various ways in which Heaney interacts with other writers
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Professionalism, the Third Logic
On the Practice of Knowledge
Eliot Freidson
University of Chicago Press, 2001
This new work explores the meaning and implications of professionalism as a form of social organization. Eliot Freidson formalizes professionalism by treating it as an ideal type grounded in the political economy; he presents the concept as a third logic, or a more viable alternative to consumerism and bureaucracy. He asks us to imagine a world where workers with specialized knowledge and the ability to provide society with especially important services can organize and control their own work, without directives from management or the influence of free markets.

Freidson then appraises the present status of professionalism, exploring how traditional and national variations in state policy and organization are influencing the power and practice of such professions as medicine and law. Widespread attacks by neoclassical economists and populists, he contends, are obscuring the social value of credentialism and monopolies. The institutions that sustain professionalism in our world are simply too useful to both capital and state to dismiss.
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Proust in the Power of Photography
Brassaï
University of Chicago Press, 2001
One of the most original and memorable photographers of the twentieth century, Brassaï was also a journalist, sculptor, and writer. He took great pride in his writing, and he loved literature and language-French most of all. When he arrived in Paris in 1924, Brassaï began teaching himself French by reading Proust. Captured by the sensuality and visual strategies of Proust's writing, Brassaï soon became convinced that he had discovered a kindred spirit. Brassaï wrote: "In his battle against Time, that enemy of our precarious existence, ever on the offensive though never openly so, it was in photography, also born of an age-old longing to halt the moment, to wrest it from the flux of duration in order to 'fix' it forever in a semblance of eternity, that Proust found his best ally." He quoted Proust in his own writing, and from the annotated books in his library, we know that he spent a lifetime studying and dissecting Proust's prose, often line by line.

Drawing on his own experience as a photographer and author, Brassaï discovers a neglected aspect of Proust's interests, offering us a fascinating study of the role of photography both in Proust's oeuvre and in early-twentieth-century culture. Brassaï shows us how Proust was excessively interested in possessing portraits of his acquaintances and how the process by which he remembered and wrote was quite similar to the ways in which photographs register and reveal life's images. This book-beautifully translated by Richard Howard-features previously obscure photographs from Brassaï's High Society series and offers a rare glimpse into two of France's most fascinating artistic minds.
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The Province of Piety
Moral History in Hawthorne's Early Tales
Michael J. Colacurcio
Duke University Press, 1995
In this celebrated analysis of Nathaniel Hawthorne, Michael J. Colacurcio presents a view of the author as America’s first significant intellectual historian. Colacurcio shows that Hawthorne’s fiction responds to a wide range of sermons, pamphlets, and religious tracts and debates—a variety of moral discourses at large in the world of provincial New England.
Informed by comprehensive historical research, the author shows that Hawthorne was steeped in New England historiography, particularly the sermon literature of the seventeenth century. But, as Colacurcio shows, Hawthorne did not merely borrow from the historical texts he deliberately studied; rather, he is best understood as having written history. In The Province of Piety, originally published in 1984 (Harvard University Press), Hawthorne is seen as a moral historian working with fictional narratives—a writer brilliantly involved in examining the moral and political effects of Puritanism in America and recreating the emotional and cultural contexts in which earlier Americans had lived.
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The Psychological World of Natsume Soseki
Takeo Doi
Harvard University Press, 1976

This book offers an analysis of ten works by the leading twentieth-century Japanese novelist Natsume Soseki (1867–1916), by one of Japan's most distinguished psychiatrists. Dr. Takeo Doi, whose Amae no Kozo is well known in the West in its English translation, The Anatomy of Dependency, describes the principal characters of Soseki's novels from a psychological point of view, treating them as case studies and demonstrating the clarity and accuracy of Soseki's psychological insights.

This volume, one of the few pieces of literary criticism ever translated from the Japanese, will introduce the reader to these novels, some of which are not available in English. Furthermore, the book is a penetrating account of the universal problems faced by individuals coping with a rapidly modernizing society.

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