front cover of City of Men
City of Men
Masculinities and Everyday Morality on Public Transport
Romit Chowdhury
Rutgers University Press, 2023
In South Asian urban landscapes, men are everywhere. And yet we do not seem to know very much about precisely what men do in the city as men. How do men experience gender in city spaces? What are the interactional dynamics between different groups of men on city streets? How do men adjudicate between good and bad conduct in urban spaces? Through ethnographic descriptions of copresence on public transport in Kolkata, India, this book brings into sight the gendered logics of cooperation and everyday morality through which masculinities take up space in cities. It follows the labor geographies of auto-rickshaw and taxi operators and their interactions with traffic police and commuters to argue that the gendered fabric of urban life needs to be understood as a product of situational forms of cooperation between different social groups. Such an orientation sheds light on the part played by everyday morality and provisional support in upholding male privilege in the city.
[more]

front cover of City Requiem, Calcutta
City Requiem, Calcutta
Gender And The Politics Of Poverty
Ananya Roy
University of Minnesota Press, 2002
Uses Calcutta as a site for the exploration of persistent structures of deprivation and want. Housing developments emerge amid the paddy fields on the fringes of Calcutta; overflowing trains carry peasant women to informal urban labor markets in a daily commute against hunger; land is settled and claimed in a complex choreography of squatting and evictions: such, Ananya Roy contends, are the distinctive spaces of a communism for the new millennium-where, at a moment of liberalization, the hegemony of poverty is quietly reproduced. An ethnography of urban development in Calcutta, Roy's book explores the dynamics of class and gender in the persistence of poverty. City Requiem, Calcutta emphasizes how gender itself is spatialized, and how gender relations are negotiated within the geopolitics of modernity and through the everyday practices of territory. Thus Roy shows how urban developmentalism, in its populist guise, reproduces the relations of masculinist patronage, and, in its entrepreneurial guise, seeks to reclaim a bourgeois Calcutta, gentlemanly in its nostalgias. In doing so, her work expands the field of poverty studies by showing how a politics of poverty is also a poverty of knowledge, a construction and management of social and spatial categories. Ananya Roy is assistant professor of urban studies in the Department of City and Regional Planning at the University of California, Berkeley.
[more]

front cover of Colonizing, Decolonizing, and Globalizing Kolkata
Colonizing, Decolonizing, and Globalizing Kolkata
From a Colonial to a Post-Marxist City
Siddhartha Sen
Amsterdam University Press, 2017
Colonizing, Decolonizing, and Globalizing Kolkata offers an extended analysis of the architecture and urban planning of Kolkata from the earliest days of colonialism through independence and on into the twenty-first century, all set in the larger context of Indian cities’ architecture and urban planning. What Siddhartha Sen shows is the transformation of a colonial city into a Marxist one — and ongoing attempts to further transform Kolkata into a global city. Richly illustrated, the book carefully situates architecture, design, and urban planning within Kolkata’s political economy and social milieu.
[more]

front cover of The Scattered Court
The Scattered Court
Hindustani Music in Colonial Bengal
Richard David Williams
University of Chicago Press, 2023
Presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century.
 
How far did colonialism transform north Indian music? In the period between the Mughal empire and the British Raj, how did the political landscape bleed into aesthetics, music, dance, and poetry? Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, The Scattered Court challenges our assumptions about the period. Richard David Williams presents a long history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali Shah (1822–1887), the last ruler of the kingdom of Awadh. He charts the movement of musicians and dancers between the two courts in Lucknow and Matiyaburj, as well as the transregional circulation of intellectual traditions and musical genres, and demonstrates the importance of the exile period for the rise of Calcutta as a celebrated center of Hindustani classical music. Since Lucknow is associated with late Mughal or Nawabi society and Calcutta with colonial modernity, examining the relationship between the two cities sheds light on forms of continuity and transition over the nineteenth century, as artists and their patrons navigated political ruptures and social transformations. The Scattered Court challenges the existing historiography of Hindustani music and Indian culture under colonialism by arguing that our focus on Anglophone sources and modernizing impulses has directed us away from the aesthetic subtleties, historical continuities, and emotional dimensions of nineteenth-century music.
[more]


Send via email Share on Facebook Share on Twitter