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András Visky's Barrack Dramaturgy
Memories of the Body
Edited by Jozefina Komporaly
Intellect Books, 2017
Widely considered one of the most innovative voices in Hungarian theater, András Visky has enjoyed growing audiences and increased critical acclaim over the last fifteen years. Nonetheless, his plays have yet to reach an English-language audience. This volume, edited by Jozefina Komporaly, begins to correct this by bringing together a translated collection of Visky’s work.

The book includes the first English-language anthology of Visky’s best known plays—Juliet, I Killed My Mother, and Porn—as well as critical analysis and an exploration of Visky’s “Barrack Dramaturgy,” a dramaturgical theory in which he considers the theater as a space for exploring feelings of cultural and personal captivity. Inspired by personal experience of the oppressive communist regime in Romania, Visky’s work explores the themes of gender, justice, and trauma, encouraging shared moments of remembrance and collective memory. This collection makes use of scripts and director’s notes, as well as interviews with creative teams behind the productions, to reveal a holistic, insider’s view of Visky’s artistic vision. Scholars and practitioners alike will benefit from this rare, English-language collection of Visky’s work and dramaturgy.
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front cover of The Glance of the Medusa
The Glance of the Medusa
The Physiognomy of Mysticism
László F. Földényi
Seagull Books, 2018
In The Glance of the Medusa, Lászó F. Földényi offers a mesmerizing examination of the rich history of European culture through the lens of mythology and philosophy. Embracing the best traditions of essay writing, this volume invites readers on a spiritual and intellectual adventure. The seven essays bear testimony to Földényi’s encyclopedic knowledge and ask whether it is possible to overcome our fear of passing away. In doing so, they illuminate moments of mystical experience viewed in a historical perspective while inviting readers to engage with such moments in the present by immersing themselves into the process of reading and thinking.
 
Rather than providing firm answers to burning questions, The Glance of the Medusa highlights the limits of definition, conjuring up situations in which Man partakes of unutterable experiences—such as passion, pleasure, fear, poetry, or disgust—suggesting that moments of ecstasy cannot be pinned down or captured, only drawn a little closer.
 
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Mr. K Released
Matéi Visniec
Seagull Books, 2019
Mirroring Romania’s drastic transition from totalitarianism to Western-style freedom in the late 1980s, Mr. K Released captures the disturbingly surreal feeling that many newly liberated prisoners face when they leave captivity. Employing his trademark playful absurdity, Matéi Visniec introduces us to Mr. K, a Kafkaesque figure who has been imprisoned for years for an undisclosed crime in a penitentiary with mysterious tunnels.
 
One day, Mr. K finds himself unexpectedly released. Unable to comprehend his sudden liberation, he becomes traumatized by the realities of freedom—more so than the familiar trauma of captivity or imprisonment. In the hope of obtaining some clarification, Mr. K keeps waiting for an appointment with the prison governor, however, their meeting is constantly being delayed. During this endless process of waiting, Mr. K gets caught up in a clinical exploration of his physical surroundings. He does not have the courage or indeed inclination to leave, but can move unrestricted within the prison compound, charting endless series of absurd circles in which readers might paradoxically recognize themselves.
 
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front cover of Story of a Stammer
Story of a Stammer
Gábor Vida
Seagull Books, 2022
A novel of growing up a Hungarian in Romania under Communism.
 
In the novel Story of a Stammer, Gábor Vida asks a fundamental question: Where does stammering come from? In the process of answering this question, he discovers that an entire historical period and an entire world have been stammering, too. Through Vida’s eyes, we see that stammering comprises all the lies accumulated over time and over generations because nobody had ever articulated what they felt or thought, nor done what they really wanted. Nobody, Vida shows, had ever told the truth.
 
Describing life in the 1970s and ’80s under Romanian Communist dictator Nicolae Ceauçescu’s authoritarian regime, Vida writes with disarming honesty, breaking taboos and chronicling the ways in which tyranny and exploitation seep into family relationships. The novel charts the first two decades of a young Hungarian man’s life in Romania, telling a story of coming to terms with a stammer, loneliness, and an unstimulating environment where religion, alcoholism, and suicide are the most common escape strategies. A Bildungsroman, a novel about Transylvania, a chronicle of minority life, a sociological analysis of cultural identity, and ultimately a deeply personal account of a historical era, Story of a Stammer is a major contribution to contemporary Hungarian literature—an unfailingly serious yet humorously delightful witness to a turbulent period in recent history.
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front cover of Theatre History Studies 2016, Vol. 35
Theatre History Studies 2016, Vol. 35
Sara Freeman
University of Alabama Press, 2016
Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre “from the rubble of Berlin” and German nationalist mass spectacles. Essays in part two are devoted to the theme of “Rethinking the Maternal” in contemporary and historical theatre. Also included is the Robert A. Schanke Award-winning essay “Whispers from a Silent Past: Inspiration and Memory in Natasha Tretheway’s Native Guard,” a keynote essay by Irma Mayorga, and eighteen reviews of new book publications of note.
 
Theatre History Studies, published since 1981 by the Mid-American Theatre Conference (MATC) is a leading scholarly publication in the field of theatrical history and theory. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
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