The end of World War II did not mean the arrival of peace. The major powers faced social upheaval at home, while anticolonial wars erupted around the world. American–Soviet relations grew chilly, but the meaning of the rivalry remained disputable. Cold War Crucible reveals the Korean War as the catalyst for a new postwar order. The conflict led people to believe in the Cold War as a dangerous reality, a belief that would define the fears of two generations.
In the international arena, North Korea’s aggression was widely interpreted as the beginning of World War III. At the domestic level, the conflict generated a wartime logic that created dividing lines between “us” and “them,” precipitating waves of social purges to stifle dissent. The United States allowed McCarthyism to take root; Britain launched anti-labor initiatives; Japan conducted its Red Purge; and China cracked down on counterrevolutionaries. These attempts to restore domestic tranquility were not a product of the Cold War, Masuda Hajimu shows, but driving forces in creating a mindset for it. Alarmed by the idea of enemies from within and faced with the notion of a bipolar conflict that could quickly go from chilly to nuclear, ordinary people and policymakers created a fantasy of a Cold War world in which global and domestic order was paramount.
In discovering how policymaking and popular opinion combined to establish and propagate the new postwar reality, Cold War Crucible offers a history that reorients our understanding of what the Cold War really was.
Among journalists—and particularly war correspondents—Homer Bigart was both legend and example. In a career of four decades, first with the New York Herald Tribuneand then, through 1972, with The New York Times, Bigart distinguished himself as a superb writer and tireless digger for the realities that could be learned only in the field and not at headquarters. In 1943 Bigart sailed for England to cover the air war and was soon on mule-back in Sicily, and hanging on at Anzio. He then went to the Pacific, where his dispatches won him his first Pulitzer Prize for foreign correspondence. When hostilities erupted in Korea he was again on the front lines in the front lines in the Orient, and again recipient of a Pulitzer. By the time of the American involvement in Vietnam, he was an old-timer, a seasoned correspondent admired and celebrated for his wit but regarded with awe for his masterly stories, in which straightforward prose, informed by tenacious reporting, cut to the heart of the issues.
Previously available only n crumbling library copies of the Tribune and the Times, or in microfilm repositories, his dispatches, with their rare insights into warefar and he minds of those who wage war, are now collected in Forward Positions: The War Correspondence of Home Bigart, edited by Betsy Wade and introduced by Harrison E. Salisbury, himself the winner of a Pulitzer Prize for journalism.
Forward Positions does honor to a breed of journalist that had passed into history by the time of Bigart’s death. It includes one of the first accounts of the atomic annihilation of Hiroshima, a report on the war-crimes trial of Adolf Eichmann, a number of dispatches on “hot” battles of the Cold War, and a probing dispatch on Lieutenant William Calley’s testimony on the Mỹ Lai Massacre. With this representative selection of more than fifty of Bigart’s accounts of war on the ground, in the air, and in the courtroom, Wade provides a wealth of background material about his career, as well as glimpses of his impact on journalism. The book promises hours of captivating and informative reading for journalists, historians, veterans, and anyone who likes a good story tautly told.
The sixth and final volume in the History of Wisconsin series examines the period from 1940-1965, in which state and nation struggled to maintain balance and traditions. Some of the major developments analyzed in this volume include: coping with three wars, racial and societal conflict, technological innovation, population shifts to and from cities and suburbs, and accompanying stress in politics, government, and society as a whole. Using dozens of photographs to visually illustrate this period in the state's history, this volume upholds the high standards set forth in the previous volumes.
“In The Naval Air War in Korea, Dr. Hallion has captured the fact, feel- ing, and fancy of a very important conflict in aviation history, in- cluding the highly significant facets of the transition from piston to jet-propelled combat aircraft.”—Norman Polmar, author of Naval Institute Guide to the Ships and Aircraft of the U.S. Fleet, 18th Edition
In Reencounters,Crystal Mun-hye Baik examines what it means to live with and remember an ongoing war when its manifestations—hypervisible and deeply sensed—become everyday formations delinked from militarization. Contemplating beyond notions of inherited trauma and post memory, Baik offers the concept of reencounters to better track the Korean War’s illegible entanglements through an interdisciplinary archive of diasporic memory works that includes oral history projects, performances, and video installations rarely examined by Asian American studies scholars.
Baik shows how Korean refugee migrations are repackaged into celebrated immigration narratives, how transnational adoptees are reclaimed by the South Korean state as welcomed “returnees,” and how militarized colonial outposts such as Jeju Island are recalibrated into desirable tourist destinations. Baik argues that as the works by Korean and Korean/American artists depict this Cold War historiography, they also offer opportunities to remember otherwise the continuing war.
Ultimately, Reencounters wrestles with questions of the nature of war, racial and sexual violence, and neoliberal surveillance in the twenty-first century.
The Korean War was a major event in American history. It marked an abrupt end to the euphoria Americans felt in the wake of victory in World War II and turned out to be the harbinger of disaster in Vietnam a decade later.
Though three years of brutal fighting resulted in millions of casualties, the final truce line of 1953 corresponded almost exactly to the positions the opponents held when the fighting began. Back home, the returning veterans met with little interest in or appreciation of what they had endured. Consequently, literary responses to the Korean War did not find an eager readership. Few people, it seemed, wanted to read about what they perceived as a backwater war that possessed neither grand scale nor apparent nobility, a war that ended not with a bang, but a whimper.
Yet an important literature has come out of the Korean War. As we mark the fiftieth anniversary of the war, these writings are well worth our attention. Many of the twelve stories and fifty poems assembled in Retrieving Bones have long been out of print and are almost impossible to find in any other source. The editors have enhanced this collection by providing maps, a chronology of the Korean War, and annotated lists of novels, works of nonfiction, and films. In a detailed introduction, Ehrhart and Jason discuss the milestones of the Korean War and place each fiction writer and poet represented into historical and literary contexts.
Among the writers and poets are
· James Lee Burke
· Eugene Burdick
· William Chamberlain
· Rolando Hinojosa
· Reg Saner
· Vern Sneider
· Stanford Whitmore
· Keith Wilson
Detailing for the first time the story of America's homefront during the Korean War, Truman and Korea fills an important gap in the historical scholarship of the postwar era. Paul Pierpaoli analyzes the political, economic, social, and international ramifications of America's first war of Soviet containment, never losing sight of the larger context of the cold war. He focuses on how and why the Truman administration undertook a bloody, inconclusive war on the Korean peninsula while permanently placing the nation on a war footing.
Truman and Korea illuminates the importance of the Korean conflict as a critical turning point in the cold war by examining both the immediate and the long-term domestic and foreign policy effects of the conflict. Pierpaoli addresses such important topics as presidential war powers and debates concerning the Defense Production Act; the inner workings of the many war mobilization agencies; the operations and politics of nationwide price and wage controls; questions concerning cold war tax policies and fiscal and monetary policies; and the evolution of national security policy.
Pierpaoli shows that President Truman's decision to intervene in the Korean War quickly became subsumed by larger cold war concerns. By the autumn of 1950 the Korean mobilization program had become the nation's de facto cold war preparedness program, which would come to span nearly forty years and eight presidential administrations. After 1950 the cold war not only continued to significantly shape political and ideological discourse in the United States but also began to reshape aggregate economic policy. By doing so, it altered the nation's industrial and economic contours, giving birth to the concept of an institutionalized "national security state," which in turn spawned the cold war military-industrial-scientific complex.
Based upon extensive research in the papers and official presidential files of Harry S. Truman, as well as many manuscript collections and records of wartime and government agencies, Truman and Korea offers a new perspective on the Korean War era and its inextricable ties to broader cold war decision making.
Battleships were instrumental in America’s rise to world dominance at the end of the 19th century. Two battleships in particular, the U.S.S. Wisconsin BB-9 and BB-64, participated in wars and conflicts around the globe, demonstrating America’s strength and technological power. The keel of the BB-9 was laid down on the eve of the Spanish-American War, and she sailed with the Great White Fleet on its famous world voyage of 1907-1909. Representing a major advance in American naval technology, the Wisconsin both demonstrated American strength in the Pacific and served as the setting for peace talks between Panama and Colombia when the former gained independence in 1903. Recommissioned during World War I as a training ship, the BB-9 was then decommissioned in 1920. More than twenty years later, on December 7, 1943, the fast battleship Wisconsin (BB-64) was launched in response to Japan’s attack on Pearl Harbor. The BB-64 served in the Pacific to the end of World War II and again in the Korean War. One of the Iowa- class battleships, the BB-64 was one of the fastest and sleekest on the ocean. In 1988, she was refitted and recommissioned for yet another tour of duty. This is the story of two proud vessels and their role in American naval and diplomatic history.
Warring Genealogies examines the elaboration of kinships between Chicano/a and Asian American cultural production, such as the 1954 proxy adoption of a Korean boy by Leavenworth prisoners. Joo Ok Kim considers white supremacist expressions of kinship—in prison magazines, memorials, U.S. military songbooks—as well as critiques of such expressions in Chicana/o and Korean diasporic works to conceptualize racialized formations of kinship emerging from the Korean War.
Warring Genealogies unpacks writings by Rolando Hinojosa (Korean Love Songs, The Useless Servants) and Luis Valdez (I Don’t Have to Show You No Stinking Badges, Zoot Suit) to show the counter-representations of the Korean War and the problematic depiction of the United States as a benevolent savior. Kim also analyzes Susan Choi’s The Foreign Student as a novel that proposes alternative temporalities to dominant Korean War narratives. In addition, she examines Chicano military police procedurals, white supremacist women’s organizations, and the politics of funding Korean War archives.
Kim’s comparative study Asian American and Latinx Studies makes insightful connections about race, politics, and citizenship to critique the Cold War conception of the “national family.”
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