Most scholars dismiss research into the paranormal as pseudoscience, a frivolous pursuit for the paranoid or gullible. Even historians of religion, whose work naturally attends to events beyond the realm of empirical science, have shown scant interest in the subject. But the history of psychical phenomena, Jeffrey J. Kripal contends, is an untapped source of insight into the sacred and by tracing that history through the last two centuries of Western thought we can see its potential centrality to the critical study of religion.
Kripal grounds his study in the work of four major figures in the history of paranormal research: psychical researcher Frederic Myers; writer and humorist Charles Fort; astronomer, computer scientist, and ufologist Jacques Vallee; and philosopher and sociologist Bertrand Méheust. Through incisive analyses of these thinkers, Kripal ushers the reader into a beguiling world somewhere between fact, fiction, and fraud. The cultural history of telepathy, teleportation, and UFOs; a ghostly love story; the occult dimensions of science fiction; cold war psychic espionage; galactic colonialism; and the intimate relationship between consciousness and culture all come together in Authors of the Impossible, a dazzling and profound look at how the paranormal bridges the sacred and the scientific.
“Because thou hast done this, thou art cursed above all cattle, and above every beast of the field.” With those words in Genesis, God condemns the serpent for tempting Adam and Eve, and the serpent has shouldered the blame ever since. But how would the study of religion change if we looked at the Fall from the snake’s point of view? Would he appear as a bringer of wisdom, more generous than the God who wishes to keep his creation ignorant?
Inspired by the early Gnostics who took that startling view, Jeffrey J. Kripal uses the serpent as a starting point for a groundbreaking reconsideration of religious studies and its methods. In a series of related essays, he moves beyond both rational and faith-based approaches to religion, exploring the erotics of the gospels and the sexualities of Jesus, John, and Mary Magdalene. He considers Feuerbach’s Gnosticism, the untapped mystical potential of comparative religion, and even the modern mythology of the X-Men.
Ultimately, The Serpent’s Gift is a provocative call for a complete reorientation of religious studies, aimed at a larger understanding of the world, the self, and the divine.
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