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Watercolor Women Opaque Men
A Novel in Verse
Ana Castillo, introduction by Carmen Tafolla
Northwestern University Press, 2017
2006 Independent Publisher Book Award for Story Teller of the Year
 
In this updated edition of Ana Castillo’s celebrated novel in verse, featuring a new introduction by Poet Laureate of Texas Carmen Tafolla, we revisit the story’s spirited heroine, known only as “Ella” or “She,” as she takes us through her own epic journey of self-actualization as an artist and a woman. With a remarkable combination of tenderness, lyricism, wicked humor, and biting satire, Castillo dramatizes Ella’s struggle through poverty as a Chicano single mother at the threshold of the twenty-first century, fighting for upward mobility while trying to raise her son to be independent and self-sufficient. Urged on by the gods of the ancients, Ella’s life interweaves with those of others whose existences are often neglected, even denied, by society’s status quo. Castillo’s strong rhythmic voice and exploration of such issues as love, sexual orientation, and cultural identity will resonate with readers today as much as they did upon the book’s original publication more than ten years ago. This expanded edition also includes a short preface by the author, as well as a glossary, a reader’s guide, and a list of additional suggested readings.
 
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water/tongue
mai c. doan
Omnidawn, 2019
Grappling with the shock of her grandmother’s suicide, mai c. doan undertook a writing project that might give voice to her loss as well as to grapple with memory, and the challenge of articulation and of documentation, in all of their contradictions and (im)possibilities. In the poems that comprise water/tongue, doan conjures visceral and intuitive elements of experience to articulate the gendered and intergenerational effects of violence, colonialism, and American empire. Breaking the silence surrounding these experiences, doan conjures a host of voices dispersed across time and space to better understand the pain that haunted her family—made tragically manifest in her grandmother’s death. Looking not only to elements of Vietnamese history and culture, but to the experience of migration and racism in the United States, this book charts a path for both understanding and resistance. Indeed, doan does not merely wish to unearth the past, but also to change the future. If we want to do so, she shows, we must commune with the voices of sufferers both past and present. doan demonstrates how even the form of a work of poetry can act as a subversion of what a reader expects from the motion of the act of reading a line of type or a page of text. doan disarms and unsettles the ways a reader is led to levels of comprehension, and thus disrupts what “comprehension” might mean, as the reader follows the flow of a work, providing an opportunity to sense, and to confront hierarchies that structure ordinary reading and writing. doan brings a reader to conscious appraisal of the hierarchies that affect us, and how these hierarchies can constrain our insights and our mobility. water/tongue is a critical read for anyone interested in the long effects of gendered and cultural violence, and the power of speech to forge new and empowering directions.
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We Are Changed to Deer at the Broken Place
Kelly Weber
Tupelo Press, 2022
One could certainly say that Kelly Weber’s debut collection, We Are Changed to Deer at the Broken Place, depicts a non-binary experience that does not receive nearly enough representation in the literary landscape. While such an assertion would be factual, this kind of reading would underestimate Weber’s poetic gifts and the full range of the philosophical implications for her work. Weber writes, “What pulls a woman like me / out here alone, they want to know?” As she teases out possible answers to this question, Weber reveals—with remarkable lyricism and grace—the danger, richness, and multiplicity housed within solitary experience and within the individual subject. Adriana Cavererro, the famed scholar of vocal expression, once noted that thought itself is a collective endeavor, made possible by a shared cultural imagination. Weber reveals self as world, self as community in poems that situate an inherited tradition in conversation with postmodern innovation and undertheorized, urgently important concepts of identity. This is an unforgettable first book.
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We Are Not Wearing Helmets
Poems
Cheryl Boyce-Taylor
Northwestern University Press, 2022
We Are Not Wearing Helmets is a collection of political love poems rendered through the eyes of Cheryl Boyce‑Taylor, an immigrant living in New York City. For many women of color, aging in America means experiencing a lack of proper medical treatment, inhumane living conditions, poor nutrition, and often isolation. Many seniors feel thrown away, useless, and vulnerable. These poems challenge the injustices of ageism, racism, and oppression with rage, forgiveness, honor, and endurance. During these rough political times, they are salve and balm.
 
Born in Trinidad and having grown up in Queens, Boyce‑Taylor creates a framework for her own experience out of the life experiences and work of beloved Black women in history. She salutes the women who have lifted her, including Audre Lorde, Fannie Lou Hamer, Ntozake Shange, and Winnie Mandela, as well as her mother, Eugenia Boyce, and her beloved daughter‑in‑law, Deisha Head Taylor.
 
The poems in this collection are unapologetic, fierce, and confrontational while remaining caring and intimate. They stand strong in the face of adversity and boldly demand what is owed while still honoring and cherishing what is loved.
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"We Met in Paris"
Grace Frick and Her Life with Marguerite Yourcenar
Joan E. Howard
University of Missouri Press, 2020
Grace Frick introduced English-language readers all over the world to the distinguished French author Marguerite Yourcenar with her award-winning translation of Yourcenar’s novel Memoirs of Hadrian in 1954. European biographies of Yourcenar have often disparaged Frick and her relationship with Yourcenar, however. This work shows Frick as a person of substance in her own right, and paints a portrait of both women that is at once intimate and scrupulously documented. It contains a great deal of new information that will disrupt long-held beliefs about Yourcenar and may even shock some of her scholars and fans.
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We Will Always Be Here
A Guide to Exploring and Understanding the History of LGBTQ+ Activism in Wisconsin
Jenny Kalvaitis
Wisconsin Historical Society Press, 2021
This inspiring and educational book presents examples of LGBTQ+ activism throughout Wisconsin’s history for young people to explore and discuss. Drawing from a rich collection of primary sources—including diary entries, love letters, zines, advertisements, oral histories, and more—the book provides a jumping-off point for readers who are interested in learning more about LGBTQ+ history and activism, as well as for readers who want to build on the work of earlier activists.

We Will Always Be Here shines a light on powerful and often untold stories from Wisconsin’s history, featuring individuals across a wide spectrum of identities and from all corners of the state. The LGBTQ+ people, allies, and activists in this guide changed the world by taking steps that young people can take today—by educating themselves, telling their own stories, being true to themselves, building communities, and getting active. The aim of this celebratory book is not only to engage young people in Wisconsin’s LGBTQ+ history, but also to empower them to make positive change in the world.
 
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The Weather in Proust
Eve Kosofsky Sedgwick
Duke University Press, 2012
The Weather in Proust gathers pieces written by the eminent critic and theorist Eve Kosofsky Sedgwick in the last decade of her life, as she worked toward a book on Proust. This book takes its title from the first essay, a startlingly original interpretation of Proust. By way of Neoplatonism, Buddhism, and the work of Melanie Klein, Sedgwick establishes the sense of refreshment and surprise that the author of the Recherche affords his readers. Proust also figures in pieces on the poetry of C. P. Cavafy, object relations, affect theory, and Sedgwick’s textile art practices. More explicitly connected to her role as a pioneering queer theorist are an exuberant attack against reactionary refusals of the work of Guy Hocquenghem and talks in which she lays out her central ideas about sexuality and her concerns about the direction of US queer theory. Sedgwick lived for more than a dozen years with a diagnosis of terminal cancer; its implications informed her later writing and thinking, as well as her spiritual and artistic practices. In the book’s final and most personal essay, she reflects on the realization of her impending death. Featuring thirty-seven color images of her art, The Weather in Proust offers a comprehensive view of Sedgwick’s later work, underscoring its diversity and coherence.
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Whale Aria
Rajiv Mohabir
Four Way Books
“For seasons I was faceless // trying to swallow constellations, / to roll a star-map on my tongue,” recounts Rajiv Mohabir’s speaker in “Boy with Baleen for Teeth.” As formally visionary and acoustically attuned as ever, Mohabir has composed an interspecies opera in Whale Aria. This collection examines the humpback whale as a zoomorphic analog of the queer, brown, migratory speaker breaching these pages; just as a person navigates postcolonial queerness across geopolitical boundaries, traveling from India to Guyana to London to New York to Honolulu, these singular cetaceans wander through disparate waters. Undersea, whales call to one another through their marine music, and, using the documented structure of humpback vocalizations, Mohabir translates the syntax of their songs into poetry. In our search for meaning, in our call and response, kinship resonates; “the echo is amniotic.” “Once you immerse yourself in unending strains / the tones will haunt you: // ghosts spouting sohars you’ve called / since childhood.” Fluid and inexorable as the ocean, Whale Aria articulates the confluence of ecological fate and human history. In “Why Whales Are Back in New York City,” Mohabir notes the coincidence of current events: humpback migration returns to Queens for the first time in a century while the state expedites deportations of undocumented people in the same burrough. The language shared by human and marine creatures in these poems, however, promise that the tides will turn. “Our songs will pierce the dark / fathoms,” Mohabir underscores the eternity of water. “Behold the miracle: // what was once lost / now leaps before you.” 
 
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What Do Gay Men Want?
An Essay on Sex, Risk, and Subjectivity
David M. Halperin
University of Michigan Press, 2010

“Compelling, timely, and provocative. The writing is sleek and exhilarating. It doesn’t waste time telling us what it will do or what it has just done—it just does it.”
—Don Kulick, Professor of Anthropology, New York University

How we can talk about sex and risk in the age of barebacking—or condomless sex—without invoking the usual bogus and punitive clichés about gay men’s alleged low self-esteem, lack of self-control, and other psychological “deficits”? Are there queer alternatives to psychology for thinking about the inner life of homosexuality? What Do Gay Men Want? explores some of the possibilities.

Unlike most writers on the topic of gay men and risky sex, David Halperin liberates gay male subjectivity from psychology, demonstrating the insidious ways in which psychology’s defining opposition between the normal and the pathological subjects homosexuality to medical reasoning and revives a whole set of unexamined moral assumptions about “good” sex and “bad” sex.

In particular, Halperin champions neglected traditions of queer thought, including both literary and popular discourses, by drawing on the work of well-known figures like Jean Genet and neglected ones like Marcel Jouhandeau. He shows how the long history of of gay men’s uses of “abjection” can offer an alternative, nonmoralistic model for thinking about gay male subjectivity, something which is urgently needed in the age of barebacking.

Anyone searching for nondisciplinary ways to slow the spread of HIV/AIDS among gay men—or interested in new modes of thinking about gay male subjectivity—should read this book.

David M. Halperin is W. H. Auden Collegiate Professor of the History and Theory of Sexuality, Professor of English, Professor of Women’s Studies, Professor of Comparative Literature, and Adjunct Professor of Classical Studies at the University of Michigan.

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What Drowns the Flowers in Your Mouth
A Memoir of Brotherhood
Rigoberto González
University of Wisconsin Press, 2018
Burdened by poverty, illiteracy, and vulnerability as Mexican immigrants to California's Coachella Valley, three generations of González men turn to vices or withdraw into depression. As brothers Rigoberto and Alex grow to manhood, they are haunted by the traumas of their mother's early death, their lonely youth, their father's desertion, and their grandfather's invective. Rigoberto's success in escaping—first to college and then by becoming a writer—is blighted by his struggles with alcohol and abusive relationships, while Alex contends with difficult family relations, his own rocky marriage, and fatherhood.

Descending into a dark emotional space that compromises their mental and physical health, the brothers eventually find hope in aiding each other. This is an honest and revealing window into the complexities of Latino masculinity, the private lives of men, and the ways they build strength under the weight of grief, loss, and despair.
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When Language Broke Open
An Anthology of Queer and Trans Black Writers of Latin American Descent
Edited by Alan Pelaez Lopez
University of Arizona Press, 2023
When Language Broke Open collects the creative offerings of forty-five queer and trans Black writers of Latin American descent who use poetry, prose, and visual art to illustrate Blackness as a geopolitical experience that is always changing. Telling stories of Black Latinidades, this anthology centers the multifaceted realities of the LGBTQ community.

By exploring themes of memory, care, and futurity, these contributions expand understandings of Blackness in Latin America, the Caribbean, and their U.S.-based diasporas. The volume offers up three central questions: How do queer and/or trans Black writers of Latin American descent address memory? What are the textures of caring, being cared for, and accepting care as Black queer and/or trans people of Latin American descent? And how do queer and trans embodiments help us understand and/or question the past and the present, and construct a Black, queer, and trans future?

The works collected in this anthology encompass a multitude of genres—including poetry, autobiography, short stories, diaries, visual art, and a graphic memoir—and feature the voices of established writers alongside emerging voices. Together, the contributors challenge everything we think we know about gender, sexuality, race, and what it means to experience a livable life.
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Where Bones Dance
An English Girlhood, An African War
Nina Newington
University of Wisconsin Press, 2007
     In this stunning debut novel, a child dissects the darkness at the heart of her British diplomatic family. Living in Nigeria on the brink of civil war, Anna—also known as Jake—becomes blood brothers with Dave, the Korean American daughter of a C.I.A. operative. They do push-ups, collect pornography, and plot lives of unmarried freedom while around them a country disintegrates. Luscious, terrifying, and raw, Nigeria itself becomes a lesson in endurance, suffering, love. 
     Stories are layered upon stories: Anna's grandmother tells stories about life as a white woman on the Gold Coast; the clairvoyant and closeted "Aunt" Elsie gives Anna a story of transformation to hold onto in the coming tumult of adolescence. Yet Where Bones Dance also spirals down to the stories that are not told—sexual abuse, the myth of benign colonialism, the chaos of postcolonial Africa. Sensual and fantastical by turns, this moving, funny, immensely readable book delivers an understanding of the interplay of sexuality, gender, race, and war that is sophisticated beyond the years of its intrepid narrator.
 
Winner, Georges Bugnet Award for Novel, Alberta Literary Awards, Writers Guild of Alberta

Best Books for General Audiences, selected by the American Association of School Librarians and the Public Library Association
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With Her Machete in Her Hand
Reading Chicana Lesbians
By Catrióna Rueda Esquibel
University of Texas Press, 2006

With the 1981 publication of the groundbreaking anthology This Bridge Called My Back: Writings by Radical Women of Color, Cherríe Moraga and Gloria Anzaldúa ushered in an era of Chicana lesbian writing. But while these two writers have achieved iconic status, observers of the Chicana/o experience have been slow to perceive the existence of a whole community—lesbian and straight, male as well as female—who write about the Chicana lesbian experience. To create a first full map of that community, this book explores a wide range of plays, novels, and short stories by Chicana/o authors that depict lesbian characters or lesbian desire.

Catrióna Rueda Esquibel starts from the premise that Chicana/o communities, theories, and feminisms cannot be fully understood without taking account of the perspectives and experiences of Chicana lesbians. To open up these perspectives, she engages in close readings of works centered around the following themes: La Llorona, the Aztec Princess, Sor Juana Inés de la Cruz, girlhood friendships, rural communities and history, and Chicana activism. Her investigation broadens the community of Chicana lesbian writers well beyond Moraga and Anzaldúa, while it also demonstrates that the histories of Chicana lesbians have had to be written in works of fiction because these women have been marginalized and excluded in canonical writings on Chicano life and experience.

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Women Lovers, or The Third Woman
Natalie Clifford Barney, Edited and translated by Chelsea Ray, Introduction by Melanie C. Hawthorne
University of Wisconsin Press, 2016
This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle époque Paris. In this barely disguised roman à clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the “third woman.” Never before published in English, and only recently published in French, this modernist, experimental work has been brought to light by Chelsea Ray’s research and translation.
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The Worst Thing of All Is the Light
José Luis Serrano
Seagull Books, 2023
A metafictional novel about two intertwined stories of love that seek to perpetuate themselves in history.

The Worst Thing of All Is the Light tells two stories. First, that of the friendship of two heterosexual men, Koldo and Edorta, through the decades of the late twentieth century in Spain’s Basque Country. In the book Edorta writes in order to try and save from oblivion his relationship with Koldo—a bond for which the word “friendship” falls short yet for which he is too afraid to use the word “love.” It is the story of two men who are in love and don’t know it, or don’t want to know it. The second story is that of its author, José Luis Serrano, in the present day as he enjoys his summer holiday in the same Basque Country and talks with his husband at length about many different things, but mostly about how to narrate the relationship of Koldo and Edorta, two men who did not allow themselves to construct the domestic life that their counterparts enjoy today. Together these stories show a love that the lovers hope will outlive them, a love that is the same even if we give it different labels.
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The Wounded Heart
Writing on Cherríe Moraga
By Yvonne Yarbro-Bejarano
University of Texas Press, 2001

In her work as poet, essayist, editor, dramatist, and public intellectual, Chicana lesbian writer Cherríe Moraga has been extremely influential in current debates on culture and identity as an ongoing, open-ended process. Analyzing the "in-between" spaces in Moraga's writing where race, gender, class, and sexuality intermingle, this first book-length study of Moraga's work focuses on her writing of the body and related material practices of sex, desire, and pleasure.

Yvonne Yarbro-Bejarano divides the book into three sections, which analyze Moraga's writing of the body, her dramaturgy in the context of both dominant and alternative Western theatrical traditions, and her writing of identities and racialized desire. Through close textual readings of Loving in the War Years, Giving Up the Ghost, Shadow of a Man, Heroes and Saints, The Last Generation, and Waiting in the Wings, Yarbro-Bejarano contributes to the development of a language to talk about sexuality as potentially empowering, the place of desire within politics, and the intricate workings of racialized desire.

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Writing Desire
Sixty Years of Gay Autobiography
Bertram J. Cohler
University of Wisconsin Press, 2007
     Exploring nearly sixty years of memoir and autobiography, Writing Desire examines the changing identity of gay men writing within a historical context. Distinguished scholar and psychoanalyst Bertram J. Cohler has carefully selected a diverse group of ten men, including historians, activists, journalists, poets, performance artists, and bloggers, whose life writing evokes the evolution of gay life in twentieth-century America. 
     By contrasting the personal experience of these disparate writers, Cohler illustrates the social transformations that these men helped shape. Among Cohler's diverse subjects is Alan Helms, whose journey from Indiana to New York's gay society represents the passage of men who came of age in the 1950s and 1960s, when homosexuality was considered a hidden "disease." The liberating effects of Stonewall's aftermath are chronicled in the life of Arnie Kantrowitz, the prototypical activist for gay rights in the 1970s and the founder the Gay and Lesbian Alliance against Defamation. The artistic works of Tim Miller and Mark Doty evoke loss and shock during of the early stages of the AIDS epidemic in the 1980s. Cohler rounds out this collective group portrait by looking at the newest generation of writers in the Internet age via the blog of BrYaN, who did the previously unthinkable: he "outed" himself to millions of people. 
     A compelling mix of social history and personal biography, Writing Desire distills the experience of three generations of gay America.
 
 
Finalist, LGBT Studies, Lambda Literary Foundation
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Writing the Love of Boys
Origins of Bishonen Culture in Modernist Japanese Literature
Jeffrey Angles
University of Minnesota Press, 2010
Despite its centuries-long tradition of literary and artistic depictions of love between men, around the fin de siècle Japanese culture began to portray same-sex desire as immoral. Writing the Love of Boys looks at the response to this mindset during the critical era of cultural ferment between the two world wars as a number of Japanese writers challenged the idea of love and desire between men as pathological.

Jeffrey Angles focuses on key writers, examining how they experimented with new language, genres, and ideas to find fresh ways to represent love and desire between men. He traces the personal and literary relationships between contemporaries such as the poet Murayama Kaita, the mystery writers Edogawa Ranpo and Hamao Shiro, the anthropologist Iwata Jun’ichi, and the avant-garde innovator Inagaki Taruho.

Writing the Love of Boys shows how these authors interjected the subject of male–male desire into discussions of modern art, aesthetics, and perversity. It also explores the impact of their efforts on contemporary Japanese culture, including the development of the tropes of male homoeroticism that recur so often in Japanese girls’ manga about bishonen love.
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Wrong
A Critical Biography of Dennis Cooper
Diarmuid Hester
University of Iowa Press, 2020

Dennis Cooper is one of the most inventive and prolific artists of our time. Working in a variety of forms and media since he first exploded onto the scene in the early 1970s, he has been a punk poet, a queercore novelist, a transgressive blogger, an indie filmmaker—each successive incarnation more ingenious and surprising than the last. Cooper’s unflinching determination to probe the obscure, often violent recesses of the human psyche have seen him compared with literary outlaws like Rimbaud, Genet, and the Marquis de Sade.

In this, the first book-length study of Cooper’s life and work, Diarmuid Hester shows that such comparisons hardly scratch the surface. A lively retrospective appraisal of Cooper’s fifty-year career, Wrong tracks the emergence of Cooper’s singular style alongside his participation in a number of American subcultural movements like New York School poetry, punk rock, and radical queercore music and zines. Using extensive archival research, close readings of texts, and new interviews with Cooper and his contemporaries, Hester weaves a complex and often thrilling biographical narrative that attests to Cooper’s status as a leading figure of the American post­–War avant-garde.

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