front cover of Elusive Justice
Elusive Justice
Women, Land Rights, and Colombia's Transition to Peace
Donny Meertens
University of Wisconsin Press, 2019
Fifty years of violence perpetrated by guerrillas, paramilitaries, and official armed forces in Colombia displaced more than six million people. In 2011, as part of a larger transitional justice process, the Colombian government approved a law that would restore land rights for those who lost their homes during the conflicts. However, this restitution process lacked appropriate provisions for rural women beyond granting them a formal property title.

Drawing on decades of research, Elusive Justice demonstrates how these women continue to face numerous adverse circumstances, including geographical isolation, encroaching capitalist enterprises, and a dearth of social and institutional support. Donny Meertens contends that women's advocacy organizations must have a prominent role in overseeing these transitional policies in order to create a more just society. By bringing together the underresearched topic of property repayment and the pursuit of gender justice in peacebuilding, these findings have broad significance elsewhere in the world.
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front cover of Emancipation of the Polish Peasantry
Emancipation of the Polish Peasantry
Stefan Kieniewicz
University of Chicago Press, 1969

Captured in this study are the complexity and fascination of one hundred and fifty years of Polish political, cultural, and socioeconmic history. The author traces the course of peasant emancipation in Poland from its beginnings during the Enlightenment to its aftermath in the cultural awakening of the peasantry during the half century prior to World War I and shows how the peasant question played a vital role in the struggle for independence in partitioned Poland.

The book synthesizes, for the first time in any language, the work of leading Polish historians during the present century. It presents a clear analysis of the disintegration of  the economic system based on serfdom and compulsory labor prevalent in feudal Poland and traces the emergence of modern capitalist conditions, including wage labor and independent property rights.

Also analyzed is the role of foreign goverments in the emacipation process. The freeing of the serfs took place during a period when all or most of the country was under the rule of Russia, Prussia, or Austria. Although emancipation was due primarily to economic forces withing Poland, it was hastened by peasant resistance and the national struggle for political independence led by Polish patriots who demanded far-reaching social reforms.

This comprehensive study provides valuable information not only to those with a particular interest in Poland but also to scholars concerned with the parallel problems in Russia andother Eastern Eurpean countries, to specialists in agrarian history, and to students of Eastern European history who lack adequate reading materials in English.

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front cover of Encounters on Contested Lands
Encounters on Contested Lands
Indigenous Performances of Sovereignty and Nationhood in Québec
Julie Burelle
Northwestern University Press, 2019
Winner, 2019 John W. Frick Book Award
Winner, 2020 Ann Saddlemyer Award
Finalist, ATHE Outstanding Book Award for 2020
Mention Spéciale, Société québécoise d'études théâtrale


In Encounters on Contested Lands, Julie Burelle employs a performance studies lens to examine how instances of Indigenous self-representation in Québec challenge the national and identity discourses of the French Québécois de souche—the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized and rightfully belonging to the territory of Québec. 

Analyzing a wide variety of performances, Burelle brings together the theater of Alexis Martin and the film L'Empreinte, which repositions the French Québécois de souche as métis, with protest marches led by Innu activists; the Indigenous company Ondinnok's theater of repatriation; the films of Yves Sioui Durand, Alanis Obomsawin, and the Wapikoni Mobile project; and the visual work of Nadia Myre. These performances, Burelle argues, challenge received definitions of sovereignty and articulate new ones while proposing to the province and, more specifically, to the French Québécois de souche, that there are alternative ways to imagine Québec's future and remember its past. 

The performances insist on Québec's contested nature and reframe it as animated by competing sovereignties. Together they reveal how the "colonial present tense" and "tense colonial present" operate in conjunction as they work to imagine an alternative future predicated on decolonization. Encounters on Contested Lands engages with theater and performance studies while making unique and needed contributions to Québec and Canadian studies, as well as to Indigenous and settler-colonial studies.
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