2024 PROSE Award in Architecture and Urban Planning

An on-the-ground account of the design and evolution of West Bank settlements, showing how one of the world’s most contested landscapes was produced by unexpected conflicts and collaborations among widely divergent actors.

Since capturing the West Bank in 1967, Israel has overseen the construction of scores of settlements across the territory’s rocky hilltops. The settlements are part of a fierce political conflict. But they are not just hotly contested political ventures. They are also something more everyday: residential architectural projects.

In the Land of the Patriarchsis an on-the-ground account of the design and evolution of West Bank settlements. Noam Shoked shows how settlements have been shaped not only by the decisions of military generals, high-profile politicians, and prominent architects but also by a wide range of actors, including real estate developers, environmental consultants, amateur archeologists, and Israelis who felt unserved by the country’s housing system. The patterns of design and construction they have inspired reflect competing worldviews and aesthetic visions, as well as everyday practices not typically associated with the politics of the Israeli occupation. Revealing the pragmatic choices and contingent circumstances that drive what appears to be a deliberately ideological landscape, Shoked demonstrates how unpredictable the transformation of political passion into brick and mortar can be.

In the mid-2010s, a passionate community of Los Angeles-based storytellers, media artists, and tech innovators formed around virtual reality (VR), believing that it could remedy society’s ills. Lisa Messeri offers an ethnographic exploration of this community, which conceptualized VR as an “empathy machine” that could provide glimpses into diverse social realities. She outlines how, in the aftermath of #MeToo, the backlash against Silicon Valley, and the turmoil of the Trump administration, it was imagined that VR—if led by women and other marginalized voices—could bring about a better world. Messeri delves into the fantasies that allowed this vision to flourish, exposing the paradox of attempting to use a singular VR experience to mend a fractured reality full of multiple, conflicting social truths. She theorizes this dynamic as unreal, noting how dreams of empathy collide with reality’s irreducibility to a “common” good. With In the Land of the Unreal, Messeri navigates the intersection of place, technology, and social change to show that technology alone cannot upend systemic forces attached to gender and race.

This publication is supported by a generous grant from the Confederated Tribes of Grand Ronde through their Cultural Resources Publication Sponsorship Program

Instead of discovering a land blanketed by dense forests, early explorers of the Pacific Northwest encountered a varied landscape including open woods, meadows, and prairies. Far from a pristine wilderness, much of the Northwest was actively managed and shaped by the hands of its Native American inhabitants. Their primary tool was fire.

This volume takes an interdisciplinary approach to one of the most important issues concerning Native Americans and their relationship to the land. Over more than 10,000 years, Native Americans in the Northwest learned the intricacies of their local environments and how to use fire to create desired effects, mostly in the quest for food.

Drawing on historical journals, Native American informants, and ethnobotanical and forestry studies, this book’s contributors describe local patterns of fire use in eight ecoregions, representing all parts of the Native Northwest, from southwest Oregon to British Columbia and from Puget Sound to the Northern Rockies. Their essays provide glimpses into a unique understanding of the environment, one that draws on traditional ecological knowledge. Together, these writings also offer historical perspective on the contemporary debate over “prescribed burning” and management of public lands.

This updated edition includes a foreword by Frank K. Lake and a new epilogue by editor Robert T. Boyd. Contributors include Stephen Arno, Stephen Barrett, Theresa Ferguson, David French, Eugene Hunn, Leslie Johnson, Jeff LaLande, Estella Leopold, Henry Lewis, Helen H. Norton, Reg Pullen, William Robbins, John Ross, Nancy Turner, and Richard White.