front cover of Walking the Land, Feeding the Fire
Walking the Land, Feeding the Fire
Knowledge and Stewardship Among the Tlicho Dene
By Allice Legat; Foreword by Joanne Barnaby
University of Arizona Press, 2012

In the Dene worldview, relationships form the foundation of a distinct way of knowing. For the Tlicho Dene, indigenous peoples of Canada's Northwest Territories, as stories from the past unfold as experiences in the present, so unfolds a philosophy for the future. Walking the Land, Feeding the Fire vividly shows how—through stories and relationships with all beings—Tlicho knowledge is produced and rooted in the land.

Tlicho-speaking people are part of the more widespread Athapaskan-speaking community, which spans the western sub-arctic and includes pockets in British Columbia, Alberta, California, and Arizona. Anthropologist Allice Legat undertook this work at the request of Tlicho Dene community elders, who wanted to provide younger Tlicho with narratives that originated in the past but provide a way of thinking through current critical land-use issues. Legat illustrates that, for the Tlicho Dene, being knowledgeable and being of the land are one and the same.

Walking the Land, Feeding the Fire marks the beginning of a new era of understanding, drawing both connections to and unique aspects of ways of knowing among other Dene peoples, such as the Western Apache. As Keith Basso did with his studies among the Western Apache in earlier decades, Legat sets a new standard for research by presenting Dene perceptions of the environment and the personal truths of the storytellers without forcing them into scientific or public-policy frameworks. Legat approaches her work as a community partner—providing a powerful methodology that will impact the way research is conducted for decades to come—and provides unique insights and understandings available only through traditional knowledge.


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front cover of Wedded to the Land?
Wedded to the Land?
Gender, Boundaries, and Nationalism in Crisis
Mary N. Layoun
Duke University Press, 2001
In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally different national crises form the center of her study: Greek refugees’ displacement from Asia Minor into Greece in 1922, the 1974 right-wing Cypriot coup and subsequent Turkish invasion of Cyprus, and the Palestinian and PLO expulsion from Beirut following the Israeli invasion in 1982.
Drawing on readings of literature and of official documents and decrees, songs, poetry, cinema, public monuments, journalism, and conversations with exiles, refugees, and public officials, Layoun uses each historical incident as a means of highlighting a recurring trope within constructs of nationalism. The displacement of the Greek refugees in the 1920s calls into question the very idea of home, as well as the desire for ethnic homogeneity within nations. She reads the Cypriot coup and invasion as an illustration of the gendering of nation and how the notion of the inviolable woman came to represent sovereignity. In her third example she shows how the Palestinian and PLO expulsion from Beirut highlights the ambiguity of the borders upon which many manifestations of nationalism putatively depend. These chapters are preceded and introduced by a discussion of “culturing the nation” and closed by a consideration of citizenship and silence in which Layoun discusses rights ostensibly possessed by all members of a political community.
This book will be of interest to scholars engaged in cultural and critical theory, Middle Eastern and Mediterranean history, literary studies, political science, postcolonial studies, and gender studies.
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front cover of Where The Sky Began
Where The Sky Began
Land of the Tallgrass Prairie
John Madson
University of Iowa Press, 2004
“It was a flowing emerald in spring and summer when the boundless winds ran across it, a tawny ocean under the winds of autumn, and a stark and painful emptiness when the great long winds drove in from the northwest. It was Beulahland for many; Gehenna for some. It was the tall prairie.”—from the “Prologue”

Originally published in 1982, Where the Sky Began, John Madson’s landmark publication, introduced readers across the nation to the wonders of the tallgrass prairie, sparking the current interest in prairie restoration. Now back in print, this classic tome will serve as inspiration to those just learning about the heartland’s native landscape and rekindle the passion of long-time prairie enthusiasts.
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front cover of Writing on the Soil
Writing on the Soil
Land and Landscape in Literature from Eastern and Southern Africa
Ng’ang’a Wahu-Muchiri
University of Michigan Press, 2023

Across contiguous nation-states in Eastern Africa, the geographic proximity disguises an ideological complexity. Land has meant something fundamental in the sociocultural history of each country. Those concerns, however, have manifested into varied political events, and the range of struggles over land has spawned a multiplicity of literary interventions. While Kenya and Uganda were both British colonies, Kenya's experience of settler land alienation made for a much more violent response against efforts at political independence. Uganda's relatively calm unyoking from the colonial burden, however, led to a tumultuous post-independence. Tanzania, too, like Kenya and Uganda, resisted British colonial administration—after Germany's defeat in World War 1.

In Writing on the Soil, author Ng’ang’a Wahu-Mũchiri argues that representations of land and landscape perform significant metaphorical labor in African literatures, and this argument evolves across several geographical spaces. Each chapter's analysis is grounded in a particular locale: western Kenya, colonial Tanganyika, post-independence Tanzania, Zimbabwe, Nairobi, Dar es Salaam, Anam Ka'alakol (Lake Turkana), Kampala, and Kitgum in Northern Uganda. Moreover, each section contributes to a deeper understanding of the aesthetic choices that authors make when deploying tropes revolving around land, landscape, and the environment. Mũchiri disentangles the numerous connections between geography and geopolitical space on the one hand, and ideology and cultural analysis on the other. This book embodies a multi-layered argument in the sphere of African critical scholarship, while adding to the growing field of African land rights scholarship—an approach that foregrounds the close reading of Africa’s literary canon.
 
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