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Garden as Art
Beatrix Farrand at Dumbarton Oaks
Thaïsa Way
Harvard University Press

Garden as Art: Beatrix Farrand at Dumbarton Oaks features essays and photographs of this remarkable landscape as a living and breathing work of art. Published on the occasion of the centennial of the Dumbarton Oaks Gardens in 2021, the book illuminates the stewardship of one of the most beautiful gardens on earth.

Edited by Thaïsa Way, this volume includes essays from scholars and practitioners as well as photographs by landscape photographer Sahar Coston-Hardy. The essays place the garden in the context of its historical surroundings, explore its archival significance, and reflect on its effects on the world of contemporary design. Accompanying the essays is a collection of newly commissioned photographs by Coston-Hardy that document the seasons and growth in the gardens over the course of a year and that invite the reader to contemplate the art of garden design and the remarkable beauty of the natural world. Archival images of the gardens offer a chronicle of evolving design concepts as well as illustrate how gardens change over time as living works of art. Garden as Art offers an inspiring view of a place that has been remarkably influential in design and the art of landscape architecture.

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Garden Culture of the Twentieth Century
Leberecht Migge
Harvard University Press, 2013
Leberecht Migge (1881-1935) was one of the most innovative landscape architects of the early twentieth century. With work ranging from large urban parks to housing settlements with allotment gardens, he sought to create functional green spaces that would not only meet the environmental challenges of the industrial metropolis but also improve the social conditions of modern life. Migge's notion of "garden culture" captured the essence of the progressive reform movements of early twentieth-century Germany and yet was unique in proposing a comprehensive role for open space planning within this vision. The nationalistic rhetoric of Garden Culture of the Twentieth Century marks it as a political tract of the late Kaiserreich, and its deep influence within the Siedlung communities of the Weimar era attests to its lasting cultural impact. Perhaps the book's greatest significance today lies in Migge's emphasis on the socioeconomic benefits of urban agriculture, which prefigured both this important contemporary trend as well as other recent developments in green technology and infrastructure. Modern readers will find echoes of a progressivism that many have taken to be of only recent origin and will gain a better understanding of the social and economic history of pre-World War I Germany.
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Garden History
Issues, Approaches, Methods
John Dixon Hunt
Harvard University Press, 1992

The study of garden history has grown rapidly over the last twenty years. This collection of essays explores the issues, methods, and approaches that students in landscape architecture have developed during that period to cope with the expanding subject of gardens and their history. The volume will serve as a bench mark in the field, with its range of approaches and wealth of illustrative material.

Each contributor focuses upon a specific piece of his or her research, and uses this as a basis to discuss the wider implications of the study of gardens within such contexts as botanical, horticultural, agrarian, literary, technological, social, culture, political, and art history. The historical and geographical range is also deliberately large: from ancient Greek and Roman gardens, through Islamic and Mughal examples, to nineteenth-century English estates; from India to Surry County, Virginia, from Versailles to Philadelphia.

Certain themes come to dominate the volume: the values of archeology to garden history and conservation; the different or even rival uses of literature, painting, archival, and other documentation; geographical understanding of territory; above all, the rich resources of gardens for historical study and the importance of landscape architectural history in its own right as a major contributor to humanistic knowledge.

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Gardening with Native Plants in the Upper Midwest
Bringing the Tallgrass Prairie Home
Judy Nauseef
University of Iowa Press, 2016
Want to have a garden that is both beautiful and biodiverse, satisfying and sustainable? In this book, long-time landscape designer Judy Nauseef shows gardeners in the upper Midwest how to restore habitat and diversity to their piece of the planet by making native plants part of well-designed, thoughtfully planned gardens. In contrast to most books about gardening with native plants, Nauseef provides specific regional information. Working against the backdrop of habitat and species losses in the tallgrass prairie states, she brings years of experience to creating landscapes that recall the now-vanished grasslands of the Midwest.

Nauseef emphasizes the need for careful planning and design to create comfortable, low-maintenance spaces that bring homeowners outside. Her designs solve problems such as a lack of privacy, shade, or sun; plan for water use; replace troublesome nonnative plants with native plants that attract pollinators; and enable homeowners to enjoy living sustainably on their land. Colorful photographs of projects around the Midwest show the wide range of possibilities, from newly created gardens using only native plants to traditional gardens that mix nonnative with native species. Whether you have a city yard, a suburban lot, or a rural acreage, there are ideas here for you, along with examples of well-designed landscapes in which native plants enhance paths, patios, pergolas, and steps.

Providing information on planting and maintaining native plants and prairies as well as seed and plant sources, organizations, and public arboretum and prairie sites, this book enables every gardener to master a new palette of plants and landforms. However small our personal landscapes, together they can slow the loss of many species of plants and wildlife and bring native flowers and grasses back where they belong. Ecologists, landscape architects and designers, master gardeners, landscape contractors, teachers, and home gardeners—everyone dedicated to conserving and improving our environment—will benefit from Nauseef’s approach. 
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Gardens and Cultural Change
A Pan-American Perspective
Michel Conan
Harvard University Press, 2007
Gardens contain time, culture, and nature. They are powerful symbolic spaces onto which a society can project its ideals, either to conjure or contrive cultural change, rooting them in the flow of natural processes. Five authors explore the variety of relationships between garden making and cultural change in Argentina, the Caribbean, Mexico, and the United States. They show how gardens express popular cultural invention and attempts at political manipulation, as well as provide places of cultural resistance by subjugated people. Issues of identity and ideology; political coercion and resistance apply equally throughout the continent, inviting a renewed attention to gardens as places where cultural identities are forged and contested.
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Gardens and Imagination
Cultural History and Agency
Michel Conan
Harvard University Press, 2008
From mirroring the true reality of God in Sufi Persia to the enjoyment of fictitious identities in Rome or present-day Granada, the ways of imagination in gardens are infinitely varied. This book explores how gardens could be imagined, and also how they could be used to trigger the imagination by very different cultures in Japan, China, Russia, the Ottoman Empire, Italy, Spain, and Israel. This multicultural approach reveals surprising features of the process of imagining a garden: the various aspects of the world that gardens may mirror, the role of cultural changes, and the unsuspected links between garden materiality, practices, and imagination. It reveals how garden imagination is fraught with ambiguities that give a sense of freedom to garden users but may entrap their thoughts within frames specific to each culture.
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The Gardens at San Lorenzo in Piacenza, 1656–1665
A Manuscript Planting Notebook with a Study, Transcription, and Translation
Ada V. Segre
Harvard University Press, 2006

This fascinating two-volume set includes a photographic reproduction of an anonymous seventeenth-century Italian gardener’s notebook from Dumbarton Oaks’s Rare Books Collection.

The notebook is a record of the planting of three flower gardens at San Lorenzo. It is now believed that the gardens were created for Margherita de’ Medici Farnese, duchess of Parma and Piacenza. The notebook provides insight into the creation of a seventeenth-century garden, from identifying flowers to planning flowerbeds. In turn, these sketches reveal the gardener’s own intentions and reflections on the designs.

Ada Segre’s accompanying study of the notebook is a groundbreaking example of garden archaeology. She considers its provenance and connection to the world of the duchess and her gardens. Segre also evaluates the importance of the manuscript as an object and as a source of information on garden design and practice in Italy during the mid-seventeenth century. Three computer-generated recreations of the garden’s planting beds are included with the reproduction.

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Gardens, City Life and Culture
A World Tour
Michel Conan
Harvard University Press, 2008

Gardens have exerted a deep influence on the culture of cities. Considering each city as a whole, this book presents the profoundly different roles of gardens in cultural development and social life.

Private and princely gardens, from Roman antiquity to approximately 1850, are considered, whether in China, India, the Ottoman Empire, Europe, or the United States. Turning to the subject of planning, the dire lack of a municipal garden policy is examined in contemporary Marrakech. In-depth evaluations of parks and garden planning reveal the successes and limitations of different policies in Stockholm, Tokyo, Kerala (India), historic Suzhou (China), and the U.S. New Towns of the 1960s. This book unveils an exciting domain of interplay between public and private action that is little known by citizen groups, city planners, and managers.

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The Gardens of Emily Dickinson
Judith Farrwith a chapter by Louise Carter
Harvard University Press, 2005

In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality.

Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today.

Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere.

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Gendered Places
The Landscape of Local Gender Norms across the United States
William J. Scarborough
Temple University Press, 2023

Every place has its quirky attributes, cultural reputation, and distinctive flair. But when we travel across America, do we also experience distinct gender norms and expectations? In his groundbreaking Gendered Places, William Scarborough examines metropolitan commuting zones to see how each region’s local culture reflects gender roles and gender equity. He uses surveys and social media data to measure multiple dimensions of gender norms, including expectations toward women in leadership, attitudes toward working mothers, as well as the division of household labor.

Gendered Places reveals that different locations, even within the same region of the country, such as Milwaukee and Madison Wisconsin, have distinct gender norms and highly influential cultural environments. Scarboroughshows how these local norms shape the attitudes and behaviors of residents with implications on patterns of inequality such as the gender wage gap. His findings offer valuable insight for community leaders and organizers making efforts to promote equality in their region. 

Scarboroughrecognizes local culture as not value-neutral, but highly crucial to the gender structure that perpetuates, or challenges, gender inequality. Gendered Places questions how these gender norms are sustained and their social consequences.

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Geography of the Gaze
Urban and Rural Vision in Early Modern Europe
Renzo Dubbini
University of Chicago Press, 2002
Geography of the Gaze offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to nineteenth centuries, Renzo Dubbini shows how developments in science, art, mapping, and visual epistemology affected the ways natural and artificial landscapes were perceived and portrayed.

He begins with the idea of the "view," explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners' charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the "picturesque" system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the ever-changing modern cityscapes inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. A marvelous history of viewing, Geography of the Gaze will interest everyone from scientists to artists.
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George Inness and the Science of Landscape
Rachael Ziady DeLue
University of Chicago Press, 2005
George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen."

Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right.

This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.
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George Washington Written Upon the Land
Nature, Memory, Myth, and Landscape
Philip Levy
West Virginia University Press, 2015

George Washington’s childhood is famously the most elusive part of his life story. For centuries biographers have struggled with a lack of period documentation and an absence of late-in-life reflection in trying to imagine Washington’s formative years. 

In George Washington Written upon the Land, Philip Levy explores this most famous of American childhoods through its relationship to the Virginia farm where much of it took place. Using approaches from biography, archaeology, folklore, and studies of landscape and material culture, Levy focuses on how different ideas about Washington’s childhood functioned—what sorts of lessons they sought to teach and how different epochs and writers understood the man and the past itself. 

In a suggestive and far-reaching final chapter, Levy argues that Washington was present at the onset of the Anthropocene—the geologic era when human activity began to have a significant impact on world ecosystems. Interpreting Washington’s childhood farm through the lens of “big” history, he encourages scholars to break down boundaries between science and social science and between human and nonhuman.

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Grammars of Approach
Landscape, Narrative, and the Linguistic Picturesque
Cynthia Wall
University of Chicago Press, 2019
In Grammars of Approach, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of “approach.” In architecture, the term “approach” changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate “through the most interesting part of the grounds,” as landscape designer Humphrey Repton put it.  The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At the same time, the grammatical and typographical landscape was shifting in tandem, away from objects and Things (and capitalized common Nouns) to the spaces in between, like punctuation and the “lesser parts of speech”. The implications for narrative included new patterns of syntactical architecture and the phenomenon of free indirect discourse. Wall examines the work of landscape theorists such as Repton, John Claudius Loudon, and Thomas Whately alongside travel narratives, topographical views, printers’ manuals, dictionaries, encyclopedias, grammars, and the novels of Defoe, Richardson, Burney, Radcliffe, and Austen to reveal a new landscaping across disciplines—new grammars of approach in ways of perceiving and representing the world in both word and image.
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Grand Excursions on the Upper Mississippi River
Places, Landscapes, and Regional Identity after 1854
Curtis C. & Elizabeth M. Roseman & Roseman
University of Iowa Press, 2004
In June 1854 the Grand Excursion celebrated in festive style the completion of the Chicago and Rock Island Railroad to the Mississippi River. Hundreds of dignitaries including newspaper editors and other journalists; politicians; academics, writers and artists; business and industry leaders; and railroad officials were among those who traveled by rail from Chicago to Rock Island, Illinois, then by steamboat to St. Paul in Minnesota Territory. The travelers were shown a region undergoing rapid settlement by Europeans—an area of great natural beauty offering many promises for additional development.

One hundred and fifty years later, the thirteen essays in this volume examine the activities and environments of the 1854 Grand Excursion and place them in the context of an evolving regional identity for the Upper Mississippi River Valley based on the economy, culture, geography, and history of the area. In a series of “excursions,” the contributors explore the building of the Chicago and Rock Island Railroad, eastern newspaper accounts of the 1854 excursion, steamboating, the area’s pictorial landscape, passenger trains along the scenic river, the genesis and features of river towns, the control of the river for navigation, the development of preserves, parks, and recreation areas, the lumber industry, and commercial fishing. The book concludes by examining the resurgence of river-oriented development, as river towns are once again embracing the Mississippi.

Generously illustrated with maps, engravings, ephemera, and historic and present-day photographs, Grand Excursions on the Upper Mississippi River will be of interest to tourists and residents of the area, river aficionados, railroad and steamboat history buffs, as well as academics interested in the history, geography, and regional development of the area.
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Green Infrastructure
Linking Landscapes and Communities
Mark A. Benedict and Edward T. McMahon; The Conservation Fund
Island Press, 2006
With illustrative and detailed examples drawn from throughout the country, Green Infrastructure advances smart land conservation: large scale thinking and integrated action to plan, protect and manage our natural and restored lands. From the individual parcel to the multi-state region, Green Infrastructure helps each of us look at the landscape in relation to the many uses it could serve, for nature and people, and determine which use makes the most sense.

In this wide-ranging primer, leading experts in the field provide a detailed how-to for planners, designers, landscape architects, and citizen activists

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