logo for Harvard University Press
Early Christian Rhetoric
The Language of the Gospel
Amos N. Wilder
Harvard University Press, 1971

Amos Wilder’s study of early Christian rhetoric, first published in this country and in England in 1964, was hailed as the basic work on the literary art of the New Testament, important for its analysis of oral forms and for its insight into the novelty of New Testament speech.

The Tale Review commented, “Wilder brings to this study of New Testament language not only the ability of a recognized scholar in that field, but also a long-standing and well-informed interest in the broader literary picture. Working both these interests simultaneously, he argues that form and content in the language of the New Testament are integrally related… Here is nontechnical writing on the New Testament at its best, a book which should be of general interest to a large circle of readers, and it is a pleasure to note that for words the author’s hand is as keen as his eye.”

In his introduction to this reissue, Mr. Wilder explains more particularly the aim and method of the work, discusses the significance of his approach in current biblical interpretation, and considers some recent developments in the specifically “literary” and rhetorical aspects of New Testament study.

[more]

front cover of Early Literacy
Early Literacy
Joan Brooks McLane and Gillian Dowley McNamee
Harvard University Press, 1990

Four-year-old Joshua challenges his father to a game: Can he come downstairs before Joshua writes the word to? Rachel, two and a half, makes a series of wavy lines on a piece of paper and calls it a “thank-you letter to Grandma.” In Early Literacy Joan McLane and Gillian McNamee explore the ways young children like Joshua and Rachel begin to learn about written language. Becoming literate requires mastering a complex set of skills, behaviors, and attitudes that makes it possible to receive and communicate meaning through the written word. McLane and McNamee provide a fresh examination of this process in light of recent research.

The authors look closely at what young children do with writing and reading. As children play with making marks on paper and listen to stories being read aloud, they begin to discover uses and purposes for written language. They learn that they can use writing to communicate with people they care about and that reading story books opens up new ideas and experiences. As children experiment with writing and reading in their talking, drawing, and pretend play, they can build “bridges to literacy.”

The authors emphasize the importance of children's relationships with significant adults and peers for growth in literacy. They also devote chapters to early literacy development at home and in the neighborhood, and in preschool and kindergarten settings. In one daycare center for inner-city children, for example, where a favorite activity is dictating and acting out stories, children become active participants in a community of readers and writers—a literate culture.

Through its clear and concise discussion of young children's growth toward literacy, and its examples of the contexts that encourage and enrich that growth, Early Literacy will serve as a valuable resource for parents, teachers, and others who work or play with young children.

[more]

front cover of Ecopoetics
Ecopoetics
The Language of Nature, the Nature of Language
Scott Knickerbocker
University of Massachusetts Press, 2012
Ecocritics and other literary scholars interested in the environment have tended to examine writings that pertain directly to nature and to focus on subject matter more than expression. In this book, Scott Knickerbocker argues that it is time for the next step in ecocriticism: scholars need to explore the figurative and aural capacity of language to evoke the natural world in powerful ways.

Ecopoetics probes the complex relationship between artifice and the natural world in the work of modern American poets—in particular Wallace Stevens, Elizabeth Bishop, Richard Wilbur, and Sylvia Plath. These poets relate to nature as a deep wellspring of meaning, although they all avoid using language the way most nature writers do, merely to reflect or refer directly to the world. Each of these poets, in his or her own distinct way, employs instead what Knickerbocker terms sensuous poesis, the process of rematerializing language through sound effects and other formal devices as a sophisticated response to nonhuman nature.

Rather than attempt to erase the artifice of their own poems, to make them seem more natural and thus supposedly closer to nature, the poets in this book unapologetically embrace artifice—not for its own sake but in order to perform and enact the natural world. Indeed, for them, artifice is natural. In examining their work, Knickerbocker charts a new direction for ecocriticism.
[more]

front cover of The Eloquent Shakespeare
The Eloquent Shakespeare
A Pronouncing Dictionary for the Complete Dramatic Works with Notes to Untie the Modern Tongue
Gary Logan
University of Chicago Press, 2008
An actor’s deepest desire is to be understood. But when asked to pronounce such words as “chanson,” “phantasime,” or “quaestor,” many otherwise unflappable actors can be rendered speechless.
 
The Eloquent Shakespeare aims to untie those tongues and help anyone speak Shakespeare’s language with ease. More than 17,500 entries make it the most comprehensive pronunciation guide to Shakespeare’s words, from the common to the arcane. Each entry is written in the International Phonetic Alphabet (IPA) and represents standard American pronunciations, making this dictionary perfect for North American professionals or non-native speakers of American English.
 
Renowned Shakespearean voice and text coach Gary Logan has spent years teaching Shakespeare’s works to some of the best actors in the world. His book includes proper names, foreign words and phrases, as well as an extensive introduction that covers everything from how to interpret the entries to scansion dynamics. Designed especially for actors, directors, stage managers, and teachers, The Eloquent Shakespeare is a one-of-a-kind resource for performing Shakespeare’s dramatic works.
[more]

front cover of Embodied Rhetorics
Embodied Rhetorics
Disability in Language and Culture
Edited by James C. Wilson and Cynthia Lewiecki-Wilson
Southern Illinois University Press, 2001

Presenting thirteen essays, editors James C. Wilson and Cynthia Lewiecki-Wilson unite the fields of disability studies and rhetoric to examine connections between disability, education, language, and cultural practices. Bringing together theoretical and analytical perspectives from rhetorical studies and disability studies, these essays extend both the field of rhetoric and the newer field of disability studies.

The contributors span a range of academic fields including English, education, history, and sociology. Several contributors are themselves disabled or have disabled family members. While some essays included in this volume analyze the ways that representations of disability construct identity and attitudes toward the disabled, other essays use disability as a critical modality to rethink economic theory, educational practices, and everyday interactions. Among the disabilities discussed within these contexts are various physical disabilities, mental illness, learning disabilities, deafness, blindness, and diseases such as multiple sclerosis and AIDS.

[more]

front cover of Emily Dickinson
Emily Dickinson
A Poet’s Grammar
Cristanne Miller
Harvard University Press, 1987

In this inventive work on Emily Dickinson’s poetry, Cristanne Miller traces the roots of Dickinson’s unusual, compressed, ungrammatical, and richly ambiguous style, finding them in sources as different as the New Testament and the daily patterns of women’s speech. Dickinson writes as she does both because she is steeped in the great patriarchal texts of her culture, from the Bible and hymns to Herbert’s poetry and Emerson’s prose, and because she is conscious of writing as a woman in an age and culture that assume great and serious poets are male.

Miller observes that Dickinson’s language deviates from normal construction along definable and consistent lines; consequently it lends itself to the categorical analysis of an interpretive “grammar” such as the one she has constructed in this book. In order to facilitate the reading of Dickinson’s poems and to reveal the values and assumptions behind the poet’s manipulations of language, Miller examines in this grammar how specific elements of the poet’s style tend to function in various contexts. Because many, especially modernist, poets use some of the same techniques, the grammar throws light on the poetic syntax of other writers as well.

In the course of her analysis, Miller draws not only on traditional historical and linguistic sources but also on current sociolinguistic studies of gender and speech and on feminist descriptions of women’s writing. Dickinson’s language, she concludes, could almost have been designed as a model for twentieth-century theories of what a women’s language might be. As a critical examination of the relationship between linguistic style and literary identity in America’s greatest woman poet, Emily Dickinson: A Poet’s Grammar provides a significant addition to feminist literary studies.

[more]

front cover of Enumerations
Enumerations
Data and Literary Study
Andrew Piper
University of Chicago Press, 2018
For well over a century, academic disciplines have studied human behavior using quantitative information. Until recently, however, the humanities have remained largely immune to the use of data—or vigorously resisted it. Thanks to new developments in computer science and natural language processing, literary scholars have embraced the quantitative study of literary works and have helped make Digital Humanities a rapidly growing field. But these developments raise a fundamental, and as yet unanswered question: what is the meaning of literary quantity?
          In Enumerations, Andrew Piper answers that question across a variety of domains fundamental to the study of literature. He focuses on the elementary particles of literature, from the role of punctuation in poetry, the matter of plot in novels, the study of topoi, and the behavior of characters, to the nature of fictional language and the shape of a poet’s career. How does quantity affect our understanding of these categories? What happens when we look at 3,388,230 punctuation marks, 1.4 billion words, or 650,000 fictional characters? Does this change how we think about poetry, the novel, fictionality, character, the commonplace, or the writer’s career? In the course of answering such questions, Piper introduces readers to the analytical building blocks of computational text analysis and brings them to bear on fundamental concerns of literary scholarship. This book will be essential reading for anyone interested in Digital Humanities and the future of literary study.
 
[more]

front cover of An Essay on Negation
An Essay on Negation
For a Linguistic Anthropology
Paolo Virno
Seagull Books, 2018
A vital addition to Seagull’s growing Italian List that focuses on leftist Italian thought, bringing famous as well as little-known yet crucial voices into the English language.

As speaking animals, we continuously make use of an unassuming grammatical particle, without suspecting that what is at work in its inconspicuousness is a powerful apparatus, which orchestrates language, signification, and the world at large. What particle might this be? The word not.

In Essay on Negation, Paolo Virno argues that the importance of the not is perhaps comparable only to that of money—that is, the universality of exchange. Negation is what separates verbal thought from silent cognitive operations, such as feelings and mental images. Speaking about what is not happening here and now, or about properties that are not referable to a given object, the human animal deactivates its original neuronal empathy, which is prelinguistic; it distances itself from the prescriptions of its own instinctual endowment and accesses a higher sociality, negotiated and unstable, which establishes the public sphere. In fact, the speaking animal soon learns that the negative statement does not amount to the linguistic double of unpleasant realities or destructive emotions: while it rejects them, negation also names them and thus includes them in social life. Virno sees negation as a crucial effect of civilization, one that is, however, also always exposed to further regressions. Taking his cue from a humble word, the author is capable of unfolding the unexpected phenomenology of the negating consciousness.
[more]

front cover of The Evolution of Imagination
The Evolution of Imagination
Stephen T. Asma
University of Chicago Press, 2017
Consider Miles Davis, horn held high, sculpting a powerful musical statement full of tonal patterns, inside jokes, and thrilling climactic phrases—all on the fly. Or think of a comedy troupe riffing on a couple of cues from the audience until the whole room is erupting with laughter. Or maybe it’s a team of software engineers brainstorming their way to the next Google, or the Einsteins of the world code-cracking the mysteries of nature. Maybe it’s simply a child playing with her toys. What do all of these activities share? With wisdom, humor, and joy, philosopher Stephen T. Asma answers that question in this book: imagination. And from there he takes us on an extraordinary tour of the human creative spirit.
           
Guided by neuroscience, animal behavior, evolution, philosophy, and psychology, Asma burrows deep into the human psyche to look right at the enigmatic but powerful engine that is our improvisational creativity—the source, he argues, of our remarkable imaginational capacity. How is it, he asks, that a story can evoke a whole world inside of us? How are we able to rehearse a skill, a speech, or even an entire scenario simply by thinking about it? How does creativity go beyond experience and help us make something completely new? And how does our moral imagination help us sculpt a better society? As he shows, we live in a world that is only partly happening in reality. Huge swaths of our cognitive experiences are made up by “what-ifs,” “almosts,” and “maybes,” an imagined terrain that churns out one of the most overlooked but necessary resources for our flourishing: possibilities. Considering everything from how imagination works in our physical bodies to the ways we make images, from the mechanics of language and our ability to tell stories to the creative composition of self-consciousness, Asma expands our personal and day-to-day forms of imagination into a grand scale: as one of the decisive evolutionary forces that has guided human development from the Paleolithic era to today. The result is an inspiring look at the rich relationships among improvisation, imagination, and culture, and a privileged glimpse into the unique nature of our evolved minds.
 
[more]

front cover of Expert Legal Writing
Expert Legal Writing
By Teresa Ross LeClercq
University of Texas Press, 1995

For many years, Terri LeClercq's "Legal Writing" column in the Texas Bar Journal helped polish the prose of lawyers and law students, judges and clerks, paralegals, writing instructors, and legal secretaries. This book collects all the advice she has given in her columns into one authoritative guide for expert legal writing. LeClercq covers everything a legal writer needs to know, from the mechanics of grammar and punctuation to the finer points of style, organization, and clarity of meaning. With her practical, readable, and often humorous advice, those who prepare legal documents can rid their prose of mind-numbing "legalese" and write with the clarity and precision that characterize the very best legal writing.

[more]

front cover of The Expressive Powers of Law
The Expressive Powers of Law
Theories and Limits
Richard H. McAdams
Harvard University Press, 2014

When asked why people obey the law, legal scholars usually give two answers. Law deters illicit activities by specifying sanctions, and it possesses legitimate authority in the eyes of society. Richard McAdams shifts the prism on this familiar question to offer another compelling explanation of how the law creates compliance: through its expressive power to coordinate our behavior and inform our beliefs.

“McAdams’s account is useful, powerful, and—a rarity in legal theory—concrete…McAdams’s treatment reveals important insights into how rational agents reason and interact both with one another and with the law. The Expressive Powers of Law is a valuable contribution to our understanding of these interactions.”
Harvard Law Review

“McAdams’s analysis widening the perspective of our understanding of why people comply with the law should be welcomed by those interested either in the nature of law, the function of law, or both…McAdams shows how law sometimes works by a power of suggestion. His varied examples are fascinating for their capacity both to demonstrate and to show the limits of law’s expressive power.”
—Patrick McKinley Brennan, Review of Metaphysics

[more]


Send via email Share on Facebook Share on Twitter