This collection of different perspectives on language variation serves as a companion volume to New Ways of Analyzing Variation in English.

El español en contacto con otras lenguas is the first comprehensive historical, social, and linguistic overview of Spanish in contact with other languages in all of its major contexts—in Spain, the United States, and Latin America. In this significant contribution to the field of Hispanic linguistics, Carol A. Klee and Andrew Lynch explore the historical and social factors that have shaped contact varieties of the Spanish language, synthesizing the principle arguments and theories about language contact, and examining linguistic changes in Spanish phonology, morphology and syntax, and pragmatics.

Individual chapters analyze particular contact situations: in Spain, contact with Basque, Catalan, Valencian, and Galician; in Mexico, Central, and South America, contact with Nahuatl, Maya, Quechua, Aimara, and Guarani; in the Southern Cone, contact with other principle European languages such as Portuguese, Italian, English, German, and Danish; in the United States, contact with English. A separate chapter explores issues of creolization in the Philippines and the Americas and highlights the historical influence of African languages on Spanish, primarily in the Caribbean and Equatorial Guinea.

Written in Spanish, this detailed synthesis of wide-ranging research will be a valuable resource for scholars of Hispanic linguistics, language contact, and sociolinguistics.

Sean Harvey explores the morally entangled territory of language and race in this intellectual history of encounters between whites and Native Americans in the eighteenth and nineteenth centuries. Misunderstandings about the differences between European and indigenous American languages strongly influenced whites’ beliefs about the descent and capabilities of Native Americans, he shows. These beliefs would play an important role in the subjugation of Native peoples as the United States pursued its “manifest destiny” of westward expansion.

Over time, the attempts of whites to communicate with Indians gave rise to theories linking language and race. Scholars maintained that language was a key marker of racial ancestry, inspiring conjectures about the structure of Native American vocal organs and the grammatical organization and inheritability of their languages. A racially inflected discourse of “savage languages” entered the American mainstream and shaped attitudes toward Native Americans, fatefully so when it came to questions of Indian sovereignty and justifications of their forcible removal and confinement to reservations.

By the mid-nineteenth century, scientific efforts were under way to record the sounds and translate the concepts of Native American languages and to classify them into families. New discoveries by ethnologists and philologists revealed a degree of cultural divergence among speakers of related languages that was incompatible with prevailing notions of race. It became clear that language and race were not essentially connected. Yet theories of a linguistically shaped “Indian mind” continued to inform the U.S. government’s efforts to extinguish Native languages for years to come.

This selection of Peter Trudgill's major works since 1988, appearing here in updated and revised form, reveals major recurring themes in his work on linguistic diversity. This book evinces his deep concern that the world's linguistic diversity is diminishing at an alarming rate. The linguistic future is likely to be very different from the past, because increased language contact among peoples will result in the creation of fewer new languages to balance the language deaths. The essays here manifest Trudgill's conviction that linguists must make every effort to study minority languages and dialects before they vanish. The book also demonstrates his sense of the obligation that linguists have to educate the public about why linguistic diversity is valuable.

The book deals with a number of specific but related topics. One area is the role of English in the world, and the nature of Standard English or Englishes. Another is language as a human issue, reflecting the author's concern that the results of sociolinguistic research should be made available to assist, wherever possible, with the solution of educational and other real-world problems. A third focus is on the problematic and interconnected relationships among nation and language and dialect, but, unlike the work of most other writers in this field, this book looks closely at the linguistic characteristics of the varieties concerned. The final major emphasis is on sociohistorical linguistics: in particular, the relationship between colonial and motherland varieties of English; dialect contact and language contact; and the sociolinguistically informed dialectology of linguistic theory, linguistic description, and the applications of linguistics. The major overall unifying theme of the book is linguistic variation and, as the diachronic outcome of linguistic variation, linguistic change.

With increasing frequency, readers of literature are encountering barely intelligible, sometimes unrecognizable languages created by combining one or more languages with English. Evelyn Ch'ien argues that weird English constitutes the new language of literature, implicitly launching a new literary theory.

Weird English explores experimental and unorthodox uses of English by multilingual writers traveling from the canonical works of Nabokov and Hong Kingston to the less critiqued linguistic terrain of Junot Díaz and Arundhati Roy. It examines the syntactic and grammatical innovations of these authors, who use English to convey their ambivalence toward or enthusiasm for English or their political motivations for altering its rules. Ch'ien looks at how the collision of other languages with English invigorated and propelled the evolution of language in the twentieth century and beyond.

Ch'ien defines the allure and tactical features of a new writerly genre, even as she herself writes with a sassiness and verve that communicates her ideas with great panache.