Beliefs and feelings about language vary dramatically within and across Native American cultural groups and are an acknowledged part of the processes of language shift and language death. This volume samples the language ideologies of a wide range of Native American communities--from the Canadian Yukon to Guatemala--to show their role in sociocultural transformation.

These studies take up such active issues as "insiderness" in Cherokee language ideologies, contradictions of space-time for the Northern Arapaho, language socialization and Paiute identity, and orthography choices and language renewal among the Kiowa. The authors--including members of indigenous speech communities who participate in language renewal efforts--discuss not only Native Americans' conscious language ideologies but also the often-revealing relationship between these beliefs and other more implicit realizations of language use as embedded in community practice.

The chapters discuss the impact of contemporary language issues related to grammar, language use, the relation between language and social identity, and emergent language ideologies themselves in Native American speech communities. And although they portray obvious variation in attitudes toward language across communities, they also reveal commonalities--notably the emergent ideological process of iconization between a language and various national, ethnic, and tribal identities.

As fewer Native Americans continue to speak their own language, this timely volume provides valuable grounded studies of language ideologies in action--those indigenous to Native communities as well as those imposed by outside institutions or language researchers. It considers the emergent interaction of indigenous and imported ideologies and the resulting effect on language beliefs, practices, and struggles in today's Indian Country as it demonstrates the practical implications of recognizing a multiplicity of indigenous language ideologies and their impact on heritage language maintenance and renewal.

For more than four centuries, Europeans and Euroamericans have been making written records of the spoken words of American Indians. While some commentators have assumed that these records provide absolutely reliable information about the nature of Native American oral expression, even its aesthetic qualities, others have dismissed them as inherently unreliable. In Native American Verbal Art: Texts and Contexts, William Clements offers a comprehensive treatment of the intellectual and cultural constructs that have colored the textualization of Native American verbal art. Clements presents six case studies of important moments, individuals, and movements in this history. He recounts the work of the Jesuits who missionized in New France during the seventeenth and eighteenth centuries and textualized and theorized about the verbal expressions of the Iroquoians and Algonquians to whom they were spreading Christianity.

He examines in depth Henry Timberlake’s 1765 translation of a Cherokee war song that was probably the first printed English rendering of a Native American "poem." He discusses early-nineteenth-century textualizers and translators who saw in Native American verbal art a literature manqué that they could transform into a fully realized literature, with particular attention to the work of Henry Rowe Schoolcraft, an Indian agent and pioneer field collector who developed this approach to its fullest. He discusses the "scientific" textualizers of the late nineteenth century who viewed Native American discourse as a data source for historical, ethnographic, and linguistic information, and he examines the work of Natalie Curtis, whose field research among the Hopis helped to launch a wave of interest in Native Americans and their verbal art that continues to the present.

In addition, Clements addresses theoretical issues in the textualization, translation, and anthologizing of American Indian oral expression. In many cases the past records of Native American expression represent all we have left of an entire verbal heritage; in most cases they are all that we have of a particular heritage at a particular point in history. Covering a broad range of materials and their historical contexts, Native American Verbal Art identifies the agendas that have informed these records and helps the reader to determine what remains useful in them. It will be a welcome addition to the fields of Native American studies and folklore.

The third installment in the landmark LAVIS (Language Variety in the South) series, New Perspectives on Language Variety in the South: Historical and Contemporary Approaches brings together essays devoted to the careful examination and elucidation of the rich linguistic diversity of the American South, updating and broadening the work of the earlier volumes by more fully capturing the multifaceted configuration of languages and dialects in the South.
 
Beginning with an introduction to American Indian languages of the Southeast, five fascinating essays discuss indigenous languages, including Caddo, Ofo, and Timucua, and evidence for the connection between the Pre-Columbian Southeast and the Caribbean.
 
Five essays explore the earlier Englishes of the South, covering topics such as the eighteenth century as the key period in the differentiation of Southern American English and the use of new quantitative methods to trace the transfer of linguistic features from England to America. They examine a range of linguistic resources, such as plantation overseers’ writings, modern blues lyrics, linguistic databases, and lexical and locutional compilations that reveal the region’s distinctive dialectal traditions.
 
New Perspectives on Language Variety in the South: Historical and Contemporary Approaches widens the scope of inquiry into the linguistic influences of the African diaspora as evidenced in primary sources and records. A comprehensive essay redefines the varieties of French in Louisiana, tracing the pathway from Colonial Louisiana to the emergence of Plantation Society French in a diglossic relationship with Louisiana Creole. A further essay maps the shift from French to English in family documents.
 
An assortment of essays on English in the contemporary South touch on an array of compelling topics from discourse strategies to dialectal emblems of identity to stereotypes in popular perception.
 
Essays about recent Latino immigrants to the South bring the collection into the twenty-first century, taking into account the dramatic increase in the population of Spanish speakers and illuminating the purported role of “Spanglish,” the bilingual lives of Spanish-speaking Latinos in Mississippi, and the existence of regional Spanish dialectal diversity.

In North Carolina English, 1861–1865, Michael E. Ellis offers an Oxford English Dictionary–like take on regional language based on more than two thousand letters and diaries composed by North Carolinians during the Civil War. These documents are part of a larger project, the Corpus of American Civil War Letters (CACWL), aimed at locating, photographing, and transcribing letters written during the period from all parts of the country. With little formal education, the correspondents were men and women who wrote “by ear,” often reproducing their spoken language through unconventional spellings and grammatical forms, as well as regional or archaic words and usages.
    The core of the book is an alphabetically arranged glossary of words and expressions characteristic of mid–nineteenth century North Carolina, each containing excerpts from the letters themselves to illustrate meaning and usage. While the majority of the writers were Confederate soldiers and their family members, the collection also includes letters from slaves, former slaves, and African Americans from North Carolina serving in the Union Army. The soldiers’ letters rarely contain details about battles, except to list the names of relatives or neighbors among the killed or wounded. After a battle, a soldier might simply write, “the Like of ded men an horses I never saw before” or “we hav lost a heep of men and kild a heep of yankeys.” As Joel Howard of Lincoln County wrote home in June 1863, “I have bin in the ware and Saw the ware and heard tell of the ware till I have got tired of it. if I Could get clear of this ware I neve[r] want to Read of A nother.”
    Food is perhaps the most common topic, followed by illness. Numerous terms relate to farming, clothing, religion, and the effects of the war itself, as well as entries for expressions that have long since disappeared from American English: in the gants, on the goose, and up the spout.
    In addition to the glossary, Ellis offers an extensive overview of North Carolina English of the period, delves into the social background of the letter writers, and provides invaluable guidance to the ways in which Civil War letters should be read. A unique window into a largely neglected corner of our extraordinarily rich and regionally distinct language, this volume will prove an indispensable reference for scholars and students seeking to reconstruct the world of the common Civil War soldier.