Compared to the wealth of information available to us about classical tragedy and comedy, not much is known about the culture of pantomime, mime, and dance in late antiquity. Charges of obscenity and polemical anti-theater discourse have, at times, erased these popular performance traditions from the modern imagination. Demons and Dancers returns us to the times and places where those great ancient theaters were more than picturesque ruins dotting the Mediterranean landscape.

Ruth Webb fills this gap in our knowledge of the ancient world and provides us with a richly detailed look at social life in the late antique period through an investigation of its performance culture. The book focuses on the eastern empire, from Greece proper to modern-day Turkey and Egypt, between the second and sixth centuries CE. Using some of the tools provided by modern performance theory, this book explains how audiences interpreted the actions on stage, how the status of male and female performers shifted across time and place, how skilled the actors actually were (it was commonplace to dismiss these performers for their lack of skill), and what role spectacles involving spoken and sung words, as well as stylized gestures, had in Greco-Roman civic life.

Christians talked, debated, and wrote dialogues in late antiquity and on throughout Byzantium. Some were philosophical, others more literary, theological, or Platonic; Aristotle also came into the picture as time went on. Sometimes the written works claim to be records of actual public debates, and we know that many such debates did take place and continued to do so. Dialoguing in Late Antiquity takes up a challenge laid down by recent scholars who argue that a wall of silence came down in the fifth century AD, after which Christians did not “dialogue.”

Averil Cameron now returns to questions raised in her book Christianity and the Rhetoric of Empire (1991), drawing on the large repertoire of surviving Christian dialogue texts from late antiquity to make a forceful case for their centrality in Greek literature from the second century and the Second Sophistic onward. At the same time, Dialoguing in Late Antiquity points forward to the long and neglected history of dialogue in Byzantium. Throughout this study, Cameron engages with current literary approaches and is a powerful advocate for the greater integration of Christian texts by literary scholars and historians alike.

When Rome was at its height, an emperor’s male beloved, victim of an untimely death, would be worshipped around the empire as a god. In this same society, the routine sexual exploitation of poor and enslaved women was abetted by public institutions. Four centuries later, a Roman emperor commanded the mutilation of men caught in same-sex affairs, even as he affirmed the moral dignity of women without any civic claim to honor. The gradual transformation of the Roman world from polytheistic to Christian marks one of the most sweeping ideological changes of premodern history. At the center of it all was sex. Exploring sources in literature, philosophy, and art, Kyle Harper examines the rise of Christianity as a turning point in the history of sexuality and helps us see how the roots of modern sexuality are grounded in an ancient religious revolution.

While Roman sexual culture was frankly and freely erotic, it was not completely unmoored from constraint. Offending against sexual morality was cause for shame, experienced through social condemnation. The rise of Christianity fundamentally changed the ethics of sexual behavior. In matters of morality, divine judgment transcended that of mere mortals, and shame—a social concept—gave way to the theological notion of sin. This transformed understanding led to Christianity’s explicit prohibitions of homosexuality, extramarital love, and prostitution. Most profound, however, was the emergence of the idea of free will in Christian dogma, which made all human action, including sexual behavior, accountable to the spiritual, not the physical, world.

The ruling elite in ancient Rome sought to eradicate even the memory of their deceased opponents through a process now known as damnatio memoriae. These formal and traditional practices included removing the person's name and image from public monuments and inscriptions, making it illegal to speak of him, and forbidding funeral observances and mourning. Paradoxically, however, while these practices dishonored the person's memory, they did not destroy it. Indeed, a later turn of events could restore the offender not only to public favor but also to re-inclusion in the public record.

This book examines the process of purge and rehabilitation of memory in the person of Virius Nicomachus Flavianus(?-394). Charles Hedrick describes how Flavian was condemned for participating in the rebellion against the Christian emperor Theodosius the Great—and then restored to the public record a generation later as members of the newly Christianized senatorial class sought to reconcile their pagan past and Christian present. By selectively remembering and forgetting the actions of Flavian, Hedrick asserts, the Roman elite honored their ancestors while participating in profound social, cultural, and religious change.

The first book of its kind, this richly informative and comprehensive guide to the world of late antiquity offers the latest scholarship to the researcher along with great reading pleasure to the browser. In eleven comprehensive essays and in over 500 encyclopedic entries, an international cast of experts provides essential information and fresh perspectives on the history and culture of an era marked by the rise of two world religions, unprecedented political upheavals that remade the map of the known world, and the creation of art of enduring glory.

By extending the commonly accepted chronological and territorial boundaries of the period--to encompass Roman, Byzantine, Sassanian, and early Islamic cultures, from the middle of the third century to the end of the eighth--this guide makes new connections and permits revealing comparisons. Consult the article on "Angels" and discover their meaning in Islamic as well as classical and Judeo-Christian traditions. Refer to "Children," "Concubinage," and "Divorce" for a fascinating interweaving of information on the family. Read the essay on "Barbarians and Ethnicity" and see how a topic as current as the construction of identity played out in earlier times, from the Greeks and Romans to the Turks, Huns, and Saxons. Turn to "Empire Building" to learn how the empire of Constantine was supported by architecture and ceremony.

Or follow your own path through the broad range of entries on politics, manufacturing and commerce, the arts, philosophy, religion, geography, ethnicity, and domestic life. Each entry introduces readers to another facet of the postclassical world: historic figures and places, institutions, burial customs, food, money, public life, and amusements. A splendid selection of illustrations enhances the portrait.

The intriguing era of late antiquity emerges completely and clearly, viewed in a new light, in a guide that will be relished by scholars and general readers alike.

The relationship between the soul and the body was a point of contentious debate among philosophers and theologians in late antiquity. Modern scholarship has inherited this legacy, but split the study of the relation of body and soul between the disciplines of philosophy and religion. Lovers of the Soul, Lovers of the Body integrates, with Plato and Aristotle in the background, philosophical and religious perspectives on the concepts of soul and body in the transformative period of the first six centuries CE, from Philo to Olympiodorus. The polyphonic—but not dissonant—philosophical and theological dialogue is recreated and rethought by an international group of leading experts and up-and-coming scholars in ancient philosophy, theology, and religion.

The synthetic approach of the volume presents the understanding of human psychology in late antiquity, without labels and borders. It invites both experts and enthusiasts to crisscross the pathways of philosophy and religion in pursuit of new crossroads and greater common ground.

Over the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East--maps, historical images, mythical figures, and religious scenes that constitute an immense treasure of new testimony from antiquity. The stories these mosaics tell unfold in this brief, richly informed book by a preeminent scholar of the classical world.

G. W. Bowersock considers these mosaics a critical part of the documentation of the region's ancient culture, as expressive as texts, inscriptions on stone, and architectural remains. In their complex language, often marred by time, neglect, and deliberate defacement, he finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride. Eloquently evoking a shared vision of a world beyond the boundaries of individual cities, the mosaics attest to a persistent tradition of Greek taste that could embrace Judaism, Christianity, and Islam in a fundamentally Semitic land, and they suggest the extent to which these three monotheistic religions could themselves embrace Hellenism.

With copious color illustrations, Bowersock's efforts return us to Syrian Antioch, Arabia, Jewish and Samaritan settlements in Palestine, the Palmyrene empire in Syria, and the Nabataean kingdom in Jordan, and show us the overlay of Hellenism introduced by Alexander the Great as well as Roman customs imported by the imperial legions and governors. Attending to one of the most evocative languages of the ages, his work reveals a complex fusion of cultures and religions that speaks to us across time.

Although an ascetic ideal of leadership had both classical and biblical roots, it found particularly fertile soil in the monastic fervor of the fourth through sixth centuries. Church officials were increasingly recruited from monastic communities, and the monk-bishop became the dominant model of ecclesiastical leadership in the Eastern Roman Empire and Byzantium. In an interesting paradox, Andrea Sterk explains that "from the world-rejecting monasteries and desert hermitages of the east came many of the most powerful leaders in the church and civil society as a whole."

Sterk explores the social, political, intellectual, and theological grounding for this development. Focusing on four foundational figures--Basil of Caesarea, Gregory of Nyssa, Gregory of Nazianzus, and John Chrysostom--she traces the emergence of a new ideal of ecclesiastical leadership: the merging of ascetic and episcopal authority embodied in the monk-bishop. She also studies church histories, legislation, and popular ascetic and hagiographical literature to show how the ideal spread and why it eventually triumphed. The image of a monastic bishop became the convention in the Christian east.

Renouncing the World Yet Leading the Church brings new understanding of asceticism, leadership, and the church in late antiquity.

In The Restoration of the Roman Forum in Late Antiquity, Gregor Kalas examines architectural conservation during late antiquity period at Rome’s most important civic center: the Roman Forum. During the fourth and fifth centuries CE—when emperors shifted their residences to alternate capitals and Christian practices overtook traditional beliefs—elite citizens targeted restoration campaigns so as to infuse these initiatives with political meaning. Since construction of new buildings was a right reserved for the emperor, Rome’s upper echelon funded the upkeep of buildings together with sculptural displays to gain public status. Restorers linked themselves to the past through the fragmentary reuse of building materials and, as Kalas explores, proclaimed their importance through prominently inscribed statues and monuments, whose placement within the existing cityscape allowed patrons and honorees to connect themselves to the celebrated history of Rome.

Building on art historical studies of spolia and exploring the Forum over an extended period of time, Kalas demonstrates the mutability of civic environments. The Restoration of the Roman Forum in Late Antiquity maps the evolution of the Forum away from singular projects composed of new materials toward an accretive and holistic design sensibility. Overturning notions of late antiquity as one of decline, Kalas demonstrates how perpetual reuse and restoration drew on Rome’s venerable past to proclaim a bright future.

During the last centuries of the Roman Empire, the prevailing ideal of feminine virtue was radically transformed: the pure but fertile heroines of Greek and Roman romance were replaced by a Christian heroine who ardently refused the marriage bed. How this new concept and figure of purity is connected with--indeed, how it abetted--social and religious change is the subject of Kate Cooper's lively book.

The Romans saw marital concord as a symbol of social unity--one that was important to maintaining the vigor and political harmony of the empire itself. This is nowhere more clear than in the ancient novel, where the mutual desire of hero and heroine is directed toward marriage and social renewal. But early Christian romance subverted the main outline of the story: now the heroine abandons her marriage partner for an otherworldly union with a Christian holy man. Cooper traces the reception of this new ascetic literature across the Roman world. How did the ruling classes respond to the Christian claim to moral superiority, represented by the new ideal of sexual purity? How did women themselves react to the challenge to their traditional role as matrons and matriarchs? In addressing these questions, Cooper gives us a vivid picture of dramatically changing ideas about sexuality, family, and morality--a cultural revolution with far-reaching implications for religion and politics, women and men.

The Virgin and the Bride offers a new look at central aspects of the Christianization of the Roman world, and an engaging discussion of the rhetoric of gender and the social meaning of idealized womanhood.

Feminist thought has wrestled with the question of whether religion has been principally responsible for the oppression of women or instead has provided access to culture, public life, and--sometimes--power. This study of Italian women and Catholicism from the fourth through the twentieth century reflects this conflict and the tension between the masculine character of divinity in the Catholic Church and the potential for equality in the gospels and early writings ("neither male nor female, but one in Jesus").

The various chapters in this book consider the institutions within which religious women lived, many of which they themselves founded or reorganized. In addition to overviews of women and the religious life throughout the periods under study, specific chapters focus on mystical marriage, religious writings by women, secular writings by nuns, women in sacred images, women in the nineteenth-century Christian family, Marian pilgrimages, and depictions of sisters and saints in film. The authors, leading American, Italian, and French scholars, have drawn on rich resources to provide a panorama of sixteen centuries of Italian history, religious history, and women's history.