front cover of Kaqchikel Chronicles
Kaqchikel Chronicles
The Definitive Edition
With translation and exegesis by Judith M. Maxwell and Robert M. Hill II
University of Texas Press, 2006

The collection of documents known as the Kaqchikel Chronicles consists of rare highland Maya texts, which trace Kaqchikel Maya history from their legendary departure from Tollan/Tula through their migrations, wars, the Spanish invasion, and the first century of Spanish colonial rule. The texts represent a variety of genres, including formal narrative, continuous year-count annals, contribution records, genealogies, and land disputes.

While the Kaqchikel Chronicles have been known to scholars for many years, this volume is the first and only translation of the texts in their entirety. The book includes two collections of documents, one known as the Annals of the Kaqchikels and the other as the Xpantzay Cartulary. The translation has been prepared by leading Mesoamericanists in collaboration with Kaqchikel-speaking linguistic scholars. It features interlinear glossing, which allows readers to follow the translators in the process of rendering colonial Kaqchikel into modern English. Extensive footnoting within the text restores the depth and texture of cultural context to the Chronicles. To put the translations in context, Judith Maxwell and Robert Hill have written a full scholarly introduction that provides the first modern linguistic discussion of the phonological, morphological, syntactic, and pragmatic structure of sixteenth-century Kaqchikel. The translators also tell a lively story of how these texts, which derive from pre-contact indigenous pictographic and cartographic histories, came to be converted into their present form.

[more]

front cover of Killer Books
Killer Books
Writing, Violence, and Ethics in Modern Spanish American Narrative
By Aníbal González
University of Texas Press, 2002

Writing and violence have been inextricably linked in Spanish America from the Conquest onward. Spanish authorities used written edicts, laws, permits, regulations, logbooks, and account books to control indigenous peoples whose cultures were predominantly oral, giving rise to a mingled awe and mistrust of the power of the written word that persists in Spanish American culture to the present day.

In this masterful study, Aníbal González traces and describes how Spanish American writers have reflected ethically in their works about writing's relation to violence and about their own relation to writing. Using an approach that owes much to the recent "turn to ethics" in deconstruction and to the works of Jacques Derrida and Emmanuel Levinas, he examines selected short stories and novels by major Spanish American authors from the late nineteenth through the twentieth centuries: Manuel Gutiérrez Nájera, Manuel Zeno Gandía, Teresa de la Parra, Jorge Luis Borges, Alejo Carpentier, Gabriel García Márquez, and Julio Cortázar. He shows how these authors frequently display an attitude he calls "graphophobia," an intense awareness of the potential dangers of the written word.

[more]

front cover of Kingdoms Come
Kingdoms Come
Religion and Politics in Brazil
Rowan Ireland
University of Pittsburgh Press, 1991
As scholars continue to explore the political implications of grass roots religions around the world, Kingdoms Come examines the three main popular religions in Brazil—folk Catholicism, Protestant Pentecostalism, and Afro-Brazilian spiritism—to trace the contrasting patterns of acceptance or rejection of political paradigms within these three groups.  In spite of these differences, Ireland's close analysis of these movements leads him to the conclusion that all three embrace traditions that foster a deepening of Brazil's nascent democracy.
[more]

front cover of Kings for Three Days
Kings for Three Days
The Play of Race and Gender in an Afro-Ecuadorian Festival
Jean Muteba Rahier
University of Illinois Press, 2013
 
With its rich mix of cultures, European influences, colonial tensions, and migration from bordering nations, Ecuador has long drawn the interest of ethnographers, historians, and political scientists. In this book, Jean Muteba Rahier delivers a highly detailed, thought-provoking examination of the racial, sexual, and social complexities of Afro-Ecuadorian culture, as revealed through the annual Festival of the Kings. During the Festival, the people of various villages and towns of Esmeraldas--Ecuador's province most associated with blackness--engage in celebratory and parodic portrayals, often donning masks, cross-dressing, and disguising themselves as blacks, indigenous people, and whites, in an obvious critique of local, provincial, and national white, white-mestizo, and light-mulatto elites. Rahier shows that this festival, as performed in different locations, reveals each time a specific location's perspective on the larger struggles over identity, class, and gender relations in the racial-spacial order of Esmeraldas, and of the Ecuadorian nation in general.

[more]

front cover of Kinship, Business, and Politics
Kinship, Business, and Politics
The Martinez Del Rio Family in Mexico, 1823-1867
By David W. Walker
University of Texas Press, 1987

The Martínez del Río family was a vigorous contestant in the highly politicized economy of early national Mexico. David Walker’s case study of its successes and failures provides a unique insider’s view of the trials and tribulations of doing business in a hostile environment. The family’s ordeal in Mexico—a series of personal dislocations and traumas—mirrored the painful contractions of an old society reluctantly giving birth to a new nation.

Using previously undiscovered primary source materials (including the private correspondence and business records of the family, public notary documents, transcripts of judicial proceedings, and the archives of Mexico’s Ministry of Foreign Relations and the British Foreign Office), Walker employs family history to analyze problems relating more generally to the development of state and society in newly independent Mexico.

The processes of socioeconomic formation in Mexico differed from those of Western Europe and the United States; accordingly, entrepreneurial activity had markedly contrasting implications for economic development and class formation. In the downwardly spiraling economy of nineteenth-century Mexico, economic activity was a zero-sum game. No new wealth was being created; most sectors remained stagnant and unproductive. To make their fortunes, empresarios, the Mexican capitalists, could not rely on income generated from authentic economic growth. Instead, they exploited the arbitrary acts of the interventionist Mexican state, which proscribed the free movement of factors within the marketplace. Speculation in the public debt took the place of more substantive undertakings. Coercive state power was diverted to create artificial environments in which otherwise inefficient and unproductive enterprises could flourish. But however well the empresarios might imitate the outward forms of industrial capitalism, they could not unlock the productive capacity of the Mexican economy. Instead, they and their allies and rivals engaged in destructive struggles to manipulate the state for personal gain, to the detriment of class interests, economic growth, and political stability.

[more]

front cover of Kiss Of Death
Kiss Of Death
Joseph Bastien
University of Utah Press, 1998

front cover of The Kowoj
The Kowoj
Identity, Migration, and Geopolitics in Late Postclassic Petén, Guatemala
Prudence M. Rice
University Press of Colorado, 2009
Neighbors of the better-known Itza in the central Petén lakes region of Guatemala, the Kowoj Maya have been studied for little more than a decade. The Kowoj: Identity, Migration, and Geopolitics in Late Postclassic Petén, Guatemala summarizes the results of recent research into this ethno-political group conducted by Prudence Rice, Don Rice, and their colleagues.

Chapters in The Kowoj address the question "Who are the Kowoj?" from varied viewpoints: archaeological, archival, linguistic, ethnographic, and bioarchaeological. Using data drawn primarily from the peninsular site of Zacpetén, the authors illuminate Kowoj history, ritual components of their self-expressed identity, and their archaeological identification. These data support the Kowoj claim of migration from Mayapán in Yucatán, where they were probably affiliated with the Xiw, in opposition to the Itza. These enmities extended into Petén, culminating in civil warfare by the time of final Spanish conquest in 1697.

The first volume to consider Postclassic Petén from broadly integrative anthropological, archaeological, and historical perspectives, The Kowoj is an important addition to the literature on late Maya culture and history in the southern lowlands. It will be of particular interest to archaeologists, historians, ethnohistorians, art historians, and epigraphers.

[more]


Send via email Share on Facebook Share on Twitter