BiblioVault - Books about Latin literature, Medieval and modern

Barbarolexis

Medieval Writing and Sexuality

Alexandre Leupin

Harvard University Press, 1989

Catalogus Translationum et Commentariorum, Volume 8

Virginia Brown

Catholic University of America Press, 1960

Considered a definitive source for scholars and students, this highly acclaimed series illustrates the impact of Greek and Latin texts on the Middle Ages and Renaissance.

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Catalogus Translationum et Commentariorum, Volume 9

Virginia Brown

Catholic University of America Press, 1960

Considered a definitive source for scholars and students, this highly acclaimed series illustrates the impact of Greek and Latin texts on the Middle Ages and Renaissance.

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Humanism and Secularization

From Petrarch to Valla

Riccardo Fubini

Duke University Press, 2003

The Renaissance movement known as humanism eventually spread from Italy through all of western Europe, transforming early modern culture in ways that are still being felt and debated. Central to these debates—and to this book—is the question of whether (and how) the humanist movement contributed to the secularization of Western cultural traditions at the end of the Middle Ages. A preeminent scholar of Italian humanism, Riccardo Fubini approaches this question in a new way—by redefining the problem of secularization more carefully to show how humanists can at once be secularizers and religious thinkers. The result is a provocative vision of the humanist movement.
Humanism and Secularization offers a nuanced account of humanists contesting medieval ideas about authority not in order to reject Christianity or even orthodoxy, but to claim for themselves the right to define what it meant to be a Christian. Fubini analyzes key texts by major humanists—isuch as Petrarch, Poggio, and Valla—from the first century of the movement. As he subtly works out these authors’ views on religion and the Church from both biographical and textual information, Fubini reveals in detail the new historical consciousness that animated the humanists in their reading of classical and patristic texts. His book as a whole shows convincingly just how radical the humanism of the first half of the fifteenth century was and how sharply it challenged well-entrenched ideas and institutions. Appearing here in English for the first time, his work provides a model set of readings of humanist texts and a critical perspective on Italian humanism that will alter and enrich discussion and understanding of the nature of the humanist movement.

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Kiss My Relics

Hermaphroditic Fictions of the Middle Ages

David Rollo

University of Chicago Press, 2011

Conservative thinkers of the early Middle Ages conceived of sensual gratification as a demonic snare contrived to debase the higher faculties of humanity, and they identified pagan writing as one of the primary conduits of decadence. Two aspects of the pagan legacy were treated with particular distrust: fiction, conceived as a devious contrivance that falsified God’s order; and rhetorical opulence, viewed as a vain extravagance. Writing that offered these dangerous allurements came to be known as “hermaphroditic” and, by the later Middle Ages, to be equated with homosexuality.

At the margins of these developments, however, some authors began to validate fiction as a medium for truth and a source of legitimate enjoyment, while others began to explore and defend the pleasures of opulent rhetoric. Here David Rollo examines two such texts—Alain de Lille’s De planctu Naturae and Guillaume de Lorris and Jean de Meun’s Roman de la Rose—arguing that their authors, in acknowledging the liberating potential of their irregular written orientations, brought about a nuanced reappraisal of homosexuality. Rollo concludes with a consideration of the influence of the latter on Chaucer’s Pardoner’s Prologue and Tale.

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Literary Works

Alan of Lille

Harvard University Press, 2013

A product of the cathedral schools that played a foundational role in the so-called Twelfth-Century Renaissance, Alan of Lille was renowned for the vast learning which earned him the title of Doctor Universalis. His writings include many significant contributions to the development of systematic theology, but he was also the most important Latin poet of his time, the great age of Medieval Latin poetry. The works included in this volume aim to give imaginative expression to the main tenets of Alan’s theology, but the forms in which his vision is embodied are strikingly original and informed by a rich awareness of poetic tradition.

The “Sermon on the Intelligible Sphere” translates Platonist cosmology into the terms of a visionary psychology. In the Boethian dialogue of the De planctu Naturae the goddess Nature inveighs against sodomy and “unnatural” behavior generally. The Anticlaudianus, viewed as virtually a classic in its own day, is at once a summa of the scholastic achievement of the Twelfth-Century schools and an allegory of spiritual pilgrimage that anticipates the Divine Comedy.

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Lucian and the Latins

Humor and Humanism in the Early Renaissance

David Marsh

University of Michigan Press, 1998

The works of the second-century Greek satirist Lucian enjoyed a tremendous vogue in the early Renaissance. His Greek prose furnished one of the first texts in the Florentine classroom around 1400, and it aroused as much interest as Plato. At first praised as an eloquent rhetorician, Lucian was soon appreciated for his irreverent wit, which inspired new satirical and paradoxical currents in Renaissance literature.
Until now, no study has attempted to connect the Latin translators and imitators of Lucian with his wider European influence. In Lucian and the Latins, David Marsh describes how Renaissance authors rediscovered the comic writings of Lucian. He traces how Lucianic themes and structures made an essential contribution to European literature beginning with a survey of Latin translations and imitations, which gave new direction to European letters in the fifteenth and sixteenth centuries. The Lucianic dialogues of the dead and dialogues of the gods were immensely popular, despite the religious backlash of the sixteenth century. The paradoxical encomium, represented by Lucian's "The Fly" and "The Parasite," inspired so-called serious humanists like Leonardo Bruni and Guarino of Verona. Lucian's "True Story" initiated the genre of the fantastic journey, which enjoyed considerable popularity during the Renaissance age of discovery. Humanist descendants of this work include Thomas More's Utopia and much of Rabelais' Pantagruel.
Lucian and the Latins will attract readers interested in a wide variety of subjects: the classical tradition, the early Italian Renaissance, the origins of modern European literature, and the uses of humor and satire as instruments of cultural critique.
David Marsh is Professor of Italian, Rutgers University.

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Making the East Latin

The Latin Literature of the Levant in the Era of the Crusades

Julian Yolles

Harvard University Press

“This new day, new joy, the consummation of toil and devotion with ever new and eternal rejoicing, required new words, new songs from all!”

So wrote Raymond of Aguilers, a Provençal priest, when an army of nobles, knights, footmen, and priests from across Europe managed to conquer Jerusalem after three years of traveling and fighting. And there certainly were new words and new songs. These settlers produced a hybrid Latin literature—a “Levantine Latinity”—distinct from that in Europe, and their new literary tradition both drew on and resisted Levantine Muslim, Christian, and Jewish cultures in the newly occupied territories.

This volume analyzes the literary and rhetorical techniques of well-known authors such as William of Tyre, literary compositions of communities of canons in the Kingdom of Jerusalem, and individual scholars in the Principality of Antioch. These varied sources reveal the coherent and increasingly sophisticated ways in which Crusader settlers responded to their new environment while maintaining ties with their homelands in western Europe. In a short time, Levantine Latinity emerged to form an indispensable part of the literary history of both the Near East and Europe.

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Medieval Latin

Second Edition

Edited by K. P. Harrington

University of Chicago Press, 1997

K. P. Harrington's Mediaeval Latin, the standard medieval Latin anthology used in the United States since its initial publication in 1925, has now been completely revised and updated for today's students and teachers by Joseph Pucci. This new edition of the classic anthology retains its breadth of coverage, but increases its depth by adding fourteen new selections, doubling the coverage of women writers, and expanding a quarter of the original selections. The new edition also includes a substantive grammatical introduction by Alison Goddard Elliott.

To help place the selections within their wider historical, social, and political contexts, Pucci has written extensive introductory essays for each of the new edition's five parts. Headnotes to individual selections have been recast as interpretive essays, and the original bibliographic paragraphs have been expanded. Reprinted from the best modern editions, the selections have been extensively glossed with grammatical notes geared toward students of classical Latin who may be reading medieval Latin for the first time.

Includes thirty-two full-page plates (with accompanying captions) depicting medieval manuscript and book production.

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Scribit Mater

Marey and the Language Arts in the Literature of Medieval England

Georgiana Donavin

Catholic University of America Press, 2012

While Scribit Mater highlights different medieval English understandings of the Virgin's sapient eloquence according to class, education, and gender, it demonstrates long-standing and widespread traditions acknowledging and celebrating the Mother's verbal prowess.

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Textual Magic

Charms and Written Amulets in Medieval England

Katherine Storm Hindley

University of Chicago Press, 2023

An expansive consideration of charms as a deeply integrated aspect of the English Middle Ages.

Katherine Storm Hindley explores words at their most powerful: words that people expected would physically change the world. Medieval Europeans often resorted to the use of spoken or written charms to ensure health or fend off danger. Hindley draws on an unprecedented archive of more than a thousand such charms from medieval England—more than twice the number gathered, transcribed, and edited in previous studies and including many texts still unknown to specialists on this topic. Focusing on charms from 1100 to 1350 CE as well as previously unstudied texts in Latin, French, and English, Hindley addresses important questions of how people thought about language, belief, and power. She describes seven hundred years of dynamic, shifting cultural landscapes, where multiple languages, alphabets, and modes of transmission gained and lost their protective and healing power. Where previous scholarship has bemoaned a lack of continuity in the English charms, Hindley finds surprising links between languages and eras, all without losing sight of the extraordinary variety of the medieval charm tradition: a continuous, deeply rooted part of the English Middle Ages.

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