BiblioVault - Books about Lee, Josephine

Asian American Plays for a New Generation

Plays for a New Generation

Edited by Josephine Lee, Don Eitel and R. A. Shiomi

Temple University Press, 2011

Asian American plays provide an opportunity to think about how racial issues are engaged through theatrical performance physical contact, bodily labor, and fleshly desire as well as through the more standard elements of plot, setting, characterization, staging, music, and action.

Asian American Plays for a New Generation showcases seven exciting new plays that dramatize timely themes that are familiar to Asian Americans. The works variously address immigration, racism, stereotyping, identity, generational tensions, assimilation, and upward mobility as well as post-9/11 paranoia, racial isolation, and adoptee experiences.

Each of these works engages directly and actively with Asian American themes through performance to provide an important starting point for building relationships, raising political awareness, and creating active communities that can foster a sense of connection or even rally individuals to collective action.

[more]

The Japan of Pure Invention

Gilbert and Sullivan’s The Mikado

Josephine Lee

University of Minnesota Press, 2010

Long before Sofia Coppola’s Lost in Translation, long before Barthes explicated his empire of signs, even before Puccini’s Madame Butterfly, Gilbert and Sullivan’s The Mikadopresented its own distinctive version of Japan. Set in a fictional town called Titipu and populated by characters named Yum-Yum, Nanki-Poo, and Pooh-Bah, the opera has remained popular since its premiere in 1885.

Tracing the history of The Mikado’s performances from Victorian times to the present, Josephine Lee reveals the continuing viability of the play’s surprisingly complex racial dynamics as they have been adapted to different times and settings. Lee connects yellowface performance to blackface minstrelsy, showing how productions of the 1938–39 Swing Mikado and Hot Mikado, among others, were used to promote African American racial uplift. She also looks at a host of contemporary productions and adaptations, including Mike Leigh’s film Topsy-Turvy and performances of The Mikado in Japan, to reflect on anxieties about race as they are articulated through new visions of the town of Titipu.

The Mikado creates racial fantasies, draws audience members into them, and deftly weaves them into cultural memory. For countless people who had never been to Japan, The Mikado served as the basis for imagining what “Japanese” was.

[more]

Performing Asian America

Race and Ethnicity on the Contemporary Stage

Josephine Lee

Temple University Press, 1998

At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of "Asian America" in accordance with their unique set of sensibilities.

For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well.

Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.

[more]

Recollecting Early Asian America

Essays In Cultural History

Josephine Lee

Temple University Press, 2002

As a book about cultural memory and retrieval, this collection of essays asks readers to reconsider who represents Asian America and what constitutes its history. Defining the early period as spanning the nineteenth century and the 1960s, the original essays here speak to the difficulty of recovering a past that was largely unrecorded as well as understanding the varied experiences of peoples of Asian descent. Interdisciplinary in approach, the essays address the Asian American individuals and communities that have been omitted from "official" histories; trace the roots of persistent racial stereotypes and myths; and retrieve artistic production that raises vexed questions of what counts as "art" or as Asian American. By reconsidering the political, cultural, and material history written in the last three decades, this volume contributes to a new understanding of Asian America's past and relationship to the present.

[more]