front cover of The Chain of Chance
The Chain of Chance
Stanislaw Lem
Northwestern University Press, 2000
Written in the style of a detective novel, The Chain of Chance is classic Lem: a combination of action, hard science, and philosophical investigation. An ex-astronaut is hired to look into the death of several wealthy businessmen. The authorities suspect a pattern, but neither the police nor a supercomputer enlisted for the investigation can crack the case.

On a trail leading across Europe, the ex-astronaut barely escapes numerous attempts on his life. Having set himself up as a potential victim, he realizes that he may now be the target of a conspiracy--and that the conspiracy is not the work of a criminal mind, but a manifestation of the laws of nature. Certain patterns have begun to emerge from the chaos of modern society. Some of those patterns can be fatal. . .
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front cover of His Master's Voice
His Master's Voice
Stanislaw Lem
Northwestern University Press, 1999
Twenty-five hundred scientists have been herded into an isolated site in the Nevada desert. A neutrino message of extraterrestrial origin has been received and the scientists, under the surveillance of the Pentagon, labor on His Master's Voice, the secret program set up to decipher the transmission. Among them is Peter Hogarth, an eminent mathematician. When the project reaches a stalemate, Hogarth pursues clandestine research into the classified TX Effect--another secret breakthrough. But when he discovers, to his horror, that the TX Effect could lead to the construction of a fission bomb, Hogarth decides such knowledge must not be allowed to fall into the hands of the military.
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front cover of A Perfect Vacuum
A Perfect Vacuum
Stanislaw Lem
Northwestern University Press, 1999
In A Perfect Vacuum, Stanislaw Lem presents a collection of book reviews of nonexistent works of literature--works that, in many cases, could not possibly be written. Embracing postmodernism's "games for games' sake" ethos, Lem joins the contest with hilarious and grotesque results, lampooning the movement's self-indulgence and exploiting its mannerisms.

Beginning with a review of his own book, Lem moves on to tackles (or create pastiches of) the French new novel, James Joyce, pornography, authorless writing, and Dostoevsky, while at the same time ranging across scientific topics, from cosmology to the pervasiveness of computers. The result is a metafictional tour de force by one of the world's most popular writers.
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