,The scientific correspondence of Watt, Black, Robison and others, together with James Watt's notebook of experiments on heat, edited by Eric Robinson and Douglas McKie.,
, The close friendship that grew up between Dr. Joseph Black, the,discoverer of specific and latent heats, and James Watt, the scientific instrument maker who was destined to become perhaps the greatest engineer of all time, is in,itself a dramatic relationship, not before fully appreciated, Here for the first time is the full text of all their surviving correspondence, known only fragmentarily before in J. P. Muirhead's Life and Mechanical Inventions of James Watt, and there rather freely amended by the editor.,
The amazing range of Watt's interests--in the firing of delft and stoneware, the manufacture of alkali from salt, the invention of scientific instruments as well as the copying press, and many other matters beside the steam-engine--is revealed here. Watt's own position as a scientist and the quality of his association with Black in further experiments on latent heat are fully documented. But the,correspondence is also valuable for the light it sheds on many aspects of life in Britain in the later half of the eighteenth century.
In addition, Watt's notebook on his experiments on heat, known before only through quotation, is presented complete. This is a primary source of first-rate importance to the historian of science.
Hairston has constructed a full personal, cultural and literary biography for d’Aragona, using newly discovered letters, archival material of other kinds, and contemporary theory about gender in women’s writing. Footnotes establish the intricacy of Tullia’s intellectual networks and her courting of intellectuals in rhyme. Hairston includes poems written to d’Aragona, including Girolamo Muzio’s long pastoral, Tirrhenia. She addresses with tact the question of how sexual Tullia’s relationships were with her various interlocutors. At times, as she says, one just can’t know, but that the issue is much less important than the poems themselves. I agree wholeheartedly. This is the editor Tullia has been waiting for: an indefatigable researcher, a creative biographer, and a precise and appreciative literary critic.
—Ann Rosalind Jones
Esther Cloudman Dunn Professor of Comparative Literature, Smith College
The figure of Tullia d’Aragona has long fascinated readers as the prototype of the “honest courtesan”, a woman who successfully exploited her physical and intellectual charms to win the adoration and respect of the Italian cultural elite. With Julia Hairston’s richly annotated edition of her collected verse, the product of more than a decade of scholarship, d’Aragona finally comes into focus also as poet. She emerges in this volume as one of the most distinctive protagonists in a key transitional moment in Italian literary history, when the aristocratic tradition of Petrarchist lyric began to be reshaped and democratized by its encounter with print.
—Virginia Cox
Professor of Italian, New York University
Carl Sandburg first encountered Kenneth Dodson through a letter written at sea during World War II. Though Dodson wrote the letter to his wife, Letha, Sandburg read it in tears and told her, "I've got to meet this man." Composed primarily of their correspondence that continued until Sandburg's death in 1967, The Poet and the Sailor is a chronicle of the deep friendship that followed. Ranging over anything they found important, from writing to health and humor, the letters are arranged by Richard Dodson and are accompanied by a foreword from Sandburg's noted biographer, Penelope Niven.
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