A SCHOLARLY BOOK REPOSITORY57 start with D start with D
Dameronia is the first authoritative biography of Tadd Dameron, an important and widely influential figure in jazz history as one of the most significant composers and arrangers of jazz, swing, bebop, and big band. He arranged for names like Count Basie, Artie Shaw, Jimmie Lunceford, and Dizzy Gillespie and played with Bull Moose Jackson and Benny Golson. This book sets out to clarify Dameron's place in the development of jazz in the post–World War II era. It also attempts to shed light on the tragedy of his retreat from the center of jazz activity in the 1950s. By tracing Dameron's career, one finds that until 1958, when he was incarcerated for drug related offenses, he was at the forefront of developments in jazz, sometimes anticipating trends that would not develop fully for several years. Dameron was also an important influence on several high-profile musicians, including Miles Davis, Benny Golson, and Frank Foster. Dameron was a very private man, and while in some aspects of his life he will probably remain an enigma, this book manages to give an intimate portrait of his life at a couple of key stages: the height of his career in 1949 and the brief but productive period between his release from prison and his death.
In recent years, the work of Zakes Mda—novelist, painter, composer, theater director and filmmaker—has attracted worldwide critical attention. Gail Fincham’s book examines the five novels Mda has written since South Africa’s transition to democracy: Ways of Dying (1995), The Heart of Redness (2000), The Madonna of Excelsior (2002), The Whale Caller (2005), and Cion (2007). Dance of Life explores how refigured identity is rooted in Mda’s strongly painterly imagination that creates changed spaces in memory and culture. Through a combination of magic realism, African orature, and intertextuality with the Western canon, Mda rejects dualistic thinking of the past and the present, the human and the nonhuman, the living and the dead, the rural and the urban. He imbues his fictional characters with the power to orchestrate a reconfigured subjectivity that is simultaneously political, social, and aesthetic.
By using Scott Joplin's life as a window onto American social and cultural development at the turn of the century, this biography dramatizes the role of one brilliant African American musician in defining the culture of a still-young nation.
“Das Arkansas Echo”: A Year in the Life of Germans in the Nineteenth-Century South examines topics the newspaper covered during its inaugural year. Kathleen Condray illuminates the newspaper’s crusade against Prohibition, its advocacy for the protection of German schools and the German language, and its promotion of immigration. We also learn about aspects of daily living, including food preparation and preservation, religion, recreation, the role of women in the family and society, health and wellness, and practical housekeeping. And we see how the paper assisted German speakers in navigating civic life outside their immigrant community, including the racial tensions of the post-Reconstruction South.
“Das Arkansas Echo”: A Year in the Life of Germans in the Nineteenth-Century South offers a fresh perspective on the German speakers who settled in a modernizing Arkansas. Mining a valuable newspaper archive, Condray sheds light on how these immigrants navigated their new identity as southern Americans.
In the fall of 1897, Dave Rust, a young placer miner from Caineville, Utah, looked up from his sluice box on the Colorado River and gazed at the brilliant sandstone cliffs of Glen Canyon. He wasn’t finding much gold, but he knew that this landscape abounded in scenic beauty and that people would pay good money to see it. A quarter century later, he would fulfill his dream of taking adventurous travelers through this stunning canyon in his little canvas-covered canoes. By that time he had amassed a comprehensive knowledge of the geologic wonders of the Colorado Plateau province of Utah and Arizona, and each summer he led month-long pack trips through a mind-boggling variety of cliffs, mesas, mountaintop overlooks, and hidden desert canyons.
David D. Rust (1874–1963) grew up in south-central Utah, and as a young man he worked a variety of jobs. But the canyon country always called to him, and for more than three decades he was the premier backcountry outfitter and guide in southern Utah. He felt that travel was more than a pastime—it was a chance to enrich one’s mind, and he showed the way to achieve a deep understanding of the Colorado Plateau’s fabulous landforms.
Winner of the Evans Biography Award, the Utah State History Association's Best Utah History Book Award, the Mormon History Association Turner-Bergera Best Biography Award, the Utah State Division of History Francis Armstrong Madsen Best Utah History Book Award, and the Utah Book Award in Nonfiction.
This is the first biography of David J. Brewer, an Associate Justice of the United States Supreme Court from 1889 to 1910.
Prior to rising to the nation’s highest tribunal, Brewer served as a county probate judge, a state district judge, a Kansas State Supreme Court justice, and a federal circuit court judge. He was known not only for his long tenure on the Supreme Court but also for his numerous off-the-bench statements as an orator and writer.
Many of Brewer’s judicial opinions and nonjudicial utterances created controversy, particularly when he confronted the reform issues of his day. The court, then presided over by Chief Justice Melville W. Fuller, has been seen as reactionary, determined to infuse the law with social Darwinism and laissez-faire ideology. Yet, contrary to this assessment of the Fuller Court as a whole, Brewer accepted most of his generation’s reform goals. He championed many forms of social legislation, the regulation of business, the rights of women and minorities, the support of charities, educational reform, and world peace.
Michael J. Brodhead contends that until recently historians have carelessly and inaccurately created a false image of Brewer, partly by citing a small sample of his opinions and public statements as representative of his alleged conservatism. They have also assumed that the disputable decisions of Brewer and his contemporaries were based on ideological predilections and that precedent and recognized legal principles played no role.
During his term, Brewer was the author of such notable court opinions as In re Debs, Muller v. Oregon, and Kansas v. Colorado. He supported property rights, admired honest entrepreneurial activity, and opposed the concentration of power in any form. Brewer favored the individual in all instances, whether that individual was the initiator of a great economic enterprise or a farmer struggling to extend agriculture into the western plains.
The Daykeeper presents a unique view, of the life of a modern Mayan holy man--his religious beliefs and practices, his stories and folktales, his philosophy of living, his struggle for daily bread and peace of mind.
In the hands of Benjamin and Lore Colby; the daykeeper's testimony be comes an important vehicle for understanding a culture that is a direct descendant of the high Mayan civilization of the past.
The Colbys show that there are intelligible cultural principles that organize the daykeeper's methods of divination and guide his interpretation of dreams and his cures for the sick. There is also a clear cultural pattern underlying the stores he telIs and the morals that he draws from them. When these patterns are used to inform our perception of the daykeeper's experience of life, we gain a rich, understanding of the relation between culture and thought as well as a rare and privileged insight into the mind of a highly religious man.The Daykeeper is an unusual combination of compelling life history and sophisticated cultural analysis. This is a benchmark book in American anthropology that can be read with understanding and enjoyment by expert and layman alike.
In more than forty years at the Wisconsin State Journal, Hesselberg frequently found himself writing about fatal accidents, crime investigations, and the deaths of the wealthy, famous, or notorious. But he was most drawn to the curious, the unknown, and the unsung—the deaths that normally wouldn’t make much of a splash, if any mention at all, in the news columns of a daily paper.
Digging deeper, he uncovered the extraordinary among the ordinary, memorializing the lives of a sword designer, a radio villain, a pioneering female detective, a homeless woman who spoke fluent French, a beloved classroom tarantula, and many more. Their stories are alternately amusing, sad, surprising, and profound. Together they speak to a shared human experience and inspire us to see the people around us with new eyes, valuing the lives while they are still being lived.
A trenchant analysis of the dark side of regulatory life-making today
In their seemingly relentless pursuit of life, do contemporary U.S. “biocultures”—where biomedicine extends beyond the formal institutions of the clinic, hospital, and lab to everyday cultural practices—also engage in a deadly endeavor? Challenging us to question their implications, Deadly Biocultures shows that efforts to “make live” are accompanied by the twin operation of “let die”: they validate and enhance lives seen as economically viable, self-sustaining, productive, and oriented toward the future and optimism while reinforcing inequitable distributions of life based on race, class, gender, and dis/ability. Affirming life can obscure death, create deadly conditions, and even kill.
Deadly Biocultures examines the affirmation to hope, target, thrive, secure, and green in the respective biocultures of cancer, race-based health, fatness, aging, and the afterlife. Its chapters focus on specific practices, technologies, or techniques that ostensibly affirm life and suggest life’s inextricable links to capital but that also engender a politics of death and erasure. The authors ultimately ask: what alternative social forms and individual practices might be mapped onto or intersect with biomedicine for more equitable biofutures?
Most stories about disabled people are written for the sake of being inspirational. These stories tend to focus on some achievement, such as sports or academics, but rarely do they give a true and complete view of the challenges individuals must deal with on a daily basis. For example: How does a deaf-blind person interact with hearing-sighted people at a family reunion? How does she shop for groceries? What goes through his mind when he enters a classroom full of non-handicapped peers? These aren’t questions you are likely to find answers to while reading that incredible tale of success. They are, however, issues that a deaf-blind person wishes others understood.
Deaf-Blind Reality: Living the Life explores what life is really like for persons with a combination of vision and hearing loss, and in a few cases, other disabilities as well. Editor Scott M. Stoffel presents extensive interviews with 12 deaf-blind individuals, including himself, who live around the world, from Missouri to New Zealand, Louisiana to South Africa, and Ohio to England. These contributors each describe their families’ reactions and the support they received; their experiences in school and entering adulthood; and how they coped with degeneration, ineffective treatments, and rehabilitation. Each discusses their personal education related to careers, relationships, and communication, including those with cochlear implants. Deaf-Blind Reality offers genuine understanding of the unspectacular but altogether daunting challenges of daily life for deaf-blind people.
What makes a film "work," so that audiences come away from the viewing experience refreshed and even transformed in the way they understand themselves and the world around them? In The Death and Life of Drama, veteran screenwriter and screenwriting teacher Lance Lee tackles this question in a series of personal essays that thoroughly analyze drama's role in our society, as well as the elements that structure all drama, from the plays of ancient Athens to today's most popular movies.
Using examples from well-known classical era and recent films, Lee investigates how writers handle dramatic elements such as time, emotion, morality, and character growth to demonstrate why some films work while others do not. He seeks to define precisely what "action" is and how the writer and the viewer understand dramatic reality. He looks at various kinds of time in drama, explores dramatic context from Athens to the present, and examines the concept of comedy. Lee also proposes a novel "five act" structure for drama that takes account of the characters' past and future outside the "beginning, middle, and end" of the story. Deftly balancing philosophical issues and practical concerns, The Death and Life of Drama offers a rich understanding of the principles of successful dramatic writing for screenwriters and indeed everyone who enjoys movies and wants to know why some films have such enduring appeal for so many people.
Offering much more than a detached historical account of the "German miracle"—a ruined, war-torn nation evolving within a decade into the most flourishing country in Europe—Eugene Davidson delves into this intriguing story as a "participant observer." Drawing on countless interviews with Germans and Americans of various backgrounds and perspectives, from High Commissioner's office personnel to occupation troop GIs, storekeepers to housewives, Davidson insightfully conveys the atmosphere of postwar Germany and the role of the American occupation in achieving the nation's economic miracle.
The Death and Life of Germany examines the transformation of Germany, focusing on such key episodes as the unprecedented war-crimes tribunal at Nuremberg, the almost unceasing attempts of the Western Allies to cooperate with the Russians, the startling effects of the currency reform and Marshall Plan aid, the break between East and West Germany that culminated in the Berlin airlift, the heroic East German uprising of June 17, 1953, and the eventual formation of the Federal Republic of Germany and the German Democratic Republic.
Davidson traces the progress of thought among Germans and Americans alike as their conceptions of postwar Germany gradually evolved and the leaders of a new, democratic West Germany emerged from the ashes of defeat.
The strength of Davidson's research and analysis and the continuing relevance of this important volume make The Death and Life of Germany an invaluable addition to the collections of scholars and general readers interested in the evolution of postwar Germany.
It is a remarkable story of life, death, and revival—told here for the first time in all its stunning color and bleak grays. The Death and Life of Monterey Bay begins in the eighteenth century when Spanish and French explorers encountered a rocky shoreline brimming with life—raucous sea birds, abundant sea otters, barking sea lions, halibut the size of wagon wheels,waters thick with whales. A century and a half later, many of the sea creatures had disappeared, replaced by sardine canneries that sickened residents with their stench but kept the money flowing. When the fish ran out and the climate turned,the factories emptied and the community crumbled. But today,both Monterey’s economy and wildlife are resplendent. How did it happen?
The answer is deceptively simple: through the extraordinary acts of ordinary people. The Death and Life of Monterey Bay is the biography of a place, but also of the residents who reclaimed it. Monterey is thriving because of an eccentric mayor who wasn’t afraid to use pistols, axes, or the force of law to protect her coasts. It is because of fishermen who love their livelihood, scientists who are fascinated by the sea’s mysteries, and philanthropists and community leaders willing to invest in a world-class aquarium. The shores of Monterey Bay revived because of human passion—passion that enlivens every page of this hopeful book.
Vancouver today is recognized as one of the most livable cities in the world as well as an international model for sustainability and urbanism. Single-family homes in this city are “a dying breed.” Most people live in the various low-rise and high-rise urban alternatives throughout the metropolitan area.
The Death and Life of the Single-Family House explains how residents in Vancouver attempt to make themselves at home without a house. Local sociologist Nathanael Lauster has painstakingly studied the city’s dramatic transformation to curb sprawl. He tracks the history of housing and interviews residents about the cultural importance of the house as well as the urban problems it once appeared to solve.
Although Vancouver’s built environment is unique, Lauster argues that it was never predestined by geography or demography. Instead, regulatory transformations enabled the city to renovate, build over, and build around the house. Moreover, he insists, there are lessons here for the rest of North America. We can start building our cities differently, and without sacrificing their livability.
How does one die by philosophy? In Diogenes Laertius, philosophers jump into volcanoes, bury themselves in dung, get eaten by dogs, hang themselves, drown, and vanish into thin air -- sometimes all in a single lifetime. But what happens when we look beyond the fantastic and absurd to examine the particular ways that the philosophers' lives and deaths are recounted?
Ava Chitwood's reexamination of Diogenes Laertius's philosophical biographies opens a new window on the intellectual culture and context in which the work of philosophers like Empedocles, Heraclitus, and Democritus was read, received, and transmitted. Chitwood's analysis also suggests a methodology for understanding the interplay between biography and philosophy and for evaluating biographical sources.
While Chitwood's approach combines the disciplines of classical philology and philosophy, Death by Philosophy is not intended solely for the specialist. This investigation offers the modern reader a fascinating, fresh, and entertaining view of the ancient literary and philosophical world.
Ava Chitwood is Assistant Professor of Classics, at the University of South Florida.
Long before popular television shows such as Dirty Jobs and The Deadliest Catch, everyday men and women---the unsung heroes of the job world---toiled in important but mostly anonymous jobs. One of those jobs was deckhand on the ore boats.
With numerous photographs and engaging stories, Deckhand offers an insider's view of both the mundane and the intriguing duties performed by deckhands on these gritty cargo vessels. Boisterous port saloons, monster ice jams, near drownings, and the daily drudgery of soogeying---cleaning dirt and grime off the ships---are just a few of the experiences Mickey Haydamacker had as a young deckhand working on freighters of the Great Lakes in the early 1960s. Haydamacker sailed five Interlake Steamship Company boats, from the modern Elton Hoyt 2nd to the ancient coal-powered Colonel James Pickands with its backbreaking tarp-covered hatches.
Deckhand will appeal to shipping buffs and to anyone interested in Great Lakes shipping and maritime history as it chronicles the adventures of living on the lakes from the seldom-seen view of a deckhand.
Mickey Haydamacker spent his youth as a deckhand sailing on the freighters of the Great Lakes. During the 1962 and '63 seasons Nelson sailed five different Interlake Steamship Company ore boats. He later went on to become an arson expert with the Michigan State Police, retiring with the rank of Detective Sergeant.
Alan D. Millar, to whom Haydamacker related his tale of deckhanding, spent his career as a gift store owner and often wrote copy for local newspaper, TV, and radio.
But Lorca’s fame could not survive politics: his identification with the splendor of the Second Spanish Republic (1931–36) was one of the reasons behind Lorca’s murder in August 1936 at the hands of right-wing insurgents at the start of the Spanish Civil War. In this biography, Stephen Roberts seeks out the roots of the man and his work in the places in which Lorca lived and died: the Granadan countryside where he spent his childhood; the Granada and Madrid of the 1910s, ’20s, and ’30s where he received his education and achieved success as a writer; his influential visits to Catalonia, New York, Cuba, and Argentina; and the mountains outside Granada where his body still lies in an undiscovered grave. What emerges is a fascinating portrait of a complex and brilliant man as well as new insight into the works that helped to make his name.
Defender of the Faithful explores the life and thought of Levi Yitshak of Berdychiv (1740–1809), one of the most fascinating and colorful Hasidic leaders of his time. This is an intellectual and religious biography, a reading of the development of his thought and career. Featuring examples of Levi Yitshak’s extraordinary texts alongside insightful analysis by scholar and theologian Arthur Green, Defender of the Faithful is a compelling study of both Levi Yitshak’s theology and broader philosophy.
Defender is the first and only scholarly biography of Daniel H. Wells, one of the important yet historically neglected leaders among the nineteenth-century Mormons—leaders like Heber C. Kimball, George Q. Cannon, and Jedediah M. Grant. An adult convert to the Mormon faith during the Mormons’ Nauvoo period, Wells developed relationships with men at the highest levels of the church hierarchy, emigrated to Utah with the Mormon pioneers, and served in a series of influential posts in both church and state.
Wells was known especially as a military leader in both Nauvoo and Utah—he led the territorial militia in four Indian conflicts and a confrontation with the US Army (the Utah War). But he was also the territorial attorney general and obtained title to all the land in Salt Lake City from the federal government during his tenure as the mayor of Salt Lake City. He was Second Counselor to Brigham Young in the LDS Church's First Presidency and twice served as president of the Mormon European mission. Among these and other accomplishments, he ran businesses in lumbering, coal mining, manufacturing, and gas production; developed roads, ferries, railroads, and public buildings; and presided over a family of seven wives and thirty-seven children.
Wells witnessed and influenced a wide range of consequential events that shaped the culture, politics, and society of Utah in the latter half of the nineteenth century. Using research from relevant collections, sources in public records, references to Wells in the Joseph Smith papers, other contemporaneous journals and letters, and the writings of Brigham Young, Quentin Thomas Wells has created a serious and significant contribution to Mormon history scholarship.
The Cold War was fought in every corner of society, including in the sport and entertainment industries. Recognizing the importance of culture in the battle for hearts and minds, the United States, like the Soviet Union, attempted to win the favor of citizens in nonaligned states through the soft power of sport. Athletes became de facto ambassadors of US interests, their wins and losses serving as emblems of broader efforts to shield American culture—both at home and abroad—against communism.
In Defending the American Way of Life, leading sport historians present new perspectives on high-profile issues in this era of sport history alongside research drawn from previously untapped archival sources to highlight the ways that sports influenced and were influenced by Cold War politics. Surveying the significance of sports in Cold War America through lenses of race, gender, diplomacy, cultural infiltration, anti-communist hysteria, doping, state intervention, and more, this collection illustrates how this conflict remains relevant to US sporting institutions, organizations, and ideologies today.
Frank Dale, who has lived near the Delaware all of his life, has burrowed into old newspaper files and archives and traced down eyewitnesses o the life of the Delaware. Rivers were the highways of choice in early America, and the Delaware presented much greater challenges than the nearby Hudson. Filled with rapid, falls, and inconvenient rocks, the river refused to accommodate itself easily to the needs of commerce. The rivermen who ventured down the Delaware on massive timber rafts or Durham boats filled with iron ore earned a deserved reputation for pure ornery courage. Later entrepreneurs tried steamboats, canals, and bridges to attempt to harness and exploit this most unexploitable river, with decidedly mixed results. In recent times, the Tocks Island Dam was defeated by a community that had come to admire the river's stubborn resistance to being conquered and harnesses to human ends. Canoeists and waterside strollers can now appreciate its unspoiled beauties.
One of the most individual stylists of his time, trumpeter Lee Morgan began his professional career in Philadelphia at age fifteen. At eighteen, after a short stint with Art Blakey's Jazz Messengers, Morgan joined Dizzy Gillespie's orchestra, where he stayed until the group disbanded in 1958. A return to Blakey brought Morgan new opportunities, including his first successful attempts at composition. But however much his time with Blakey helped to advance his playing and writing, his boss's and his bandmates' destructive drug habits exerted just as strong an influence. Within three years, Morgan would be back home in Philadelphia, strung out on heroin and penniless.
Morgan's return to music in the early to mid-sixties witnessed a tremendous evolution in his playing. Formerly a virtuoso in the model of his idol, Clifford Brown, Morgan brought to his critically acclaimed Blue Note records of the era an emotionally charged, muscular tone, full of poise and control. But it was with the record Sidewinder, recorded in 1963, that Morgan found his greatest fame and commercial success, due to the infectious groove of the title tune. By the time of his death, at thirty-three---murdered in a New York City club by his girlfriend during a gig---Morgan had begun a new phase of his career, experimenting with freer-forms of musical expression.
Jeff McMillan's Delightfulee is the first biography to seriously examine Morgan's vast contributions to jazz, both as a performer and as a composer. Thanks to exclusive access to Lee Morgan's now-deceased brother, McMillan is also able to provide unparalleled insight into Morgan's personal and family life
Jeff McMillan received his master's degree from the Jazz History and Research program at Rutgers-Newark in 2000 and currently works as an archivist for the Metropolitan Opera in New York City.
A Financial Times, Sunday Times, and Telegraph Best Science Book of the Year
What is life? For generations, scientists have struggled to make sense of this fundamental question, for life really does look like magic: even a humble bacterium accomplishes things so dazzling that no human engineer can match it. Huge advances in molecular biology over the past few decades have served only to deepen the mystery.
In this penetrating and wide-ranging book, world-renowned physicist and science communicator Paul Davies searches for answers in a field so new and fast-moving that it lacks a name; it is a domain where biology, computing, logic, chemistry, quantum physics, and nanotechnology intersect. At the heart of these diverse fields, Davies explains, is the concept of information: a quantity which has the power to unify biology with physics, transform technology and medicine, and force us to fundamentally reconsider what it means to be alive—even illuminating the age-old question of whether we are alone in the universe.
From life’s murky origins to the microscopic engines that run the cells of our bodies, The Demon in the Machine journeys across an astounding landscape of cutting-edge science. Weaving together cancer and consciousness, two-headed worms and bird navigation, Davies reveals how biological organisms garner and process information to conjure order out of chaos, opening a window onto the secret of life itself.
For most of us the word "desert" conjures up images of barren wasteland, vast, dry stretches inimical to life. But for a great array of creatures, perhaps even more plentiful than those who inhabit tropical rainforests, the desert is a haven and a home. Travel with Michael Mares into the deserts of Argentina, Iran, Egypt, and the American Southwest and you will encounter a rich and memorable variety of these small, tenacious animals, many of them first discovered by Mares in areas never before studied. Accompanying Mares on his forays into these hostile habitats, we observe the remarkable behavioral, physiological, and ecological adaptations that have allowed such little-known species of rodents, bats, and other small mammals to persist in an arid world. At the same time, we see firsthand the perils and pitfalls that await biologists who venture into the field to investigate new habitats, discover new species, and add to our knowledge of the diversity of life.
Filled with the seductions and trials that such adventures entail, A Desert Calling affords an intimate understanding of the biologist's vocation. As he astonishes us with the range and variety of knowledge to be acquired through the determined investigation of little-known habitats, Mares opens a window on his own uncommon life, as well as on the uncommon life of the remote and mysterious corners of our planet.
Desert Rose details Coretta Scott King's upbringing in a family of proud, land-owning African Americans with a profound devotion to the ideals of social equality and the values of education, as well as her later role as her husband's most trusted confidant and advisor.
Coretta Scott King—noted author, human rights activist, and wife and partner of famed Civil Rights Movement leader Martin Luther King Jr.—grew up in the rural Alabama Black Belt with her older sister, Edythe Scott Bagley. Bagley chronicles the sisters’ early education together at the Crossroads School and later at the progressive Lincoln School in Marion. She describes Coretta’s burgeoning talent for singing and her devotion to musical studies, and the sisters’ experiences matriculating at Antioch College, an all-white college far from the rural South. Bagley provides vivid insights into Coretta’s early passion for racial and economic justice, which lead to her involvement in the Peace Movement and the National Association for the Advancement of Colored People.
As Coretta’s older sister, Edythe shared in almost all of Coretta’s many trials and tribulations. Desert Rose charts Coretta’s hesitance about her romance with Martin Luther King and the prospect of having to sacrifice her dream of a career in music to become a minister’s wife. Ultimately, Coretta chose to utilize her artistic gifts and singing voice for the Movement through the development and performance of Freedom Concerts. This book also charts Coretta’s own commitment and dedication, in the years that followed King’s death, to the causes of international civil rights, the antiapartheid movement, and the establishment of the King Center in Atlanta and the national King Holiday. Coretta’s devotion to activism, motherhood, and the movement led by her husband, and her courageous assumption of the legacy left in the wake of King’s untimely assassination, are wonderfully detailed in this intimate biography.
In addition, promotional items, reviews, and correspondence relating to early publications are included, as well as some later documents that reveal the changing assessments of Dickinson’s poetry in response to evolving critical standards. These documents provide evidence that counters many popular conceptions of her life and reception, such as the belief that the writer best known for poems focused on loss, death, and immortality was herself a morose soul. In fact, those who knew her found her humorous, playful, and interested in other people.
Dickinson maintained literary and personal correspondence with major representatives of the national literary scene, developing a reputation as a remarkable writer even as she maintained extreme levels of privacy. Evidence compiled here also demonstrates that she herself made considerable provision for the survival of her poems and laid the groundwork for their eventual publication. Dickinson in Her Own Time reveals the poet as her contemporaries knew her, before her legend took hold.
Alexander Herzen—philosopher, novelist, essayist, political agitator, and one of the leading Russian intellectuals of the nineteenth century—was as famous in his day as Tolstoy and Dostoevsky. While he is remembered for his masterpiece My Past and Thoughts and as the father of Russian socialism, his contributions to the history of ideas defy easy categorization because they are so numerous. Aileen Kelly presents the first fully rounded study of the farsighted genius whom Isaiah Berlin called “the forerunner of much twentieth-century thought.”
In an era dominated by ideologies of human progress, Herzen resisted them because they conflicted with his sense of reality, a sense honed by his unusually comprehensive understanding of history, philosophy, and the natural sciences. Following his unconventional decision to study science at university, he came to recognize the implications of early evolutionary theory, not just for the natural world but for human history. In this respect, he was a Darwinian even before Darwin.
Socialism for Russia, as Herzen conceived it, was not an ideology—least of all Marxian “scientific socialism”—but a concrete means of grappling with unique historical circumstances, a way for Russians to combine the best of Western achievements with the possibilities of their own cultural milieu in order to move forward. In the same year that Marx declared communism to be the “solution to the riddle of history,” Herzen denied that any such solution could exist. History, like nature, was contingent—an improvisation both constrained and encouraged by chance.
Since his death in Alabama in 1992, the work of American writer Richard Yates has enjoyed a renaissance, culminating in director Sam Mendes’s adaption of the novel Revolutionary Road (starring Leonardo DiCaprio and Kate Winslet). Dismembering the American Dream is the first book-length critical study of Yates’s fiction.
Kate Charlton-Jones argues that to read Yates’s tales of disordered lives is to uncover not misery, though the lives he describes are sad ones, but a profound, enriching, and humorous understanding of human weakness and vulnerability. Yates’s narratives absorb his readers so entirely, mirroring their own emotional highs and lows with such skill, that reading becomes recognition. Yates demonstrates his ability to tease powerful human drama out of the most ordinary, quotidian moments. At the same time, Yates’s fiction displays an object lesson in the art of fine prose writing, so it is no surprise that many early fans of Yates were also established writers.
Charlton-Jones explores how Yates extends the realist form and investigates three main recurring themes of his fiction: observations about performative behavior, which are at the heart of all his fictions; his conception of the writer’s role in society; and how he envisages the development of social and sexual relationships. Furthermore, Charlton-Jones illustrates how Yates incorporates some of the concerns and methods of postmodernist writers but how, nevertheless, he resists their ontological challenges.
Drawing on the author’s personal papers and with a foreword by DeWitt Henry and an afterword by Richard Yates’s daughter Monica, Dismembering the American Dream provides an extended critical examination of the often neglected but important work of this gifted and accomplished author.
Hurricane Katrina forced the largest and most abrupt displacement in U.S. history. About 1.5 million people evacuated from the Gulf Coast preceding Katrina’s landfall. New Orleans, a city of 500,000, was nearly emptied of life after the hurricane and flooding. Katrina survivors eventually scattered across all fifty states, and tens of thousands still remain displaced. Some are desperate to return to the Gulf Coast but cannot find the means. Others have chosen to make their homes elsewhere. Still others found a way to return home but were unable to stay due to the limited availability of social services, educational opportunities, health care options, and affordable housing.
The contributors to Displaced have been following the lives of Katrina evacuees since 2005. In this illuminating book, they offer the first comprehensive analysis of the experiences of the displaced. Drawing on research in thirteen communities in seven states across the country, the contributors describe the struggles that evacuees have faced in securing life-sustaining resources and rebuilding their lives. They also recount the impact that the displaced have had on communities that initially welcomed them and then later experienced “Katrina fatigue” as the ongoing needs of evacuees strained local resources. Displaced reveals that Katrina took a particularly heavy toll on households headed by low-income African American women who lost the support provided by local networks of family and friends. It also shows the resilience and resourcefulness of Katrina evacuees who have built new networks and partnered with community organizations and religious institutions to create new lives in the diaspora.
View a collection of videos on Professor Wilson entitled "On the Relation of Science and the Humanities"
"In the Amazon Basin the greatest violence sometimes begins as a flicker of light beyond the horizon. There in the perfect bowl of the night sky, untouched by light from any human source, a thunderstorm sends its premonitory signal and begins a slow journey to the observer, who thinks: the world is about to change." Watching from the edge of the Brazilian rain forest, witness to the sort of violence nature visits upon its creatures, Edward O. Wilson reflects on the crucible of evolution, and so begins his remarkable account of how the living world became diverse and how humans are destroying that diversity.
Wilson, internationally regarded as the dean of biodiversity studies, conducts us on a tour through time, traces the processes that create new species in bursts of adaptive radiation, and points out the cataclysmic events that have disrupted evolution and diminished global diversity over the past 600 million years. The five enormous natural blows to the planet (such as meteorite strikes and climatic changes) required 10 to 100 million years of evolutionary repair. The sixth great spasm of extinction on earth--caused this time entirely by humans--may be the one that breaks the crucible of life. Wilson identifies this crisis in countless ecosystems around the globe: coral reefs, grasslands, rain forests, and other natural habitats. Drawing on a variety of examples such as the decline of bird populations in the United States, the extinction of many species of freshwater fish in Africa and Asia, and the rapid disappearance of flora and fauna as the rain forests are cut down, he poignantly describes the death throes of the living world's diversity--projected to decline as much as 20 percent by the year 2020.
All evidence marshaled here resonates through Wilson's tightly reasoned call for a spirit of stewardship over the world's biological wealth. He makes a plea for specific actions that will enhance rather than diminish not just diversity but the quality of life on earth. Cutting through the tangle of environmental issues that often obscure the real concern, Wilson maintains that the era of confrontation between forces for the preservation of nature and those for economic development is over; he convincingly drives home the point that both aims can, and must, be integrated. Unparalleled in its range and depth, Wilson's masterwork is essential reading for those who care about preserving the world biological variety and ensuring our planet's health.
“In the Amazon Basin the greatest violence sometimes begins as a flicker of light beyond the horizon. There in the perfect bowl of the night sky, untouched by light from any human source, a thunderstorm sends its premonitory signal and begins a slow journey to the observer, who thinks: the world is about to change.” Watching from the edge of the Brazilian rain forest, witness to the sort of violence nature visits upon its creatures, Edward O. Wilson reflects on the crucible of evolution, and so begins his remarkable account of how the living world became diverse and how humans are destroying that diversity.
Wilson, internationally regarded as the dean of biodiversity studies, conducts us on a tour through time, traces the processes that create new species in bursts of adaptive radiation, and points out the cataclysmic events that have disrupted evolution and diminished global diversity over the past 600 million years. The five enormous natural blows to the planet (such as meteorite strikes and climatic changes) required 10 to 100 million years of evolutionary repair. The sixth great spasm of extinction on earth—caused this time entirely by humans—may be the one that breaks the crucible of life. Wilson identifies this crisis in countless ecosystems around the globe: coral reefs, grasslands, rain forests, and other natural habitats. Drawing on a variety of examples such as the decline of bird populations in the United States, the extinction of many species of freshwater fish in Africa and Asia, and the rapid disappearance of flora and fauna as the rain forests are cut down, he poignantly describes the death throes of the living world’s diversity—projected to decline as much as 20 percent by the year 2020.
All evidence marshaled here resonates through Wilson’s tightly reasoned call for a spirit of stewardship over the world’s biological wealth. He makes a plea for specific actions that will enhance rather than diminish not just diversity but the quality of life on earth. Cutting through the tangle of environmental issues that often obscure the real concern, Wilson maintains that the era of confrontation between forces for the preservation of nature and those for economic development is over; he convincingly drives home the point that both aims can, and must, be integrated. Unparalleled in its range and depth, Wilson’s masterwork is essential reading for those who care about preserving the world biological variety and ensuring our planet’s health.
DJ Screw, a.k.a. Robert Earl Davis Jr., changed rap and hip-hop forever. In the 1990s, in a spare room of his Houston home, he developed a revolutionary mixing technique known as chopped and screwed. Spinning two copies of a record, Screw would “chop” in new rhythms, bring in local rappers to freestyle over the tracks, and slow the recording down on tape. Soon Houstonians were lining up to buy his cassettes—he could sell thousands in a single day. Fans drove around town blasting his music, a sound that came to define the city’s burgeoning and innovative rap culture. June 27 has become an unofficial city holiday, inspired by a legendary mix Screw made on that date.
Lance Scott Walker has interviewed nearly everyone who knew Screw, from childhood friends to collaborators to aficionados who evangelized Screw’s tapes—millions of which made their way around the globe—as well as the New York rap moguls who honored him. Walker brings these voices together with captivating details of Screw’s craft and his world. More than the story of one man, DJ Screw is a history of the Houston scene as it came of age, full of vibrant moments and characters. But none can top Screw himself, a pioneer whose mystique has only grown in the two decades since his death.
Dr. George T. Mitchell of Marshall, Illinois, shares with humor and compassion stories and reflections about his medical practice of fifty years.
Having grown up in Marshall, Dr. Mitchell writes of his early experiences in midwestern America: basketball rivalries, school-boy pranks, and the traditions passed down through a family of doctors. Dr. Mitchell tells of his brief detour to obtain a degree in mechanical engineering, his decision to pursue a career in medicine, and his medical school experiences at the George Washington School of Medicine before the days of antibiotics and sophisticated medical technology. He vividly describes his subsequent service in World War II as a young surgeon at a military hospital helping injured soldiers resume normal lives while enduring the frustrations and occasional horrors of military life.
After the war, Dr. Mitchell joined his father’s practice in Marshall, where, he observes, he was among sixteen physicians in a rural county with a population of less than twenty thousand people. Within twenty-five years, the number of doctors had dropped to only four. In this memoir Dr. Mitchell conveys his unwillingness to just sit by and watch the health needs of his community increase while medical and other services decline. He, instead, became a community activist, representing rural concerns to the state medical society, organizing the first emergency medical technician teams in the county, masterminding the planning of a regional medical center, campaigning successfully for improved highway safety, and spurring the extension of reliable telephone service throughout his area.
As Dr. Mitchell recounts the house calls, farm accidents, emergency surgeries, and family counseling that comprised the life of this country doctor, he offers the keen insights of a clinician trained to look beyond what others only see.
Hatim Kanaaneh is a Palestinian doctor who has struggled for over 35 years to bring medical care to Palestinians in Galilee, against a culture of anti-Arab discrimination. This is the story of how he fought for the human rights of his patients and overcame the Israeli authorities' cruel indifference to their suffering.
Kanaaneh is a native of Galilee, born before the creation of Israel. He left to study medicine at Harvard, before returning to work as a public health physician with the intention of helping his own people. He discovered a shocking level of disease and malnutrition in his community and a shameful lack of support from the Israeli authorities. After doing all he could for his patients by working from inside the system, Kanaaneh set up The Galilee Society, an NGO working for equitable health, environmental and socio-economic conditions for Palestinian Arabs in Israel.
This is a brilliant memoir that shows how grass roots organisations can loosen the Zionist grip upon Palestinian lives.
Yet no definitive history of his life has been compiled. Wilson Heefner corrects that with the first authoritative biography of this distinguished American military leader. Heefner has undertaken impressive research in primary sources—as well as interviews with family members and former associates—to shed new light on this overlooked hero. He presents Truscott as a soldier who was shaped by his upbringing, civilian and military education, family life, friendships, and evolving experiences as a commander both in and out of combat.
Heefner’s brisk narrative explores Truscott’s career through his three decades in the Army and defines his roles in key operations. It also examines Truscott’s postwar role as military governor of Bavaria, particularly in improving living conditions for Jewish displaced persons, removing Nazis from civil government, and assisting in the trials of German war criminals. And it offers the first comprehensive examination of his subsequent career in the Central Intelligence Agency, where he served as senior CIA representative in West Germany during the early days of the Cold War, and later as CIA Director Allen Dulles’s deputy director for coordination in Washington.
Dogface Soldier is a portrait of a man who earned a reputation for being honest, forthright, fearless, and aggressive, both as a military officer and in his personal life—a man who, at the dedication ceremony for the Anzio-Nettuno American cemetery in 1945, turned away from the crowd and to the thousands of crosses stretching before him to address those buried there. Heefner has written a definitive biography of a great soldier and patriot.
An intimate biography of a great American writer.
He rose from a childhood as the illegitimate son of a financial titan to become the man Sartre called "the greatest writer of our time." A progressive writer who turned his passions into the groundbreaking U.S.A. trilogy, John Dos Passos later embraced conservative causes. At the height of his career he was considered a peer of Hemingway and Fitzgerald, yet he died in obscurity in 1970.
Award-winning biographer Virginia Spencer Carr examines the contradictions of Dos Passos's life with an in-depth study of the man. Using the writer's letters and journals, and with assistance from the Dos Passos family, Carr reconstructs an epic life, one of literary acclaim and bitter obscurity, restless wandering and happy marriage, friendship with Edmund Wilson and feuds with Hemingway. First published to acclaim in 1984, Dos Passos remains the definitive personal portrait of the author.
As valuable as these writings are in illuminating the man, the story Douglass told in 1845 has become rather too easy to tell, obscuring as much as it reveals. Less a living presence than an inspiring tale, Frederick Douglass remains relatively unknown even to many of those who celebrate his achievements. Douglass in His Own Time offers an introduction to Douglass the man by those who knew him. The book includes a broad range of writings, some intended for public viewing and some private correspondence, all of which contend with the force of Douglass’s tremendous power over the written and spoken word, his amazing presence before crowds, his ability to improvise, to entertain, to instruct, to inspire—indeed, to change lives through his eloquent appeals to righteous self-awareness and social justice. In approaching Douglass through the biographical sketches, memoirs, letters, editorials, and other articles about him, readers will encounter the complexity of a life lived on a very public stage, the story of an extraordinary black man in an insistently white world.
An artist sketching cell division faces a problem: what is the best way to visually represent a dynamic process? This anthology, edited by an artist and a philosopher of science, explores drawing as a way of inquiring into living processes at the molecular, cellular, and organismal scale. In doing so, drawing emerges as a tool for relaying and uncovering knowledge—a pathway for research, not an end result.
Incorporating drawing studies and contributions from scholars in the humanities and life sciences, Drawing Processes of Life addresses epigenetics, epistemology, and metamorphosis in insects, proteins, and other ever-shifting biological systems. A foreword by Scott F. Gilbert, a renowned evolutionary biologist and historian of science, affirms the promise of interdisciplinary collaboration between artists and scientists.
"An impressive achievement. . . . Udelson provides a trenchant analysis of Zangwill's works set within a historical context, i.e., Jewish emancipation and the dilemma of how one might remain fully Jewish while becoming fully modern, that helps to illuminate Zangwill's life as well as his writings."
—Jewish Book News
"By carefully following the threads of Zangwill's own divided self through the labyrinths of his life and writings, Udelson convinces us not only of the author's startling political prescience, but that he embodies attitudes now shared by almost all secular Jews as a result of events Zangwill did not witness—Nazism and the founding of Israel."
—Shofar
Here, Ken Lamberton finds his way through a lifetime of exploring southern Arizona’s Santa Cruz River. This river—dry, still, and silent one moment, a thundering torrent of mud the next—serves as a reflection of the desert around it: a hint of water on parched sand, a path to redemption across a thirsty landscape.
With his latest book, Lamberton takes us on a trek across the land of three nations—the United States, Mexico, and the Tohono O’odham Nation—as he hikes the river’s path from its source and introduces us to people who draw identity from the river—dedicated professionals, hardworking locals, and the author’s own family. These people each have their own stories of the river and its effect on their lives, and their narratives add immeasurable richness and depth to Lamberton’s own astute observations and picturesque descriptions.
Unlike books that detail only the Santa Cruz’s decline, Dry River offers a more balanced, at times even optimistic, view of the river that ignites hope for reclamation and offers a call to action rather than indulging in despair and resignation. At once a fascinating cultural history lesson and an important reminder that learning from the past can help us fix what we have damaged, Dry River is both a story about the amazing complexity of this troubled desert waterway and a celebration of one man’s lifelong journey with the people and places touched by it.
The first major biography of Duveen in more than fifty years and the first to make use of his enormous archive—only recently opened to the public—Meryle Secrest's Duveen traces the rapid ascent of the tirelessly enterprising dealer, from his humble beginnings running his father's business to knighthood and eventually apeerage. The eldest of eight sons of Jewish-Dutch immigrants, Duveen inherited an uncanny ability to spot a hidden treasure from his father, proprietor of a prosperous antiques business. After his father's death, Duveen moved the company into the riskier but lucrative market of paintings and quickly became one of the world's leading art dealers. The key to Duveen's success was his simple observation that while Europe had the art, America had the money; Duveen made his fortune by buying art from declining European aristocrats and selling them to the "squillionaires" in the United States.
"By far the best account of Joseph Duveen's life in a biography that is rich in detail, scrupulously researched, and sympathetically written. [Secrest's] inquiries into early-twentieth-century collecting whet our appetite for a more general history of the art market in the first half of the twentieth century."—John Brewer, New York Review of Books
Examining the works cited above, as well as memoirs by Mitch Albom, Roland Barthes, Jean-Dominique Bauby, Art Buchwald, Randy Pausch, David Rieff, Philip Roth, and Morrie Schwartz, Jeffrey Berman's analysis of this growing genre yields some surprising insights. While the authors have much to say about the loneliness and pain of dying, many also convey joy, fulfillment, and gratitude. Harold Brodkey is willing to die as long as his writings survive. Art Buchwald and Randy Pausch both use the word fun to describe their dying experiences. Dying was not fun for Morrie Schwartz and Tony Judt, but they reveal courage, satisfaction, and fearlessness during the final stage of their lives, when they are nearly paralyzed by their illnesses.
It is hard to imagine that these writers could feel so upbeat in their situations, but their memoirs are authentically affirmative. They see death coming, yet they remain stalwart and focused on their writing. Berman concludes that the contemporary end-of-life memoir can thus be understood as a new form of death ritual, "a secular example of the long tradition of ars moriendi, the art of dying."
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