Despite its prominence as a world cultural center and a locus of research on deaf culture, history, education, and language for more than 150 years, Gallaudet University has only infrequently been the focal point of historical study. Eminent historians Brian H. Greenwald and John Vickrey Van Cleve have remedied this scarcity with A Fair Chance in the Race of Life: The Role of Gallaudet University in Deaf History. In this collection, a remarkable cast of scholars examine the university and its various roles through time, many conducting new research in the Gallaudet University Archives, an unsurpassed repository of primary sources of deaf history.

Pulitzer-Prize-winning historian James M. McPherson sets the stage in his essay “A Fair Chance in the Race of Life,” President Abraham Lincoln’s statement when he chartered the first college for deaf students. The papers that follow scrutinize Gallaudet’s long domination by hearing presidents, its struggle to find a place within higher education, its easy acquiescence to racism, its relationship with the federal government, and its role in creating, shaping, and nurturing the deaf community.

These studies do more than simply illuminate the university, however. They also confront broad issues that deal with the struggles of social conformity versus cultural distinctiveness, minority cohesiveness, and gender discrimination. “Deaf” themes, such as the role of English in deaf education, audism, and the paternalism of hearing educators receive analysis as well.

In this close, personal history, the result of eight years of intensive research, Reed finds Faubus to be an opaque man, “an insoluable mixture of cynicism and compassion, guile and grace, wickedness and goodness,” and, ultimately, “one of the last Americans to perceive politics as a grand game.”

New York Times Book Review Notable Book for 1997
1998 Certificate of Commendation, American Association for State and Local History

Alberta Henry (1920–2005) was born in a sharecropper’s shack in segregated Louisiana before moving with her family to Kansas where she grew up in a climate of hardship and hostile racial bigotry that forced second-class citizenship on African Americans.

Henry endured intolerance by leaning on her faith and her commitment to a cause that she believed God had called her to follow. When she came to Utah in 1949 she thought it would be a brief stay, but she ended up making it her home for more than fifty years. In Utah, Henry committed herself to helping all races, religions, and ethnic groups coexist in appreciation of each other. While Martin Luther King Jr., Medgar Evers, and Malcolm X led the struggle for civil rights at a national level, Alberta Henry campaigned tirelessly for equality at a local level, talking at school board meetings, before city councils, and in the homes of her neighbors.

Henry was a member or officer of more than forty civic organizations and served for twelve years as president of the Salt Lake City branch of the NAACP, where she lobbied for civil rights, education, and justice. The dozens of awards and commendations she received speak to her accomplishments. While much of Henry’s story is told in her own words, Colleen Whitley provides expert and personal context to her speeches, writing, and interviews. The result is an exceptional first-person account of an African American woman leader and her role in the Civil Rights Movement in Utah. 

Musician, political critic, and hedonist, international superstar Fela Anikulapo-Kuti created a sensation throughout his career. In his own country of Nigeria he was simultaneously adulated and loathed, often by the same people at the same time. His outspoken political views and advocacy of marijuana smoking and sexual promiscuity offended many, even as his musical brilliance enthralled them. In his creation of afrobeat, he melded African traditions with African American and Afro-Caribbean influences to revolutionize world music.

Although harassed, beaten, and jailed by Nigerian authorities, he continued his outspoken and derisive criticism of political corruption at home and economic exploitation from abroad. A volatile mixture of personal characteristics -- charisma, musical talent, maverick lifestyle, populist ideology, and persistence in the face of persecution -- made him a legend throughout Africa and the world. Celebrated during the 1970s as a musical innovator and spokesman for the continent's oppressed masses, he enjoyed worldwide celebrity during the 1980s and was recognized in the 1990s as a major pioneer and elder statesman of African music. By the time of his death in 1997 from AIDS-related complications, Fela had become something of a Nigerian institution.

In Africa, the idea of transnational alliance, once thought to be outmoded, has gained new currency. In African America, during a period of increasing social conservatism and ethnic polarization, Africa has re-emerged as a symbol of cultural affirmation. At such an historical moment, Fela's music offers a perspective on race, class, and nation on both sides of the Atlantic. As Professor Veal demonstrates, over three decades Fela synthesized a unique musical language while also clearing -- if only temporarily -- a space for popular political dissent and a type of counter-cultural expression rarely seen in West Africa. In the midst of political turmoil in Africa, as well as renewal of pro-African cultural nationalism throughout the diaspora, Fela's political music functions as a post-colonial art form that uses cross-cultural exchange to voice a unique and powerful African essentialism.

This biography of John Gould Fletcher examines his Modernist work as poet and critic and his life as child, writer, husband, and lover. Fletcher moved in high literary circles, often causing confusion among his critics and followers with his writing—was he Imagist, Agrarian, or Modernist? Or was he simply John Gould Fletcher, the man, caught up in tumultuous times and events, seeking no particular label to pin on his writing, but rather reflecting the changing world as he saw and lived it?

The motivating force behind Final Light was to document Snow’s “visual language”—forged early in his career from abstract expressionist influences typified by Willem de Kooning, Joan Mitchell, Robert Motherwell, and Franz Kline, among others. Final Light represents the first book to examine the legacy of this significant Utah educator and painter. Renowned scholars, writers, and activists who are familiar with Snow’s work—many of whom were his close friends—recount personal experiences with the artist and delve into his motives, methods, and reputation. The volume not only offers their commentaries, but also contains more than 80 exquisite full-color reproductions of Snow’s paintings, dating from the 1950s until 2009, when he died in an auto accident at the age of eighty-two.

A nationally recognized artist, Snow chose to stay in Utah where, when not teaching at the University of Utah, he roamed the southern Utah desert gaining inspiration from the red rock formations, especially the Cockscomb outside his studio near Capitol Reef National Park. Snow said, “Every artist probably wonders if he or she made the right decision to dig in to a certain place.” He dug into the landscape in and around Southern Utah and never regretted it. Just as “Tennessee Williams’s South, William Faulkner’s Mississippi, [or] John Steinbeck’s West Coast, formed their work,” the desert lands of the Colorado Plateau formed Snow’s. Their sense of place, “without provincialism,” said Snow “is what gives their art its enduring power.” Final Light will appeal to art historians and art lovers, especially those interested in abstract expressionism and the art of Utah, the West, and the Southwest.

Chosen by 15 Bytes, Utah's art magazine, as the most exceptional art book for 2014.  

Bix Beiderbecke was one of the first great legends of jazz. Among the most innovative cornet soloists of the 1920s and the first important white player, he invented the jazz ballad and pointed the way to “cool” jazz. But his recording career lasted just six years; he drank himself to death in 1931—at the age of twenty-eight. It was this meteoric rise and fall, combined with the searing originality of his playing and the mystery of his character—who was Bix? not even his friends or family seemed to know—that inspired subsequent generations to imitate him, worship him, and write about him. It also provoked Brendan Wolfe’s Finding Bix a personal and often surprising attempt to connect music, history, and legend.

A native of Beiderbecke’s hometown of Davenport, Iowa, Wolfe grew up seeing Bix’s iconic portrait on everything from posters to parking garages. He never heard his music, though, until cast to play a bit part in an Italian biopic filmed in Davenport. Then, after writing a newspaper review of a book about Beiderbecke, Wolfe unexpectedly received a letter from the late musician's nephew scolding him for getting a number of facts wrong. This is where Finding Bix begins: in Wolfe's good-faith attempt to get the facts right.

What follows, though, is anything but straightforward, as Wolfe discovers Bix Beiderbecke to be at the heart of furious and ever-timely disputes over addiction, race and the origins of jazz, sex, and the influence of commerce on art. He also uncovers proof that the only newspaper interview Bix gave in his lifetime was a fraud, almost entirely plagiarized from several different sources. In fact, Wolfe comes to realize that the closer he seems to get to Bix, the more the legend retreats. 

Essayist Catharine Savage Brosman explores the relationship of human beings to their environment, traveling from American deserts to dense European urban settings. Whether sipping wine in a Parisian café, partying with the jet set in Aspen, or contemplating the arid desert West that she loves, Brosman inhabits these settings, and many others, with a sense of adventure and discovery. To read these essays is to enjoy the company of a lively, thoughtful, original mind. Brosman’s "higher ground" is that place we all seek, where we can find and express our own best selves.

"Summers, I live at fishcamp. June through August, Mondays and Fridays, my partner and I catch and sell salmon that pass our beach on their way to spawning streams. The rest of the week, and parts of May and September, Ken and I mend nets, comb the rocky shoreline for useful poles and cottonwood bark, do a thousand camp chores and projects. We live quite happily in a tiny cabin at the top of the beach." --from Fishcamp

For the past eighteen summers, Nancy Lord and her partner Ken have made a living, and made a life, fishing for salmon off the west side of Cook Inlet on the southern coast of Alaska. In Fishcamp, Lord provides a nuanced and engrossing portrait of their days and months in camp at the inlet.

Beginning with their arrival by plane on a freshly thawed lake, she describes their joys and tribulations as spring gives way to summer and the long months of summer unfold. With poetic cadence and magical tone, Lord draws the reader into life at camp, sharing experiences that range from the mundane to the sublime: the mending of nets; the muscle-wrenching labor of the catch; the exquisite pleasure of an improvised hot-tub; the often unnoticed bounty of the inlet's flora and fauna. Interwoven throughout the descriptions of quotidian adventure are threads of the deeper history of the region -- stories and legends of the native Dena'ina; anecdotes about past and current inlet residents; discussions of the lives of their neighbors, both human and animal, who, like them, live with fish.

Fishcamp is Nancy Lord's eloquent paean to the place she calls home. In clear and richly textured prose, she captures the simple beauty of a life lived with nature, "a part" rather than "apart." As Lord explains, she shows us in Fishcamp "something about what even one place and its infinitely varied life contributes to the connections among us all and to the wholes we call 'world' and 'culture.'...Wherever our places are and whatever we do in them, perhaps we might all begin to pay more attention to the little and big things that do indeed connect in profound ways to all the rest, miles and eons and cultures apart."

Fishcamp is a remarkable combination of personal, cultural, and natural history from what will surely be recognized as one of the most talented new voices of our time.

Flannery O’Connor (1925–1964) ranks among the foremost writers of fiction in American literature. Her short stories, in particular, are considered models of the form. Born in Savannah, O’Connor spent most of her life in Georgia and infused her work with southern characters, themes, and landscapes. A devout Catholic, she addressed the mystery of God’s grace in everyday life, often amid the grotesque, the shocking, and the violent. In this first full-length biography of the writer, Jean W. Cash draws upon extensive interviews with O’Connor’s friends, relatives, teachers, and colleagues as well as on the writer’s voluminous correspondence to provide a sensitive, balanced portrait of a fascinating woman.

As Cash demonstrates, O’Connor’s sheltered childhood, extraordinary intellect, spiritual certainty, and unique personality—including a wry sense of humor—combined not only to make her something of an outsider but also to foster her literary genius. As a child, her favorite activities were reading, writing stories, and drawing. Perhaps more unusual was her childhood feat of teaching a rooster to walk backwards. Her passion for exotic fowl later found expression in the peacock symbolism in her fiction.

The family moved to Milledgeville, Georgia, in 1938, and there O’Connor attended high school and college. She left the South in 1945 and entered the graduate writing program at the University of Iowa, where she completed several chapters of her first novel, Wise Blood. She went on to live at the Yaddo writers’ colony in Saratoga Springs, New York, and she might have spent her most creative years in the North if illness had not interfered. However, lupus—the same disease that had killed her father—forced her to return to Milledgeville, where she lived and wrote for the remaining fourteen years of her life under the protective care of her mother.

The latter chapters of Cash’s biography address O’Connor’s adjustment to her debilitating illness and to a more circumscribed existence. As Cash explains, she learned to accommodate her mother’s insular outlook, and in many ways her fiction profited artistically during this period. Her friendships and active correspondence added to the variety and vitality of her life. She also traveled widely on the lecture circuit and reviewed books for a local Catholic publication. Even in her illness and relative isolation in Milledgeville, O’Connor continued to live a richly rewarding and creative life.

The Author: Jean W. Cash is professor of English at James Madison University.

“When I was eleven the world was filled with birds,”writes Lisa Knopp of her girlhood in Burlington, Iowa. Picking up where she left off in her first book, Field of Vision, Knopp knits together sections of her life story through a pattern of images drawn from nature. The most prevalent of these unifying themes are metaphors of flight—birds, wind, moving upward and outward and across the midwestern landscape from Nebraska and Iowa to southern Illinois.

Reminiscent of Thoreau's introspective nature writing and Dillard's taut, personal prose, each chapter in Flight Dreams stands alone as a distinct narrative, yet each is linked by profoundly personal descriptions of dreams, the natural world, defining experiences, and chance encounters with people that later prove to be fateful. Part Eastern meditation, part dream sequence, part historical reconstruction, Flight Dreams testifies to a deep understanding of how the natural world—its visible and invisible elements—guides our destinies.

Flinders Petrie has been called the “Father of Modern Egyptology”—and indeed he is one of the pioneers of modern archaeological methods. This fascinating biography of Petrie was first published to high acclaim in England in 1985. Margaret S. Drower, a student of Petrie’s in the early 1930s, traces his life from his boyhood, when he was already a budding scholar, through his stunning career in the deserts of Egypt to his death in Jerusalem at the age of eighty-nine. Drower combines her first-hand knowledge with Petrie’s own voluminous personal and professional diaries to forge a lively account of this influential and sometimes controversial figure.
    Drower presents Petrie as he was: an enthusiastic eccentric, diligently plunging into the uncharted past of ancient Egypt. She tells not only of his spectacular finds, including the tombs of the first Pharaohs, the earliest alphabetic script, a Homer manuscript, and a collection of painted portraits on mummy cases, but also of Petrie’s important contributions to the science of modern archaeology, such as orderly record-keeping of the progress of a dig and the use of pottery sherds in historical dating. Petrie's careful academic methods often pitted him against such rival archaeologists as Amélineau, who boasted he had smashed the stone jars he could not carry away to be sold, and Maspero and Naville, who mangled a pyramid at El Kula they had vainly tried to break into.

The Schuylkill River-the name in Dutch means "hidden creek"-courses many miles, turning through Philadelphia before it yields to the Delaware. "I am this wide. I am this deep. A tad voluptuous, but only in places," writes Beth Kephart, capturing the voice of this natural resource in Flow.

An award-winning author, Kephart's elegant, impressionistic story of the Schuylkill navigates the beating heart of this magnificent water source. Readers are invited to flow through time-from the colonial era and Ben Franklin's death through episodes of Yellow Fever and the Winter of 1872, when the river froze over-to the present day. Readers will feel the silt of the Schuylkill's banks, swim with its perch and catfish, and cruise-or scull-downstream, from Reading to Valley Forge to the Water Works outside center city.

Flow's lush narrative is peppered with lovely, black and white photographs and illustrations depicting the river's history, its people, and its gorgeous vistas. Written with wisdom and with awe for one of the oldest friends of all Philadelphians, Flow is a perfect book for reading while the ice melts, and for slipping in your bag for your own visit to the Schuylkill.

Fluxus—from the Latin, meaning “to flow”—was a radical, international network of artists, composers, and designers in the 1960s and 1970s noted for blurring the boundaries between what we term “art” and what makes up everyday life. Following the work of American Fluxus founder George Maciunus, Fluxus and the Essential Questions of Life presents a variety of objects that express the Fluxus mission, while empowering readers to challenge the presumptions we bring to the concept and practice of art making.

Based on a large-scale traveling exhibition first organized at Dartmouth College’s Hood Museum of Art, this book chronicles the movement in the form of an art self-help book, playfully providing answers to fourteen key questions such as “Art—what is it good for?” and “What am I?” via Fluxus works. Featuring over eighty color and black-and-white illustrations, accompanied by essays from curator Jacquelynn Baas, Fluxus scholars Hannah Higgins and Jacob Proctor, and Fluxus artist Ken Friedman, this book will make an original contribution to our understanding of this provocative moment in modern art.

When Donald Justice wrote in “On a Picture by Burchfield” that “art keeps long hours,” he might have been describing his own life. Although he early on struggled to find a balance between his life and art, the latter became a way of experiencing his life more deeply. He found meaning in human experience by applying traditional religious language to his artistic vocation. Central to his work was the translation of the language of devotion to a learned American vernacular. Art not only provided him with a wealth of intrinsically worthwhile experiences but also granted rich and nuanced ways of experiencing, understanding, and being in the world. For Donald Justice—recipient of some of poetry’s highest laurels, including the Pulitzer Prize, the Bollingen Prize, and the Lannan Literary Award for Poetry—art was a way of life.

Because Jerry Harp was Justice’s student, his personal knowledge of his subject—combined with his deep understanding of Justice’s oeuvre—works to remarkable advantage in For Us, What Music? Harp reads with keen intelligence, placing each poem within the precise historical moment it was written and locating it in the context of the literary tradition within which Justice worked. Throughout the text runs the narrative of Justice’s life, tying together the poems and informing Harp’s interpretation of them. For Us, What Music? grants readers a remarkable understanding of one of America’s greatest poets.

It is virtually impossible to understand the history of modern Guyana without understanding the role played by Forbes Burnham. As premier of British Guiana, he led the country to independence in 1966 and spent two decades as its head of state until his death in 1985. An intensely charismatic politician, Burnham helped steer a new course for the former colony, but he was also a quintessential strongman leader, venerated by some of his citizens yet feared and despised by others.
 
Forbes Burnham: The Life and Times of the Comrade Leader is the first political biography of this complex and influential figure. It charts how the political party he founded, the People’s National Congress, combined nationalist rhetoric, socialist policies, and Pan-Africanist philosophies. It also explores how, in a country already deeply divided between the descendants of African slaves and Indian indentured servants, Burnham consolidated political power by intensifying ethnic polarizations. Drawing from historical archives as well as new interviews with the people who knew Burnham best, sociologist Linden F. Lewis examines how his dictatorial tendencies coexisted with his progressive convictions. Forbes Burnham is a compelling study of the nature of postcolonial leadership and its pitfalls.

 

New Third Edition!

If sociology could teach everyone just one thing, what would it be? The Forest and the Trees is one sociologist's response to the hypothetical-the core insight with the greatest potential to change how people see the world and themselves in relation to it.
 
This Third Edition features:
• Updated key references, data, resources, and examples, from global warming, Obama's election, and gay marriage to transgender/cisgender and the Occupy Movement
• A glossary of terms
• The short essays in Chapter 6, framed around the power of sociology, dig beneath easy and popular understandings to reveal what lies beneath
• An additional analysis of how men's violence is made invisible even though most violence is perpetrated by men
• Chapter 7's focus on sociology as a worldview with an analysis of the origins of white privilege 

If sociology could teach everyone just one thing, what would it be? The Forest and the Trees is one sociologist's response to the hypothetical—the core insight with the greatest potential to change how people see the world and themselves in relation to it.

This revised and updated edition features:

• A new chapter that brings together the various aspects of the sociological model described in previous chapters with a detailed application to the origins of racism in the United States

•A discussion of how individuals can participate in social change by stepping off paths of least resistance

•The addition of graphics to illustrate the sociological model of systems and individuals

On the morning of August 21, 1861, John T. Wilder, a brash young colonel of a Union mounted infantry unit nicknamed the “Lightning Brigade” ordered his men to open fire on the city of Chattanooga, Tennessee, damaging buildings, sinking steamboats along the riverfront, and injuring men, women, and children. In the midst of Reconstruction and an emerging new South a mere eight years later, Wilder was elected mayor of Chattanooga. While Wilder is most closely associated with the Lightning Brigade, which helped to pioneer the use of both mounted infantry and repeating firearms during the American Civil War, his military accomplishments occupied only five years of his eighty-seven year life. His immense postwar success, however, left a permanent mark on the industrial development of the war-torn South in the second half of the nineteenth century.

It is the comprehensive picture of Wilder’s nearly nine decades that Maury Nicely seeks to capture in Forging a New South: The Life of General John T. Wilder. “For many war heroes, there was not much beyond the war worth telling,” Nicely writes. “Such was not the case with Wilder.” A successful entrepreneur and industrialist, after the war Wilder relocated to East Tennessee, where he created dozens of businesses, factories, mines, hotels, and towns; was elected mayor of the city he had shelled during the war; and cultivated close personal and business relationships with Federal and Confederate veterans alike, helping to create a new South in the wake of a devastating conflict. Presented in two parts and accompanied by more than sixty detailed photographs and maps, Nicely’s balanced study fills a significant void—the first complete biography of General John T. Wilder.

"My name will survive as long as man survives, because I am writing the greatest diary that has ever been written. I intend to surpass Pepys as a diarist."

When John Frush Knox (1907-1997) wrote these words, he was in the middle of law school, and his attempt at surpassing Pepys—part scrapbook, part social commentary, and part recollection—had already reached 750 pages. His efforts as a chronicler might have landed in a family attic had he not secured an eminent position after graduation as law clerk to Justice James C. McReynolds—arguably one of the most disagreeable justices to sit on the Supreme Court—during the tumultuous year when President Franklin D. Roosevelt tried to "pack" the Court with justices who would approve his New Deal agenda. Knox's memoir instead emerges as a record of one of the most fascinating periods in American history.

The Forgotten Memoir of John Knox—edited by Dennis J. Hutchinson and David J. Garrow—offers a candid, at times naïve, insider's view of the showdown between Roosevelt and the Court that took place in 1937. At the same time, it marvelously portrays a Washington culture now long gone. Although the new Supreme Court building had been open for a year by the time Knox joined McReynolds' staff, most of the justices continued to work from their homes, each supported by a small staff. Knox, the epitome of the overzealous and officious young man, after landing what he believes to be a dream position, continually fears for his job under the notoriously rude (and nakedly racist) justice. But he soon develops close relationships with the justice's two black servants: Harry Parker, the messenger who does "everything but breathe" for the justice, and Mary Diggs, the maid and cook. Together, they plot and sidestep around their employer's idiosyncrasies to keep the household running while history is made in the Court.

A substantial foreword by Dennis Hutchinson and David Garrow sets the stage, and a gallery of period photos of Knox, McReynolds, and other figures of the time gives life to this engaging account, which like no other recaptures life in Washington, D.C., when it was still a genteel southern town.

Rarely has an individual's life been so inseparable from his writing as was Randolph Bourne's. His work reveals not only his political viewpoints but also his humanistic personality and the tumultuous era during which he lived. Forgotten Prophet carefully examines the intellect and personality of the "born essayist" who saw clearly both his century's potential for harmony and the danger that it faced from the lingering tides of nineteenth-century European nationalism.

Disfigured and hunchbacked, Bourne reacted to his disability not with bitterness or self-pity, but rather with an exuberant love for beauty and a compassion for humanity that created in him a longing for a truly cosmopolitan society—a "trans-national America" that would draw its strength from ethnic diversity and political pluralism. Nearly alone among American intellectuals, Bourne actively denounced involvement in World War I. He foresaw that, beyond the horrible cost in young lives, the war would bring in its wake the spiritual impoverishment of the nation and the disillusionment of its youth; it would strangle reform and social tolerance, exacerbate racism and nativism, and plant the seeds for further international instability. Although derided and largely ignored at the time they were written, Bourne's fearful predictions would all too quickly be confirmed in the dissolute frenzy of the jazz age, the turmoil of the 1930s, and the social chaos that brought about the rise of fascism in Europe and, soon, an even more destructive war.

Bourne did not live to witness this terrifying unfolding of events. His career as a social critic was brief but prolific. When he died in 1918 at the age of thirty-two, a victim of the flu epidemic, he had completed three books and more than a hundred essays. His first book, Youth and Life, is considered by some to be the original manifesto of the counterculture. From his earliest years as a writer, Bourne was identified as a voice for youth, idealism, and progress in human relations. Forgotten Prophet characterizes Bourne not just as a foreseer of this century's bloodshed but, equally important, as an apostle of hope—a champion of what was best, most truthful in the arts, in politics, and in the conduct of our daily lives.

In his time Benjamin Franklin (1706–1790) was the most famous American in the world. Even those personally unacquainted with the man knew him as the author of Poor Richard’s Almanack, as a pioneer in the study of electricity and a major figure in the American Enlightenment, as the creator of such life-changing innovations as the lightning rod and America’s first circulating library, and as a leader of the American Revolution. His friends also knew him as a brilliant conversationalist, a great wit, an intellectual filled with curiosity, and most of all a master anecdotist whose vast store of knowledge complemented his conversational skills. In Franklin in His Own Time, by reprinting the original documents in which those anecdotes occur, Kevin Hayes and Isabelle Bour restore those oft-told stories to their cultural contexts to create a comprehensive narrative of his life and work.

 

The thirty-five recollections gathered in Franklin in His Own Time form an animated, collaborative biography designed to provide a multitude of perspectives on the “First American.” Opening with an account by botanist Peter Kalm showing that Franklin was doing all he could to encourage the development of science in North America, it includes on-the-spot impressions from Daniel Fisher’s diary, the earliest surviving interview with Franklin, recollections from James Madison and Abigail Adams, Manasseh Cutler’s detailed description of the library at Franklin Court, and extracts from Alexander Hamilton’s unvarnished Minutes of the Tuesday Club. Franklin’s political missions to Great Britain and France, where he took full advantage of rich social and intellectual opportunities, are a source of many reminiscences, some published here in new translations. Genuine memories from such old friends as Thomas Jefferson and John Adams, as opposed to memories influenced by the Autobiography, clarify Franklin’s reputation. Robert Carr may have been the last remaining person who knew Franklin personally, and thus his recollections are particularly significant.

 

Each entry is introduced by a headnote that places the selection in its historical and cultural contexts; explanatory notes provide information about people and places; and the editors’ comprehensive introduction and chronology detail Franklin’s eventful life. Dozens of lively primary sources published incrementally over more than a hundred years illustrate the complexity of the man, his mind, and his mannerisms in a way that no single biographer could.

This is the first full-length biography of the woman who crusaded tirelessly for women, workers, and children, and became the most celebrated socialist woman from the West.

Imagine a Singapore in which flat rental was S$50 a month, a plate of noodles cost as little as 20 cents, and television broadcasts ended at 10pm every night.
 From the Blue Windows is a collection of Tan Kok Yang's memories of growing up in Queenstown back when the tallest residential building there was fourteen storeys, the Alexandra Canal flooded regularly, and wayang shows were a regular feature on Mei Ling Street. He stayed in Princess Estate, an area that was colloquially known as "the Blue Windows" because of its unique blue glass louvred windows.


With nostalgia and a sense of loss, this memoir is a personal tribute to and celebration of Queenstown and a simple but fulfilling way of life that has all but vanished from modern Singapore.

Few frontiersmen in the late eighteenth century and early nineteenth century epitomized the reckless energies of the West and the lust for adventure as did John Smith T—pioneer, gunfighter, entrepreneur, militia colonel, miner, judge, and folk hero. In this fascinating biography, Dick Steward traces the colorful Smith T's life from his early days in Virginia through his young adulthood. He then describes Smith T's remarkable career in the wilds of Missouri and his armed raids to gain land from Indians, Spaniards, and others.

Born into the fifth generation of Virginia gentry, young Smith first made his name on the Tennessee frontier. It was there that he added the "T" to his name to distinguish his land titles and other enterprises from those of the hosts of other John Smiths. By the late 1790s he owned or laid claim to more than a quarter million acres in Tennessee and northern Alabama.

In 1797, Smith T moved to Missouri, then a Spanish territory, and sought to gain control of its lead-mining district by displacing the most powerful American in the region, Moses Austin. He acquired such public positions as judge of the court of common pleas, commissioner of weights and levies, and lieutenant colonel of the militia, which enabled him to mount a spirited assault on Austin's virtual monopoly of the lead mines. Although neither side emerged a winner from that ten-year-old conflict, it was during this period that Smith T's fame as a gunfighter and duelist spread across the West. Known as the most dangerous man in Missouri, he was said to have killed fourteen men in duels.

Smith T was also recognized by many for his good works. He donated land for churches and schools and was generous to the poor and downtrodden. He epitomized the opening of the West, helping to build towns, roads, and canals and organizing trading expeditions.

Even though Smith T was one of the most notorious characters in Missouri history, by the late nineteenth century he had all but disappeared from the annals of western history. Frontier Swashbuckler seeks to rescue both the man and the legend from historical obscurity. At the same time, it provides valuable insights into the economic, political, and social dynamics of early Missouri frontier history.

Writer, editor, journalist, educator, feminist, conversationalist, and reformer Margaret Fuller (1810–1850) was one of the leading intellectuals of nineteenth-century America as well as a prominent member of Concord literary circles. Yet the challenging spirit behind her intellectual confidence and mesmerizing energy led to the invention of an unbalanced legacy that denied her a place among the canonical Concord writers. This collection of first-hand reminiscences by those who knew Fuller personally rescues her from these confusions and provides a clearer identity for this misrepresented personality.
     The forty-one remembrances from Nathaniel Hawthorne, Oliver Wendell Holmes, Ralph Waldo Emerson, Thomas Carlyle, Harriet Martineau, Henry James, and twenty-four others chart Fuller’s expanding influence from schooldays in Boston, meetings at the Transcendental Club, teaching in Providence and Boston, work on the New York Tribune, publications and conversations, travels in the British Isles, and life and love in Italy before her tragic early death. Joel Myerson’s perceptive introduction assesses the pre- and postmortem building of Fuller’s reputation as well as her relationship to the prominent Transcendentalists, reformers, literati, and other personalities of her time, and his headnotes to each selection present valuable connecting contexts.
     The woman who admitted that “at nineteen she was the most intolerable girl that ever took a seat in a drawing-room,” whose Woman in the Nineteenth Century is considered the first major book-length feminist call to action in America, never conformed to nineteenth-century expectations of self-effacing womanhood. The fascinating contradictions revealed by these narratives create a lively, lifelike biography of Fuller’s “rare gifts and solid acquirements . . . and unfailing intellectual sympathy.”