front cover of Lighthouse
Lighthouse
Jerald and Sandra Tanner, Despised and Beloved Critics of Mormonism
Ronald V. Huggins
Signature Books, 2022
While some may view Jerald and Sandra Tanner only as despised critics of the Church of Jesus Christ of Latter-day Saints, it is impossible to trace the course of Mormon history over the past sixty years without acknowledging their contribution. Many both inside and outside of Mormonism respect them for their unflinching quest for truth no matter the cost, as when Jerald declared Mark Hofmann’s notorious Salamander Letter a forgery months before some experts declared it authentic. Their Utah Lighthouse Ministry has operated for decades only blocks from church headquarters, where their many works on Mormonism are still printed and sold. Jerald died in 2006 but Sandra continues to oversee the ministry. 

The Tanners consistently challenged the church’s position on many historical issues. Utah Lighthouse was long the only source for Mormon scholars to obtain crucial historical reprints, which they still happily or begrudgingly purchase; for others, the Tanners’ writings have been the source of disillusionment with the church. Despised or beloved, the influence of Jerald and Sandra Tanner cannot be underestimated or ignored.
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logo for Harvard University Press
The Seen and the Unseen
Virginia Woolf's To The Lighthouse
Lisa Ruddick
Harvard University Press, 1977

front cover of Where Light in Darkness Lies
Where Light in Darkness Lies
The Story of the Lighthouse
Veronica della Dora
Reaktion Books, 2022
An illuminating history of both real-life lighthouses and the beacons of literature and art alike, shedding light on the multifaceted power of these liminal structures.
 
Suspended between sea and sky, battered by the waves and the wind, lighthouses mark the battle lines between the elements. They guard the boundaries between the solid human world and the primordial chaos of the waters; between stability and instability; between the known and the unknown. As such, they have a strange, universal appeal that few other manmade structures possess.
 
Engineered to draw the gaze of sailors, lighthouses have likewise long attracted the attention of soldiers and saints, artists and poets, novelists and filmmakers, colonizers and migrants, and, today more than ever, heritage tourists and developers. Their evocative locations, isolation, and resilience, have turned these structures into complex metaphors, magnets for stories. This book explores the rich story of the lighthouse in the human imagination.
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